Live Jazz: Karrin Allyson at Catalina Bar & Grill

December 13, 2014

By James DeFrances

Hollywood. The holiday season was in full swing Thursday night at Catalina’s Jazz Club in Hollywood with some good old fashioned yuletide cheer. 4-time Grammy nominee singer-pianist Karrin Allyson took center stage to entertain the eager crowd.

Her show was a bit of a departure from a typical straight ahead jazz event though. The configuration of the band, for one, was unique in the fact that there was a Hammond B3 organ and a rhythm guitar. And the material was special, too, for this time of year, a specific holiday format

Karrin Allyson

Karrin Allyson

Allyson had just flown into Southern California earlier that day and at one point she mentioned that “being on a plane for 6 hours messes with your head a bit.” But honestly I don’t think anyone could tell she had been traveling. To me she seemed completely calm, confident and fully capable of showing off her vocal bag of tricks!

Her set list ranged from acoustic, unplugged type arrangements to soulful blues-esque rhythm pieces. Her whimsical phrasing and expert “play by feel” timing brought each and every song to life. Allyson conversationally said to the crowd that she had always wanted a backup singer, or to be a backup singer with a glass half empty/glass half full tone of voice. What this statement actually intended to do was introduce the sprightly young vocalist and songsmith Aubrey Caswell who had written a few tunes recently for Allyson. She was amongst the audience tonight and was promptly invited up on stage to perform two duets. Aubrey is the daughter of Chris “Kazz” Caswell who was already on stage as part of the band, playing the organ.

Aubrey Caswell and Karrin Allyson

Aubrey Caswell and Karrin Allyson

The audience warmly received the younger Caswell, her well refined stage presence and her vocal talents. Allyson and Caswell performed “Winter Oasis” from her most recent album Yuletide Hideaway. Other highlights of the evening included Allyson’s moving solo performance of Johnny Mandel’s “The Shadow of Your Smile” (she even did the verse!) and Mose Allison’s “I Don’t Worry About a Thing.”

In a world of cookie cutter duplicates Karrin Allyison sometimes recalls Norah Jones and Liza Minnelli. But her musical stamp is purely her own. She’s a one of a kind talent, and there’s everything to praise about that!

There’s one more chance to hear Karrin Allyson — tonight (Saturday) at Catalina Bar & Grill.  Don’t miss her.  And be sure to check out her Christmas CD, Yuletide Hideaway.

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Photos by James DeFrances.


Live Music: Corky Hale and Eloise Laws at Catalina Bar & Grill

December 5, 2014

By Don Heckman

Hollywood. Any evening of music with the names of Corky Hale and Eloise Laws at the top of the program is pretty much guaranteed to offer plenty of memorable moments. Which is exactly what happened Wednesday night at Catalina Bar & Grill.

The overflow crowd of enthusiastic fans, filling virtually every table in Catalina Popescu’s large, but still warm and cozy venue, were there because of their awareness of the stellar qualities of the two headliners.

Corky Hale

Corky Hale

 

 

The versatile Hale is a remarkable multi-hyphenate, doubling impressively on harp and piano, and a first call studio player on both instruments, singing with her own uniquely interpretive vocal qualities and a frequent discoverer and supporter of new young vocal talent. (Add to that her year round efforts to support candidates of the Democratic Party – more evidence of the vitality that has been present over the course of Hale’s long dynamic career.)

 

 

 

Eloise Laws

Eloise Laws

 

 

Laws is, of course, a member of the remarkable Laws family – which also includes flutist Hubert Laws, saxophonist Ronnie Laws and singer Debra Laws. But her lengthy and busy career – reaching back to the ’70s is her own. Although she has demonstrated prime talents as a back up singer, she has firmly established herself as master of crossover styles reaching across pop, blues, r&b and jazz. Nor can we overlook her skills as a producer, actress and writer for the stage.

 

The performance by Hale and Laws – titled “Sister! A Salute to the Great Women of Jazz” – provided an excellent opportunity for each to display her various talents. Hale moved frequently from piano to harp, pausing on a few occasions to take the vocal microphone herself. Laws, occasionally interacting humorously with her listeners, displayed her stylistic range with a rich program of songs.

Each also dealt with some occasional uncertainty about which song was coming next, transforming the confusion into improvisational banter. Although it may have seemed disorienting from the performers’ on stage perspective, it was – for the audience – another of the evening’s many delights.

Add to that, the music itself. Among the numerous highlights:

Corky Hale and Eloise Laws

Corky Hale and Eloise Laws

Laws quickly dug into the theme of the show – “Salute to the Great Women of Jazz” – with a a briskly swinging romp through “How High the Moon” recalling the classic Ella Fitzgerald version. And she followed with other salutes – to Billie Holiday with “God Bless the Child,” Peggy Lee with “Fever,” and Shirley Horn with “Here’s To Life” (accompanied by pianist Artie Butler, who composed the song with lyricist Phyllis Molinary), and more. Further displaying her interpretive range, she offered a lyrical reading of “Send in the Clowns” and dueted with Hale’s harp accompaniment on “My Ship” and guitarist John Chiodini’s backing on “I’m Old Fashioned,”

Corky Hale, Eloise Laws and their band.

Corky Hale, Eloise Laws and their band.

Hale was the dynamo for the entire performance. Moving from the piano to the harp and back to the piano, energizing the backing of the rhythm section and keeping track of the program, she only had the opportunity to sing a few vocals. When she did – especially on “I Want To Be Happy” and “S’Wonderful” – she left the audience (and this listener) wishing for more. Hale’s generosity with other singers, often present in her performances, was an essential part of this evening, as well. And the results made for a program overflowing with entertaining musicality.

Still, as I’ve written in past reviews of Hale’s appearances, I hope that she will also continue to find – amid her immensely busy life – time to express her own musical creativity, as well.

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Photos by Faith Frenz.


Picks of the Week: December 1 – 7 in L.A. and Beyond

December 1, 2014

By Don Heckman

Los Angeles

Eloise Laws nd Corky Hale

Eloise Laws nd Corky Hale

- Dec. 3. (Wed.) Corky Hale and Eloise Laws. Pianist/harpist and all around music master Hale gets together with the engaging, Laws family vocalist Eloise for an evening of prime time music making. Her appropriate title for the evening is “Sisters! A Salute to the Great Women of Jazz, featuring a special suprise guest. Catalina Bar & Grill.  (323) 466-2210.

Gustavo Dudamel

Gustavo Dudamel

- Dec. 4 – 7. (Thurs. – Sun.) Gustavo Dudamel conducts the Los Angeles Philharmonic in Mussorgsky’s always compelling Pictures at an Exhibition. Disney Hall.  (323) 850-2000.

- Dec. 5. (Fri. ) Vijay Ayer: The Rites of Holi and Mutations I – X. Pianist/composer Ayer’s Rites of Holi was inspired by the Hindu Rite of Spring celebration and based upon Stravinsky’s Rite of Spring (on the classic work’s 100th anniversary).  The Music of Transformation, written for piano, string quartet and electronics is Ayer’s first classically oriented work, driven by the improvisational imagination central to his creativity.   A CAP UCLA at Royce Hall event.  (310) 825-2101.

Dr. John

Dr. John

- Dec. 6. (Sat.) Dr. John. New Orlean’s jazz piano/vocal master and his Night Trippers can be counted on to produce an evening filled with sounds to remember. A CAP UCLA at Royce Hall event.   (310) 825-2101.

- Dec. 6. (Sat.) Judy Collins. Any performance by Judy Collins is a special event. And even more so when she does her warmly captivating program of holiday songs. Segerstrom Center for the Arts.  (714) 556-2787.

- Dec. 6. (Sat.) Bill Cunliffe nnd Imaginacion. Pianist, composer and Grammy winner Cunliffe displays his mastery of the rhythmic pleasures of Latin jazz. Vibrato Grill Jazz…etc. (310) 474-9400.

Brad Mehldau

- Dec. 6. (Sat.) The Brad Mehldau Trio and The Bad Plus. Here’s an intriguing program contrasting the differing, but fascinating jazz adventuring of pianist Mehldau and the piano oriented trio work of The Bad Plus. Valley Performing Arts Center (818) 677-8800.

-Dec. 6 & 7. (Sat. & Sun.)  The Ron Carter Golden Striker  Trio and Kenny Barron with Dave Holland.  Once again, the Jazz Bakery is offering a weekend of music to remember.  And it doesn’t get any better than this.  Saturday’s program features the iconic bassist Ron Carter with pianist Donald Vega and guitarist Russell Malone.  On Sunday, a pair of jazz masters — pianist Kenny Barron and bassist Dave Holland — meet in what will surely be a primal jazz encounter.  Don’t miss this extraordinary weekend.  A pair of Jazz Bakery Movable Feasts — at Zipper Concert Hall in the Colburn School Saturday, and at the Nate Holden Performing Arts Center on Sunday.  (310) 275-8961.

- Dec. 7. (Sun.) The Canadian Brass. First organized in 1970, the Canadian Brass quintet has gone through numerous personnel changes. But the quintet’s musical versatility has continued to increase. And they’re particularly engaging with their annual holiday program. Valley Performing Arts Center. (818) 677-8800.

San Francisco and Oakland

- Dec. 4. (Thurs.) Jason Marsalis Vibes Quartet. Yet another talented member of the musically adept Marsalis family takes center stage, first as a drummer, more recently displaying his capacity to bring new life to the jazz vibraphone. SFJAZZ Center. (866) 920-5299.

Denny Zeitlin solo.

- Dec. 5. (Fri.) Denny Zeitlin. An Evening exploring the Seminal Early Compositions of Wayne Shorter. Piedmont Piano Company, Oakland. Pianist and composer Zeitlin has been one of the music world’s true multi-hyphenates for years, balancing a career as a psychiatrist/educator with decades of masterful jazz performances and recordings. This time out, he finds inspiration in a probing, inventive exploration of the music of Wayne Shorter. The Piedmont Piano Company.  (510) 547-8188.

Seattle

- Dec. 4 – 7. (Thurs. – Sun.) The Roy Hargrove Quintet. Trumpeter Hargrove takes a break from his big band to display his always top level skills in the jazz quintet format. Jazz Alley.   (206) 441-9729.

New York City

- Dec 2 – 7. (Tues. – Sun.) Pat Metheny Unity Group. Guitarist, like most world class jazz artists, is at his best when he’s leading a group of prime players, as he is here, with the sterling ensemble of saxophonist Chris Potter, bassist Ben Williams, drummer Antonio Sanchez and multi-instrumentalist Giulio Carmassi.  The Blue Note.  (212) 475-8592.

Eliane Elias

Eliane Elias

- Dec. 2 – 6. (Tues. – Sat.) Eliane Elias. As her many fans know, one can’t get enough of the piano and vocals of Elias, who is one of the true masters of an appealing blend of the lush pleasures of Brazilian music with imaginative excursions into jazz. Birdland.  212) 581-3080.

London

- Dec. 3. (Wed.) The London Philharmonic. Rachmaninoff: Inside Out. The Philharmonic explores the creative similarities of Rachmaninoff’s Symphony No. 1, Scriabin’s Piano Concerto in F# minor and Szymanowski’s Concert Overture. Vladimir Jurowski conducts, with pianio soloist Igor Levit. Royal Festival Hall Southbank Centre  +44 844 875 0073.

Copenhagen

- Dec. 3. (Wed.) Aaron Goldberg Trio. Pianist Goldberg’s long term relationship with bassist Reuben Rogers and drummer Eric Harland is resulting in a convincingly contemporary incarnation of the classic jazz piano trio. Jazzhus Montmatre.  +45 31 72 34 94

Milan

Al Di Meola

Al Di Meola

- Dec. 3 – 6. (Wed. – Sat.) Al di Meola. Always creatively curious, in search of new jazz territory, guitarist di Meola leads an ensemble rich with harmonic settings, surging rhythms and intriguing textures. His musical companions include Argentine pianist Mario Parmisano, Moroccan percussionist Rhani Krija and Hungarian drummer Peter KaszasBlue Note Milano. +39 02 6901 6888.

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Eliane Elias photo by Bonnie Perkinson

Brad Mehldau photo by Tony Gieske.


Live Music: The Thelonious Monk 2014 International Jazz Competition Gala

November 11, 2014

By Don Heckman

Hollywood, CA. The 2014 Thelonious Monk International Jazz Competition came to a dramatic conclusion Sunday night in a All-Star Gala event at Dolby Hall in Hollywood. This year, the Competition was for trumpet players. And the three finalists each offered a display of their considerable skills in a setting that allowed each player to perform a pair of selections of their own choice. And it was no surprise that works by Thelonious Monk were popular choices.

Inevitably, there was a winner, a second and a third place finisher, as follows:

1st Place Winner: Marquis Hill from Chicago.

1st Place Winner: Marquis Hill from Chicago.

 

2nd Place Winner: Billy Buss from Berkeley

2nd Place Winner: Billy Buss from Berkeley

3rd Place Winner Adam O’Farrill from Brooklyn

But the prevalent thought that came to mind while hearing these fine young players in action was the firm belief that each of the prodigal musicians had displayed all the skills required for successful careers in the musical world in general and the jazz world specifically. And, win or place as a finalist, they all will benefit from the visibility associated with having placed so high in such a major competition.

In addition to the Competition finals, the Gala presented a concert clearly intended as a celebration of jazz itself, in its many shapes, sizes, styles, disguises and a lot more. As a result, much of the music was far more closely related to pop, blues, rock, soul and beyond. No problem there, except in the passages attempting to shoe horn those genres into a jazz setting.

In its best, moments, however – especially when singers Dee Dee Bridgewater and Dianne Reeves, and instrumentalists Herbie Hancock, John Beasley, Wayne Shorter, Marcus Miller, Stefon Harris, Joshua Redman and others were on stage – the program’s jazz roots were ever present.

Dee Dee Bridgewater, Dianne Reeves, Taj Mahal

Dee Dee Bridgewater, Dianne Reeves, Taj Mahal

The Gala concert was hosted by Kevin Spacey, Quincy Jones, Herbie Hancock, Don Cheadle, Goldie Hawn and Billy Dee Williams. It included performances by a multi-generational group of all-stars including Musical Director John Beasley, Pharrell Williams, John Mayer, Dee Dee Bridgewater, Wayne Shorter, Queen Latifah, Jimmy Heath, Chaka Khan, Taj Mahal, Dianne Reeves, Marcus Miller, Kenny Burrell, Stefon Harris, T.S. Monk, Joshua Redman, Jon Faddis, Billy Childs, Vinnie Colaiuta, James Genus, Theo Croker, Jeff “Tain” Watts, Dontae Winslow, Melissa Aldana and others.

President Bill Clinton and Herbie Hancock

President Bill Clinton and Herbie Hancock

As if the presence of all the stellar names on that list wasn’t enough, the Monk Institute also honored President Bill Clinton with the Institute’s 2014 Maria Fisher Founder’s Award. Each year, the Founder’s Award is presented to an individual who has made major contributions to the Institute, the perpetuation of jazz, and the expansion of jazz and music education programs. President Clinton received the award from Herbie Hancock, Chairman of the Monk Institute, with a smile and a wave to the crowd. He did not, apparently, ask to sit in on tenor saxophone.

The Gala ended with a crowded backstage party for participants and friends of the Monk Institute, enlivened by conversations already speculating on possibilities for next year’s Monk Competition.

Which was good news for music education. Proceeds from the All-Star Gala Concerts support the Institute’s jazz education programs in public schools across America.

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Photos courtesy of Steve Mundinger/Thelonious Monk Institute Of Jazz


Pick of the Night in L.A.: Cat Conner at Catalina Bar & Grill

November 11, 2014

By Don Heckman

Singer Cat Conner is one of the high visibility members of L.A.’s impressive assemblage of jazz vocal artists. She’s also another gifted Canadian jazz performer who’s brought her considerable jazz skills south of the border.

All of which will be self-evident tonight when Cat offers her warm, luxurious voice, convincing musical story telling and floating swing at Catalina Bar & Grill in the company of some of the Southland’s most masterful jazz instrumentalists: saxophone/woodwind artist Gene “Cip” Cipriano, guitarist John Chiodini, pianist Tom Ranier, trumpeter Ron Stout, bassist Chuck Berghofer and drummer Joe La Barbera.

 

The program celebrates the release of Cat’s new CD, Cat House. And Cat is quick to promise that it will be a big time launch party. “We are going to be playing,” she says,” with the joy of five year olds.” And singing, too.

Since most of the band of masters playing with her at Catalina’s are also on the new album, she’ll no doubt showcase selections from the CD. So expect some memorable moments. Who knows, maybe the versatile “Cip” Cipriano will also tell some of his stories and offer some amazing sounds on his bass oboe. How often do you get to hear that in a jazz club?

Don’t miss this one. Catalina Bar & Grill. (323) 466-2210.


Live Music: Los Lobos and Los Lonely Boys at Valley Performing Arts Center

November 10, 2014

By Mike Finkelstein

Northridge, CA. For several years now, Los Lobos and Los Lonely Boys have been touring together to the continuing satisfaction of their solid fan bases. Sometimes Los Lobos headlines, other times Los Lonely Boys headlines. The two bands teamed up Saturday night at the Valley Performing Arts Center on the CSUN campus for a fun evening of shared music with Los Lobos closing the show.

Saturday’s performance was a loud one. While most rock concerts are going to be that way, it’s noteworthy that the Valley Performing Arts Center doesn’t often present louder rock concerts. The VAC is a gorgeous building but the interior of the main auditorium is comprised mostly of wooden walls and baffles designed to direct the sound optimally. It seems that this actually works best for softer performances with lower volumes. The sound rattled around inside noticeably on Saturday night, reducing the high ends to a sizzling hiss. It was way too challenging just to make out the lyrics of the tunes.

While Los Lobos have been together in excess of forty years, Los Lonely Boys have been at it for nearly 20 years themselves (!). And one would think that as he band’s three brothers — Ringo, Jojo, and Henry Garza — were growing up in San Angelo, Texas they had to be inspired by the success they saw Los Lobos have playing any style of music they wanted to – masterfully and to huge acceptance. So touring with them and knowing them is coming full circle. After LLB closed their hour-long opening set, their equipment stayed where it was. It only stays if it’s going to be used later on, after all. The LLB’s were far from done.

Los Lonely Boys

Los Lonely Boys

Throughout the evening nearly all the members of each band came out to play with their touring buddies. The frontlines of both groups are all multi-instrumental so they could and did play drums or percussion as well as their guitars, regional stringed instruments, and accordions.

Aside from their ace musicianship, one of the biggest appeals of Los Lobos is how they have consistently embraced all their musical influences and worked them into the repertoire. Whether it’s traditional Mexican folk music, blues-rock, rockabilly, folk, pop or country, these guys will play it like no one else’s business and on Saturday night we got a bit of everything. In a song like “Kiko and the Lavender Moon,” it all came together. There was a simple but driving bass line, and between the lyrics, Berlin’s baritone sax, David Hidalgo’s accordion, and the timbre of his and Cesar Rojas’ voices the atmosphere was something to get lost in.

Los Lobos

Los Lobos

Having grown come up in LA in the late 60’s/early 70’s the guys in Los Lobos got to immerse themselves in all the exceptional music of those times on the radio and with vinyl records. Then they added the traditional music that was around them in the neighborhood. It makes for a uniquely rich blend of styles. Whatever the wolves play it never sounds remotely like a stretch. They do the blues-rock style very well, with songs like “Shakin’, Shakin’, Shakes,” and “Don’t Worry Baby.” Rojas’ guitar, in particular, was in the sweet spot for these tunes. His amp was ready to jump off the chair! But it was the Los Lobos rhythm section of Conrad Lozano on bass and Enrique Gonzalez on drums, wound tight and swinging, which took it to a different level. Can’t say enough good things about the power of the bass and drums being dialed in. As bass players who lay down a great groove for each tune go, Conrad Lozano is exemplary. He was grinning ear to ear for the whole ride on Saturday.

About half way through Los Lonely Boys’ opening set, Hidalgo (guitar), Berlin (baritone sax), and Perez (guitar) sat in with the band. Afterwards, bassist Jojo Garza admitted that every time they get to jam with the wolves it’s a dream come true for himself and his brothers. The good vibe was obvious on all the faces onstage. It was a night built on the simple joy of playing music with your friends for people who are right there with you.

The evening ended with a blistering version of “La Bamba.” We’ve all heard this song many times and probably noticed how much it sounds like “Twist and Shout.” But it is an historic tune. Although it’s a traditional Mexican folk song, it was made enormously popular by Ritchie Valens, of Pacoima, in the ‘50’s when he gave it a rock ‘n roll treatment. Los Lobos made the song a customized rock ‘n roll hit again when the movie about Valens’ tragic life came out in the late 80’s. So, it was only fitting that Henry Garza and Cesar Rojas would raise the bar to pump each other up trading hot solos in the middle of the tune. Both men and the audience, too, were having a blast … which is just what we all showed up for.

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To read more posts by Mike Finkelstein click HERE.


Picks of the Weekend in Los Angeles: Nov. 6 – 9

November 6, 2014

By Don Heckman

Steve Tyrell

Steve Tyrell

- Nov. 6 – 9. (Thurs. – Sun.) Steve Tyrell. Add an amiable Texas twang to a jaunty sense of swing and a convincing way with a lyric, and that still doesn’t add up to the magic that happens when Tyrell digs into the Great American Songbook. Catalina Bar & Grill. http://www.catalinajazzclub.com (323) 466-2210.

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

- Nov. 6. (Thurs.) Herb Alpert and Lani Hall. The veteran jazz trumpeter/painter/sculptor and his vocally superb wife are back again at their home base – Alpert’s jazz friendly, elegant Bel Air club. They’ll no doubt be working over material for their current touring. And that’ll be a musically captivating gift for anyone who can squeeze into what will no doubt be a full house crowd. But it’ll be worth the effort. Click HERE to read a review of the dynamic duo’s most recent appearance at.  Vibrato Grill Jazz…etc.  (310) 474-9400.

- Nov. 6. (Thurs.) David Ornette Cherry. He’s the son of trumpeter Don Cherry, who worked frequently with free jazz icon Ornette Coleman– thus David Ornette Cherry’s middle name. A keyboard player with his own unique approach to contemporary improvisation, he’s an imaginative jazz artist who deserves a hearing on his own right. The Blue Whale.  (213) 620-0908.

Los Lobos

Los Lobos

- Nov. 8. (Sat.) Los Lobos and Los Lonely Boys. The mutiple Grammy-winning group from Los Angeles are one of the popworld’s most eclectic ensembles. Blending everything from Latin pop and Chicano rock to TexMex and Americana their music has a fascinating body-moving appeal. Opening the bill, Texas’ Los Lonely Boys follow a similar musical path. Valley Performing Arts Center.  (818) 677-8800.

- Nov. 8. (Sat.) Dimitri Matheny Quartet. Matheny’s warm, engaging flugelhorn playing has thoroughly established him as one of the most emotionally expressive improvisers of his generation. He performs with the sterling backing of Joe Bagg, piano, Pat Senatore, bass, Dick Weller, drums. Vibrato Grill Jazz…etc.  (310) 474-9400.

Johnny Mathis

Johnny Mathis

- Nov. 8. (Sat.) Johnny Mathis. He doesn’t show up often any more in the Southland, so don’t miss this opportunity to hear the hit-maker of the ‘6os and 70s up close in action. Segerstrom Center for the Arts.  (714) 556-2787.

- Nov. 8. (Sat.) The New West Symphony. Marcelo Lehninger conducts the gifted players of the NWS in Brahms’ Symphony No. 2, and the Dvorak Concerto in B minor for cello and orchestra, featuring cellist Lynn Harrell. The Cavli Theatre at the Thousand Oaks Civic Arts Plaza. (805) 449-2100.

HIGHLIGHT EVENT: SATURDAY AND SUNDAY NOVEMBER 8 & 9

The 2014 Thelonious Monk International Jazz Trumpet Competition and All-Star Gala Concert

Thelonious Monk

The annual jazz competitions produced by the Thelonious Monk Institute are among the most celebrated jazz events of the year. And the 2014 installment is no exception. This year’s competition again showcases a talented, ambitious group of young players. The semi-finalists will first meet at U.C.L.A.’s Schoenberg Hall on Saturday, Nov. 8. (The semi-final event is free and open to the public.)

The three finalists will then perform in the Competition’s Gala event on Sunday, Nov. 9 at Dolby Hall. The distinguished panel of judges for both stages of the competition includes trumpeters Ambrose Akinmusire, Terence Blanchard, Randy Brecker, Roy Hargrove, Quincy Jones and Arturo Sandoval.

Following the finalists’ performances and the selection of this year’s winner, an All-Star Gala concert will feature Herbie Hancock, Wayne Shorter, Dee Dee Bridgewater, Terri Lyne Carrington, Ron Carter, Vinnie Colaiuta, Jimmy Heath, Marcus Miller, Dianne Reeves and others.

In another highlight of the Gala, the Institute will present its prestigious Founders Award to President Bill Clinton.

The Thelonious Monk Institute 2014 International Jazz Trumpet Competition  (310) 206-9700.


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