Live Jazz: Herbie Hancock, Gregory Porter and the Robert Glasper Experiment at the Hollywood Bowl

August 8, 2014

By Don Heckman

There was a strikingly diversified array of jazz at the Hollywood Bowl Wednesday night – a program signifying the L.A. Phil’s desire to present America’s improvisational music in its many varied manifestations, all of them intriguing in one way or another.

Appropriately the headline act was veteran pianist/composer Herbie Hancock, who has also been the Philharmonic’s Creative Chair for Jazz since 2010. In a career reaching back to the early ’60s, Hancock has demonstrated a creative versatility reaching across a complete range of musical expressiveness.

And he did so at the Bowl on Wednesday, as well.

Backed by bassist James Genus and drummer Vinnie Colaiuta, Hancock offered a program of his originals – including such now-classics as “Maiden Voyage,” “Jessica” and “Speak Like a Child,” as well as “Footprints,” one of the best known works by his friend and frequent musical companion, Wayne Shorter. (Surprisingly, Shorter was a rare absentee from a Hancock performance.)

A trio program by Hancock, Genus and Colaiuta alone would have provided a memorable evening of jazz at its finest. But there was much more, in the form of a full orchestra and the arrangements (and conducting) of Vince Mendoza, whose orchestrating credits reach from Sting to Joni Mitchell.

Herbie Hancock with orchestra conducted by Vince Mendoza

The results were extraordinary, with the combination of Hancock’s arching melodies and lush harmonies with Mendoza’s masterful orchestrations recalling a much earlier musical partnership: the compelling Maurice Ravel orchestrations for Mussorgsky’s Pictures at an Exhibition with orchestrations by Maurice Ravel.

But what made this combination unique was the presence of Hancock himself at the keyboard, adding his ever-imaginative improvisations to the orchestra’s rich tapestry of sound. Swinging hard in some spots, adding gorgeous lyricism in others, verging occasionally into passages with distinctly classical touches, he brought his familiar songs vividly to life. (One couldn’t, however, resist the desire to have heard more of Hancock’s eclectic classics in this fascinating setting – classics such as “Canteloupe Isand,” “Watermelon Man” and the offbeat “Rockit.” But maybe next time.)

Gregory Porter

Gregory Porter

Singer Gregory Porter added a different touch to this musically diverse evening. Establishing himself as a major jazz vocal artist in a few short years, with a Grammy nomination for his first album, Water. in 2010, Porter has been gathering a dedicated audience ever since.

Not only is Porter blessed with a lush baritone voice, he also seems to have an intuitive gift for phrasing and a laid-back sense of swing. Add to that the fact that he is one of the jazz world’s few singer/songwriters. And, although most of the originals he sang were unfamiliar, some had the catchy hooks and repetitive choruses that help listeners stay in touch with a song. By the time he finished his brief set, strongly aided by the stunning alto saxophone work of Yosuke Sato, the reasons for Porter’s rapidly growing popularity had become eminently clear.

Robert Glasper

Robert Glasper

The remaining act on the list of performers in the program was pianist Robert Glasper and the group he calls his “Experiment.” The title alone underscores Glasper’s apparent desire to remain on the cutting edge, envelope stretching areas of contemporary jazz.

Some of Glasper’s pieces harkened back to the avant-garde free improvising of the ’60s, especially when saxophonist/vocorder player Casey Benjamin was playing alto saxophone. Scouring his instrument for every sound it could make, he reached from multi-phonics to screeching high harmonics, low honks and busy fingered flurries.

Glasper also tossed in varied linkages with contemporary pop, rock and hip-hop, most of it ending up as a busy smorgasbord of sound that did little to please one’s appetite for jazz in the traditional sense. But give Glasper credit for a desire to add more to the mainstream menu.

As I noted earlier, it was an evening of jazz in many different hues. And the Philharmonic should be praised for providing a broad palette of so many musical colors.

Herbie Hancock and Gregory Porter Photos by Faith Frenz.

 

 


Picks of the Week: August 4 – 10 in Los Angeles, Seattle, Chicago, New York City, London, Berlin, Stockholm, Moscow and Tokyo

August 4, 2014

By Don Heckman

Los Angeles

- Aug. 5. (Tues.) John Pisano’s Guitar Night. The official release party for Pat Kelley‘s new CD, Overtones 4 Two Guitars. With Pisano, Kelley, Kendall Kay, drums, and John Belzaguy, bass. Viva Cantina. (818) 845-2425.

- Aug. 5 & 6. (Tues. & Wed.) The Gypsy Allstars. If you like the Gipsy Kings, you’ll be equally impressed by the Gypsy All-Stars who play a similar repertoire, energized by Gipsy Kings alumni Ced Leonardi and Mario Reyes. Vibrato Grill Jazz…etc.  (310) 474-9400.

Herbie Hancock

Herbie Hancock

- Aug. 6. (Wed.) Herbie Hancock and Gregory Porter. A classic jazz night at the Bowl. On the bill: orchestral renderings (arranged by Vince Mendoza) of selections from the Hancock songbook; and a program of song by jazz vocal star, Porter. The Hollywood Bowl. (323) 850-2000.

- Aug. 7. (Thurs.) The Haden Triplets. Charlie Haden’s talented three daughters carry on the Haden tradition of family music making Skirball Cultural Center.  (310) 440-4500.

- Aug. 7. (Thurs.) Michael McDonald and Toto. McDonald and Toto have been getting together to make music for years, dating back to the 1986 album, Farenheit.  Expect musical excitement from this compelling musical reunion.  The Greek Theatre. (323) 665-5857

 

Judy Wexler

Judy Wexler

- Aug. 7. (Thurs.) Judy Wexler. The versatile musical story-teller with a briskly swinging style performs with the sterling backing of Jeff Colella, piano, Kenny Wild, bass and Devin Kelly, Drums. The Merc at 42051 Main St. in Temecula. (866) 653-8696.

- Aug. 8. (Fri.) Kamasi Washington and the Next Step. Saxophonist Washington is rapidly establishing himself as one of the Southland’s must-hear jazz artists. Jazz at LACMA. (323) 857-6000.

- Aug. 8 & 9. (Fri. & Sat.) Gladys Knight and Kool and the Gang. Grammy-winning soul queen Knight is joined by funksters Kool and the Gang for an evening of rhythmic and vocal delights. The Hollywood Bowl.  (323) 850-2000.

- Aug. 8 & 9. (Fri. & Sat.) Jay Leonhart and Josh Nelson. Bassist Leonhart is often called “the wittiest man in jazz” for his whimsical narratives, but he’s also a world class player as well. Writing in the L.A. Times, Don Heckman described Leonhart as “the Fred Astaire of jazz.” The pairing of Leonhart with the gifted young pianist Josh Nelson should produce some irresistibly intriguing musical results. On Friday at Vitello’s;  on Saturday at Cornerstone Music Conservatory on West Pico Blvd.

Stanley Jordan

Stanley Jordan

- Aug. 8 – 10. (Fri. – Sun.) Stanley Jordan Trio. There’s no one quite like Jordan, who plays guitar with a tapping technique that allows him to create textures, sounds and harmonic clusters rarely heard on the instrument. Add to that his inventive gifts as a jazz improviser. Don’t miss this chance to hear this remarkable artist in action. Catalina Bar & Grill.  (323) 466-2210.

- Aug. 9. (Sat.) The Susie Hansen Latin Jazz Band. Violinist Susie Hansen may be a blonde mid-Westerner, but she’s been leading authentically exciting Latin jazz bands for more than two decades. since the early ’90s. As Don Heckman noted in the L.A. Times, “Susie creates a brand of music that is as physically moving as it is intellectually stimulating.” Knott’s Berry Farm. 8039 Beach Blvd., Buena Park.  (714) 220-5200.

- Aug. 9. (Sat.) The Tom Peterson Quartet. Saxophonist and woodwind artist Peterson is a first call player, with good reasons. Here’s a chance to hear him in the spotlight with a stellar rhythm section. Vibrato Grill Jazz…etc.  (310) 474-9400.

Seattle

Fourplay

- Aug. 7 – 10. (Thurs. – Sun.) Fourplay. Bob James, Chuck Loeb, Nathan East, Harvey Mason. They’ve got a reputation for funk and contemporary styles, but this veteran band of superb, veteran jazz artists bring everything they have to whatever genre-of-the-moment they’re playing. Jazz Alley.  (206) 441-9729.

Chicago

- August 7. (Thurs.) Charles McPherson. Well-known for his long run with the Charles Mingus band of the ’60s, alto saxophonist/flutist McPherson is also a convincing practitioner of classic bebop. Jazz Showcase.  (312) 360-0234.

New York City

- Aug. 5 – 10. (Tues. – Sun.)Django Reinhardt NY Festival “15th Anniversary Celebration.” It’s one of the great annual jazz celebrations, recalling the glories of the great Django Reinhardt with some of his finest musical descendants. Birdland.  (212) 581-3080.

London

Michel_Legrand

Michel_Legrand

- Aug. 8 & 9. (Fri. & Sat.) Michel Legrand Trio. Pianist/composer/songwriter does it all – writing songs (often with the Bergmans), scoring films, performing with his jazz trio – and he does it with stunning brilliance. He isn’t heard often in clubs, so don’t overlook this rare opportunity to hear him. Ronnie Scott’s  +44 (0)20 7439 0747.

Berlin

- Aug. 6 & 7. (Wed. & Thurs.) Roy Hargrove Quintet. Trumpeter Hargrove and his band were in Paris last week. Keeping his numerous European fans happy, Hargrove appears this week in Berlin. A-Trane Jazz. +49 30 3132550.

Stockholm

- Aug. 9. (Sat.) Sonny Fortune Quintet. “In the Spirit of Miles.” Alto saxophonist/woodwind player Fortune, a veteran of Miles Davis’ group of the mid-’70s – brings striking authenticity to his Davis musical celebration. Fasching Jazz Nightclub.  08-20 00 66.

Moscow

- Aug. 5. (Tues.) Alexander Vinitsky. Russian guitarist Vinitsky may not be well-known (yet) in the U.S., but he’s a gifted player who deserves wider international exposure. Igor Butman Jazz Club.  (+7 495) 792-21-09.

Tokyo

- Aug. 9 & 10. (Sat. & Sun.) Akiko Yano Trio. Eclectic artist Yano moves comfortably from piano playing to composition to singing and songwriting. This time out, she’s in a trio setting with bassist Will Lee and drummer Chris Parker. Blue Note Tokyo.  +81 3-5485-0088.


Live Music: Gloria Estefan and the Hollywood Bowl Orchestra in an “America & Americans” Concert at the Hollywood Bowl

July 28, 2014

By Devon Wendell

Many music purists and snobs might balk at the mere mention of Gloria Estefan and dismiss her as being just another celebrity pop-star.  But Estefan proved to be a stellar musician with the chops, versatility, and stage presence of a great jazz singer at The Hollywood Bowl Saturday evening.

Estefan performed two sets consisting of her greatest hits and material from her 2013 Grammy nominated album The Standards featuring her own soulful twists on some of the most familiar standards from the American songbook.

Gloria Estefan

Gloria Estefan

Backed by a focused and subtle band featuring some of the greatest session musicians ( Shelton Berg: piano and musical director, Dean Parks: guitar, Carlos Puerto: bass, Ray Brinker: drums, Edwin Bonilla: percussion, Cynthia Medina and Socrates Perez on backing vocals and The Hollywood Bowl Orchestra (Conducted by Thomas Wilkins). Estefan kicked off the festivities with “Good Morning Heartache,'” “They Can’t Take That Away From Me” and Jobim’s “Yo Se Te Voy A Amar.”  Instead of dancing across the stage as she did over 30 years ago, Estefan stood poised, elegantly gripping the microphone like a true jazz crooner. Her voice has deepened with age in all the best ways. Her thick vibrato and dynamic phrasing fit these standards perfectly.  The choice of material never sounded forced for one moment.

Actor Andy Garcia made a guest appearance, playing congas on a very sexy salsa reading of Gershwin’s “You Made Me Love You.” This was a highlight of the evening. Estefan’s smoky yet playful vocals jelled beautifully with the pure Latin jazz horn hooks and percussion delivered by Estefan’s band and The Hollywood Bowl Orchestra.

Another program highlight was Estefan’s rendition of Fredrick Loewe and Alan Jay Lerner’s “I’ve Grown Accustomed To Her Face” dedicated to Estefan’s hubby of 36 years, Emillio. The band played at the level of a whisper. Berg’s stark and minimalistic piano accompaniment complimented every carefully delivered phrase and nuance by Estefan.

Estefan also played more mature,, jazzier versions of her biggest hits such as “Here We Are,” a slow, jazz-tinged arrangement of “Conga” and “Rhythm Is Gonna Get You,” giving the show a sense of continuity and focus.

On “Rhythm Is Gonna Get You” Estefan was joined by The Youth Orchestra Of Los Angeles. These kids really knew how to swing hard, adding more excitement to the program.

Another guest was Estefan’s teenage daughter Emily, who played acoustic guitar and sang Neil Sedaka’s “Where The Boys Are” with her mom singing background vocals on this doo-wop ballad. Emily sounded a lot like her mother when she was starting out in the late ’70s with the Miami Sound Machine.

After a brief intermission, Estefan presented her second set which was more subdued, aside from her classic pop anthems “Bad Boy” and “1-2-3,” although her classic ballads “I Can’t Stay Away From You,” “Don’t Want To Lose You Now” and “Anything For You” had a sad and haunting feel to them. The lyrics felt more sincere than when they first hit the charts almost a quarter of a century ago.

Estefan’s renditions of “The Way You Look Tonight,” “Smile” and “What A Wonderful World” had a beautiful darkness to them, especially Shelton Berg’s arrangement of the Louis Armstrong classic. Estefan has one of the most powerful and rich vocal vibratos I’ve ever heard and I hadn’t heard so vividly until this evening’s performance.

As haunting as the material felt at times, Estefan’s warm and humorous stage presence created a nice balance in the show’s overall mood.

The most interesting experiment of the entire evening was a sexy, R&B fueled take on George Gershwin’s “How Long Has This Been Going On.” Dean Parks’ rhythm guitar comping played sweetly along with the steady bass line played by Carlos Puerto. Estefan’s vocal delivery proved that she not only has a strong understanding of the complex chord changes but also a deep felt knowledge of the mature lyrical content which separates a good singer from a great one.

Estefan ended the show with the disco anthem “Turn The Beat Around” accompanied by an incredible fireworks display that was synchronized with the music. All in attendance were having a blast, especially the “Glo-Heads,”Estefan’s most loyal fans who took up a third of the upper portion on the Bowl, sporting purple glow sticks.

As an encore, Estefan performed a heartfelt, bluesy reading of the Carol Leigh standard “Young At Heart” to cool things down. The strings, harp, and brass of The Hollywood Bowl Orchestra sounded perfect behind Estefan, creating a dream like ambiance.

Gloria Estefan performed one of the finest concerts I’ve witnessed in a long time, destroying all notions I had of her just being a pop singer. Estefan can do it all and her mature, sultry performance was the perfect fit for a summer concert at The Hollywood Bowl.

* * * * * * * *

To read more posts, reviews and columns by Devon Wendell click HERE.


Picks of the Week: July 21 – 27 In Los Angeles, San Francisco, New York City, London, Paris and Tokyo

July 21, 2014

By Don Heckman

It’s another warm Summer week, with many international jazz clubs shuttered in their annual July -August hiatus. But there’s still some fine music to be heard.

Los Angeles

Strunz and Farah

Strunz and Farah

- July 22. (Tues.) Strunz and Farah. The dynamic guitar duo of Costa Rica’s Jorge Strunz and Iran’s Ardeshir Farah, showcase their irresistibly eclectic playing in one of their rare L.A. Appearances. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 22 & 24. (Tues. & Thurs.) Dudamel & Beethoven. The Los Angeles Philharmonic, under the kinetic conducting of Gustavo Dudmel illuminates a July evening with an all-Beethoven’s program featuring the classic Symphony No. 5 and the fascinating Triple Concerto. The Hollywood Bowl.  (323) 850-2000.

Robert Davi

Robert Davi

- July 24. (Thurs,) Robert Davi. “Davi Sings Sinatra.” Actor/singer Davi’s association with Frank Sinatra dates back to the 1977 film Contract on Cherry St. Since then he has become the most musically convincing of the Sinatra-styled singers, applying his own creative imagination to the “Blue Eyes” style. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 24. (Thurs.) Noura Mint Seymali. The compelling voice of Mauritanian singer is featured in the opening event in the Skirball Cultural Center’s 18th Free Sunset Concert Series. The Skirball Cultural Center.  (310) 440-4500.

- July 24 – 26. (Thurs. – Sat.) The Ron Carter Trio. Ron Carter may well be the most recorded bassist in jazz history. But he’s also a fine composer and the leader of his own impressive trios. Catalina Bar & Grill.  (223) 466-2210.

Gloria Estefan

Gloria Estefan

- July 25 – 26. (Fri. & Sat.) America & Americans Festival: Gloria Estefan. The L.A. Phil’s celebration of the music of North and South America continues with an appearance by Grammy-nominated vocalist Setefan with the Hollywood Bowl Orchestra conducted by Thomas Wilkins. The Hollywood Bowl.  (323) 850-2000.

- Juy 26 (Sat.) Elliott Deutsch Big Band. Trumpeter/arranger/composer Deutsch leads his briskly swinging ensemble with the skills that have made him the arranger of choice for the likes of Cheryle Bentyne, Bill Watrous and others. Vitello’s.  (213) 620-0908.

- July 26 & 27. (Sat. & Sun.) The Central Ave. Jazz Festival. A spectacular assemblage of world class jazz in L.A.’s most memorable jazz setting. Featured artists include Kamasi Washington and Next Step, Patrice Rushen & Ndugu Chancler, Mongorama, The Gerald Wilson Orchestra, Michael Session, Ernie Andrews, Dr. Bobby Rodriguez and more. Admission is free. The Central Ave. Jazz Festival.

- July 27. (Sun.) Peggy King and Corky Hale. She may be best known as “pretty, perky Peggy King” on the ’50s George Gobel television show. But in her later career, King’s matured into an impressive vocal artist. She performs with the superb accompaniment of pianist Corky Hale, who has been at the keyboard (or the harp) with everyone from Billie Holiday to Frank Sinatra.  Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Tierney Sutton

Tierney Sutton

- July 24 – 27. (Thurs. – Sun.) Tierney Sutton. “Songs of Joni Mitchell.” A gifted vocalist with an emotionally rich style of her own, Sutton is one of the rare singers to have the musicality and the interpretive skills to handle the complex Mitchell catalof of songs. Click HERE to read an earlier iRoM review of Sutton singing Mitchell. An SFJAZZ event at Joe Henderson Lab. (866) 920-5299.

New York City

- July 22 – 26. (Tues. – Sat.) John Pizzarelli and the Swing Seven. Singer/guitarist Pizzarelli is in his most appealing medium when he’s digging into the pleasures of Swing, backed by an equally swinging bunch of players – as he is here. Birdland.  (212) 581-3080.

London

Randy Brecker

Randy Brecker

- July 22 – 24. (Tues. – Thurs.) The Brecker Bros. Reunion Band. Trumpeter Randy Brecker and saxophonist Michael Brecker were one of the gifted brother acts in modern jazz. Since the death of Michael in 2007, Randy has kept the memories of the Brecker Bros. Band alive and well. He’s joined by his wife, Ada Rovatti, in the band’s saxophone chair. Ronnie Scott’s. +44 (0)20 7439 0747.

Paris

- July 24. (Thurs.) The Mike Stern & Bill Evans Band. Expect some blues grooves and fusion fireworks when Stern and Evans get together with drummer Dennis Chambers and bassist Tom Kennedy. New Morning Paris.  +33 1 45 23 51 41.

Tokyo

- July 25 – 27. (Fri. – Sun.) Jose James. In his own unique way, vocalist James is searching for, and often finding, a blend between jazz, soul and hip-hop. Will it please the fans of each genre? Check him out and see. Blue Note Tokyo.  +81 3-5485-0088.

 

 

 


Live Music: Eliane Elias, Lee Ritenour and Dave Grusin, and Boz Scaggs at the Hollywood Bowl.

July 18, 2014

By Don Heckman

lt usually takes a while before a performer can generate enough dynamic energy to begin to steal the show. But at the Hollywood Bowl Wednesday night, the opening act – Brazilian pianist/singer Eliane Elias – claimed a large chunk of the evening’s creative territory before her relatively brief half hour set was concluded.

That’s not to minimize the effectiveness of the other major musical acts on the bill: the duo of guitarist Lee Ritenour and keyboardist/composer Dave Grusin (and their band); and veteran rock star Boz Scaggs.

Eliane Elias

Eliane Elias

And we’ll get to them. But let’s get back to Eliane.

I first heard her three decades ago at Catalina Bar & Grill. Barely into her twenties, she was not a singing performer at the time. Her emphasis was on her jazz piano work, which was extraordinary. I can still recall a stunning, piano solo rendering of “Body and Soul” that breathed remarkable new creative life into an often overdone standard.

In the intervening years, Eliane added vocals to her arsenal of musical skills, as well as a warmly engaging performance style that invited her listeners into the intimacy of her playing.

As she did at the Bowl on Wednesday.

Backed by the sterling rhythm of guitarist Graham Dechter, bassist Marc Johnson and drummer Rafael Barata, Eliane cruised with masterful ease from the classic bossa nova at her roots to the jazz that has become an equally vital element in her musical artistry. Her singing on Brazilian classics such as “Chega de Saudade” was balanced perfectly by her interpretations of standards from the American songbook – notably “And I Thought About You” from her memorable album tribute to Chet Baker.

And her piano work, driven by irresistible musical spontaneity, charged the enthusiastic audience with excitement, building to a climactic sequence of robust exchanges with drummer Barata.

As I noted above, everything Eliane did, from beginning to end was enough to establish her set as the most singular event, the centerpiece of a high intensity musical evening.

Lee Ritenour and Dave Grusin

Lee Ritenour and Dave Grusin

Ritenour and Grusin sustained much of Eliane’s jazz excitement when they dug into their set, a rapid fire sequence of works. Backed by the potent rhythm section of bassist Abraham Laboriel and drummer Chris Coleman, the two leaders focused most of the music on the fusion, funk and smooth jazz that has enlivened much of Ritenour’s busy career. And let’s not overlook the melodic appeal of Grusin’s compositions, as well as the spontaneous arrangements that he brought to many of the tunes via his line up of electronic keyboards.

Add to that the always entertaining presence of bassist Laboriel, who danced, hummed and snapped his electric instrument with non-stop verve, enhancing virtually every tune with injections of his unique, high velocity style.

The Ritenour/Grusin set finished with a surprising climax – a rendering of “Happy Birthday” to acknowledgment of Grusin’s recent 80th birthday, which took place on June 26. Appropriately, Grusin was the principal soloist in the performance, offering a delightfully imaginative set of variations to underscore his own birthday celebration.

Boz Scaggs

The final set of the evening featured the veteran rocker, guitarist and singer/songwriter Boz Scaggs. Although he, too, celebrated a birthday in June (his 70th), there was no repeat offering of “Happy Birthday.”

Scaggs instead laid down a familiar line up of hits from the ’70s and ’80s, some written by Scaggs, some by others, among them: “What Can I Say?” “Miss Sun,” “Lowdown,” “Lido Shuffle.”

The most appealing part of the set reached beyond the tunes, into Scaggs’ sheer pleasure in what he was doing. Playing impressive rock guitar from time to time, he and his band recalled the sheer foot-tapping, body-moving pleasures of ’70s and ’80s rock. And the high point arrived at the close in a joyously spirited duet between Scaggs and his back up singer, Conesha Owens.

Vastly different from what Eliane Elias had offered, Scaggs nonetheless clearly delighted the many who had come to the Bowl to hear him recall the music of their youth.

And for those whose view of jazz is illuminated by funk, fusion and smooth jazz, Ritenour and Grusin also provided plenty of musical highlights.

Finally, recalling the program’s extraordinary opening set, with its authentic blending of jazz and Brazilian music, the only element missing from this eclectic musical evening was an additional half hour of music from Eliane Elias and her players. Maybe next time.

 


Picks of the Week: July 15 – July 20. (Tues. – Sun.) in Los Angeles, San Francisco, New York City, London and Paris.

July 15, 2014

By Don Heckman

Los Angeles

Dave Grusin and Lee Ritenour

Dave Grusin and Lee Ritenour

- July 16. (Wed.) Lee Ritenour and Dave Grusin, Boz Scaggs, Eliane Elias. It’s a line-up filled with masters of far-reaching jazz genres (and beyond). Expect an evening of jazz for every taste. Look for an iRoM review later this week. The Hollywood Bowl. (323) 850-2000. .

- July 16. (Wed.) Gina Saputo. She still hasn’t been recognized for her rapidly growing skills as a new jazz vocal star. See Saputo now and join her growing cadre of fans. Catalina Bar & Grill.  (223) 466-2210.

- July 16. (Wed.) The Ron Eschete Trio. Veteran guitarist Eschete displays his impressive mastery of the seven-string instrument. Don’t miss him in action. Steamer’s.  (714) 871-8800.

Tatiana Parra

Tatiana Parra

- July 17. (Thurs.) Tatiana Parra with the Vardan Ovsepian Trio. Her name may not yet be as familiar to American audiences as it should be. But Parra is a remarkable talent, fully capable of blending the best qualities of jazz and Brazilian music. Click HERE to read an iRoM review of a recent album by Tatiana. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 17. (Thurs.) Sara Gazarek and Josh Nelson. Singer Gazarak and pianist Nelson have become an impressive musical team, interacting with intuitive creativity. The Blue Whale. (213) 620-0908.

Pat Senatore

Pat Senatore

- July 18. (Fri.) Pat Senatore Trio. Bassist Senatore’s remarkable versatility is on display almost every night at Vibrato with a variety of artists. This time out he leads his own masterful trio, with Josh Nelson, piano, and Mark Ferber, drums. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 18. (Fri.) Nutty. You may not have heard of Nutty, but you’ll never forget them after you experience their enhancement of classic rock tunes with swinging jazz settings. Vitello’s  (818) 769-0905.

- July 18 & 19. (Fri. & Sat.) Dreamworks Animation in Concert. Actor Jack Black hosts an evening celebrating 20 Years of Dreamworks animation shows. Thomas Wilkins conducts the Hollywood Bowl Orchestra. The Hollywood Bowl. (323) 850-2000. http://www.hollywoodbowl.com/tickets/calendar.

- July 18 & 19. (Fri. & Sat.) Denise Morgan. Completely at ease with gospel, classical, jazz and beyond, Morgan is an impressively eclectic vocal artist. The Gardenia.  (323) 467-7444.

Carol Welsman

Carol Welsman

- July 20. (Sun.) Carol Welsman. Singer/pianist Welsman offers her first Sunday Vespers appearance with her trio — bassist Chris Colangelo and drummer Dave Tull.  Welsman’s richly interpretive vocals and briskly swinging piano work are a pleasure to hear under any circumstances.  And this performance offers, as she says “a unique experience of jazz and spiritual reflection.”  All Saints Church, 132 N. Euclid Ave., Pasadena, CA. (626) 583-2725. (Admission is free.)

- July 20. (Sun.) Midnight Caravan. Actress/singer Linda Purl celebrates ‘The Great Ladies of the Glamorous Nightclub Era. Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Benny Green

Benny Green

- July 17 – 20. (Thurs. – Sun.) The Benny Green Trio. Pianist Green has sustained, in stellar creative manner, the Oscar Peterson jazz piano legacy. An SFJAZZ event in Joe Henderson Lab.  (866) 920-5299.

New York City

- July 15 & 16. (Tues. & Wed.) Julian Lage Trio. A prodigy as a young guitarist, Lage has matured into an impressive new jazz star. The Jazz Standard. (212) 576-2232,

London

Leny Andrade

Leny Andrade

- July 15 & 16. (Tues. & Wed.) Leny Andrade. She’s arguably Brazil’s most convincing jazz-based vocal artist. Don’t miss this chance to hear her live. Ronnie Scott’s.  +14(0)20 7439 00747.

- July 19. (Sat.). (Fri. & Sat.) Take 6. There’s no vocal group quite like Take 6, with its blend of irresistible rhythms, lush harmonies and far- ranging vocal imagination. Ronnie Scott’s. +14 (0) 20 7439 00747.

Paris

- July 16. (Tues.) Ambrose Akinmusire Quintet. Trumpeter Akinmusire has been embraced, with good reason, as one of the new jazz stars of his generation. Paris New Morning.  +33 1 45 23 51 41
.

 


Live Music: Chris Botti and Chris Isaak at the Hollywood Bowl

July 14, 2014

By Don Heckman

There were two guys named Chris on stage at the Hollywood Bowl Friday and Saturday nights. Despite their identical first names, their styles traced to very different genres. And despite those different sources, they both offered performances rich in musicality and compelling entertainment.

Friday evening opened with the first Chris – jazz trumpeter Chris Botti — backed by his own group and the Los Angeles Philharmonic under the baton of Bramwell Tovey.

Chris Botti

Chris Botti

Although Botti was often identified with the smooth jazz style in his early years, he has always been a player whose music was filled with the authority of jazz authenticity. Over the past two decades his ever-curious, inventive imagination has taken him to jazz settings reaching from performances with full symphonic orchestras, to straight ahead mainstream jazz, and explorations reaching the outer limits of free improvisations.

Much of that territory was explored in his gripping performance at the Bowl.

Botti began with a warm tribute to Miles Davis, applying his trademark, warm tone to a composition long associated with Davis – Rodrigo’s Concierto De Aranjuez. To Botti’s credit, he made the piece’s lush Spanish melodies his own. He was equally expressive with Davis’ “Flamenco sketches.

And when he added some familiar standards – “When I Fall In Love” and “The Very Thought of You” – he once again emphasized his embracingly warm sound and expressive tone to every melodic phrase.

Botti also showcased his skills as a leader, urging the members of his band – pianist Geoff Keezer, guitarist Ben Butler, bassist Richie Goods and drummer Billy Kilson – into their own far-reaching skills. Add to that the mesmerizing violin playing of guest artist Caroline Campbell on the Grammy-nominateed “Emmanuel,” as well as George Komsky’s soaring vocal rendering on “Time To Say Goodbye,” and the stunning versatility of singer Sy Smith.

And I’d be remiss if I didn’t also mention Botti’s easygoing communication with his audience. Strolling the stage, offering occasional interchanges with his listeners, he added a quality of warm connectivity too rarely seen in jazz performances.

Chris Isaak

One could also say the same about the other Chris on the program – rocker, singer/songriter, actor and talk show host Chris Isaak. Completely at home on the broad Bowl stage, Isaak moved into an even wider arena, moving across the narrow platform intersecting the box seats, then demanding a spotlight as he moved into the audience itself, singing, shaking hands with listeners, welcoming them throughout his set into an environment as comfortable as his living room.

Thirty years after he made his first recording, Silvertone, Isaak still maintains a dedicated audience. And his set embraced many of the high points of his twelve album discography. Add to that the numerous songs and musical themes he’s created for television and films.

His entertaining program encompassed memorable selections from all those sources. Among them: what is perhaps his best known song, “Wicked Game.” Add to that “Baby Did A Bad, Bad Thing” from the Kubrick film, Eyes Wide Shut and a string of a dozen or so somewhat less familiar, but equally compelling songs.

Strongly supported by his comfortable ease with his enthusiastic audience, and buoyed by his solid back up band, the lead guitar work of Hershel Yatovitz and lush timbres of the Los Angeles Phil, Isaak presented a program reaching far beyond his rock roots.

The program closed with yet another highlight: Chris Botti and Chris Isaak performing together in a brief set blending their disparate but amiable skills in tunes reaching from “Besame Mucho” to “Love Me Tender.” Call it the appropriate climax for a two-Chris performance to remember.


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