Live Music: Experience Hendrix at the Greek Theatre

October 14, 2014

By Mike Finkelstein

Jimi Hendrix

Jimi Hendrix

Los Angeles, CA.  Of all the guitar players to come along in the 20th century, none have been more influential than Jimi Hendrix. Forty-four years after his death, his presence is still felt vividly by anyone with ears open. On Friday night, the Experience Hendrix tour 2014 vintage rolled into the Greek Theatre to share the love and appreciation for Jimi’s music and style. This tour featured hot-shot guitar players from all over the stylistic map, but culling mostly from blues, and rock ‘n roll … between which there is often a very thin line. You could say that Jimi Hendrix set up camp on this line and expanded his style into a very inspired original realm.

On Friday we had people like Zakk Wylde (from Ozzy Ozbourne’s band), Rich Robinson of the Black Crows, Jonny Lang, and Kenny Wayne Shepherd — all of whom were barely out of the crib or not yet born when Hendrix checked out — paying homage to him. Eric Johnson on the other hand was 16 by the time Hendrix died and had the time to take him in, way in, while he was current. Buddy Guy was actually an elder contemporary of Hendrix’s. And on Friday Jimi’s old Army buddy and Band of Gypsies mate Billy Cox, who helped arrange the tour, played on several tunes, including “Red House,” “Message to Love” and “Them Changes.”

Jimi Hendrix

Jimi Hendrix

As a popular music artist, Jimi Hendrix brought the whole package to the table. He was legendarily influential in how electric guitars would sound and be played after him…and he played his Stratocaster left-handed and upside down! He also was an electrifying performer and an inspirational songwriter. The cherry atop it all was that Hendrix was an African American young man coming at the world, fusing Delta blues and rock ‘n’ roll, via swingin’ London, having blown away all the rock gods of the time away in their hometown. The world took notice. But these were turbulent times and copious drug use was absolutely the norm. By age 27, Jimi was a tragic casualty of the lifestyle, after only about 4 years in the limelight.

Yet, it appears that in many circles his legacy is still thriving. Then and now, he set the bar several dozen notches higher than it had been before, for anyone who was (or is) getting serious about playing rock guitar. If one can do justice to several of Hendrix’ tunes, then they just may be getting the real hang of the instrument.

There is one caveat about Hendrix’ music. It has seduced many guitar players into wanking out on their solos far too often, particularly on blues jams. Hendrix was such a great instrumentalist that he could pull off extended solos in a rock format when few others could. With his popularity and Eric Clapton’s concurrent years with Cream, many guitarists seized on stretching out and were nothing much more than boring.

Zack Wylde

Zack Wylde

When you have a night of people jamming Hendrix it’s a given that a whole lot of notes will be played for a long time. Generally speaking on Friday, only two guys went a little too long. They were Zakk Wylde (who looked like he’d clobber you like a cave man if you suggested as much) on “Manic Depression,” and Kenny Wayne Shepherd who did sound amazing as he went on and on over the soft and hard versions of “Voodoo Chile/Voodoo Child (Slight Return).” Wylde is a first string heavy metal dude. But, as deft a player as he is, his guitar style can get long winded and histrionic enough so as not to allow him to perhaps let it breathe the way blues-based music needs to. But he did add the elusive piano part to Eric Johnson’s version of “Are You Experienced?” that put it over into one of the top performances of the evening. Shepherd actually had an amazingly authentic tone to work with and did real justice to two of the litmus test tunes on the learning curve of rock guitar.

Eric Johnson and Scot Nelson

Eric Johnson and Scot Nelson

Friday’s show also did a fine job of spotlighting many of Hendrix’ most popular and most inspirational tunes. The song list was top shelf, with many of Jimi’s best deeper cuts and B-sides taking up the lion’s share of the program. “Stone Free,” “Manic Depression,” “Purple Haze” and “Little Wing” all made the list.

Ana Popovic

 

But so did a very soulful version, from Rich Robinson, of the bluesy but atypical “Up From the Skies,” Eric Johnson’s ripping version of “Ezy Rider,” Kenny Wayne Shepherd and singer Noah Hunt’s revved up version of “Gypsy Eyes,” a sparser, more poignant version of “House Burning Down,” from the lovely, guitar-slinging Ana Popovic, and a very tasty version of “Angel” from Doyle Bramhall II, which he has covered since he was in the Arc Angels.

Chris Layton and Doyle Bramhall II

It should be pointed out that the rhythm section was impeccable. Rock steady bassists Tony Franklin (The Firm, Whitesnake), who played fretless basses most of the night, and Scot Nelson were in fine form playing with the one and only Chris Layton. The laconic Layton was Stevie Ray Vaughn’s drummer for many memorable years and on Friday he made it look so easy to hold down the enormous bottom end of these songs – the calm in the middle of the storm.

Experience Hendrix featured one fine tune after another and it still leaves me incredulous that all of Jimi Hendrix’s music was produced in what amounts to about 4 short years. To say the least, he was taken away from the world far too early. Hendrix had some now legendary plans in the works to collaborate with Miles Davis and Emerson Lake and Palmer. What a shame it is that we never got to hear the sound of any of this.

But what he did put out remains stellar and it’s reaffirming to see that it still carries big weight with musical people. That’s why they come out to celebrate it at shows like this one.

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Photos of Doyle Bramhall II, Chris Layton, Ana Popovic, Eric Johnson and Scot Nelson by Mike Finkelstein.


Picks for a Long Weekend: Oct. 9 – 12 in Los Angeles, New York City and London

October 8, 2014

By Don Heckman

Sally Kellerman

Sally Kellerman

- Oct. 9. (Thurs.) Scott Snapp and Sally Kellerman. It’s an offbeat booking, with Snapp, who defines his singing/songwriting as Theatrical Pop, as the headliner, and Kellerman as “special guest.” But any appearance by Sally is stellar, and everything she sings deserves top billing. Vibrato Grill Jazz…etc. (310) 474-9400.

- Oct. 10. (Fri.) The Emerson String Quartet. Performing an all-Beethoven program of quartets from the early, late and middle stages of his remarkable works for string quartet. Segerstrom Center for the Arts.  (714) 556-2787.

- Oct. 10. (Fri.) The London Philharmonic Orchestra. Vladimir Jurowski conducts a program of Dvorak, Tchaikovsky and Prokofiev’s Piano Concerto No. 3 with pianist Jean-Efflam Bavouzet. The Valley Performing Arts Center.  (818) 677-8800.

Maceo Parker

Maceo Parker

- Oct. 10 & 11. (Fri. & Sat.) Maceo Parker. Perhaps best known for his long association with James Brown and Parliament-Funkadelic, saxophonist Parker has also established himself as a major funk, soul and groove artist in his own right. Catalina Bar & Grill.  (223) 466-2210.

- Oct. 11. (Sat.) Mary Chapin Carpenter. Country singer/songwriter Chapin has won five Grammy awards in a career studded with songs hitting the top of the country music charts. And with good reason, given the memorable quality of her work. Thousand Oaks Civic Arts Plaza. 6 (805) 449-2100.

- Oct. 12. (Sun.) Paula Poundstone, Lily Tomlin and guest MC Fred Willard. A rare evening of comedic pleasures, and with this line up expect the best. Catalina Bar & Grill.  (223) 466-2210.

New York City

Chita Rivera

Chita Rivera

- Oct. 9 – 11. (Thurs.- Sun.) “Chita’s Back.Chita Rivera. The versatile artistry of Chita Rivera, from music to dance takes center stage. She doesn’t often make club appearances, so don’t miss this one. Birdland.  (212) 581-3080.

 

Lee Ritenour

Lee Ritenour

- Oct. 7 – 12. (Tues, – Sun.) Lee Ritenour. He used to be called “Captain Fingers” for his extraordinary technical virtuosity, But Ritenour has also added creative interpretations to his imaginative, swinging playing. The Blue Note. Residency. (212) 475-8592.

London

- Oct. 7 – 12. (Tues. – Sun.) Ronnie Scott’s. Stacey Kent. New Jersey-born jazz singer Kent has been living in the U.K. since the early ’90s, establishing herself as one of Europe’s finest jazz artists. Ronnie Scott’s +44 20 7439 0747.


Live Music: Crosby, Stills and Nash at the Greek Theatre

October 6, 2014

By Don Heckman

They were back again Friday and Saturday at the Greek Theatre. The incomparable Crosby, Stills & Nash. And once again they delivered a performance that will surely be recalled by the enthusiastic full house crowd as one of their most memorable experiences.

One could have made the same claim for their prior appearance at the Greek, two years ago, which was equally stunning. Not surprising, of course, given the music that C,S&N have to offer.

Stills, Nash and Crosby

This is not, however, a band that repeats itself – the way many holdover acts from the ’70s, ’80s and ’90s do, presenting living jukebox renditions of their biggest hits. That’s not to say that C,S&N didn’t please the crowd’s appetite for material from the band’s songbook. But their hits, each of which shimmered with new musical facets, represented only one aspect of Friday night’s many musical pleasures.

The three hour program, including a twenty minute intermission, was liberally sprinkled with familiar C,S & N classics: “Carry On,” ”Southern Cross,” “Just A Song Before I Go,” “Delta,” “Deja Vu,” “Helplessly Hoping,” a climactic “Teach Your Children Well,” and a lot more.

David Crosby

David Crosby

When he wasn’t entertaining his listeners with his sardonic humor, David Crosby was applying his tactile vocal style to his atmospheric “Guinivere” and “Wooden Ships.”

Add to that Graham Nash’s irresistible love song, “Our House,” which immediately triggered warm hugging by seemingly every couple in the venue. And, in contrast, a rocking romp through Stephen Stills’ “Love the One You’re With,” which was quickly transformed into an audience singalong.

Stephen Stills

Stephen Stills

Further enhancing the program, Stills offered his unique interpretation of Bob Dylan’s “Girl From the North Country.” And a pair of new songs from Nash showed all the signs of eventually becoming new C,S&N classics. The first, “Here For You,” is an embracing love song. The second, “Burning For the Buddha,” is a stunning work, triggered by Nash’s response to the dozens of holy men in Tibet who have self-immolated since 2009 to protest China’s rule over areas of Tibet.

The program was delivered with collective and individual intensity, supported superbly by C,S&N’s back up band, which included Crosby’s son, keyboardist James Raymond.

Watching this seemingly non-stop flow of captivating music, I recalled the line that often was used in reference to James Brown, describing him as the “Hardest working man in show business,” and with good reason.

Graham Nash

Graham Nash

But in their Friday performance at the Greek, C,S&N were also worthy of the title during their more than 2 ½ hours on stage. Led by the dynamic presence of Graham Nash, who has clearly become the group’s spark plug, the trio’s performance was a non-stop whirlwind of activity.

Each member of the trio offered a characteristic number, some original, some not, displaying their stellar individual skills. In the ensemble vocal passages, they demonstrated their ability to produce the harmonically rich, tonally lush characteristics of their vocal togetherness.

And in the hard driving, rhythmically intense pieces, led by the soaring electric lead guitar of Stills, they reminded us of the rock roots that lie deep within the foundation of this superb trio of great pop artists.

In my review of C,S&N’s 2012 Greek Theatre appearance, I wrote that “the words of “Déjà Vu” remind us that ‘We have all been here before.’ Let’s hope that Crosby, Stills & Nash continue to be here again.”

And now, after hearing them again this year, let’s hope that we can continue to experience deja vu all over, and hear C,S&N again, and again.

* * * * * * * *

Photos by photo journalist Bonnie Perkinson.


Picks of the Weekend in L.A.: October 3 – 5.

October 3, 2014

By Don Heckman

It’s a light weekend, as Yom Kippur ushers in October. But there are some intriguing musical events to experience. Like these:

Angelique Kidjo

- Oct. 3. (Fri.) Angelique Kidjo, With special guest Red Baraat, Dynamic, exciting and entertaining only begin to describe Angelique Kidjo’s remarkable performances. And this one includes the added high energies of the Brooklyn bhangra band with percussionist Sunny Jain. Valley Performing Arts Center.  2014-10-03 (818) 677-8800.

- Oct. 3 & 4. (Fri. & Sat.) Crosby, Stills & Nash. What is there to say that hasn’t been said about the remarkable musical history, past and present, of the extraordinary musical collecetive of David Crosby, Stephen Stills and Graham Nash. Here they are in their always welcome, annual Southland appearance. The Greek Theatre.  (323) 665-5857.

– Oct.4. (Sat,.) Sha Na Na sings Grease. It’s a great combination: the doo-wop songsters of Sha Na Na take on the hit songs from the hit film musical Grease. Expect to hear “Hound Dog,” “Rock ‘n’ Roll Is Here To Stay,” “Sandy” and more. Don’t miss this one. Cerritos Center for the Performing Arts.  (562) 916-8500

Jennifer Leitham

Jennifer Leitham

- Oct. 4. (Sat.) Jennifer Leitham. It’s unclear why Upstairs at Vitello’s continues to describe itself as a “Jazz and Supper Club.”: No argument with the “Supper,” which is good enough; but “Jazz” has become virtually non-existent in a room that once seemed on the way to establishing itself as one of the Southland’s prime jazz destinations. Fortunately there are still rare, but worthwhile, jazz nights at Vitello’s (a few times a month) with appearances by performers such as Jennifer Leitham, who brings jazz authenticity to whatever and wherever she’s playing. Upstairs at Vitello’s.  (818) 769-0905.

Mark Winkler and Cheryl Bentyne

Oct. 5. (Sun.) A Tribute to Myrna Daniels and the L.A. Jazz Scene Newspaper. Here’s one of the jazz events of the Fall season. Start out with an 11:00 a.m. brunch tribute to the many contributions Myrna Daniels and her L.A. Jazz Scene have made to the continuing presence of jazz in the Southland. Following that, there’ll be performances by Chambers, Herbert & Ellis, Mon David, Jackie Gibson, Dolores Scozzesi, Cathy Segal-Garcia, Judy Wexler, Cat Connor, Lauren White, Mark Winkler & Cheryl Bentyne and others. Later, on Sunday night, Ron Jones and his hard-swinging Influence Jazz Orchestra will top off a music-filled day and night. Catalina Bar & Grill.  (323) 466-2210.

- Oct. 5. (Sun.) Michelle Coltrane and Shea Welsh. Like her brother Ravi, singer Michelle Coltrane has inherited a remarkable legacy from her parents, John and Alice Coltrane. Also like her brother, she’s applied that legacy to her own growing musical creativity. She performs here with her close musical associate, busy studio guitarist Welsh. Should be a fascinating musical evening. Vibrato Grill Jazz…etc.  (310) 474-9400.

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Mark Winkler and Cheryl Bentyne photo by Faith Frenz.


Live Music: The George Fest 2014 at the Fonda Theater

September 30, 2014

By Mike Finkelstein

George Harrison

George Harrison

Hollywood, CA. On Sunday night the first annual George (Harrison) Fest went into the books at the Fonda Theater. There was so much interest in this show, a benefit for the Sweet Relief charity for needy musicians, that it was moved from the El Rey Theater to the larger Fonda Theater. The stately old place was sold out and packed by the time the music began about 40 minutes late. But it was a very satisfying night of tunes for all who gathered — All things George, solo or Beatles.

The format of the night was for the Cabin Down Below Band to serve as the house band, with “a lot of moving parts,” to shepherd the evening along as guests passed onto and off of the stage, as on a carousel, for the better part of two and a half hours. The band and the stage crew did yeoman’s work to this end. Keyboards, guitars, and pedal boards were shuttled on and off stage as quickly as the performers. Amazingly, for all of this activity, things cruised along at a nice, crisp pace, with very little empty space between songs.

George’s musical catalogue was on display in a way that folks like myself had perhaps always hoped for but never gotten from him live. He rarely toured and didn’t play all of his below-the-surface gems when he did. And this material is the difference maker with him.

Specifically, the performers mined the too-often-ignored mother lode of the All Things Must Pass album. It’s an album loaded with gorgeous musical ideas. Making the cut on Sunday were, “Awaiting on You All,” “Isn’t it a Pity?” “If Not For You,” “I’d Have You Anytime,” “What Is Life?” “Let It Down,” “Ballad of Sir Frankie Crisp,” “Wah Wah,” “Behind That Locked Door,” “Beware of Darkness,” “My Sweet Lord,” and “All Things Must Pass.” I hadn’t thought I’d hear anyone do most of these tunes live any time soon. But we were all very happily surprised to have it happen.

Ann Wilson, Brian Wilson, Jimmy Vivino, Al Jardine

Ann Wilson, Brian Wilson, Jimmy Vivino, Al Jardine

One of George’s signature sounds, as a solo artist, and particularly on All Things Must Pass, was his harmonized slide guitar work. It was an impressive bit of planning, practicing, and execution done by the Cabin Below boys to get those slide parts nailed in unison. It definitely took the songs over the top to where they could jump out and grab us. Throughout the evening many of the most memorable and elusive sounds in all of these songs were delightfully included in the arrangements.

Sunday was one of those rare opportunities to see an intriguing and diverse list of performers take on a super-savory batch of tunes. The matchups we saw just don’t happen too often. They all turned in memorable performances.

Conan O'Brien

Conan O’Brien

Weird Al Yankovic

 

 

 

 

 

 

 

 

 

 

Some of the more unexpected numbers were Conan O’Brien singing “Old Brown Shoe,” Weird Al Yankovic with “What Is Life?” and Ian Astbury of the Cult persuasively crooning “Be Here Now.”

Norah Jones

Norah Jones

There was Perry Farrell of Jane’s Addiction singing “Here Comes the Sun,” with Norah Jones and Karen Elson. Where else do you get to see that? We also heard a very sweet take on George’s treatment of Dylan’s “If Not For You,” by Erika Wennerstrom of Heartless Bastards. Ben Harper took “Give Me Love (Peace on Earth),” to another level vocally and instrumentally. And the match of Norah Jones to “Behind That Locked Door,” was a keeper. Remarkable, really.

Dhani Harrison

Dhani Harrison

The most direct connection to all of this was George’s son, Dhani Harrison, who sang a great “Let It Down,” and handled “Savoy Truffle,” with style. In the second half of the show we saw a lot of Dhani. He sang “Got My Mind Set On You,” with Brandon Flowers of The Killers, to the frenzied delight of many of the ladies in the crowd. Dhani stuck around for the closing numbers. The final three songs were “My Sweet Lord,” with Brian Wilson, “Handle with Care,” featuring a stage full of musicians easily 20 strong, and “All Things Must Pass,” sung beautifully in tandem by Ann Wilson, Nora Jones, and Dhani.

The George Fest Cast

The George Fest Cast

When it was all said and done we had gone the distance on a long but thoroughly fun and entertaining show. Despite the large number of top shelf performances, the unmistakable star of the show was George Harrison’s musical body of work. His songs are clearly timeless and it’s gratifying and inspiring to see so many talented young musicians embrace the music the way they do. They did make the songs shine on Sunday night.

Photo journalist Bonnie Perkinson took the photos of Ann Wilson, Brian Wilson, Jimmy Vivino, Al Jardine, Conan O’Brien, Weird Al Yankovic, Norah Jones, Dhani Harrison and the full cast of George Fest.


Live Music: The Fab Faux at the Valley Performing Arts Center

September 21, 2014

By Don Heckman

Northridge, CA. Memories galore resonated through the architecturally grand, acoustically captivating Valley Performing Arts Center on the campus of CalState Northridge Saturday night. Memories, that is, of an era dominated by the Beatles.

The performance, by the Fab Faux, was yet another display of the Center’s growing presence as the creative center for the arts that has long been missing from the San Fernando Valley. And the overflowing packed house, full of 1700 enthusiastic listeners, underscored Executive Director Thor Steingraber’s quest to prove VPAC’s “commitment to arts and entertainment experiences of every variety.”

Which is exactly what listeners experienced in the Fab Faux. There are numerous Beatles tribute bands and cover bands in various parts of the world. But the Fab Faux are unique. Neither dressing in period Beatles costumes nor wearing Beatles hair-dos (or wigs), they focused instead upon the rich creative density of the Beatles’ extraordinary catalog of music.

The Fab Faux

The Fab Faux

The Fab Faux consist of bassist Will Lee, guitarist Jimmy Vivino, drummer Rich Pagano, guitarist Frank Agnello and keyboardist/guitarist Jack Petruzzelli, backed by the Creme Tangerine Strings and the Hogshead Horns.  All of the principal members also sang, doing so without resorting to attempts at imitating either the sounds or the accents of the original Beatles.

The first set was devoted to a broad selection of songs, mostly by John Lennon, Paul McCartney and George Harrison, reaching from “Strawberry Fields Forever” and “Paperback Writer” to “Nowhere Man,” with dozens of stops in between.

On the second set, climaxing a long, musically stunning evening, the Fab Faux and their accomplices performed the classic Beatles album Abbey Road in its entirety.

As noted above, this was not a collection of imitations, in any sense of the word. While the musical spirits of the Beatles were ever present in virtually every note, there was another aspect of the Fab Faux performance that was even more closely related to Lennon, McCartney, Harrison and Starr. And that was the persistent effort by the Fab Faux to find the creative potential that resides in the heart of the songs.

Guitarist Vivino may have described it best when he said, “This is the greatest pop music ever written, and we’re such freaks for it.”

In that sense, the Fab Faux and the Valley Performing Arts made the perfect pairing on this memorable night: classic pop music, played with the sort of creativity that inspired the original versions, in a setting perfectly framed for imaginative performances.


Picks of the Week: September 9 – 14 in Los Angeles, San Francisco, Chicago, New York, London, Copenhagen, Milan and Tokyo

September 9, 2014

 

By Don Heckman

Los Angeles

- Sept. 11. (Thurs.) The Los Angeles Philharmonic and the Los Angeles Master Chorale, conducted by Juanjo Mena finish the summer’s classical season at the Hollywood Bowl with a grand performance of Beethoven’s Symphony No. 9, and Leonard Bernstein’s Symphonic Dances from West Side Story. Hollywood Bowl. (323) 850-2000.

- Sept. 11. (Thurs.) The Fazioli Piano Series. Pianist Eric Huebner plays works by by Luciano Berio, Paolo Cavallone, Nathan Heidelberger, Roger Reynolds, Salvatore Sciarrino, and Eric Wubbels on the much honored (with good reason) Fazioli piano. The Italian Cultural Institute of Los Angeles. (310) 443-3250.

Barbara Morrison (Photo by Bonnie Perkinson)

- Sept. 12 & 13 (Fri. – Sun.) Barbara Morrison 65th birthday and CD release celebration. It’s a memorable weekend for one of Los Angeles’ greatest jazz treasures. She should be heard at every opportunity. Catalina Bar & Grill.  (223) 466-2210.

- Sept. 12. (Fri.) Don Rader Quartet. Trumpeter Rader has been a first call Southland artist for decades, performing every imaginable kind of music with ease and musicality. Here he’s in the spotlight, displaying his versatile musical wares. Vibrato Grill Jazz…etc.  (310) 474-9400.

- Sept. 12 & 13. (Fri. & Sat.) Mary Bogue. Cabaret artist Bogue, a unique stylist, has been described by Cabaret Scenes Magazine as “kind of throw-back to the red-hot mamas…electrifying, sassy, and sexy.” The Gardenia. (323) 467-7444.

Sept. 13. (Sat.) Charles Aznavour. The great French singer/songwriter makes a rare Southland appearance celebrating his 90th birthday.  The performance will be a banquet of classic songs, sung by one of the iconic figures in the history of international song.    The Greek Theatre(323) 665-5857.

San Francisco

Eliane Elias (Photo by Bonnie Perkinson)

- Sept. 11 – 14, (Thurs. – Sun.) Eliane Elias. The gifted Brazilian singer/pianist presents four fascinating evenings of music: Thurs: Celebrating Getz/Gilberto; Fri: Chet Baker Tribute; Sat: Night in Bahia; Sun: Bill Evans Salute. Don’t miss any of them. An SFJAZZ program at Miner Auditorium. r (866) 920-5299.

Chicago

- Sept. 11 – 14. (Thurs. – Sun.) Robert Glasper Trio. Comfortably positioned on the cutting edge of contemporary jazz, pianist Glasper and his players are offering fascinating new views of 21st century improvisational music. The Jazz Showcase. (312) 360-0234.

New York City

Dr, Lonnie Smith

Dr, Lonnie Smith

- Sept. 12 – 14. (Fri. – Sun.) Dr. Lonnie Smith.  Organ master Smith’s performances are unique explorations of an instrument with orchestral potential. “The organ is like the sunlight, rain and thunder,” says Smith. “It’s all the worldly sounds to me!” The Jazz Standard.  (212) 576-2232.

London

- Sept. 10 – 13 (Wed. – Sat.) “Brubecks Play Brubeck” featuring Darius, Chris and Dan Brubeck. The talented offpspring of Dave Brubeck display the remarkable genetic musical heritage they’ve received from their legendary father. Ronnie Scott’s.  +44 20 7439 0747.

Copenhagen

Sept, 13, (Sat.) Robert Lakatos. Hungarian jazz pianist Lakatos, one of Europe’s most highly praised jazz artists, is joined by Denmark’s Jesper Lundgaard, bass and Alex Riel, drums in a convincing display of the stunningly high level of jazz artistry on the continent. Jazzhus Montmartre.  +45 31 72 34 94.

Milan

The Bad Plus (Dave King, Ethan Iverson, Reid Anderson)

- Sept. 11. (Thurs,.) The Bad Plus. The creatively ambitious trio of pianist Ethan Iverson, bassist Reid Anderson, and drummer Dave King has been exploring new musical vistas since the 1990s, touching on everything from new views of the blues to their interpretation of Stravinsky’s The Rite of Spring. Blue Note Milano.  +39 02 6901 6888.

Tokyo

- Sept. 11 & 12. (Thurs. & Fri.) The Quartet Legend, featuring Kenny Barron, Ron Carter, Benny Golson and Lenny White. With a line-up of those names, this stellar group might more accurately be called “The Legendary Quartet.” Here’s a rare opportunity to hear them together. The Blue Note Tokyo. +81 3-5485-0088.

 


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