Picks of the Week: July 15 – July 20. (Tues. – Sun.) in Los Angeles, San Francisco, New York City, London and Paris.

July 15, 2014

By Don Heckman

Los Angeles

Dave Grusin and Lee Ritenour

Dave Grusin and Lee Ritenour

- July 16. (Wed.) Lee Ritenour and Dave Grusin, Boz Scaggs, Eliane Elias. It’s a line-up filled with masters of far-reaching jazz genres (and beyond). Expect an evening of jazz for every taste. Look for an iRoM review later this week. The Hollywood Bowl. (323) 850-2000. .

- July 16. (Wed.) Gina Saputo. She still hasn’t been recognized for her rapidly growing skills as a new jazz vocal star. See Saputo now and join her growing cadre of fans. Catalina Bar & Grill.  (223) 466-2210.

- July 16. (Wed.) The Ron Eschete Trio. Veteran guitarist Eschete displays his impressive mastery of the seven-string instrument. Don’t miss him in action. Steamer’s.  (714) 871-8800.

Tatiana Parra

Tatiana Parra

- July 17. (Thurs.) Tatiana Parra with the Vardan Ovsepian Trio. Her name may not yet be as familiar to American audiences as it should be. But Parra is a remarkable talent, fully capable of blending the best qualities of jazz and Brazilian music. Click HERE to read an iRoM review of a recent album by Tatiana. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 17. (Thurs.) Sara Gazarek and Josh Nelson. Singer Gazarak and pianist Nelson have become an impressive musical team, interacting with intuitive creativity. The Blue Whale. (213) 620-0908.

Pat Senatore

Pat Senatore

- July 18. (Fri.) Pat Senatore Trio. Bassist Senatore’s remarkable versatility is on display almost every night at Vibrato with a variety of artists. This time out he leads his own masterful trio, with Josh Nelson, piano, and Mark Ferber, drums. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 18. (Fri.) Nutty. You may not have heard of Nutty, but you’ll never forget them after you experience their enhancement of classic rock tunes with swinging jazz settings. Vitello’s  (818) 769-0905.

- July 18 & 19. (Fri. & Sat.) Dreamworks Animation in Concert. Actor Jack Black hosts an evening celebrating 20 Years of Dreamworks animation shows. Thomas Wilkins conducts the Hollywood Bowl Orchestra. The Hollywood Bowl. (323) 850-2000. http://www.hollywoodbowl.com/tickets/calendar.

- July 18 & 19. (Fri. & Sat.) Denise Morgan. Completely at ease with gospel, classical, jazz and beyond, Morgan is an impressively eclectic vocal artist. The Gardenia.  (323) 467-7444.

Carol Welsman

Carol Welsman

- July 20. (Sun.) Carol Welsman. Singer/pianist Welsman offers her first Sunday Vespers appearance with her trio — bassist Chris Colangelo and drummer Dave Tull.  Welsman’s richly interpretive vocals and briskly swinging piano work are a pleasure to hear under any circumstances.  And this performance offers, as she says “a unique experience of jazz and spiritual reflection.”  All Saints Church, 132 N. Euclid Ave., Pasadena, CA. (626) 583-2725. (Admission is free.)

- July 20. (Sun.) Midnight Caravan. Actress/singer Linda Purl celebrates ‘The Great Ladies of the Glamorous Nightclub Era. Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Benny Green

Benny Green

- July 17 – 20. (Thurs. – Sun.) The Benny Green Trio. Pianist Green has sustained, in stellar creative manner, the Oscar Peterson jazz piano legacy. An SFJAZZ event in Joe Henderson Lab.  (866) 920-5299.

New York City

- July 15 & 16. (Tues. & Wed.) Julian Lage Trio. A prodigy as a young guitarist, Lage has matured into an impressive new jazz star. The Jazz Standard. (212) 576-2232,

London

Leny Andrade

Leny Andrade

- July 15 & 16. (Tues. & Wed.) Leny Andrade. She’s arguably Brazil’s most convincing jazz-based vocal artist. Don’t miss this chance to hear her live. Ronnie Scott’s.  +14(0)20 7439 00747.

- July 19. (Sat.). (Fri. & Sat.) Take 6. There’s no vocal group quite like Take 6, with its blend of irresistible rhythms, lush harmonies and far- ranging vocal imagination. Ronnie Scott’s. +14 (0) 20 7439 00747.

Paris

- July 16. (Tues.) Ambrose Akinmusire Quintet. Trumpeter Akinmusire has been embraced, with good reason, as one of the new jazz stars of his generation. Paris New Morning.  +33 1 45 23 51 41
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Picks of the Week: June 24 – 29

June 24, 2014

By Don Heckman

Summer has arrived, with all its distractions, and many of the music venues — in the U.S., Europe and beyond — are either closed or booking with reduced schedules.  But there’s still good music to be heard.

Los Angeles

Annie Trousseau

Annie Trousseau

- June 25. (Wed.) Annie Trousseau. Multi-lingual singer Trousseau is described in her press material as offering “some impressive musical reminders of Edith Piaf and Marlene Dietrich.” Which should make for an evening of eminently fascinating music. Vibrato Grill Jazz…etc.  (310) 474-9400.

- June 26. (Thurs.) “Tenors For Two” Tenor saxophonists Tom Peterson and Roger Neumann recall the jazz glory days of the “battling tenors.” Expect these two fine players to stretch the limits. Vitello’s. (818) 769-0905.

- June 26. (Thurs.) Heartbeat Brazil. They may be Los Angeles-based, but Heartbeat Brazil approaches classic Brazilian music with a convincingly authentic approach to bossa nova, samba, etc. And the highlight of the night may well be the presence of guest singer, Jason Gould, Barbra Streisand’s son. Vibrato Grill Jazz…etc.  (310) 474-9400.

Jack Jones

Jack Jones

- June 27 & 28. (Fri. & Sat.) Jack Jones. Jones’ mellow, baritone voice carried the torch for traditional pop music during the rock ‘n’ roll sixties. And the Grammy winner is still going strong, still recalling the glories of the Great American Songbook. Catalina Bar & Grill.  (223) 466-2210.

- June 27 & 28: (Fri.,  & Sat.)  Andrea Marcovicci. Actress, singer, and “Queen of Cabaret,” Marcovicci’s resume reaches from the White House and Carnegie Hall to films and television.  She returns to celebrate her 29th Anniversary at The Gardenia with a program of torch songs titled “Let’s Get Lost.”  The Gardenia.

- June 28. (Sat.) KJAZZ Summer Benefit Concert. Aways one of the most memorable musical experiences of the year, the annual KJAZZ Benefit concert features Steve Tyrell, Jane Monheit, Jason Moran and David Benoit. Don’t miss this one. Disney Hall.  (562) 985-2999.

- June 29. (Sun.) Moulin Russe. Cabaret meets jazz when the Moulin Russe performers bring the delights of traditional French music, in all its glories, to Los Angeles. Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Rickie Lee Jones

Rickie Lee Jones

- June 27 & 28. (Fri. & Sat,) Rickie Lee Jones. Crossing comfortably from jazz to pop in the ’70s and ’80s, identifying herself as a high visibility star and winning Grammys along the way, Jones was one of the most signigicant artists of her generation. Yoshi’s San Francisco.  (415) 655-5600.

Boston

- June 26. (Thurs.) Sadao Watanabe. One of the rare Japanese to break into the national jazz arena, Watanabe thoroughly established himself as a significant player; and he’s still going strong at 80. Regatta Bar.  (617) 661-5000.

New York City

Tierney Sutton

Tierney Sutton

- June 24 – 28. (Tues. – Sat.) The Tierney Sutton Quartet. “After Blue: The Joni Mitchell Project.” Sutton and her band have been creating some of the most impressive vocal jazz of the past decade. The stunning versions of Joni Mitchell classics featured on her most recent CD will provide the centerpiece for her current tour. Birdland.  (212) 581-3080.

- June 25 – 28. (Wed. – Sat.) Stanley Jordan. Famous for his unique method of playing the guitar with a string tapping technique, Jordan creates some of the jazz world’s most appealing sounds. Iridium.  (212) 582-2121.

London

- June 24 – 28. (Tues. – Sat.) Curtis Stigers. Singer/saxophonist continues to establish himself as one of the rare male jazz vocal artists on the current scene. Ronnie Scott’s.  (0)20 7439 0747.

Tokyo

- June 28 – 30. (Sat. – Mon.) Pete Escovedo Latin Jazz Orchestra. Featuring Sheila E. It’s always family time when the Escovedos get together on stage. And anyone who hears them in action leaves with significant musical memories. The Blue Note Tokyo.  +81 3-5485-0088.

 

 

 


Live Music: The 2014 Opening Night at the Hollywood Bowl

June 22, 2014

By Don Heckman

The Hollywood Bowl and the Hollywood Bowl Orchestra, conducted by Thomas Wilkins, offered another Hall of Fame, season-opening program Saturday night. And once again did it with the class and creativity that have characterized these annual events. I’ve been covering the season-opening nights at the Hollywood Bowl for years now and each succeeding presentation gets better and better.

Wilkins and the HBO set the stage with performances of Elmer Bernstein’s Fanfare for the Hollywood Bowl and Prokofiev’s March in B-fat Major, opening the way for a program once again glowing with star quality performers.

One of the most intriguing aspects of this richly entertaining evening was the presence of a stunning array of female artists. And extraordinary female artists at that – from The Go-Gos and Pink Martini to Kristin Chenoweth, all of whom were this year’s inductees into the Hollywood Bowl Hall of Fame.

Add to that the fact that each of the inductees was introduced by high visibility female performers: Taraji P. Henson introduced Pink Martini; Carol Burnett introduced Kristin Chenoweth; and Natasha Bedingfield introduced The Go-Gos.

In addition, Helen Hunt led a tribute to YOLA (The Youth Orchestra of Los Angeles); and singer Lea Michele joined Chenoweth in a portion of her performance.

Kristin Chenoweth

Kristin Chenoweth

Emmy and Tony Award winner Chenoweth may be best known for her roles in Wicked, You’re A Good Man Charlie Brown and the TV series Glee. But her far-reaching performing skills, all on full display in her relatively brief but exhilarating appearance, were the stuff of legends. Singing, strutting, dueting with Michele, interacting whimsically with the enthusiastic audience, the diminutive but energetic Chenoweth thoroughly affirmed the wisdom of inducting her into the Hollywood Bowl Hall of Fame.

The Go-Gos

The Go-Gos

The Go-Gos, the first all-female rock band to write their own songs and play their own instruments, startled the music world by reaching the top levels of the Billboard charts in the ’70s and ’80s. Amazingly, they’ve lost none of their skills or their musical panache. Still rocking, still dominating the stage, they once again underscored the capacity of female musicians to be completely competitive in a male-dominated music world. And they did so again on this creatively dynamic evening, romping through some of their most familiar hits.

China Forbes and Tom Lauderdale of Pink Martini

China Forbes and Thomas Lauderdale of Pink Martini

The final inductees were the gifted players in Pink Martini. Led by pianist Thomas Lauderdale and singer China Forbes, the group’s skills have included collaborations with the likes of Carol Channing, Jimmy Scott, Michael Feinstein, and many more. And it’s not surprising that their international, multi-lingual skills, on full display in this performance, have made them one of pop music’s true boundary-less ensembles.

The Grand Finale of Opening Night 2014 at the Hollywood Bowl

Appropriately, of course, the program came to a typical Hollywood Bowl grand climax with all the inductees on stage together to sing “I’ve Got Rhythm” with the Hollywood Bowl Orchestra, brightly illuminated by a characteristically spectacular fireworks display, enhanced by beaming laser effects.

It was, in sum, one of the most unforgettable finales of recent memory, showcasing the induction of three perfectly chosen musical artists and ensembles into the Hollywood Bowl Hall of Fame.

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Photos courtesy of Mathew Imaging/Hollywood Bowl.


Live Jazz: Chambers, Herbert & Ellis at The Gardenia.

June 22, 2014

By Don Heckman

Hollywood, CA. Chambers, Herbert & Ellis. The names may not be as familiar as Lambert,Hendricks & Ross. At least not yet. But Friday night’s performance by Pierre Chambers, Lisa Herbert and Mitch Ellis at The Gardenia Supper Club provided an impressive introduction to a trio of singers with both the desire and the skill to carry the musical torch lit by L, H & R during their stellar career in the jazz spotlight.

Most of the Chambers, Herbert & Ellis briskly swinging set traced to their deep affection for their iconic predecessors. The highlights included such familiar items as L.H & R’s versions of “Moanin’,” “Everyday I Have the Blues,” “Centerpiece,” “Cloudburst” and “Come On Home.” And they were delivered with an irresistible blend of relaxed swing and musical authenticity.

Mitch Ellis, Lisa Herbert and Pierre Chambers

Mitch Ellis, Lisa Herbert and Pierre Chambers

Add to that a collection of somewhat less familiar pieces as well as a few offbeat tunes, some reflecting the musical family linkages among C, H & E. Among them: “Detour Ahead” (co-written by guitarist Herb Ellis, Mitch Ellis’ father), “Alicia” (by Mort Herbert and Herb Ellis); and “Dear Anne” (written by Pierre Chambers with his father, bassist Paul Chambers.); as well as “Midnight Indigo” and “Caravan” (by Jon Hendricks and Duke Ellington).

That’s an impressive program of music, by any definition. And Chambers, Herbert and Ellis handled it with ease. Lisa Herbert’s far ranging voice soared unerringly across the tops of the harmonies, occasionally popping out high Ds and E flats – reminiscent of Annie Ross, but expressively delivered in her own unique fashion.

Mitch Ellis was equally articulate with a variety of demanding, but improvisationally compelling vocalese passages. Chambers countered with rich baritone phrases and masterful blues and balladry. And the singers were ably supported by pianist Jamieson Trotter, bassist Karl Vincent and drummer Peter Buck.

Mitch Ellis, Lisa Herbert and Pierre Chambers

Mitch Ellis, Lisa Herbert and Pierre Chambers

As they approach their fourth anniversary as a jazz vocal ensemble, Chambers, Herbert & Ellis have still not yet reached the widespread audience their music deserves. A recording is reportedly in the works – hopefully one which will introduce jazz vocal fans to C, H & E’s compelling music.

The trio is also scheduled to return to The Gardenia for a reprise in the near future. And the club’s intimate environs provide the perfect setting for the opportunity to see and hear these gifted singers up close and personal.

Don’t miss the recording or their repeat appearance at The Gardenia., To check the club’s schedule, click HERE.

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Photos courtesy of Chambers, Herbert & Ellis.


Picks of the Week: June 10 – 15

June 9, 2014

By Don Heckman

Summer is upon us, and the live performance schedules around the world are largely dominated by the irresistible big venue festivals. But there’s still a lot of compelling music to be heard in smaller venues, as well.

Los Angeles

Strunz & Farah

Strunz & Farah

- June 10. (Tues.) Strunz and Farah. Jorge Strunz, born in Costa Rica and Ardeshir Farah, from Iran, has been exploring every imaginable area of guitar duo music since they first got together in 1980. Constantly in search of new improvisational territory, they’re always a pleasure to hear. Vibrato Grill Jazz…etc.  (310) 474-9400.

- June 10. (Tues.) John Pisano’s Guitar Night. It’s one of the musically dependable picks of every week. And this week, once again, offers some memorable guitar jazz, with Pisano hosting Howard Alden and John BelzaguyViva Cantina. (818) 845-2425.

- June 12 & 13. (Thurs. & Fri.) Taylor Eigsti. A jazz prodigy as a teen-ager, pianist Eigsti has matured into a world-class musical artist. He performs solo on Thurs., with his trio on Fri. The Blue Whale.  (213) 620-0908.

- June 12 – 14. (Thurs. – Sat.) Jane Monheit Duo. Musically versatile singer Monheit is a pleasure to hear regardless of the setting. This time out, she performs songs of Frank Wildhorn with Clint Holmes. Catalina Bar & Grill.  (223) 466-2210.

Gina Saputo

Gina Saputo

- June 13. (Fri.) Gina Saputo. Still emerging as a gifted young jazz vocalist, Saputo is just beginning to reach the enthusiastic audience that her impressive talents deserve. Steamer’s.  (714) 871-8800.

- June 13. (Fri.) Allison Adams Tucker. She likes to describe her vocal style as “World Jazz,” and her far-ranging programs – emphasizing her mastery of languages and her fascination with various world musics transform her performances into memorable experiences. Vitello’s.  (818) 769-0905.

Mark Copeland

Mark Copeland

- June 14. (Sat.) Mark Copland. At a time when Frank Sinatra-inspired male singers are surfacing in venues across the country, it’s good to hear – among the Sinatra wannabes – a vocalist who brings authenticity and enthusiasm to his fondness for Old Blue Eyes. Vibrato Grill Jazz…etc.  (310) 474-9400.

- June 14 & 15. The Playboy Jazz Festival. Always the jazz event that kicks off the summer season, this year’s Playboy Jazz Festival continues its quest to provide two days of non-stop, hard swinging, imaginative jazz.

Al Jarreau

Al Jarreau

Among the headliners: Al Jarreau, Arturo Sandoval, Kenny Barron, Dianne Reeves, Dr. Lonnie Smith, George Benson, Earl Klugh, James Cotton, Jose James, as well as a tribute to George Duke. George Lopez is once again the Master of Ceremonies. Hollywood Bowl.  (323) 850.2000.

- June 15. 21st Annual Brazilian Summer Festival. The annual Brazilian festivals produced by Brazilian Nites are always compelling events. This year, the performances celebrate the 2014 FIFA World Cup competition currently taking place in Brazil. The Ford Amphitheatre (323) 461-3673.

New York City

- June 10 – 14. (Tues. – Sat.) Stacey Kent. Grammy-nominated jazz vocalist Kent has been living in the U.K., building a dedicated English fan base. She selebrates the release of her new, Brazilian-tinged album, The Changing Lights. Birdland. (212) 581-3080/.

Anat Cohen

Anat Cohen

- June 10 – 15, (Tues. – Sun.) Anat Cohen Trio. The gorgeous, Israel-born Cohen has thoroughly established herself as one of the most imaginative jazz instrumentalists of her generation, while returning the clarinet to the top echelon of jazz expressiveness. Her trio also includes Martin Wind, bass, and Matt Wilson, drums. The Village Vanguard.  (212) 255-4037.

Boston

- June 13. (Fri.,) Diane Schuur. “Deedles,” as she is known to friends and fans alike, continues to enliven the soaring, lyrical vocal style first established by Sarah Vaughn, now the trademark of Deedle’s imaginative singing. The Regatta Bar.
(617) 661-5000.

London

Courtney Pine

Courtney Pine

- June 11 – 13. (Wed. – Fri.) Courtney Pine. Saxophonist and multi-woodwind player Pine’s adventurous playing has taken him to the top of the English jazz world and beyond, playing a blend of styles embracing merengue, ska, calypso with a solid jazz imagination. Ronnie Scott’s.  +44 (0) 20 7439 0747.

Tokyo

- June 11 – 15 (Wed. – Sun.) Tak Matsumoto. A Grammy-winning guitarist/composer/singer/producer and more, Matsumoto moves freely and convincingly across musical genres of every hue. The Blue Note Tokyo.  03-5485-0088.

 

 

 

 


Live Music: Rodriguez at the Greek Theater

June 4, 2014

By Mike Finkelstein

Sometimes life just dishes up a better story than we might actually invent for ourselves. And often the goodness isn’t all that obvious. For Sixto Rodriguez the path to popularity has certainly not been conventional. His musical career was by all rights dead in the water in the early 70’s. But strange events passed and he benefited from several unlikely yet heartwarming surges in popularity over the last 25 or so years in Australia and South Africa. All of this has been skillfully documented in the Academy Award winning documentary about his legend called Searching for Sugar Man. This recognition is a big reason why he was able to largely fill the Greek Theater Friday, on a classic spring evening.

While the Greek was not exactly packed it was mostly filled throughout, surrounding some scattered bare patches. Friday night was not at all a quickly paced show, but the audience was subdued and enthusiastically loyal.

Sixto Rodriguez

If one term could describe the festivities Friday night it would have to be “laid back.” Rodriguez has a laid back manner onstage, the show moved at a very laid back pace, and the audience was laid back enough to go with the noticeably extended pauses between songs. But when it was time to play music, his voice was in great form and though they were short, the songs satisfied.

Decked out in a top hat, black suit, long 70’s styled hair, and dark Roy Orbison-esque glasses, Rodriguez was escorted onstage in the hand of his daughter, Regan. It was a slow and careful walk they made, as he suffers from a progressive case of glaucoma and must be very careful when on foot.

From the start the delivery was calm, composed, low key, and once the song was underway, very focused. His guitar was one of those very nice thin-bodied acoustic electrics and his right hand was a spidery blur of motion as he strummed it. This looked a bit unorthodox, but trying something new is often how one finds their style.

Sixto Rodriguez

Sixto Rodriguez

It has always been Rodriguez’ voice that draws me in. Warm, rich, very expressive. It is beautifully haunting. Part of the Rodriguez legend is that he was a vanished persona to so many who loved to listen to him, just untraceable for many years. That his voice could be as golden only added to mystique.
Vocally, a few comparisons are unavoidable if only as reference points. There’s no way around the fact that he evokes early Dylan, but without the underlying angst and frenzy. His voice is a richer, more composed instrument but, like early Dylan, Rodriguez can also turn one eloquent phrase after another.

There is also the contemplative detachment in his voice that you can hear in Nick Drake’s work. In terms of simple, catchy, arrangements and his delivery, I heard a nod or two to early Leonard Cohen in songs like “Crucify Your Mind.” But the comparison really doesn’t go past the point of suggestion or similarity. Rodriguez’ voice shapes each tune into his style and that is the calling card of any successful popular artist.

In songs like “This Is Not A Song, It’s An Outburst: Or, The Establishment blues,” “I Wonder,” “Inner City blues,” and “Sugar Man,” Rodriguez comes across with his own style. The songs are quite short, but they are unmistakably his. He often has his chords descend chromatically and then bounce to the next idea. The progressions lend themselves to concise melodic embellishments, and there were plenty of tasty embellishments from his three-piece band on Friday. But at the top of the mix, it’s his voice that holds our attention. Sitting there with my eyes closed I noticed that his voice sounds just as it did in the movie and on the recordings from 40 years ago. That’s a remarkable vocal status at the age of 71.

Sixto Rodriguez

Sixto Rodriguez

Since live music is a sharing of musical perspectives, performers love to cover songs that carry special meaning to them. Listening to these usually gives an audience a nice little peek into the direction an artist may be approaching from. On Friday, Rodriguez covered Little Richard’s “Lucille,” and Carl Perkin’s “Blue Suede shoes,” … both of which he would have grown up hearing on the radio. Both are tunes we would think of as uptempo rockers. I’ve never heard a slower, folkier version of either of these songs. And really, it wasn’t surprising to hear them done this way. In fact, it was novel and entertaining. They also went on to cover Frank Sinatra’s “I’m Gonna Live ‘Til I Die,” with the same approach.

At the end of the set and after the encore, as well, Rodriguez let us know that it had been an honor, a pleasure, and a privilege to play for us at the Greek. In many ways the pleasure was just as much ours.

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To read more reviews and posts by Mike Finkelstein click HERE.

 

 

 


Picks of the Week: May 27 – June 1

May 27, 2014

By Don Heckman

Los Angeles

Pat Senatore

Pat Senatore

- May 27. (Tues.) Pat Senatore Trio. The stellar Senatore trio – bassist Senatore with pianist Josh Nelson and drummer Mark Ferber have been carrying the torch for solid jazz at its best for years. And their new recording, Ascensione, is a superb display of their effectiveness as a world class jazz trio. Vibrato Grill Jazz…etc.  (310) 474-9400.

- May 29. (Thurs.) Peter Smith. “Too Marvelous For Words: The Music of Nat “King’ Cole.” Singer/pianist Smith revives one of the most appealing jazz catalogs of song. Don’t miss it. Vitellos.  (818) 769-0905.

- May 30. (Fri.) Angela Parrish. Pianist/singer/songwrier Parrish has been soloing in Vitello’s dining room. But her appealing musical qualities will be on full display when she performs in the club’s warm and engaging upstairs music room. Vitello’s  (818) 769-0905.

Gustavo Dudamel

Gustavo Dudamel

- May 30. (Fri.) The Los Angeles Philharmonic. A Casual Friday concert with Gustavo Dudamel conducting Mozart’s Symphony No.36 and Ravel’s Piano Concerto in G, with Helene Grimaud as piano soloist. Disney Hall. (323) 850-2000.

- May 30 & 31. (Fri. & Sat.) Tom Culver’s “Cole Porter Uncorked explores some of the classic items in the Great American Songbook in a program backed by the Rick Hils Trio and directed by Marilyn Maye. The Gardenia. (323) 467-7444.

- May 31. (Sat.) LA Ballet “La Sylphide.” An irresistible evening of ballet at its finest. In addition to La Sylphide, the program features George Balanchine‘s “Serenade..” Valley Performing Arts Center.  (818) 677-8800.

Miki Howard

Miki Howard

- May 30 & 31. (Fri. & Sat.) Miki Howard. Comfortably expressive in jazz, r&b and pop, Howard had a string of hits in the ’80s and ’90s, and she’s still going strong. Expect to hear some catchy, appealingly familiar melodies. Catalina Bar & Grill.  (223) 466-2210.

- June 1. (Sun.) Seth MacFarlane with the Ron Jones Jazz Influence Orchestra. Multi-hyphenate MacFarlane balances his successful efforts as an actor, producer, director and comedian with his appealing efforts as a singer. He’ll be at his best with Jones’ briskly swinging Jazz Influence Orchestra. Vibrato Grill Jazz…etc.  (310) 474-9400.

San Francisco

- May 29 – June 1 (Thurs. – Sun.) Marc Ribot. Guitarist/composer Ribot displays his affection for film in a fascinating score for Charlie Chaplin‘s film, The Kid. An SFJAZZ concert at Miner Auditorium.  (866) 920-5299

Washington D.C.

- May 27 (Tues.) Nicole Henry. Comfortably expressing herself in soul/jazz/pop/r&b stylings, Henry’s charismatic qualities are present in every song she sings. Blues Alley (202) 337-4141.

New York City

Jane Monheit and John Pizzarelli

- May 30 & 31. (Fri. & Sat.) John Pizzarelli and Jane Monheit with the Al Jackson Quintet. Among the most gifted of the younger generation interpreters of the Great American Songbook, Pizzarelli and Monheit are even better when they’re performing as a captivating vocal duo. Dizzy’s Club Coca Cola.(212) 258-9595.

- May 27 – 31. (Tues. – Sat.) BossaBrazil. A pair of Brazil’s finest musical artists – Marcos Valle and Roberto Menescal – team up to showcase some of the finest blends of jazz and Brazilian rhythms. Birdland.  (212) 581-3080.

London

- May 30 & 31. Jean Luc Ponty & His Band.  Violinist Ponty, one of the leaders in the early stages of jazz fusion, continue to be one of the most intriguing of contemporary jazz performers. Ronnie Scott’s. +44 (0)20 7439 0747

Berlin

- May 27. (Tues.) Billy Hart Quartet. Always an appealing performer, drummer Hart is so popular in Berlin that this booking has been described as “Wegen Des Grossen Andrangs (“Back By Public Demand). A-Trane. 030 / 313 25 50.

Milan

Mayra Andrade

Mayra Andrade

- May 28. (Wed.) Mayra Andrade. Lovely Difficult A native of the musically rich environment of the Cape Verde isands, Andrade – who lives in Paris – has built an impressive career combining her Cape Verde roots with appealing touches of French music and American pop. The Blue Note Milano. +39 02 6901 6888.

Tokyo

- May 27 & 28. (Tues. & Wed.) Harvey Mason and “Chameleon.” Hard swinging drummer Mason, leads an especially appealing ensemble in “Chameleon,” featuring the unique musical gifts of Chris Turner, John Beasley, Philip Woo, Kamasi Washington and Jimmy Haslip. The Blue Note Tokyo. +81 3-5485-0088.

 

 

 


More Picks of the Week: April 30 – May 4

April 28, 2014

By Don Heckman

Los Angeles

- April 29. (Tues.) Nouveau Stride. Lorraine Feather and Stephanie Trick. Singer/songwriter Feather and stride pianist Trick combine their considerable talents for an evening inspired by the music of Fats Waller, James P. Johnson and Dick Hyman. Vibrato Grill Jazz…etc.  (310) 474-9400.

- April 29. (Tues.) Chamber Music Society: All Mozart. Members of the Los Angeles Philharmonic combine in an appealing program of Mozart classics, including the Flute Quartet in D, the String Quartet No. 19, the Wind Serenade in C minor and the String Quartet in D. A guaranteed performance to remember for all Mozart fans. Disney Hall.  (323) 850-2000.

- April 29. (Tues.) Eric Reed Quartet. Pianist Reed first became familiar to jazz audiences via his remarkable jazz talents when he was still a teen-ager.  Since then he has matured into one of the most significant jazz artists of his generation. Catalina Bar & Grill.  (223) 466-2210.

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Teka

Teka

HIGHLIGHT EVENT

- April 30. (Wed,) Teka. Born in Brazil, singer/guitarist Teka’s music blends a fusion of the sensual rhythms and harmonies of Brazil with the sophistication and improvisation of jazz – a fascinating musical blend she calls New Bossa. She currently does most of her performing in Santa Barbara and the Central Coast. So don’t miss this opportunity to hear Teka’s impressive vocal and instrumental skills in action. And be sure to click HERE to check out iRoM’s review of her latest CD.   The Gardenia (323) 467-7444.

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- May 3. (Sat.) Tuck & Patti. The team of guitarist Tuck and singer Patti, partners in music and in life have been producing memorable performances together for several decades. Click HERE to read a previous iRoM review of the dynamic duo.  Catalina Bar & Grill. (223) 466-2210.

Deana Martin

Deana Martin

- May 4. (Sun.) Deana Martin. She’s Dean Martin’s daughter, and the creative acorn didn’t fall far from the tree. But Deana, in addition to her familiarity with the classic songs favored by her Dad, has throughly established herself as a significant talent in her own right.  Click HERE to read a previous iRoM review of Deana Martin.  Vibrato Grill Jazz…etc.  (310) 474-9400.

Seattle

- April 29 & 30. (Tues. & Wed.) The Fred Hersch Trio. Pianist Hersch is not only a veteran jazz performer, he’s also an improvising artist who brings uniquely imaginative ideas to every thing he plays.Click HERE to read a previous iRoM review of Fred Hersch.  Jazz Alley (206) 441-9729.

Chicago

- May 1 – 4. (Thurs. – Sun,) Cyrus Chestnut Trio. Pianist Chestnut displays his belief in the gospel and soul roots of jazz in compelling fashion. Jazz Showcase 312) 360-0234.

Washington D.C.

- May 1 – 4. (Thurs. – Sun.) John Pizzarelli. He sings and plays the guitar with the same kind of creative blend one recalls from the work of Nat “King” Cole. But he does so with his own inventive expressiveness. Blues Alley (202) 337-4141.

Steve Kuhn

Steve Kuhn

New York City

- May 1 – April 29 – May 4. (Tues,. – Sun.) Steve Kuhn Trio. With bassist Steve Swallow and drummer Joey Baron. Kuhn’s long, impressive career reaches from the new ideas of the ’60s (when he played with John Coltrane) to his equally imaginative work in the new millenium. Birdland (212) 581-3080.

London

- April 30 – May 3. (Wed. – Sat.) Frank Sinatra Jr.“Sinatra Sings Sinatra.”Yes, it really is “Sinatra Sings Sinatra,” but Junior does it with more authenticity than any of the current Sinatra wannabes. Ronnie Scott’s. +44 (0)20 7439 0747.

Sine Eeg

Copenhagen

- May 2 & 3. (Fri. & Sat.) Sinne Eeg. Denmark’s gift to jazz singing, Sinne is a major talent, who still has not received the accolades and recognition that her remarkable abilities deserve. To read a previous iRoM review of Sinne click HERE. Jazzhus Montmartre. (+45) 70 263 267.

Tokyo

- May 2 – 4. (Fri. – Sun.) Dee Dee Bridgewater. Grammy and Tony award winning singer Bridgewater has been displaying her considerable vocal talents since the early ’70s, and she’s still going strong. Don’t miss her; she’s the real deal. Blue Note Tokyo. +81 3-5485-0088.

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Deana Martin photo by Faith Frenz.

 


Live Music: Lynda Carter at Catalina Bar & Grill

April 15, 2014

By Don Heckman

Hollywood, CA.  A full house doesn’t completely describe the crowd that was virtually overflowing the room at Catalina Bar & Grill Saturday night. But it wasn’t surprising, given the fact that the headliner was Lynda Carter. And that was exciting news for anyone who was a television fan back in the seventies.

Why? Because Lynda Carter was Wonder Woman. Add to that, she also won the Miss World USA Pageant in 1972 and appeared in numerous television specials, as well.

Lynda Carter

Lynda Carter

Carter did not, of course, take the stage at Catalina’s wearing her Wonder Woman costume. (Although it would have pleased a substantial number of fans – especially males – if she had.) But the truth is that many in the full house crowd seemed pleased to see and hear Lynda Carter the singer, rather than Lynda Carter, Wonder Woman.

And with good reason. Although she continues to draw value out of her past Wonder Woman identity, Carter has become a world class performer who moves with impressive musicality through genres reaching from pop and r&b to country music.

Lynda Carter and her band

Lynda Carter and her band

Backed by a stellar band and an equally skilled group of back up singers, she was also a convincing entertainer. Gracing the stage with her lithe movements, communicating warmly with her listeners between numbers, she convincingly affirmed performing skills that reached well beyond her role as a superhero.

Lynda Carter and her back up singers

Lynda Carter and her back up singers

Carter’s program underscored the range of her many abilities. Among the richly varied tunes she included The Black Peas’s “Lonely Boy,” a new Sam Cooke song, Bruce Springsteen’s “I’m on Fire” and Christina Aguilera’s “Candy Man.”

Lynda Carter

Lynda Carter

Add to that such familiar items as “I Heard It Through The Grapevine,” “Fever,” and “God Bless The Child,” capping her show with “Let the Good Times Roll.”

Carter and her fine musicians and singers handled the varied styles with an ease that generated enthusiastic audience responses all the way to the final encore.

No, it wasn’t Wonder Woman. But when Lynda Carter stepped to the microphone, it was all music, and memorable music at that.

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Photos by Faith Frenz.


Live Jazz: Ariana Savalas at Herb Alpert’s Vibrato Grill, Jazz…etc.

April 11, 2014

By Don Heckman

Bel Air, CA. Ariana Savalas. The name may have a familiar ring to it. Especially the surname “Savalas” which will be familiar to most fans of television and movies. And especially familiar when a first name is also included, adding up to “Telly Savalas,” the late actor best known for playing the title role in the ’70s crime drama Kojak and numerous villains in dozens of films.

Ariana Savalas

Ariana Savalas

Ariana Savalas is Telly Savalas’ daughter (the youngest of six siblings), and a rapidly emerging actress and musical star in her own right. Her performance at Vibrato on Thursday night – one of her too rare appearances in the Southland – was an impressive display of her creative skills. Not only is Ariana a musical artist who delivered her songs with the gripping qualities of a born musical story-teller. She also engaged her audiences between songs with a warm blend of wit and humor.

Backed by the stellar ensemble of Joe Bagg, Andy Senasi and Steve Venz, Ariana made the most of a program of songs reaching from standards to her own originals. Kicking off her set with the Yiddish classic, “Bei Mir Bistu Shein,” she opened with a dynamic interpretation, clearly pleasing the overflow crowd.

Ariana Savalas and her band

Ariana Savalas and her band

Ariana followed with one appealing standard after another: “You and the Night and the Music,” “I Get A Kick Out of You,” “I See Your Face Before Me,” “They Can’t Take That Away From Me,” “Sophisticated Lady,” “Making Whoopie” and more. Each was interpreted with her unique creative view.

Corky Hale

Corky Hale

Some of the additional intriguing moments of the evening took place when veteran singer/pianist/harpist Corky Hale – who has been an avid supporter of Ariana’s rising star – moved from her seat in the audience on stage to the piano bench. Backing Ariana’s intimate renderings of several tunes, Corky also added a brief but appealing vocal interpretation of her own.

Ariana followed with an expanded display of her versatility, singing several of her original songs, as well as  the intriguing “Mechanical Man,” and accompanying herself on both piano and ukulele.

Ariana Savalas

Ariana Savalas

No wonder the restless audience insisted upon warming up in the glow of Ariana Savalas’ musical artistry, asking for as many encores as she would provide. The result was another of the many nights to remember at Vibrato Grill Jazz…etc. Let’s hope that, in future weeks and months, there’ll be more frequent performances by this gifted young talent.

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Photos by Faith Frenz. 

 


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