Picks of the Week: July 29 – Aug. 3 in Los Angeles, San Francisco, Washington D.C., New York City, London, Paris and Tokyo

July 29, 2014

By Don Heckman

It’s another hot week, with a lot of venues still in the midst of their Summer hiatuses.  But there’s still some fine, selective music to hear.

Los Angeles

Amanda McBroom

Amanda McBroom

- July 29. (Tues.) Amanda McBroom and George Ball. Musical theatre and cabaret star Amanda McBroom and actor/singer George Ball present a program of classic songs. Catalina Bar & Grill.  (323) 466-2210.

- July 30. (Wed.) Lola Haag, Mark Massey and Friends. The sultry voice of Lola Haag is backed by the jazz piano stylings of Mark Massey and his stellar group. Steamers7.  (714) 871-8800.

- July 31. (Thurs.) Chuck Manning & Steve Huffsteter Quartet. A pair of Los Angeles’ world class jazz artists – saxophonist Manning and trumpeter  Huffsteter take a break from their busy bookings as sidemen to step into the spotlight.  They perform in a piano-less quartet with bassist Pat Senatore and drummer Matt GordyVibrato Grill Jazz…etc.  (310) 474-9400.

- Aug. 1 – 3. (Fri. – Sun.) “Hair.”  The classic rock musical of the sixties takes over the Bowl for a rare three night run. A must-see for all boomers. Hollywood Bowl.  (323) 850-2000.

Strunz and Farah

Strunz and Farah

- Aug. 2. (Sat.) Strunz & Farah. The dynamic guitar duo of Costa Rica’s Jorge Strunz and Iran’s Ardeshir Farah are back, making a second L.A. appearance in the past two weeks. Don’t miss them. Catalina Bar & Grill.  (323) 466-2210.

San Francisco

(July 31 – Aug. 3.(Thurs. – Sun.) Vinicius Cantuaria Sings Jobim. Guitarist/singer Canturia, one of bossa nova’s most authentic interpreters, illuminates the Antonio Carlos Jobim catalog of songs. SFJAZZ event at Joe Henderson Lab.  (866) 920-5299.

Washington D.C.

Melba Moore

Melba Moore

- Aug. 1 & 2. (Friday & Sat.) Melba Moore. Grammy-nominated, Tony-Award winning r&b, soul, and blues singer Moore is a master of contemporary pop music styles with hits reaching back to the ’70s. Blues Alley.  (202) 337-4141.

 New York City

- July 31 – Aug. 3. (Thurs. – Sun.) The legendary Count Basie Orchestra. The irresistible rhythms and big band classics of the Count Basie Orchestra live on, with trumpeter Scotty Barnhart leading the way. The Blue Note.  (212) 475-8592.

London

- July 28 – Aug. 2 (Mon. – Sat.) The Average White Band. Four decades after their hit-making years of the ’70s and ’80s, the Scottish Average White Band is still playing their soul, r&b and funk classics. Two original members – Alan Gorrie and Onnie McIntyre – are still present, along with three new members from the U.S. Ronnie Scott’s.  +44 (0)20 7439 0747.

Paris

Roy Hargrove

Roy Hargrove

Aug. 1 ;& 2. (Fri. & Sat.) The Roy Hargrove Quintet. Versatile trumpeter Hargrove steps away from his big band to lead a swinging quintet of jazz stars. Paris New Morning.  +33 1 45 23 51 41.

Tokyo

- July 29.  ( Tues.)  The Preservation Hall Jazz Band.  The classic sounds of New Orleans jazz are alive and well in the swinging playing of the preservation Hall Jazz Band.  The Blue Note Tokyo.  +81 3-5485-0088.

 


Live Music: Gloria Estefan and the Hollywood Bowl Orchestra in an “America & Americans” Concert at the Hollywood Bowl

July 28, 2014

By Devon Wendell

Many music purists and snobs might balk at the mere mention of Gloria Estefan and dismiss her as being just another celebrity pop-star.  But Estefan proved to be a stellar musician with the chops, versatility, and stage presence of a great jazz singer at The Hollywood Bowl Saturday evening.

Estefan performed two sets consisting of her greatest hits and material from her 2013 Grammy nominated album The Standards featuring her own soulful twists on some of the most familiar standards from the American songbook.

Gloria Estefan

Gloria Estefan

Backed by a focused and subtle band featuring some of the greatest session musicians ( Shelton Berg: piano and musical director, Dean Parks: guitar, Carlos Puerto: bass, Ray Brinker: drums, Edwin Bonilla: percussion, Cynthia Medina and Socrates Perez on backing vocals and The Hollywood Bowl Orchestra (Conducted by Thomas Wilkins). Estefan kicked off the festivities with “Good Morning Heartache,'” “They Can’t Take That Away From Me” and Jobim’s “Yo Se Te Voy A Amar.”  Instead of dancing across the stage as she did over 30 years ago, Estefan stood poised, elegantly gripping the microphone like a true jazz crooner. Her voice has deepened with age in all the best ways. Her thick vibrato and dynamic phrasing fit these standards perfectly.  The choice of material never sounded forced for one moment.

Actor Andy Garcia made a guest appearance, playing congas on a very sexy salsa reading of Gershwin’s “You Made Me Love You.” This was a highlight of the evening. Estefan’s smoky yet playful vocals jelled beautifully with the pure Latin jazz horn hooks and percussion delivered by Estefan’s band and The Hollywood Bowl Orchestra.

Another program highlight was Estefan’s rendition of Fredrick Loewe and Alan Jay Lerner’s “I’ve Grown Accustomed To Her Face” dedicated to Estefan’s hubby of 36 years, Emillio. The band played at the level of a whisper. Berg’s stark and minimalistic piano accompaniment complimented every carefully delivered phrase and nuance by Estefan.

Estefan also played more mature,, jazzier versions of her biggest hits such as “Here We Are,” a slow, jazz-tinged arrangement of “Conga” and “Rhythm Is Gonna Get You,” giving the show a sense of continuity and focus.

On “Rhythm Is Gonna Get You” Estefan was joined by The Youth Orchestra Of Los Angeles. These kids really knew how to swing hard, adding more excitement to the program.

Another guest was Estefan’s teenage daughter Emily, who played acoustic guitar and sang Neil Sedaka’s “Where The Boys Are” with her mom singing background vocals on this doo-wop ballad. Emily sounded a lot like her mother when she was starting out in the late ’70s with the Miami Sound Machine.

After a brief intermission, Estefan presented her second set which was more subdued, aside from her classic pop anthems “Bad Boy” and “1-2-3,” although her classic ballads “I Can’t Stay Away From You,” “Don’t Want To Lose You Now” and “Anything For You” had a sad and haunting feel to them. The lyrics felt more sincere than when they first hit the charts almost a quarter of a century ago.

Estefan’s renditions of “The Way You Look Tonight,” “Smile” and “What A Wonderful World” had a beautiful darkness to them, especially Shelton Berg’s arrangement of the Louis Armstrong classic. Estefan has one of the most powerful and rich vocal vibratos I’ve ever heard and I hadn’t heard so vividly until this evening’s performance.

As haunting as the material felt at times, Estefan’s warm and humorous stage presence created a nice balance in the show’s overall mood.

The most interesting experiment of the entire evening was a sexy, R&B fueled take on George Gershwin’s “How Long Has This Been Going On.” Dean Parks’ rhythm guitar comping played sweetly along with the steady bass line played by Carlos Puerto. Estefan’s vocal delivery proved that she not only has a strong understanding of the complex chord changes but also a deep felt knowledge of the mature lyrical content which separates a good singer from a great one.

Estefan ended the show with the disco anthem “Turn The Beat Around” accompanied by an incredible fireworks display that was synchronized with the music. All in attendance were having a blast, especially the “Glo-Heads,”Estefan’s most loyal fans who took up a third of the upper portion on the Bowl, sporting purple glow sticks.

As an encore, Estefan performed a heartfelt, bluesy reading of the Carol Leigh standard “Young At Heart” to cool things down. The strings, harp, and brass of The Hollywood Bowl Orchestra sounded perfect behind Estefan, creating a dream like ambiance.

Gloria Estefan performed one of the finest concerts I’ve witnessed in a long time, destroying all notions I had of her just being a pop singer. Estefan can do it all and her mature, sultry performance was the perfect fit for a summer concert at The Hollywood Bowl.

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To read more posts, reviews and columns by Devon Wendell click HERE.


Live Jazz: The Ron Carter Trio at Catalina Bar & Grill.

July 26, 2014

By Don Heckman

There was good news for jazz Friday night at Catalina Bar & Grill.

Good news because the Sunset Blvd. Jazz club – L.A.’s principal destination for world class jazz groups – was packed.

Good news because the enthusiastic crowd seemed captivated by the music.

And, best of all, good news because the headlining act – the Ron Carter Trio – played a set that was a virtual definition of jazz at its finest.

The Ron Carter Trio: Donald Vega, Ron Carter and Russell Malone

The Ron Carter Trio: Donald Vega, Ron Carter and Russell Malone

The Trio’s instrumentation – Carter playing bass, Donald Vega playing piano, and Russell Malone playing guitar – was a stunning example of jazz minimalism: no drummer, no horns. And they handled it brilliantly.

Ron Carter

Ron Carter

The atmosphere on stage was a blend of jam session spontaneity with the subtle but complex interplay of a classical chamber ensemble. Collective passages seemed both organized and off the cuff. Solo passages flowed imaginatively through open spaces in the ensemble, allowing each player to reach into his deepest well of creativity.

Carter made a few soft-voiced comments between selections. But, for the most part, the music unfolded with a natural connectivity, regardless of the specific selection.

Malone was featured on “Candlelight,” a dedication to guitarist Jim Hall. Vega soloed on “My Funny Valentine.” And Carter chose “You Are My Sunshine,” a classic country tune he also selected as an unlikely solo vehicle a couple of years ago in a performance at Royce Hall.

A veteran player who was highly visible for years as a close musical companion to Diana Krall, Malone brought his far-ranging versatile eclecticism to his solo passages. Blending fast-fingered virtuosity with appealing lyricism, his soloing recalled, and honored, similar qualities in Hall’s memorable playing.

Vega, a jazz prodigy as a teen-ager, now a mature artist, found new ideas in the often-played “My Funny Valentine.” Approaching the classic standard from a new perspective, he often lured Carter and Malone into collective passages, instantly providing contrast and support for his stunning solo lines.

And Carter, the most recorded bassist in jazz history, once again had fun with “You Are My Sunshine.” Approaching his instrument with the pizzicato accents of a cello, he roved freely across the familiar melody. Digging into its roots, lining up the theme in his own unique fashion, his playing occasionally recalled a classic version of the tune recorded by Sheila Jordan and George Russell. But by the time he had melded his soloing back into the Trio collectivity, he had completely made it his own.

No wonder the audience was so reluctant to allow the Carter Trio to leave the stage. The opportunity to hear a performance as stunningly imaginative as his Trio had offered was a rare experience indeed. And this listener, no doubt like the rest of the applauding crowd, looks forward to the music Ron Carter will bring to his next, too-rare appearance in the Southland.

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Photos by Faith Frenz.


Live Music: Robert Davi at Vibrato Grill Jazz…etc.

July 26, 2014

By Don Heckman

Robert Davi was back at Herb Alpert’s Vibrato Grill Jazz…etc. Thursday night. And that was great news for fans of the Great American Songbook – as well as fans of Great American pop singing, which Davi does brilliantly.

A highly visible actor, Davi is one of the most memorable tough guys since the era of Humphrey Bogart. In his first film, Contract On Cherry Street, he shared the spotlight with Frank Sinatra, a forecast of a connection that would unfold in his music career. He was also seen as the villain Franz Sanchez in the James Bond film, License To Kill. Add to that his presence in the TV series, Profiler and dozens of other pictures, ranging from Diehard, Showgirls and The Goonies to the more recent films The Iceman and The Expendables 3.

Robert Davi

Robert Davi

Musically, he’s one of the most authentic successors to the Sinatra style. His recent album, Davi Sings Sinatra: On the Road to Romance, hit #6 in Billboard‘s Top 10 Jazz Chart.

But his achievements as an actor and a singer – despite their stylistic orientation – cannot be described as type-casting. Whatever assignment Davi takes on, in both arenas, he makes his own. And his Thursday night performance at Vibrato was a definitive example of how he has transformed his affection for the Sinatra style into a uniquely engaging musical expressiveness. And he has done so while including a substantial number of Sinatra related songs in his catalog.

Singing to a packed house at Vibrato, Davi was backed by the stellar ensemble of pianist/music director Randy Waldman, vibist Emil Richards, guitarist Mitch Holder, saxophonist/flutist Gene “Cip” Cipriano and drummer Dave Tull.

Robert Davi and his band at Vibrato

Robert Davi and his band at Vibrato

As in any Davi performance, the first aspect one noticed was the rich, warm intensity of his voice. Trained operatically, blessed with a superb natural instrument, he used his remarkable vocal assets at the service of his equally impressive interpretive skills.

The program sparkled with Sinatra-related tunes, among them the opening “I’ve Got The World On A String,” as well as “Fly Me To The Moon,” “Luck Be A Lady,” “Tender Trap,” “Come Rain Or Come Shine,” “The Best Is Yet To Come” and a lot more. Davi sang most of them while roving among the tables with a wireless microphone, delighting his enthusiastic listeners by delivering his songs with up close musical intimacy.

There were other intriguing moments in the program, as well. Shifting into his humorous mode, Davi – who recently returned from working on a film in Moscow – described meeting the “Russian Sinatra.” Imitating what he heard, Davi sang “The One I Love Belongs To Somebody Else” with his version of a Russian accent.

Robert Davi

Robert Davi

In a very different mode, he offered a dedication to Maya Angelou before singing “Old Man River,” with the full range of his remarkable voice, then following it with “River Stay Away From My Door.” Interestingly both songs were performed by both Sinatra and Paul Robeson.

Add to that the rarely heard Cy Coleman/Michael Stewart song (which was also performed by Sinatra) “I Love My Wife.” In addition, Davi included a touching version of “Send In the Clowns,” yet another example of his expanding catalog of songs.

There was one more aspect to this extraordinary evening which was, in addition to its entertainment, a benefit for the organization “America’s Mighty Warriors.” Davi has long been a supporter of the men and women in America’s armed forces. And, midway through the performance actor Jon Voigt introduced Debbie Lee, founder of the organization, whose son, Marc Allen Lee, was killed in action in Iraq while defending his companions.

To Find Out More about “America’s Mighty Warriors” click HERE.

Appropriately, Davi also sang “The House I Live In,” from the short 1946 film of the same name (which featured Sinatra) opposing anti-semitism and racial prejudice.

In sum, the Thursday night performance at Vibrato was memorable in many ways. And Robert Davi deserves full credit for bringing all its elements together. More than a singer and an actor, he is an artist with his own growing, creative vision.

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Photos by Faith Frenz.


Live Music: Gilberto Santa Rosa and Sheila E. in an Americas & Americans Performance at the Hollywood Bowl

July 24, 2014

By Don Heckman

The L.A. Phil’s entertaining Americas & Americans series came up with a stellar musical double-header Wednesday night at the Hollywood Bowl. Which was not surprising, given the headlining onstage presence of Sheila E. and Gilberto Santa Rosa. Both of whom are major figures in the Latin music world – and beyond.

Sheila E.

Sheila E.

It’s no mystery that Sheila E., the highly visible offspring of the talented Escovedo family, is a startlingly gifted percussionist, and she displayed her drumming skills throughout her program in various areas of the stage, opening her segment with a set that began in high velocity and continued to build until its final climactic ending.

She’s also a gifted vocalist, dancer and extraordinarily talented entertainer. Add to that her ability to create a show reaching across the full gamut of the contemporary music world.

Her program unfolded in a series of escalating segments, spotlighting her far-ranging musical gifts in the company of a similarly talented group of musicians and dancers. Surrounding her with break-dancing, hip-hop and rap, crisply rhythmic back-up vocals and a rich mosaic of sound and emotion, her players and dancers provided the perfect setting for her eclectic creativity.

Call it a remarkable performance, one which continually elicited enthusiastic responses from a crowd that seemed to adore every move and every sound she made.

Puerto Rican singer Santa Rosa was greeted by an equally delighted audience esponse. And understandably so, for a performer who has been awarded five Grammys, had 14 number 1 hits on Billboard’s Tropical Airplay chart, and released numerous gold and platinum albums.

Gilberto Santa Rosa

Gilberto Santa Rosa

Like Sheila E., Santa Rosa delivered a non-stop performance surrounded by a cadre of performers who combined to produce a musical and visual extravaganza. Remaining largely in center stage, occasionally strolling – with a dance step or two – from one side to the other, he frequently acknowledged the contributions of his hot-stepping back-up singers and high flying horn players.

Given the hits he’s delivered in his more than three decade career, Santa Rosa, sometimes called “El Caballero de la Salsa,” had plenty of familiar items to sustain his lengthy set. Understandably, most were supported by fiery salsa rhythms, dynamically delivered by his 12 piece ensemble.

At 51, Santa Rosa’s voice is still an appealing instrument, and his warm vocals soared lyrically through his numerous salsa hits, with an occasional pause to offer a romantic bolero.

Americas & Americans?” Yes, indeed. Santa Rosa and Sheila E. offered all that and a lot more.

The only problematic aspects of this extraordinary pair of performances traced to the decibel level of the sound system. Both Santa Rosa and Sheila E. are brilliant performing artists. And each is capable of delighting an audience without having the sounds of their singing amplified to the edge of pain.

That complaint aside, kudos to the L.A. Phil for presenting an appealing entry in the Americas & Americans series. Another follows on Friday and Saturday in the appearance of singer Gloria Estefan and YOLA (Youth Orchestra LA).

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Sheila E. photo by Bonnie Perkinson.


Picks of the Week: July 21 – 27 In Los Angeles, San Francisco, New York City, London, Paris and Tokyo

July 21, 2014

By Don Heckman

It’s another warm Summer week, with many international jazz clubs shuttered in their annual July -August hiatus. But there’s still some fine music to be heard.

Los Angeles

Strunz and Farah

Strunz and Farah

- July 22. (Tues.) Strunz and Farah. The dynamic guitar duo of Costa Rica’s Jorge Strunz and Iran’s Ardeshir Farah, showcase their irresistibly eclectic playing in one of their rare L.A. Appearances. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 22 & 24. (Tues. & Thurs.) Dudamel & Beethoven. The Los Angeles Philharmonic, under the kinetic conducting of Gustavo Dudmel illuminates a July evening with an all-Beethoven’s program featuring the classic Symphony No. 5 and the fascinating Triple Concerto. The Hollywood Bowl.  (323) 850-2000.

Robert Davi

Robert Davi

- July 24. (Thurs,) Robert Davi. “Davi Sings Sinatra.” Actor/singer Davi’s association with Frank Sinatra dates back to the 1977 film Contract on Cherry St. Since then he has become the most musically convincing of the Sinatra-styled singers, applying his own creative imagination to the “Blue Eyes” style. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 24. (Thurs.) Noura Mint Seymali. The compelling voice of Mauritanian singer is featured in the opening event in the Skirball Cultural Center’s 18th Free Sunset Concert Series. The Skirball Cultural Center.  (310) 440-4500.

- July 24 – 26. (Thurs. – Sat.) The Ron Carter Trio. Ron Carter may well be the most recorded bassist in jazz history. But he’s also a fine composer and the leader of his own impressive trios. Catalina Bar & Grill.  (223) 466-2210.

Gloria Estefan

Gloria Estefan

- July 25 – 26. (Fri. & Sat.) America & Americans Festival: Gloria Estefan. The L.A. Phil’s celebration of the music of North and South America continues with an appearance by Grammy-nominated vocalist Setefan with the Hollywood Bowl Orchestra conducted by Thomas Wilkins. The Hollywood Bowl.  (323) 850-2000.

- Juy 26 (Sat.) Elliott Deutsch Big Band. Trumpeter/arranger/composer Deutsch leads his briskly swinging ensemble with the skills that have made him the arranger of choice for the likes of Cheryle Bentyne, Bill Watrous and others. Vitello’s.  (213) 620-0908.

- July 26 & 27. (Sat. & Sun.) The Central Ave. Jazz Festival. A spectacular assemblage of world class jazz in L.A.’s most memorable jazz setting. Featured artists include Kamasi Washington and Next Step, Patrice Rushen & Ndugu Chancler, Mongorama, The Gerald Wilson Orchestra, Michael Session, Ernie Andrews, Dr. Bobby Rodriguez and more. Admission is free. The Central Ave. Jazz Festival.

- July 27. (Sun.) Peggy King and Corky Hale. She may be best known as “pretty, perky Peggy King” on the ’50s George Gobel television show. But in her later career, King’s matured into an impressive vocal artist. She performs with the superb accompaniment of pianist Corky Hale, who has been at the keyboard (or the harp) with everyone from Billie Holiday to Frank Sinatra.  Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Tierney Sutton

Tierney Sutton

- July 24 – 27. (Thurs. – Sun.) Tierney Sutton. “Songs of Joni Mitchell.” A gifted vocalist with an emotionally rich style of her own, Sutton is one of the rare singers to have the musicality and the interpretive skills to handle the complex Mitchell catalof of songs. Click HERE to read an earlier iRoM review of Sutton singing Mitchell. An SFJAZZ event at Joe Henderson Lab. (866) 920-5299.

New York City

- July 22 – 26. (Tues. – Sat.) John Pizzarelli and the Swing Seven. Singer/guitarist Pizzarelli is in his most appealing medium when he’s digging into the pleasures of Swing, backed by an equally swinging bunch of players – as he is here. Birdland.  (212) 581-3080.

London

Randy Brecker

Randy Brecker

- July 22 – 24. (Tues. – Thurs.) The Brecker Bros. Reunion Band. Trumpeter Randy Brecker and saxophonist Michael Brecker were one of the gifted brother acts in modern jazz. Since the death of Michael in 2007, Randy has kept the memories of the Brecker Bros. Band alive and well. He’s joined by his wife, Ada Rovatti, in the band’s saxophone chair. Ronnie Scott’s. +44 (0)20 7439 0747.

Paris

- July 24. (Thurs.) The Mike Stern & Bill Evans Band. Expect some blues grooves and fusion fireworks when Stern and Evans get together with drummer Dennis Chambers and bassist Tom Kennedy. New Morning Paris.  +33 1 45 23 51 41.

Tokyo

- July 25 – 27. (Fri. – Sun.) Jose James. In his own unique way, vocalist James is searching for, and often finding, a blend between jazz, soul and hip-hop. Will it please the fans of each genre? Check him out and see. Blue Note Tokyo.  +81 3-5485-0088.

 

 

 


Live Music: Eliane Elias, Lee Ritenour and Dave Grusin, and Boz Scaggs at the Hollywood Bowl.

July 18, 2014

By Don Heckman

lt usually takes a while before a performer can generate enough dynamic energy to begin to steal the show. But at the Hollywood Bowl Wednesday night, the opening act – Brazilian pianist/singer Eliane Elias – claimed a large chunk of the evening’s creative territory before her relatively brief half hour set was concluded.

That’s not to minimize the effectiveness of the other major musical acts on the bill: the duo of guitarist Lee Ritenour and keyboardist/composer Dave Grusin (and their band); and veteran rock star Boz Scaggs.

Eliane Elias

Eliane Elias

And we’ll get to them. But let’s get back to Eliane.

I first heard her three decades ago at Catalina Bar & Grill. Barely into her twenties, she was not a singing performer at the time. Her emphasis was on her jazz piano work, which was extraordinary. I can still recall a stunning, piano solo rendering of “Body and Soul” that breathed remarkable new creative life into an often overdone standard.

In the intervening years, Eliane added vocals to her arsenal of musical skills, as well as a warmly engaging performance style that invited her listeners into the intimacy of her playing.

As she did at the Bowl on Wednesday.

Backed by the sterling rhythm of guitarist Graham Dechter, bassist Marc Johnson and drummer Rafael Barata, Eliane cruised with masterful ease from the classic bossa nova at her roots to the jazz that has become an equally vital element in her musical artistry. Her singing on Brazilian classics such as “Chega de Saudade” was balanced perfectly by her interpretations of standards from the American songbook – notably “And I Thought About You” from her memorable album tribute to Chet Baker.

And her piano work, driven by irresistible musical spontaneity, charged the enthusiastic audience with excitement, building to a climactic sequence of robust exchanges with drummer Barata.

As I noted above, everything Eliane did, from beginning to end was enough to establish her set as the most singular event, the centerpiece of a high intensity musical evening.

Lee Ritenour and Dave Grusin

Lee Ritenour and Dave Grusin

Ritenour and Grusin sustained much of Eliane’s jazz excitement when they dug into their set, a rapid fire sequence of works. Backed by the potent rhythm section of bassist Abraham Laboriel and drummer Chris Coleman, the two leaders focused most of the music on the fusion, funk and smooth jazz that has enlivened much of Ritenour’s busy career. And let’s not overlook the melodic appeal of Grusin’s compositions, as well as the spontaneous arrangements that he brought to many of the tunes via his line up of electronic keyboards.

Add to that the always entertaining presence of bassist Laboriel, who danced, hummed and snapped his electric instrument with non-stop verve, enhancing virtually every tune with injections of his unique, high velocity style.

The Ritenour/Grusin set finished with a surprising climax – a rendering of “Happy Birthday” to acknowledgment of Grusin’s recent 80th birthday, which took place on June 26. Appropriately, Grusin was the principal soloist in the performance, offering a delightfully imaginative set of variations to underscore his own birthday celebration.

Boz Scaggs

The final set of the evening featured the veteran rocker, guitarist and singer/songwriter Boz Scaggs. Although he, too, celebrated a birthday in June (his 70th), there was no repeat offering of “Happy Birthday.”

Scaggs instead laid down a familiar line up of hits from the ’70s and ’80s, some written by Scaggs, some by others, among them: “What Can I Say?” “Miss Sun,” “Lowdown,” “Lido Shuffle.”

The most appealing part of the set reached beyond the tunes, into Scaggs’ sheer pleasure in what he was doing. Playing impressive rock guitar from time to time, he and his band recalled the sheer foot-tapping, body-moving pleasures of ’70s and ’80s rock. And the high point arrived at the close in a joyously spirited duet between Scaggs and his back up singer, Conesha Owens.

Vastly different from what Eliane Elias had offered, Scaggs nonetheless clearly delighted the many who had come to the Bowl to hear him recall the music of their youth.

And for those whose view of jazz is illuminated by funk, fusion and smooth jazz, Ritenour and Grusin also provided plenty of musical highlights.

Finally, recalling the program’s extraordinary opening set, with its authentic blending of jazz and Brazilian music, the only element missing from this eclectic musical evening was an additional half hour of music from Eliane Elias and her players. Maybe next time.

 


Picks of the Week: July 15 – July 20. (Tues. – Sun.) in Los Angeles, San Francisco, New York City, London and Paris.

July 15, 2014

By Don Heckman

Los Angeles

Dave Grusin and Lee Ritenour

Dave Grusin and Lee Ritenour

- July 16. (Wed.) Lee Ritenour and Dave Grusin, Boz Scaggs, Eliane Elias. It’s a line-up filled with masters of far-reaching jazz genres (and beyond). Expect an evening of jazz for every taste. Look for an iRoM review later this week. The Hollywood Bowl. (323) 850-2000. .

- July 16. (Wed.) Gina Saputo. She still hasn’t been recognized for her rapidly growing skills as a new jazz vocal star. See Saputo now and join her growing cadre of fans. Catalina Bar & Grill.  (223) 466-2210.

- July 16. (Wed.) The Ron Eschete Trio. Veteran guitarist Eschete displays his impressive mastery of the seven-string instrument. Don’t miss him in action. Steamer’s.  (714) 871-8800.

Tatiana Parra

Tatiana Parra

- July 17. (Thurs.) Tatiana Parra with the Vardan Ovsepian Trio. Her name may not yet be as familiar to American audiences as it should be. But Parra is a remarkable talent, fully capable of blending the best qualities of jazz and Brazilian music. Click HERE to read an iRoM review of a recent album by Tatiana. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 17. (Thurs.) Sara Gazarek and Josh Nelson. Singer Gazarak and pianist Nelson have become an impressive musical team, interacting with intuitive creativity. The Blue Whale. (213) 620-0908.

Pat Senatore

Pat Senatore

- July 18. (Fri.) Pat Senatore Trio. Bassist Senatore’s remarkable versatility is on display almost every night at Vibrato with a variety of artists. This time out he leads his own masterful trio, with Josh Nelson, piano, and Mark Ferber, drums. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 18. (Fri.) Nutty. You may not have heard of Nutty, but you’ll never forget them after you experience their enhancement of classic rock tunes with swinging jazz settings. Vitello’s  (818) 769-0905.

- July 18 & 19. (Fri. & Sat.) Dreamworks Animation in Concert. Actor Jack Black hosts an evening celebrating 20 Years of Dreamworks animation shows. Thomas Wilkins conducts the Hollywood Bowl Orchestra. The Hollywood Bowl. (323) 850-2000. http://www.hollywoodbowl.com/tickets/calendar.

- July 18 & 19. (Fri. & Sat.) Denise Morgan. Completely at ease with gospel, classical, jazz and beyond, Morgan is an impressively eclectic vocal artist. The Gardenia.  (323) 467-7444.

Carol Welsman

Carol Welsman

- July 20. (Sun.) Carol Welsman. Singer/pianist Welsman offers her first Sunday Vespers appearance with her trio — bassist Chris Colangelo and drummer Dave Tull.  Welsman’s richly interpretive vocals and briskly swinging piano work are a pleasure to hear under any circumstances.  And this performance offers, as she says “a unique experience of jazz and spiritual reflection.”  All Saints Church, 132 N. Euclid Ave., Pasadena, CA. (626) 583-2725. (Admission is free.)

- July 20. (Sun.) Midnight Caravan. Actress/singer Linda Purl celebrates ‘The Great Ladies of the Glamorous Nightclub Era. Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Benny Green

Benny Green

- July 17 – 20. (Thurs. – Sun.) The Benny Green Trio. Pianist Green has sustained, in stellar creative manner, the Oscar Peterson jazz piano legacy. An SFJAZZ event in Joe Henderson Lab.  (866) 920-5299.

New York City

- July 15 & 16. (Tues. & Wed.) Julian Lage Trio. A prodigy as a young guitarist, Lage has matured into an impressive new jazz star. The Jazz Standard. (212) 576-2232,

London

Leny Andrade

Leny Andrade

- July 15 & 16. (Tues. & Wed.) Leny Andrade. She’s arguably Brazil’s most convincing jazz-based vocal artist. Don’t miss this chance to hear her live. Ronnie Scott’s.  +14(0)20 7439 00747.

- July 19. (Sat.). (Fri. & Sat.) Take 6. There’s no vocal group quite like Take 6, with its blend of irresistible rhythms, lush harmonies and far- ranging vocal imagination. Ronnie Scott’s. +14 (0) 20 7439 00747.

Paris

- July 16. (Tues.) Ambrose Akinmusire Quintet. Trumpeter Akinmusire has been embraced, with good reason, as one of the new jazz stars of his generation. Paris New Morning.  +33 1 45 23 51 41
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Live Music: Chris Botti and Chris Isaak at the Hollywood Bowl

July 14, 2014

By Don Heckman

There were two guys named Chris on stage at the Hollywood Bowl Friday and Saturday nights. Despite their identical first names, their styles traced to very different genres. And despite those different sources, they both offered performances rich in musicality and compelling entertainment.

Friday evening opened with the first Chris – jazz trumpeter Chris Botti — backed by his own group and the Los Angeles Philharmonic under the baton of Bramwell Tovey.

Chris Botti

Chris Botti

Although Botti was often identified with the smooth jazz style in his early years, he has always been a player whose music was filled with the authority of jazz authenticity. Over the past two decades his ever-curious, inventive imagination has taken him to jazz settings reaching from performances with full symphonic orchestras, to straight ahead mainstream jazz, and explorations reaching the outer limits of free improvisations.

Much of that territory was explored in his gripping performance at the Bowl.

Botti began with a warm tribute to Miles Davis, applying his trademark, warm tone to a composition long associated with Davis – Rodrigo’s Concierto De Aranjuez. To Botti’s credit, he made the piece’s lush Spanish melodies his own. He was equally expressive with Davis’ “Flamenco sketches.

And when he added some familiar standards – “When I Fall In Love” and “The Very Thought of You” – he once again emphasized his embracingly warm sound and expressive tone to every melodic phrase.

Botti also showcased his skills as a leader, urging the members of his band – pianist Geoff Keezer, guitarist Ben Butler, bassist Richie Goods and drummer Billy Kilson – into their own far-reaching skills. Add to that the mesmerizing violin playing of guest artist Caroline Campbell on the Grammy-nominateed “Emmanuel,” as well as George Komsky’s soaring vocal rendering on “Time To Say Goodbye,” and the stunning versatility of singer Sy Smith.

And I’d be remiss if I didn’t also mention Botti’s easygoing communication with his audience. Strolling the stage, offering occasional interchanges with his listeners, he added a quality of warm connectivity too rarely seen in jazz performances.

Chris Isaak

One could also say the same about the other Chris on the program – rocker, singer/songriter, actor and talk show host Chris Isaak. Completely at home on the broad Bowl stage, Isaak moved into an even wider arena, moving across the narrow platform intersecting the box seats, then demanding a spotlight as he moved into the audience itself, singing, shaking hands with listeners, welcoming them throughout his set into an environment as comfortable as his living room.

Thirty years after he made his first recording, Silvertone, Isaak still maintains a dedicated audience. And his set embraced many of the high points of his twelve album discography. Add to that the numerous songs and musical themes he’s created for television and films.

His entertaining program encompassed memorable selections from all those sources. Among them: what is perhaps his best known song, “Wicked Game.” Add to that “Baby Did A Bad, Bad Thing” from the Kubrick film, Eyes Wide Shut and a string of a dozen or so somewhat less familiar, but equally compelling songs.

Strongly supported by his comfortable ease with his enthusiastic audience, and buoyed by his solid back up band, the lead guitar work of Hershel Yatovitz and lush timbres of the Los Angeles Phil, Isaak presented a program reaching far beyond his rock roots.

The program closed with yet another highlight: Chris Botti and Chris Isaak performing together in a brief set blending their disparate but amiable skills in tunes reaching from “Besame Mucho” to “Love Me Tender.” Call it the appropriate climax for a two-Chris performance to remember.


Live Jazz: “To Ella With Love” at the Hollywood Bowl, featuring the Clayton-Hamilton Jazz Orchestra, the Count Basie Orchestra, Dee Dee Bridgewater and Patti Austin

July 11, 2014

By Don Heckman

Ella Fitzgerald

Ella Fitzgerald

The L.A. Philharmonic came up with a great celebration of the memory of Ella Fitzgerald at the Hollywood Bowl Wednesday night.

The evening began with a stirring big band salute from the always-exciting Clayton-Hamilton Jazz Orchestra – an appropriate beginning, given the long association Ella had with big bands, from her early years with Chick Webb to frequent associations with the likes of Count Basie and Duke Ellington.

Count Basie

Count Basie

It was additionally appropriate that most of the program was enlivened by the crisp, swinging backing of the current Count Basie Orchestra, now led by trumpeter Scotty Barnhart.

Add to that the stirring presence of singers Dee Dee Bridgewater and Patti Austin. Not only are both ladies at the very top echelon of the current jazz vocalist world; they also are imaginative musical artists, fully capable of bringing the same sort of mesmerizing interpretations in their singing that were always present in Fitzgerald. Which is exactly what they did on this memorable evening.

Also present, adding the sort of musical versatility that Ella always favored,  contributing their own impressive skills, the evening’s guests included young Malaysian pop singer Yuna, the musically versatile singer Clint Holmes, pianist Shelly Berg (offering his authentic view of the Basie piano style) and drummer Gregg Field.

And, in one of the night’s most touching moments, singer Carmen Bradford tearfully recalled visiting Fitzerald’s home after Ella’s death, and discovering that her latest recording was present on Ella’s CD player. Still captivated by her feelings, Bradford then delivered an emotionally vibrant version of “I Love Being Here With You” – a highlight in an evening glowing with highlights.

Among the many other stellar moments, here are a few that will no doubt remain in the memory banks of the enthusiastic, near capacity audience:

The Clayton-Hamilton Jazz Orchestra

The Clayton-Hamilton Jazz Orchestra

- The Clayton-Hamilton Orchestra only played four numbers, including “Cottontail” and “Basie/Ella Blues,” an improvised scat vocal transformed into a hard-driving big band number by John Clayton. But everything they offered provided convincing testimony of the still-vital big jazz band genre.

- The same could be said of the Count Basie Orchestra, repeatedly providing glorious memories of an era when big jazz bands and jazz vocalists represented marriages made in musical heaven.

Dee Dee Bridgewater

Dee Dee Bridgewater

- Dee Dee Bridgewater, as always, was masterful with every phrase she sang. And she sang a bunch, from her solo renderings of “Honeysuckle Rose,” “Mack the Knife” “Tea For Two” and “Blues in the Night” to duet pairings with Holmes on songs from “Porgy and Bess” and a soaring, scat-filled duo with Austin on the Fitzgerald classic, “Mr. Paganini.”

Patti Austin

Patti Austin

- Patti Austin was equally versatile, equally articulate musically. In addition to her duet with Bridgewater, she paired with Holmes on “Let’s Call the Whole Thing Off.” Her solo moments (with the Basie Orchestra backing) glowed on “Satin Doll,” “Them There Eyes” and “I’m Beginnig to See the Light.” And Austin was the chosen voice to recall Fitzgerald with the unforgettable classic, “A Tisket A Tasket.”

- The less familiar guest vocalists made their own engaging tributes to Ella. In addition to his duos, Holmes scatted with tons of swing and enthusiasm on “It Don’t Mean A Thing,” and Yuna added a personal touch to “You’ve Changed” and “Don’t Worry ‘Bout Me.”

As I said earlier, it was a memorable night, surely one that touched the heart strings (and the rhythm strings) of Ella Fitzgerald’s many fans.

So, kudos to the L.A. Phil for its marvelously entertaining tribute to the “First Lady of Song.”
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