Live Music: “Get On Up: A James Brown Celebration” at the Hollywood Bowl

August 15, 2014

By Don Heckman

Hollywood CA. The Hollywood Bowl‘s diverse set of Wednesday night programs – from jazz and pop to blues and soul – hit a peak this week with an entertaining tribute to the incomparable James Brown, timed, no doubt, to the recent release of the Brown biopic, Get On Up.

Given the “Godfather of Soul”’s vast catalog of hits, combined with the far-ranging stylistic genres present in that catalog, there was a lot from which to choose in the planning of the program. And the results were well worth the effort.

FH

Christian McBride

Christian McBride

It didn’t take long for the evening to get up to speed, perfectly managed by bassist and Brown fan Christian McBride. Starting with a slide show illustrating Brown highlights, the music, ornamented by a pair of busy dancers, switched quickly into “live” mode with a set by a 14 piece House Band featuring such members of the original Brown band as saxophonist Pee Wee Ellis, trombonist Fred Wesley and drummer Clyde Stubblefield. And it was no surprise that the music was a characteristically hard-driving blend of funk and blues with a seasoning of jazz.

The balance of the evening was handled by four singers, performing with the sort of spirit and enthusiasm that could only be characterized by dedicated Brown disciples. Performances dedicated to artists who have passed away sometimes emerge as imitations without authenticity. But not with this group of singers, all talented in their own right, all thoroughly tapped into the Brown artistry.

Bettye LaVette

Bettye LaVette

Bettye LaVette has never quite received the accolades her soul-driven singing style deserves. But, at 68, she can still bring a song to life, as she did in her set, which peaked with a stunning interpretation of “It’s A Man’s World.” Captured by the intensity of her version, clearly inspired by Brown, one couldn’t help but hope to see LaVette again soon in a performance dedicated to her own dynamic interpretations.

Up next, singer Aloe Blacc charged on stage with Brown-like dynamism. And, at 35, with skills as an instrumentalist (trumpet) and complete ease in genres reaching from r&b to jazz and funk to hip hop, he brought his unique diversity and high spirits to a Brown program that began with “The Payback” and ended with “Papa’s Got A Brand New Bag.”

Angelique Kidjo

Angelique Kidjo

Benin’s Angelique Kidjo added another intriguing aspect to a richly colorful program. Describing the impact Brown’s music had upon her as a child growing up in Africa, she applied her irresistibly charismatic powers to “Say It Loud” and “I Feel Good.” Stalking the stage, she demanded more interaction with the crowd, dancing across the curved walkway in the garden section, bringing her listeners into her ecstatic calls for musical action. Kidjo has always been an incredibly kinetic performer, and – captivated by the Brown aura — she was even more exciting in her remarkable set.

D Angelo

D Angelo

The evening climaxed with yet another high voltage performance, this one by singer/keyboardist producer D’Angelo. Adding yet another musical slant to an evening overflowing with uniquely engaging efforts to honor James Brown, D’Angelo was joined onstage by actor Chad Boseman, who portrays Brown in the Get On Up biopic. Together they urged the crowd to join them in a spirited singalong version of “Soul Power” – an appropriate ending for a musical evening to remember.

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Full stage, McBride, LaVette and Kidjo photos by Faith Frenz.  D’Angelo photo courtesy of D’Angelo.

 

 


Live Jazz: Chick Corea and The Vigil at Catalina Bar & Grill

August 14, 2014

By Don Heckman

Hollywood, CA. There seems to be more and more good news for jazz lately at Catalina Bar & Grill. A couple of weeks ago it was a stunning performance by the Ron Carter Trio.

And this week offers another memorable set of performances with the arrival Tuesday night of Chick Corea and his superb new band, The Vigil. Add to that the good news that Chick and The Vigil will be performing at Catalina’s through Sunday.

Why is that important?

Chick Corea

Because every day this week at Catalina’s will provide a great evening of jazz.

Because Chick – who seems to put together one extraordinary musical partnership after another – has come up with yet another winner in The Vigil. The band, which includes saxophonist/woodwind player Tim Garland, bassist Carlitos Del Puerto. drummer Marcus Gilmore (who is Roy Haynes grandson), guitarist Charles Altura and percussionist Luisito Quintero played with an irresistible blend of musical synchronicity and improvisational fireworks.

Tuesday’s program included a pair of Chick’s pieces from The Vigil’s eponymously titled first CD: “Planet Chia” and “Royalty” (a dedication to drummer Roy Haynes). Underscoring the band’s versatility, Chick also included “Fingerprints,” which he said had been inspired by Wayne Shorter’s “Footprints,” the Van Heusen/Burke songbook classic, “It Could Happen To You.” and plenty of space for some dynamic drumming from Gilmore and Quintero.

The Vigil’s Tim Garland, Charles Altura, Carlitos Del Puerto and Luisito Quintero

Tim Garland

Tim Garland

I could easily spend the rest of this review describing the extraordinary soloing, and ensemble work, from each of the assemblage of gifted young artists. As always, Chick was a generous leader, allocating far-reaching solo opportunities to each of the players.

Suffice to say that they all took creative advantage of the space they were offered. And a few distinct events come to mind:

The versatile Garland shifted easily from tenor to soprano saxophone, flute and hand percussion. In addition, his bouyant, enthusiastic stage presence had a positive effect upon the musically familial attitude that was present throughout the set.

Charles Altura

Charles Altura

Guitarist Altura, playing many of the fast-moving, rhythmically complex lines that were at the heart of Chick’s pieces, did so with stunning accuracy as well as a body-moving sense of swing.

Bassist Del Puerto, seeming deeply invested in the music, also played the quick runs and resonant dark tones called for by Chick’s music with precision, adding richly inventive soloing, pizzicato and arco.

Marcus Gilmore

Marcus Gilmore

And, as I noted above, the percussion team of Gilmore and Quintero provided the powerful rhythmic overdrive and surging swing that kept the music vibrant and alive.

Best of all, there was the constant feeling, flowing from the stage, that this was a band that was enjoying every minute, and eager to pull their listeners into their creative enthusiasm. That doesn’t happen as often as it should at a lot of jazz events. But it did here, and Southland jazz fans are fortunate to have four more nights (Tonight through Sunday) to experience the remarkable music of Chick Corea and the Vigil at Catalina Bar & Grill.

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Photos by Faith Frenz.


Live Music and Humor: Jay Leonhart and Josh Nelson at Vitello’s

August 11, 2014

 By Don Heckman

Studio City, CA. What is there to say about a bassist who is a prime jazz player, sings, and writes his own hilariously whimsical songs?

A lot, actually, if his name is Jay Leonhart, who had a full house audience in stitches at Vitello’s Saturday night, aided by the brilliant support of pianist Josh Nelson.

Josh Nelson and Jay Leonhart

Josh Nelson and Jay Leonhart

But no description of what Leonhart did in his 1½ hour set can do full justice to the unique musical range of his performance – not surprising given a performance and recording resume that includes gigs with artists reaching from Tony Bennett to James Taylor and Marian McPartland to Bucky Pizzarelli and beyond.

Jay Leonhart

Jay Leonhart

He came on stage and immediately settled any L.A. doubts about whether a somewhat lesser-known New York bassist with a reputation as a Bob Dorough and Dave Frishberg-like instrumental humorist could cut it as a jazz player. Suffice to say he did so, from first tune to the last, even though one of his best-known songs is “It’s Impossible to Sing and Play the Bass.”

Despite that whimsical reservation, his songs are at the center of any Leonhart show.  And he offered a non-stop array of appealing goodies. Among the many highlights:

- “Bass Aboard A Plane” – describing a problem faced by all bassists.
– “Me and Lenny” – in which Leonhart, sitting in first class, unexpectedly finds Leonard Bernstein next to him on a flight from New York to Los Angeles.
– Add to that: a song about history’s first double bass; a song inspired by Ivan Lins during a trip to Brazil; a song about an invasion of aliens from Venus titled “They’re Coming To Get Me.”
– A song about “Life on the Road.”
– As well as “Double Cross,” written after Leonhart had read a Robert Ludlum spy thriller.
All were masterful blends of humor, often sardonic, with catchy melodies and colorful harmonic schemes.

Josh Nelson

Josh Nelson

Further displaying his versatility, Leonhart included his own versions of “Stay Cool” (directly after the Bernstein song, of course) and Eddie Harris” “Freedom Jazz Dance.”

I mentioned Josh Nelson’s “brilliant support” on piano. And it was all that and more. Leonhart’s charts were broadly conceived, with numerous interactive as well as paired passages between bass and piano. As well as many areas in which Nelson had to interact, start and stop with spontaneous cues between both players. And it all happened perfectly – a pair of gifted players operating on precisely the same wave length.

There’s a lot I could add.  But none of it would be as on target as Leonhart himself in action. And the thought that kept recurring as we headed home after the performance was “When will Jay be back in L.A. again?.” Let’s hope it’s soon.

Photos by Faith Frenz.

 

 


Picks of the Week: July 29 – Aug. 3 in Los Angeles, San Francisco, Washington D.C., New York City, London, Paris and Tokyo

July 29, 2014

By Don Heckman

It’s another hot week, with a lot of venues still in the midst of their Summer hiatuses.  But there’s still some fine, selective music to hear.

Los Angeles

Amanda McBroom

Amanda McBroom

- July 29. (Tues.) Amanda McBroom and George Ball. Musical theatre and cabaret star Amanda McBroom and actor/singer George Ball present a program of classic songs. Catalina Bar & Grill.  (323) 466-2210.

- July 30. (Wed.) Lola Haag, Mark Massey and Friends. The sultry voice of Lola Haag is backed by the jazz piano stylings of Mark Massey and his stellar group. Steamers7.  (714) 871-8800.

- July 31. (Thurs.) Chuck Manning & Steve Huffsteter Quartet. A pair of Los Angeles’ world class jazz artists – saxophonist Manning and trumpeter  Huffsteter take a break from their busy bookings as sidemen to step into the spotlight.  They perform in a piano-less quartet with bassist Pat Senatore and drummer Matt GordyVibrato Grill Jazz…etc.  (310) 474-9400.

- Aug. 1 – 3. (Fri. – Sun.) “Hair.”  The classic rock musical of the sixties takes over the Bowl for a rare three night run. A must-see for all boomers. Hollywood Bowl.  (323) 850-2000.

Strunz and Farah

Strunz and Farah

- Aug. 2. (Sat.) Strunz & Farah. The dynamic guitar duo of Costa Rica’s Jorge Strunz and Iran’s Ardeshir Farah are back, making a second L.A. appearance in the past two weeks. Don’t miss them. Catalina Bar & Grill.  (323) 466-2210.

San Francisco

(July 31 – Aug. 3.(Thurs. – Sun.) Vinicius Cantuaria Sings Jobim. Guitarist/singer Canturia, one of bossa nova’s most authentic interpreters, illuminates the Antonio Carlos Jobim catalog of songs. SFJAZZ event at Joe Henderson Lab.  (866) 920-5299.

Washington D.C.

Melba Moore

Melba Moore

- Aug. 1 & 2. (Friday & Sat.) Melba Moore. Grammy-nominated, Tony-Award winning r&b, soul, and blues singer Moore is a master of contemporary pop music styles with hits reaching back to the ’70s. Blues Alley.  (202) 337-4141.

 New York City

- July 31 – Aug. 3. (Thurs. – Sun.) The legendary Count Basie Orchestra. The irresistible rhythms and big band classics of the Count Basie Orchestra live on, with trumpeter Scotty Barnhart leading the way. The Blue Note.  (212) 475-8592.

London

- July 28 – Aug. 2 (Mon. – Sat.) The Average White Band. Four decades after their hit-making years of the ’70s and ’80s, the Scottish Average White Band is still playing their soul, r&b and funk classics. Two original members – Alan Gorrie and Onnie McIntyre – are still present, along with three new members from the U.S. Ronnie Scott’s.  +44 (0)20 7439 0747.

Paris

Roy Hargrove

Roy Hargrove

Aug. 1 ;& 2. (Fri. & Sat.) The Roy Hargrove Quintet. Versatile trumpeter Hargrove steps away from his big band to lead a swinging quintet of jazz stars. Paris New Morning.  +33 1 45 23 51 41.

Tokyo

- July 29.  ( Tues.)  The Preservation Hall Jazz Band.  The classic sounds of New Orleans jazz are alive and well in the swinging playing of the preservation Hall Jazz Band.  The Blue Note Tokyo.  +81 3-5485-0088.

 


Live Jazz: The Ron Carter Trio at Catalina Bar & Grill.

July 26, 2014

By Don Heckman

There was good news for jazz Friday night at Catalina Bar & Grill.

Good news because the Sunset Blvd. Jazz club – L.A.’s principal destination for world class jazz groups – was packed.

Good news because the enthusiastic crowd seemed captivated by the music.

And, best of all, good news because the headlining act – the Ron Carter Trio – played a set that was a virtual definition of jazz at its finest.

The Ron Carter Trio: Donald Vega, Ron Carter and Russell Malone

The Ron Carter Trio: Donald Vega, Ron Carter and Russell Malone

The Trio’s instrumentation – Carter playing bass, Donald Vega playing piano, and Russell Malone playing guitar – was a stunning example of jazz minimalism: no drummer, no horns. And they handled it brilliantly.

Ron Carter

Ron Carter

The atmosphere on stage was a blend of jam session spontaneity with the subtle but complex interplay of a classical chamber ensemble. Collective passages seemed both organized and off the cuff. Solo passages flowed imaginatively through open spaces in the ensemble, allowing each player to reach into his deepest well of creativity.

Carter made a few soft-voiced comments between selections. But, for the most part, the music unfolded with a natural connectivity, regardless of the specific selection.

Malone was featured on “Candlelight,” a dedication to guitarist Jim Hall. Vega soloed on “My Funny Valentine.” And Carter chose “You Are My Sunshine,” a classic country tune he also selected as an unlikely solo vehicle a couple of years ago in a performance at Royce Hall.

A veteran player who was highly visible for years as a close musical companion to Diana Krall, Malone brought his far-ranging versatile eclecticism to his solo passages. Blending fast-fingered virtuosity with appealing lyricism, his soloing recalled, and honored, similar qualities in Hall’s memorable playing.

Vega, a jazz prodigy as a teen-ager, now a mature artist, found new ideas in the often-played “My Funny Valentine.” Approaching the classic standard from a new perspective, he often lured Carter and Malone into collective passages, instantly providing contrast and support for his stunning solo lines.

And Carter, the most recorded bassist in jazz history, once again had fun with “You Are My Sunshine.” Approaching his instrument with the pizzicato accents of a cello, he roved freely across the familiar melody. Digging into its roots, lining up the theme in his own unique fashion, his playing occasionally recalled a classic version of the tune recorded by Sheila Jordan and George Russell. But by the time he had melded his soloing back into the Trio collectivity, he had completely made it his own.

No wonder the audience was so reluctant to allow the Carter Trio to leave the stage. The opportunity to hear a performance as stunningly imaginative as his Trio had offered was a rare experience indeed. And this listener, no doubt like the rest of the applauding crowd, looks forward to the music Ron Carter will bring to his next, too-rare appearance in the Southland.

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Photos by Faith Frenz.


Live Music: Chris Botti and Chris Isaak at the Hollywood Bowl

July 14, 2014

By Don Heckman

There were two guys named Chris on stage at the Hollywood Bowl Friday and Saturday nights. Despite their identical first names, their styles traced to very different genres. And despite those different sources, they both offered performances rich in musicality and compelling entertainment.

Friday evening opened with the first Chris – jazz trumpeter Chris Botti — backed by his own group and the Los Angeles Philharmonic under the baton of Bramwell Tovey.

Chris Botti

Chris Botti

Although Botti was often identified with the smooth jazz style in his early years, he has always been a player whose music was filled with the authority of jazz authenticity. Over the past two decades his ever-curious, inventive imagination has taken him to jazz settings reaching from performances with full symphonic orchestras, to straight ahead mainstream jazz, and explorations reaching the outer limits of free improvisations.

Much of that territory was explored in his gripping performance at the Bowl.

Botti began with a warm tribute to Miles Davis, applying his trademark, warm tone to a composition long associated with Davis – Rodrigo’s Concierto De Aranjuez. To Botti’s credit, he made the piece’s lush Spanish melodies his own. He was equally expressive with Davis’ “Flamenco sketches.

And when he added some familiar standards – “When I Fall In Love” and “The Very Thought of You” – he once again emphasized his embracingly warm sound and expressive tone to every melodic phrase.

Botti also showcased his skills as a leader, urging the members of his band – pianist Geoff Keezer, guitarist Ben Butler, bassist Richie Goods and drummer Billy Kilson – into their own far-reaching skills. Add to that the mesmerizing violin playing of guest artist Caroline Campbell on the Grammy-nominateed “Emmanuel,” as well as George Komsky’s soaring vocal rendering on “Time To Say Goodbye,” and the stunning versatility of singer Sy Smith.

And I’d be remiss if I didn’t also mention Botti’s easygoing communication with his audience. Strolling the stage, offering occasional interchanges with his listeners, he added a quality of warm connectivity too rarely seen in jazz performances.

Chris Isaak

One could also say the same about the other Chris on the program – rocker, singer/songriter, actor and talk show host Chris Isaak. Completely at home on the broad Bowl stage, Isaak moved into an even wider arena, moving across the narrow platform intersecting the box seats, then demanding a spotlight as he moved into the audience itself, singing, shaking hands with listeners, welcoming them throughout his set into an environment as comfortable as his living room.

Thirty years after he made his first recording, Silvertone, Isaak still maintains a dedicated audience. And his set embraced many of the high points of his twelve album discography. Add to that the numerous songs and musical themes he’s created for television and films.

His entertaining program encompassed memorable selections from all those sources. Among them: what is perhaps his best known song, “Wicked Game.” Add to that “Baby Did A Bad, Bad Thing” from the Kubrick film, Eyes Wide Shut and a string of a dozen or so somewhat less familiar, but equally compelling songs.

Strongly supported by his comfortable ease with his enthusiastic audience, and buoyed by his solid back up band, the lead guitar work of Hershel Yatovitz and lush timbres of the Los Angeles Phil, Isaak presented a program reaching far beyond his rock roots.

The program closed with yet another highlight: Chris Botti and Chris Isaak performing together in a brief set blending their disparate but amiable skills in tunes reaching from “Besame Mucho” to “Love Me Tender.” Call it the appropriate climax for a two-Chris performance to remember.


Live Jazz: The KJAZZ Summer Benefit Concert at Walt Disney Concert Hall

June 30, 2014

By Don Heckman

Los Angeles.  There was a full house, enthusiastic crowd in attendance Saturday night at Disney Hall for the KJAZZ benefit concert. As there should have been.

The importance of FM radio station KJAZZ 88.1 to jazz fans cannot be under-estimated. I may not agree with the programming 100% of the time, but KJAZZ is nonetheless at the top of our radio buttons, in our cars and our living room. And deejays such as Bubba Jackson, Helen Borgers, LeRoy Downs, Bob Parlocha and others have become familiar and friendly jazz voices.

There was a lot to like about the KJAZZ benefit concert, as well. The presence of singer Steve Tyrell and pianist Jason Moran as headliners offered a range of jazz elements, with a lot to please different tastes.

Steve Tyrell

Steve Tyrell

Tyrell, as always, applied his appealing Texas twang and gently swinging jazz phrasing to a scintillating list of offerings from the Great American Songbook. Ranging from standards such as “It Had To Be You” and “I’ll Take Romance” to more recent singer/songwriter items such as “On Broadway” and “Will You Still Love Me,” he thoroughly demonstrated his authenticity as an appealing jazz artist.

Jane Monheit

Jane Monheit

On several numbers he was joined by the warmly engaging vocalizing of Jane Monheit and the articulate playing of pianist and KJAZZ deejay David Benoit.

The evening was kicked off by the highly regarded young pianist Jason Moran. Praised by the New York Times, Down Beat and Jazz Times, he quickly revealed the adventurous quality of his playing.

Jason Moran

Jason Moran

At the heart of his imaginative improvising, Moran approached the piano in a way reflecting the view of the instrument as an orchestra in itself. While some of his excursions roved into complex, busy-fingered areas, he was never less than an appealing artist, and surely one of the finest jazz artists of his generation.

Add to all that, there was the presence of a stellar back up band including pianist Quinn Johnson, guitarist Steve Cotter, trumpeter Bijon Watson, bassist Lyman Medeiros and drummer Kevin Winard. Along with especially appealing solo efforts from Cotter, Johnson and Watson.

Call it a memorable evening – one that informed, entertained and reminded us of the significance of KJAZZ as a valued entity in the Southland jazz community. Let’s hope that the concert raised the funds needed to keep KJAZZ alive, well and swinging.

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 Steve Tyrell photo by Bob Barry.

Jane Monheit photo by Faith Frenz.

Jason Moran photo by Tony Gieske.

 


Picks of the Week: June 24 – 29

June 24, 2014

By Don Heckman

Summer has arrived, with all its distractions, and many of the music venues — in the U.S., Europe and beyond — are either closed or booking with reduced schedules.  But there’s still good music to be heard.

Los Angeles

Annie Trousseau

Annie Trousseau

- June 25. (Wed.) Annie Trousseau. Multi-lingual singer Trousseau is described in her press material as offering “some impressive musical reminders of Edith Piaf and Marlene Dietrich.” Which should make for an evening of eminently fascinating music. Vibrato Grill Jazz…etc.  (310) 474-9400.

- June 26. (Thurs.) “Tenors For Two” Tenor saxophonists Tom Peterson and Roger Neumann recall the jazz glory days of the “battling tenors.” Expect these two fine players to stretch the limits. Vitello’s. (818) 769-0905.

- June 26. (Thurs.) Heartbeat Brazil. They may be Los Angeles-based, but Heartbeat Brazil approaches classic Brazilian music with a convincingly authentic approach to bossa nova, samba, etc. And the highlight of the night may well be the presence of guest singer, Jason Gould, Barbra Streisand’s son. Vibrato Grill Jazz…etc.  (310) 474-9400.

Jack Jones

Jack Jones

- June 27 & 28. (Fri. & Sat.) Jack Jones. Jones’ mellow, baritone voice carried the torch for traditional pop music during the rock ‘n’ roll sixties. And the Grammy winner is still going strong, still recalling the glories of the Great American Songbook. Catalina Bar & Grill.  (223) 466-2210.

- June 27 & 28: (Fri.,  & Sat.)  Andrea Marcovicci. Actress, singer, and “Queen of Cabaret,” Marcovicci’s resume reaches from the White House and Carnegie Hall to films and television.  She returns to celebrate her 29th Anniversary at The Gardenia with a program of torch songs titled “Let’s Get Lost.”  The Gardenia.

- June 28. (Sat.) KJAZZ Summer Benefit Concert. Aways one of the most memorable musical experiences of the year, the annual KJAZZ Benefit concert features Steve Tyrell, Jane Monheit, Jason Moran and David Benoit. Don’t miss this one. Disney Hall.  (562) 985-2999.

- June 29. (Sun.) Moulin Russe. Cabaret meets jazz when the Moulin Russe performers bring the delights of traditional French music, in all its glories, to Los Angeles. Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Rickie Lee Jones

Rickie Lee Jones

- June 27 & 28. (Fri. & Sat,) Rickie Lee Jones. Crossing comfortably from jazz to pop in the ’70s and ’80s, identifying herself as a high visibility star and winning Grammys along the way, Jones was one of the most signigicant artists of her generation. Yoshi’s San Francisco.  (415) 655-5600.

Boston

- June 26. (Thurs.) Sadao Watanabe. One of the rare Japanese to break into the national jazz arena, Watanabe thoroughly established himself as a significant player; and he’s still going strong at 80. Regatta Bar.  (617) 661-5000.

New York City

Tierney Sutton

Tierney Sutton

- June 24 – 28. (Tues. – Sat.) The Tierney Sutton Quartet. “After Blue: The Joni Mitchell Project.” Sutton and her band have been creating some of the most impressive vocal jazz of the past decade. The stunning versions of Joni Mitchell classics featured on her most recent CD will provide the centerpiece for her current tour. Birdland.  (212) 581-3080.

- June 25 – 28. (Wed. – Sat.) Stanley Jordan. Famous for his unique method of playing the guitar with a string tapping technique, Jordan creates some of the jazz world’s most appealing sounds. Iridium.  (212) 582-2121.

London

- June 24 – 28. (Tues. – Sat.) Curtis Stigers. Singer/saxophonist continues to establish himself as one of the rare male jazz vocal artists on the current scene. Ronnie Scott’s.  (0)20 7439 0747.

Tokyo

- June 28 – 30. (Sat. – Mon.) Pete Escovedo Latin Jazz Orchestra. Featuring Sheila E. It’s always family time when the Escovedos get together on stage. And anyone who hears them in action leaves with significant musical memories. The Blue Note Tokyo.  +81 3-5485-0088.

 

 

 


Live Jazz: Chambers, Herbert & Ellis at The Gardenia.

June 22, 2014

By Don Heckman

Hollywood, CA. Chambers, Herbert & Ellis. The names may not be as familiar as Lambert,Hendricks & Ross. At least not yet. But Friday night’s performance by Pierre Chambers, Lisa Herbert and Mitch Ellis at The Gardenia Supper Club provided an impressive introduction to a trio of singers with both the desire and the skill to carry the musical torch lit by L, H & R during their stellar career in the jazz spotlight.

Most of the Chambers, Herbert & Ellis briskly swinging set traced to their deep affection for their iconic predecessors. The highlights included such familiar items as L.H & R’s versions of “Moanin’,” “Everyday I Have the Blues,” “Centerpiece,” “Cloudburst” and “Come On Home.” And they were delivered with an irresistible blend of relaxed swing and musical authenticity.

Mitch Ellis, Lisa Herbert and Pierre Chambers

Mitch Ellis, Lisa Herbert and Pierre Chambers

Add to that a collection of somewhat less familiar pieces as well as a few offbeat tunes, some reflecting the musical family linkages among C, H & E. Among them: “Detour Ahead” (co-written by guitarist Herb Ellis, Mitch Ellis’ father), “Alicia” (by Mort Herbert and Herb Ellis); and “Dear Anne” (written by Pierre Chambers with his father, bassist Paul Chambers.); as well as “Midnight Indigo” and “Caravan” (by Jon Hendricks and Duke Ellington).

That’s an impressive program of music, by any definition. And Chambers, Herbert and Ellis handled it with ease. Lisa Herbert’s far ranging voice soared unerringly across the tops of the harmonies, occasionally popping out high Ds and E flats – reminiscent of Annie Ross, but expressively delivered in her own unique fashion.

Mitch Ellis was equally articulate with a variety of demanding, but improvisationally compelling vocalese passages. Chambers countered with rich baritone phrases and masterful blues and balladry. And the singers were ably supported by pianist Jamieson Trotter, bassist Karl Vincent and drummer Peter Buck.

Mitch Ellis, Lisa Herbert and Pierre Chambers

Mitch Ellis, Lisa Herbert and Pierre Chambers

As they approach their fourth anniversary as a jazz vocal ensemble, Chambers, Herbert & Ellis have still not yet reached the widespread audience their music deserves. A recording is reportedly in the works – hopefully one which will introduce jazz vocal fans to C, H & E’s compelling music.

The trio is also scheduled to return to The Gardenia for a reprise in the near future. And the club’s intimate environs provide the perfect setting for the opportunity to see and hear these gifted singers up close and personal.

Don’t miss the recording or their repeat appearance at The Gardenia., To check the club’s schedule, click HERE.

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Photos courtesy of Chambers, Herbert & Ellis.


Picks of the Weekend in Los Angeles: June 19 – 22

June 18, 2014

By Don Heckman

With Summer arriving in all its glory, I thought it would be helpful to concentrate the Picks for this long, mid-June weekend on the rich array of music to be heard here in the Southland.

Sally Kellerman

Sally Kellerman

- June 19. (Thurs.) Sally Kellerman. Sally’s back, and that’s great news for all fans of irresistible singing. Better known to many as “Hot Lips” from her role in the film version of Mash, Sal is a vocalist who brings vivid, story-telling qualities to every song. Click HERE to read an iRoM review of one of her recent Los Angeles performances. The Gardenia. (323) 467-7444.

- June 19 – 22. (Thurs. – Sun.) Marcus Miller. Multi-instrumentalist Miller, moving smoothly from bass clarinet, brings a sparkling array of jazz inventiveness to everything he plays. His current group includes saxophonist Alex Han, trumpeter Lee Hogans, keyboardist Brett Williams, guitarist Adam Agati and drummer Ronald Burneer, Jr. Catalina Bar & Grill.  (223) 466-2210.

John Chiodini

John Chiodini

- June 20, (Fri,) The Denny Seiwell Trio. Drummer Seiwell’s resume includes gigs with an array of world class bands in genres of every style. This time he leads his own stellar group, featuring John Chiodini, guitar and Joe Bagg, keyboards. Vitello’s.  (818) 769-0905.

- June 20. (Fri.) Chuck Manning and Steve Huffsteter. Two of the Southland’s most inventive jazz horn players, saxophonist Manning and trumpeter Huffsteter wrap their improvisational skills around every tune, stimulating each other’s creative imaginations. Vibrato Grill Jazz…etc.  (310) 474-9400.

- June 20 & 21. (Fri. & Sat.) The John La Barbera Big Band. La Barbera’s Big Band hasn’t yet received the attention it deserves, and here’s a chance to see them in action in Sherman Oaks, on the broad stage of Jazz at the Cap.  (818) 990-2001.

- June 20 & 21. (Fri. & Sat.) Chambers, Herbert & Ellis. Here’s a rare, and not to be missed, display of jazz vocalese in the competent musical hands and soaring voices of this trio of world class singers. The Gardenia. (323) 467-7444.

- June 21. (Sat.) The Grand Reopening of the Alex Theatre.  Emmy and Tony award winning performer Martin Short joins Matt Catingub and the Glendale Pops Orchestra for a spectacular evening of song, dance, comedy and pure entertainment.  The Alex Theatre.  (818) 243-2611.

Les McCann and Lee Hartley

- June 21. (Sat.) Lee Hartley & the Les McCann All-Star Band. The appealing vocal team of Hartley and McCann are great on their own, and even better when their surrounded by the superb musical backing of guitarist John Chiodini, pianist Barney McClure, bassist Jim Hughart and drummer Enzo Tedesco. Jazz at the Rad.  (310) 216-5861.

- June 21. (Sat.) “Nutty.” Jazz for Jetsetters. This always-intriguing jazz octet applies a broad stylistic array of jazz rhythms and styles to their interpretations of pop and rock classics. If you loved the ’60s, dopn’t miss these guys. Steamers.  (714) 871-8800.

- June 21. (Sat.) Opening Night at the Bowl. The Hollywood Bowl kicks off a spectacular Summer season with the induction of Kristin Chenoweth, The Go-Go’s and Pink Martini into the . The celebration will climax with a spectacular fireworks display.  Hollywood Bowl Hall of Fame (323) 850-2000.

 

 

 


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