Picks of the Week: May 27 – June 1

May 27, 2014

By Don Heckman

Los Angeles

Pat Senatore

Pat Senatore

- May 27. (Tues.) Pat Senatore Trio. The stellar Senatore trio – bassist Senatore with pianist Josh Nelson and drummer Mark Ferber have been carrying the torch for solid jazz at its best for years. And their new recording, Ascensione, is a superb display of their effectiveness as a world class jazz trio. Vibrato Grill Jazz…etc.  (310) 474-9400.

- May 29. (Thurs.) Peter Smith. “Too Marvelous For Words: The Music of Nat “King’ Cole.” Singer/pianist Smith revives one of the most appealing jazz catalogs of song. Don’t miss it. Vitellos.  (818) 769-0905.

- May 30. (Fri.) Angela Parrish. Pianist/singer/songwrier Parrish has been soloing in Vitello’s dining room. But her appealing musical qualities will be on full display when she performs in the club’s warm and engaging upstairs music room. Vitello’s  (818) 769-0905.

Gustavo Dudamel

Gustavo Dudamel

- May 30. (Fri.) The Los Angeles Philharmonic. A Casual Friday concert with Gustavo Dudamel conducting Mozart’s Symphony No.36 and Ravel’s Piano Concerto in G, with Helene Grimaud as piano soloist. Disney Hall. (323) 850-2000.

- May 30 & 31. (Fri. & Sat.) Tom Culver’s “Cole Porter Uncorked explores some of the classic items in the Great American Songbook in a program backed by the Rick Hils Trio and directed by Marilyn Maye. The Gardenia. (323) 467-7444.

- May 31. (Sat.) LA Ballet “La Sylphide.” An irresistible evening of ballet at its finest. In addition to La Sylphide, the program features George Balanchine‘s “Serenade..” Valley Performing Arts Center.  (818) 677-8800.

Miki Howard

Miki Howard

- May 30 & 31. (Fri. & Sat.) Miki Howard. Comfortably expressive in jazz, r&b and pop, Howard had a string of hits in the ’80s and ’90s, and she’s still going strong. Expect to hear some catchy, appealingly familiar melodies. Catalina Bar & Grill.  (223) 466-2210.

- June 1. (Sun.) Seth MacFarlane with the Ron Jones Jazz Influence Orchestra. Multi-hyphenate MacFarlane balances his successful efforts as an actor, producer, director and comedian with his appealing efforts as a singer. He’ll be at his best with Jones’ briskly swinging Jazz Influence Orchestra. Vibrato Grill Jazz…etc.  (310) 474-9400.

San Francisco

- May 29 – June 1 (Thurs. – Sun.) Marc Ribot. Guitarist/composer Ribot displays his affection for film in a fascinating score for Charlie Chaplin‘s film, The Kid. An SFJAZZ concert at Miner Auditorium.  (866) 920-5299

Washington D.C.

- May 27 (Tues.) Nicole Henry. Comfortably expressing herself in soul/jazz/pop/r&b stylings, Henry’s charismatic qualities are present in every song she sings. Blues Alley (202) 337-4141.

New York City

Jane Monheit and John Pizzarelli

- May 30 & 31. (Fri. & Sat.) John Pizzarelli and Jane Monheit with the Al Jackson Quintet. Among the most gifted of the younger generation interpreters of the Great American Songbook, Pizzarelli and Monheit are even better when they’re performing as a captivating vocal duo. Dizzy’s Club Coca Cola.(212) 258-9595.

- May 27 – 31. (Tues. – Sat.) BossaBrazil. A pair of Brazil’s finest musical artists – Marcos Valle and Roberto Menescal – team up to showcase some of the finest blends of jazz and Brazilian rhythms. Birdland.  (212) 581-3080.

London

- May 30 & 31. Jean Luc Ponty & His Band.  Violinist Ponty, one of the leaders in the early stages of jazz fusion, continue to be one of the most intriguing of contemporary jazz performers. Ronnie Scott’s. +44 (0)20 7439 0747

Berlin

- May 27. (Tues.) Billy Hart Quartet. Always an appealing performer, drummer Hart is so popular in Berlin that this booking has been described as “Wegen Des Grossen Andrangs (“Back By Public Demand). A-Trane. 030 / 313 25 50.

Milan

Mayra Andrade

Mayra Andrade

- May 28. (Wed.) Mayra Andrade. Lovely Difficult A native of the musically rich environment of the Cape Verde isands, Andrade – who lives in Paris – has built an impressive career combining her Cape Verde roots with appealing touches of French music and American pop. The Blue Note Milano. +39 02 6901 6888.

Tokyo

- May 27 & 28. (Tues. & Wed.) Harvey Mason and “Chameleon.” Hard swinging drummer Mason, leads an especially appealing ensemble in “Chameleon,” featuring the unique musical gifts of Chris Turner, John Beasley, Philip Woo, Kamasi Washington and Jimmy Haslip. The Blue Note Tokyo. +81 3-5485-0088.

 

 

 


Picks of the Week: May 19 – 25

May 19, 2014

By Don Heckman

Los Angeles

Carol Welsman

Carol Welsman

- May 20. (Tues.) Carol Welsman. She sings with an utter mastery of jazz vocalizing. Add to that Carol’s equally impressive piano playing, always imaginative, always swinging. She doesn’t do a lot of club dates, so don’t miss this one. Vibrato Grill Jazz…etc.  (310) 474-9400.

- May 20. (Tues.) Guitar Night. With John Pisano and special guests guitarist Tim May, bassist Chuck Berghofer and drummer Kendall Kay. Viva Cantina.  (818) 845- 2425.

- May 21. (Wed.) Lauren White with the Quinn Johnson Trio. Special Guests include Dolores Scozzesi and  Chambers, Herbert & Ellis. An evening of jazz vocals reaching from the superb soloing of Lauren and Dolores to the jaunty trio of Chambers, Herbert & Ellis. Catalina Bar & Grill. (223) 466-2210.

Bianca Rossini

Bianca Rossini

- May 21. (Wed.) Bianca Rossini. Brazilian singer/songwriter Rossini enhances her intimate bossa novas with the moves of a born dancer. Click HERE  to read a recent review of Rossini in action. Vitello’s. (818) 769-0905.+

- May 21. (Wed.) Jennifer Leitham Trio. With Rich Eames, piano and Randy Drake, drums. Leitham is a first call bassist with the versatility to perform in any setting. This time out, she does it her way, with her own trio. Jazz at the Cap.

 

Robert Davi

Robert Davi

- May 22. (Thurs.) Robert Davi. In a music world becoming over populated with Sinatra wannabes, Davi is the real deal, intimately familiar with the Sinatra style. Blessed with a voice rich with operatic qualities, Davi uses it in memorable excursions through the Great American Songbook. Vibrato Grill Jazz…etc.  (310) 474-9400.

- May 22. (Thurs.) Billy Joel. It’s not often that one has the chance to hear Joel anywhere, much less the Hollywood Bowl. Don’t miss this chance to hear some of his classics. Hollywood Bowl.  (323) 850-2000.

- May 23. (Fri,) Kenny Burrell Quintet. One of the iconic jazz guitarists of his generation, Burrell, also an educator, takes a break from his UCLA responsibilities to remind us of his still potent playing skills. Catalina Bar & Grill.  (223) 466-2210.

- May 23. (Fri.) Azar Lawrence. Saxophonist Lawrence’s impressive resume reaches from Miles Davis and McCoy Tyner to Freddie Hubbard and beyond. Still a hard swinging, potent improviser, he should be heard at every opportunity. LACMA. (323) 857-6000.

- May 23 – 25. (Fri. – Sun.) Los Angeles Philharmonic. Gustavo Dudamel conducts the grand finale of the L.A. Phil’s Mozart/Da Ponte Trilogy – Cosi Fan Tutti. Disney Hall.  (323) 850-2000.

- May 24. (Sat.) Mark Christian Miller. Although he spends a lot of time working in music management and guidance, Miller is a fine vocalist in his own right. The Gardenia.  (323) 467-7444.

Cheryl Bentyne

Cheryl Bentyne

- May 24. (Sat.) Cheryl Bentyne. She’s back and all fans of world class jazz vocalizing should be delighted. After recovering from a serious illness, Bentyne is in the groove, singing with the imagination and the buoyant sense of swing that have always been essential to her art. Vitello’s.  (818) 769-0905.

- May 24 & 25. (Sat. & Sun.) John Daversa’s Contemporary Big Band. Trumpeter/composer/arranger Daversa is producing some of the most fascinating big band writing on the current jazz scene. The Baked Potato.  (818) 980-1615.

San Francisco

- May 21 & 22. (Wed. & Thurs.) Jane Monheit Sings Judy Garland. The title of this performance alone tells us that it’s going to be a fascinating experience. And there’s more on the bill: in the lounge on Wed.: Pianist Gaea Schell. In the lounge on Thurs: the Karen Marguth Trio. Yoshi’s San Francisco.  (415) 655-5600.

New York City

- May 20 – 24. (Tues. – Sat.) Karrin Allyson. Always a musically intriguing singer, Allyson has matured into a creatively expressive vocal artist. Click HERE to read an iRoM review of a recent L.A. Appearance by Allyson. Birdland.  (212) 581-3080.

London

Eliane Elias

Eliane Elias

May 19 & 20. (Mon. & Tues.) Eliane Elias Quartet. Elias has been a superb jazz pianist since she first moved from Brazil to the U.S. But in recent years she’s displayed equally captivating skills as a singer, as well. Click HERE  to read a recent iRoM review of an Eliane Elias performance in Los Angeles. Ronnie Scott’s.  +44 (0) 20 7439 0747.

Copenhagen

- May 24. (Sat.) Fredrik Kronkvist. “The Cannonball Adderley Songbook.” Danish saxophonist Kronkvist displays the extent to which European jazz artists have convincingly proven themselves as world class performers. Jazzhus Montmartre.  +45 31 72 34 94.

Milan

- May 21 (Wed.) Geri Allen. Name some iconic jazz artists of the past few decades, and pianist Allen has probably worked with them (Think Ornette Coleman, Ravi Coltrane, Charles Lloyd, Betty Carter and more). Although she spends part of the time these days as a college professor, she continues to assert her status as one of the fine jazz artists of her generation. The Blue Note Milano.  +39 02 6901 6888.

Tokyo

Jack DeJohnette

Jack DeJohnette

- May 20 – 22. (Tues. – Thurs.) Jack DeJohnette Trio. With saxophonist Ravi Coltrane and bassist Matthew Garrison. Drummer/percussionist DeJohnette is one of the current jazz world’s most creatively curious players. And, for this tour, he’s chosen to work alongside players with equally inquisitive creativity. Blue Note Tokyo.  +81 3-5485-0088.

 

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Photos of Bianca Rossini, Robert Davi, Cheryl Bentyne and Eliane Elias by Faith Frenz.

 

 

 


Picks of the Weekend: December 13 – 15

December 12, 2013

By Don Heckman

 Los Angeles

Mike Stern

Mike Stern

- Dec. 13 – 15. (Fri. – Sun.) Mike Stern Quartet. Guitarist Stern moves convincingly across jazz styles with ease. And he’s backed by a band – featuring Randy Brecker, Anthony Jackson and Dave Weckl – that is equally versatile – and swinging. Catalina Bar & Grill.  (323) 466-2210.

- Dec. 13 – 15. (Fri. – Sun) “Christmas with Gustavo.” The Los Angeles Philharmonic plays the Nutcracker Suite (complete), under the celebratory baton of Musical Director Gustavo Dudamel. Disney Hall.  (323) 850-2000.

- Dec. 13. (Fri.) Don Menza Quartet. Saxophonist Menza is high on the list of first call players, regardless of style. This time out, she steps into his own musical spotlight. Vibrato. Vibrato Grill Jazz…etc.  (310) 474-9400.

- Dec. 13. (Fri.) The Oak Ridge Boys. Christmas Time’s A Comin’” with the iconic country group presenting their own warm and fuzzy Christmas celebration. Valley Performing Arts Center (818) 677-8800

April Williams

April Williams

- Dec. 15. (Sun.) The Ron Jones Influence Jazz Orchestra and April Williams. “It’s A Big Band Holiday.” Christmas music in a big jazz band setting, with Ron Jones 21 piece big band, featuring holiday classics sung by tuneful April Williams. Vitello’s. (818) 769-0905.

San Francisco

Sheila E.

Sheila E.

- Dec. 13 & 14. (Fri. & Sat.) Sheila E. Birthday Celebration. Singer/percussionist Sheila Escovedo is a compelling performer who is as musically gripping as she is entertaining. Yoshi’s San Francisco.  (415) 655-5600.

Chicago

- Dec. 13 – 15. (Fri. – Sun.) The Fred Hersch Trio. Pianist Hersch’s playing recalls the engaging aspects of the jazz piano trio style that reaches back to Bill Evans. The Jazz Showcase. (312) 360-0234.

 New York City

Fourplay

- Dec. 13 – 15. (Fri. – Sun) Fourplay. With Bob James, keyboards, Chuck Loeb, guitar, Harvey Mason, drums, Nathan East, bass, Fourplay continues to maintain its well-deserved reputation as a world class contemporary jazz ensemble. The Blue Note. (212) 475-8592.

 Copenhagen

- Dec. 15. (Sun.) Love & Peace. The Music of Horace Parlan. Bop piano stylist Parlan has had medical problems intruding on his playing in recent years. But his music is being keep alive in Copenhagen by the American/Danish ensemble of Bob Rockwell, tenor saxophone and Doug Raney, guitar, from the U.S. and Jesper Lundgaard, bass, Henrik Gunde, piano and Aage Tanggaard, drums, from Denmark. Jazzhus Montmartre. +45 31 72 34 94.

 Tokyo

Roberta Flack

Roberta Flack

- Dec. 14 & 15. (Sat. & Sun.) Roberta Flack. Singer/songwriter Flack may be in her mature years, but she’s still singing with the vitality of a gifted young artist. Hopefully she’ll include “Killing Me Softly” and ‘The First Time Ever I Saw Your Face” in her program. The Blue Note Tokyo.+81 3-5485-0088.


Picks of the Week: August 12 – 18

August 12, 2013

By Don Heckman

Los Angeles

Gustavo Dudamel

Gustavo Dudamel

- Aug. 13 & 15. (Tues. & Thurs. Dudamel conducts Verdi’s Requiem. The Los Angeles Philharmonic players, under the baton of Gustavo Dudamel, apply their superb versatility to Verdi’s magnificent work. Hollywood Bowl,. (323) 850-2000.

- Aug. 13. (Tues.) John Pisano’s Guitar night. It’s been a virtual Southland jazz institution for decades. And now John Pisano’s Guitar Night moves to a new location. But the quality of music, as always, will be great. Cody’s Viva Cantina in Burbank.  (818) 845-2425.

Natalie Cole

Natalie Cole

- Aug. 14. (Wed.) An Evening With Natalie Cole. Nat “King” Cole’s daughter is a major talent in her own right, applying the gifts of her legacy to a far-reaching musical repertoire. Hollywood Bowl.  (323) 850-2000.

- Aug. 14 & 15. (Wed. & Thurs.) Bill Cunliffe Big Band. Something intriguing happens whenever pianist/composer/arranger Cunliffe writes for his big band. This time, the performance will be a live recording session at Vitello’s.  (818) 769-0905

- Aug. 15. (Thurs.) Cat, Sip and Chiodini. They’re back. Singer Cat Connor, saxophonist/clarinetist Gene “Cip” Cipriano and guitarist John Chiodini have found another location for their always-engaging evenings of vocal and instrumental jazz pleasures. Spoonful Restaurant,  (323) 512-4800.

John Daversa

John Daversa

- Aug. 16. (Fri.) John Daversa Big Band. Trumpeter Daversa is also a gifted composer, writing some of the most compelling big band charts on the contemporary music scene. Catalina Bar & Grill.  (323) 466-2210.

- Aug. 16 & 17. (Fri. & Sat.) Tchaikovsky Spectacular with Fireworks. It’s one of the major summer highlights at the Bowl, with the L.A. Phil performing everything from Tchaikovsky’s Capriccio Italiene to the 1812 Overture. Robert Moody conducts the Los Angeles Philharmonic with brass and drum corps. The Hollywood Bowl.  (323) 850-2000.

- Aug. 17. (Sat.) MUSE/IQUE. Always performing in adventurous fashion, Muse/Ique wraps “Summer of Sound” 2013 with “Lose Your Senses,” featuring Ellis Hall, Tower of Power’s lead singer and keyboardist. Expect to hear music embracing Ray Charles, Marvin Gaye, Stevie Wonder and even Bach, Beethoven and Vivaldi. Caltech’s Beckman Mall.  (626) 395-4652.

Jazz in the Pines

- Aug. 17 & 18. (Sat. & Sun.).  Idyllwild Jazz in the Pines.  The 20th anniversary of a jazz festival that balances great music programs with an appealing summer weekend in the mountains.  The highlights of this year include: On Saturday: Diane Schuur, Harvey Mason, John Daversa, Janis Mann, Denise Donatelli, Tim Weissberg, Clayton Cameron’s Clifford Brown-Max Roach Project, and more.  On Sunday: Izzy Chait, Amina Figarova, the Euphoria Brass Band, Mark Winkler, and a lot more here, too.  Don’t miss this one.   Idyllwild Jazz in the Pines.

Patti Labelle

Patti Labelle

- Aug. 18. (Sun.) Patti Labelle. Grammy Hall of Famer Labelle has been a prominent pop music figure since the ’60s, and she’s still going strong. Cerritons Center for the Performing Arts.  (562) 916-8501.

- Aug. 18. (Sun.) Robert Davi. No one does the Sinatra with the sort of musical and lyrical authenticity that Davi brings to every performance of his tributes to Ol’ Blue Eyes. Vibrato.  (310) 474.9400

San Francisco

- Aug. 15 & 16. (Thurs. & Fri.) Eliane Elias. She’s always been a superb jazz pianist. And over the past few years she’s emerged as an eminently listenable jazz singer, as well. Yoshi’s San Francisco.  (415) 655.5600.

New York City

Dr. Lonnie Smith

Dr. Lonnie Smith

Aug. 15 – 18. (Thurs, – Sun.) Dr. Lonnie Smith. One of the definitive jazz organists, Smith has assembled a talented array of young jazz players for his ”In the Beginning Octet.” The Jazz Standard.  (212) 576-2232.

Washington D.C.

- Aug. 16 – 18., (Fri.- Sun,) The Uptown Vocal Jazz Quartet & Richie Cole. The lush vocal harmonies and articulate vocalese of the Uptown Vocal Jazz Quartet are the perfect blend for the equally exploratory alto saxophone of Richie Cole. Blues Alley.  (202) 337-4141.

Berlin

- Aug. 15 & 16. (Thurs. & Fri.,) Joao Bosco. Guitarist/composer Bosco’s playing has been described – with good cause – as among the most auspicious in Brazilian music.” A-Trane.  030 / 313 25 50.

Tokyo

- Aug. 16 – 18, (Fri., – Sun.) Terence Blanchard. Trumpeter Blanchard spends part of his busy schedule as Artistic Director of the Monk Institute and the Henry Mancini Institute. But he’s one of his generation’s major players of his instrument, and should be heard at every opportunity. Tokyo Blue Note.  +81 3-5485-0088.


Live Music Theatre: John Adams’ “The Gospel According to the Other Mary” at Disney Hall

March 10, 2013

A Musical Tidal Wave of Surprises!  

By Norton Wright

New Yorker Magazine’s jazz critic Whitney Balliett in 1959 shorthanded a definition of jazz as “the sound of surprise.”  So today, when so very little in the arts genuinely surprises, the shock and awe generated by contemporary composer John Adams and director/librettist Peter Sellars is the real deal. They truly have “jazz hearts” as their The Gospel According to the Other Mary proves.

In their 2-hour oratorio, performed at Walt Disney Concert Hall Friday night by the Los Angeles Philharmonic, the Los Angeles Master Chorale, and a singer-dancer cast of nine, Adams and Sellars have created a musical show rife with conflict, death, injustice, labor strife, faith, doubt, romance — and miracles. Yes, it’s the account of Jesus’ arrest, crucifixion, and resurrection.  But the action is set in the contemporary slums of Los Angeles and the story is told from the viewpoint of Mary Magdalene, a young woman chafing at the cruelty and injustice of the skid-row life in which she and so many others live.

Given that the giant musical mosaic that Adams has composed (Johnny Richards’ jazz orchestra of yesteryear comes to mind as do the Lydian chromatic tonalities of George Russell), you might easily be swept away from the story by Adams’ pulsing melodic lines, modal harmonies, jazzy tempos and syncopations.  As well as the exotic instrumental orchestrations (including cimbalom, almglocken, gongs, chimes, bass guitar, three thundering percussionists, three featured singers, a trio of powerhouse countertenors singing in the high stratosphere, with brass, woodwind, and string sections delivering a chromatic spectrum from the muscular to the ethereal). So to clarify and balance the story and the musical score, the singers’ libretti were projected like sub-titles onto a screen above the stage to help the audience track the fast and free-wheeling plotline.

Spoiler Warning per the upcoming story synopsis:

The major story beats unfolded as follows –

1) Mary Magdalene and her sister Martha run a sanctuary for homeless women in a Los Angeles slum. A young man, Jesus, comes to live with them and help with the center.

2) Mary realizes Jesus is of a spiritual origin and though she comes to care for him deeply, she struggles with faith and the act of praying.

3) Mary and Martha are overcome with grief when their brother, Lazarus, dies… Compassionate Jesus miraculously brings Lazarus back to life, and the grateful Mary realizes that she has fallen passionately in love with Jesus.

4) In his resurrection of the dead Lazarus, Jesus signals that he is anticipating his own death and resurrection.

5) The police arrest Jesus in Mary and Martha’s homeless center.

6) Mary, Martha, and women friends protest Jesus’ arrest and are themselves brutalized by the police.

7) As Jesus is arraigned before Pilate, another protest by empowered women in California is unfolding. Praying for survival, Dolores Huerte and Cesar Chavez overcome crushing police brutality in a reminder of their 1996 “people’s march” to Sacramento to establish The United Farm Workers Union.

8) Jesus is crucified and buried. Mary mourns — and prays — for him.

9) Mary returns to the garden where Jesus has been buried and is stunned to discover that his body is not there and that he has risen from the dead.  Jesus, disguised as a gardener tending the grounds, comes to Mary and in a sudden and touching moment of recognition, she realizes that Jesus is alive both spiritually and in her heart.

* * * * * * * * * *

John Adams

John Adams

The recounting of Jesus’ passion (suffering) has always made for compelling drama, but in their Gospel of the Other Mary, Adams and Sellars create eye-opening and ear-opening surprises as they contemporize the tale into a heartrending love story of a firebrand young  woman and her man of mystery.

Casting the lovely, young mezzo-soprano Kelly O’Connor as “Mary,” the soulful Tamara Mumford as “Martha,” and the imposing tenor, Russell Thomas, as “Lazarus” is a coup.  As “Narrators,” the countertenor trio of Daniel Bubeck, Brian Cummings and Nathan Medley sing with high head tones and otherworldly sonorities worth the price of admission.  Dancers Michael Schumacher, Anani Sanouvi and Troy Ogilvie are strong and inventive, and Sanouvi’s take on Lazarus coming back to life is marked by his breathtaking martial-arts choreography. Life is tough, but returning to it even tougher.

As always, the Los Angeles Philharmonic amazed in its ability to master the most complex of John Adams’ scores, the 50-person Los Angeles Master Chorale (all dressed in raggle-taggle skid-row-like clothes) was equally at home both singing and physically acting out the show’s riot scenes.  And in the Friday night performance, Chorale director Grant Gershon was faultless in replacing conductor Gustavo Dudamel, who had just been called to Caracas to conduct at the memorial service for president Hugo Chavez.

The Gospel of the Other Mary is now headed for performances in Europe and NYC.  But the next time it is performed in L.A., whether you are a jazzhead or a classicist, don’t miss it. It is truly “the sound of surprise.”

To read more posts by and about artist/writer Norton Wright, click HERE.


Live Music: 2012 in Review

January 1, 2013

By Michael Katz

Los Angeles, CA.  Looking back over the year’s worth of live performances I covered, mostly in jazz, is a bittersweet experience. There are surely enough terrific moments to fill a column, but in a city with L.A.’s diversity of talent, you can’t help wishing for more. Our club scene is struggling, with only Catalina Bar & Grill consistently booking major touring acts for extended stays. In the Valley, Vitello’s  has done a nice job of showcasing the best of our local talent and the occasional national stars, and downtown the Blue Whale has presented an intriguing mix of fresh talent and local mainstays. As for the Westside, the best news was that the light rail Metro Line finally made it to Culver City.

Now, if I could only get to Culver City.

On the concert side, the Hollywood Bowl brought lots of talent to its band shell on summer Wednesday evenings, mostly in combinations for retro theme nights, but its directors don’t  seem to trust anyone on the current scene to headline a show. UCLA Live (newly renamed the Center For The Art of Performance) presented an eclectic program that included the Mingus Dynasty septet, Bill Frisell and Hugh Masekela.

How anybody finds out about this music is another problem. (Unless, of course, you visit iRoM). Our local newspaper covers only a scant sampling of the jazz spectrum, while our jazz radio station has narrowed its daily programming range to the Old, the Dead and the Smooth.

But enough grumbling. Here’s a few of the superb performances that still resonated in my mind, months after the last note had died out.

Dee Dee Bridgewater

Dee Dee Bridgewater

I never saw a full set of Dee Dee Bridgewater, but when she stepped onto the stage of the Hollywood Bowl during the Ray Charles tribute last summer, she simply took over.  She began with “Hallelujah I Love Him So,” backed up by the great Houston Person and finished with “I Got News For You,” her ringing, soulful vocals augmented by Terence Blanchard and George Duke. A few months later I caught her in the closing set of the Monterey Jazz Festival with an all-star group that featured Christian McBride, Benny Green, Ambrose Akinmusire, Lewis Nash and Chris Potter . She opened the set in a nimble duet with McBride on “Do What You Want To Do” and brought the crowd to pin drop silence with “Don’t Explain.” This group will be at the Valley Performing Art Center on January 23, so don’t miss them.

Arturo Sandoval

Arturo Sandoval

I saw a number of outstanding big bands this year, but the most memorable was led by Arturo Sandoval, in support of Dear Diz, his Grammy nominated CD and my favorite disc of the year. I caught them at The Federal, which hopefully will expand its presentation of jazz in 2013. Sandoval is clearly one of the world’s elite trumpet players, his tones piercing and his leadership swinging and joyful. His collection of mostly Dizzy Gillespie tunes featured sharp new arrangements, including a wonderful take on “Bee Bop” by Gordon Goodwin and a rollicking “Night In Tunisia.”

John Pisano

John Pisano

LA is the home of some of the world’s great guitarists, and I was lucky enough to catch a few of them live. At the top of the list is John Pisano’s Guitar Night. He keeps moving it farther away from my digs on the Westside, but I did manage to catch one of his last shows at Vitello’s with Anthony Wilson. Watching the two of them riff through two sets, testing their imaginations and dancing around familiar standards  reminded me that Guitar Night remains one of LA’s great treats.  I hereby resolve to make it out to Lucy’s 51 in Toluca Lake to see Pisano and friends in 2013.

Dori Caymmi

Dori Caymmi

Meanwhile, there were other great guitarists, including Dori Caymmi presenting a night of Brazilian music at the Kirk Douglas Theatre, in what we hope is a prequel to the new Jazz Bakery, still in the planning stages next door. For jazz deprived Westsiders, it cannot come soon enough.  Pat Metheny played two sets at the Monterey Jazz Festival, my favorite being a trio performance with bassist McBride and percussionist Jack DeJohnette.  And then there was Mimi Fox, who we don’t hear nearly enough of, doing a lovely Saturday matinee duet at MJF with flutist Ali Ryerson.

Mads Tolling

Mads Tolling

As usual there were some unheralded performers that caught my attention. Here’s to a couple of fiddlers: Sara Watkins and Mads Tolling. Watkins, late of Nickel Creek, shone during an LA performance of Prairie Home Companion, dueting with host Garrison Keillor on “Let It Be Me” as they strolled through the crowd, and later burning it up in a fiddle showdown with Richard Kriehn. Tolling, a veteran of the Turtle Island Quartet, fronted his own group on Sunday afternoon at the Garden Stage at MJF. Whether plucking in tandem with his guitarist or racing through a tribute to Jean Luc Ponty, Tolling was a revelation. His live CD, A Celebration of Jean Luc Ponty, was another of my favorite discs.

Monterey, as usual, had lots of highlights for me, including some wonderful trio work by pianist Mulgrew Miller, a rousing vocal performance by Gregory Porter and a Cal Tjader tribute led by pianist Michael Wolff, featuring Warren Wolf on vibes.

Luciana Souza

Luciana Souza

And finally, there was Luciana Souza, opening the season at the Broad Stage in Santa Monica, singing warm renditions from her two CDs that would later be nominated for Grammys, Duos 3 and The Book of Chet.

So what are my resolutions for 2013? For one, I resolve to catch Gustavo Dudamel leading the LA Phil at the Hollywood Bowl. For another, I resolve to brave the traffic (and the absence of chairs) at the Blue Whale and see what is happening downtown. And finally, it is long past time for me to get to New York and check out the great jazz scene there. Perhaps if we can avoid the fiscal cliff, I can get some federal funding for a trip East. Sort of a reverse Lewis and Clark Expedition culminating in a week or so in the Big Apple. I plan to get it tacked on to an appropriations bill. I’m sure no one will notice.

Happy New Year to all.

To read more iRoM reviews and posts by Michael Katz click HERE.

Click HERE to visit Michael Katz’s personal blog, Katz of the Day.

Arturo Sandoval and John Pisano photos by Bob Barry


Picks of the Week: October 9 – 14

October 10, 2012

BY DON HECKMAN

Los Angeles

Dr. John

Oct. 11. (Thurs.)  Dr. John, the Lower 911 and the Blind Boys of Alabama“Spirituals To Funk.”  The title is right on target, with Dr. John’s inimitable, funk-driven, Crescent city swing and the gripping spirituals of the Blind Boys.  Valley Performing Arts Center.  (818) 677-8800.

- Oct. 11. (Thurs.)  Frank Petrilli.  The jazz accordion is alive and well in the talented hands of Frank Petrilli.  He’s backed by the equally skilled John Chiodini, guitar, Pat Senatore, bass and Enzo Tedesco, drums.  Vibrato Grill Jazz…etc.    (310) 474-9400.

- Oct. 11 – 14. (Thurs. – Sun.).  “Where the Wild Things Are.”  Gustavo Dudamel conducts the Los Angeles Philharmonic in a mixed media performance of Oliver Knussen’s one act opera based on the famous children’s book by Maurice Sendak.  Also on the program: Ravel’s charming Mother Goose.   Walt Disney Hall.   (323) 850-2000.

Bajofondo

Oct. 12. (Fri.)  Bajofondo.  Academy Award and Golden Globe-winning composer Gustavo Santaolalla leads an eight person collective of musicians from Argentina and Uruguay in a program of innovative Latin music ranging from tango and electronica to contemporary and alternative sounds.  A CAP UCLA  concert at Royce Hall.   (310) 825-2101.

Oct. 12. (Fri.)  Marilyn Crispell and Myra Melford.  Pianist/composer Crispell performs a solo/duo set, followed by pianist Melford and Snowy Egret, her six person music and dance ensemble.  At REDCAT as part of the ANGEL CITY JAZZ FESTIVAL.    (213) 237-2800.

Oct. 12. (Fri.) Smoky Joe’s Cafe.  The immensely popular, Tony-nominated musical features a program of memorable songs by Mike Stoller and Jerry Lieber Cerritos Center for the Performing Arts.  (562) 916-8501. /production.aspx?productionSeasonId=4128

Denise Donatellil

Oct. 12 & 13. (Fri. & Sat.)  Denise Donatelli.  The gifted, Grammy nominated Ms. Donatelli is backed by music director/pianist Geoffrey Keezer and his quintet in a release party for her new CD, Soul Shadows.  Vitello’s.    (818) 769-0905.

Oct. 12 – 14. (Fri. – Sun.)  Chris Minh Doky and the Nomads.  Danish/Vietnamese bassist Doky leads a hard driving, jazz fusion band featuring Dave Weckl, drums, Dean Brown, guitar and George Whitty, keyboards. Catalina Bar & Grill.   (323) 466-2210.

Oct. 13. (Sat.) Bill Frisell & Bill Morrison.  “The Great Flood.”  A creative collaboration between the music of guitarist/composer Frisell and Morrison’s film based on the 1927 Mississippi River flood.  A CAP UCLA/Angel City Jazz Festival concert at  Royce Hall.

Oct. 14. (Sun.)   An Evening with Vijay Iyer: Trio, Quartet and Sextet.  The much praised keyboardist leads several different group formats featuring saxophonist Steve ColemanA CAP UCLA/Angel City Jazz Festival concert at Royce Hall.

San Francisco

- Oct. 10. (Wed.)  “Monk’s Birthday.”  With Barry Harris, Jacky Terrasson and Alfredo Rodriguez. Three cross-generational jazz pianists celebrate the 95th anniversary of the birth of the incomparable Thelonious Monk.   An SFJAZZ concert at the Herbst Theatre.  .

New York

Lee Ritenour and Dave Grusin

- Oct. 10 – 14. (Wed. – Sun.)  “GRP 30th.”  Lee Ritenour and Dave Grusin, a pair of long time musical companions, get together for the 30th anniversary of GRP Records, the company founded by Grusin and Larry Rosen.  The Blue Note.    (212) 475-8592.

- Oct. 13 & 14. (Sat. & Sun.)  The SFJAZZ Collective Plays Chick Corea.  The stellar members of the SFJAZZ Collective perform the far-reaching, ever-fascinating music of Chick Corea.  SFJAZZ Collective is David Sanchez, Miguel Zenon, Avishai Cohen, Stefon Harris, Robin Eubanks, Edward Simon, Matt Penman and Jeff BallardJazz Standard.    (212) 576-2232.

London

- Oct. 11 & 13. (Thurs. & Fri.) Soulive.  Carrying the torch for the jazz organ trio format, the trio of Soulive – Eric Crasno, guitar, Neal Evans, keyboards and Alan Evans, drums, continue to keep the jazz groove alive.  Ronnie Scott’s.    (0)20 7439 0747.

Tokyo

John Scofield

- Oct. 10 – 13. (Wed. – Sat.)  The John Scofield Trio.  Guitarist Scofield, always in search of challenging playing environments, performs with a pair of great, veteran players – bassist Steve Swallow and drummer Bill StewartBlue Note Tokyo.  03.5485.0088.


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