Record Rack: Spin Doctors, Bracher Brown and Quattro

            Sometimes a Reviewer’s Just Lucky

            Three Very Different Albums Connected Only by Their Excellence

 By Brian Arsenault

 Spin Doctors

If the River Was Whiskey (Rufus Records)

If you’re a ‘90’s kid, chances are you can still remember the words to Spin Doctors’ “Pocket Full of Kryptonite” and that favorite guy anthem to the hated former girl friend/bitch, “Little Miss Can’t Be Wrong.”  I mean was there ever a nastier tune on hit radio and was a band bigger than Spin Doctors in the era?

So 25 years down the road, what is a listener to expect? Maybe not expected, but one sizzling blues album is what you get.

Hey, you can’t be a teen band forever, but these guys can do this till they’ve been around a half century.

“If the River Was Whiskey, (you’d) have no trouble drowning me.”  Hell of a lyric, hell of a song.

Chris Barron’s voice is deeper than in the early days. Whiskey? Cigs? Or just the passage of time. It works.

And Eric Schenkman’s guitar can flash it like he’s playing for Billy Boy Arnold, or do the slow hand. The rhythm section of Aaron Comess on drums and Mark White on bass are tight as can be.

The whole band is.

There’s some Howlin’ Wolf (title song) here and some Allman Brothers feel (“Scotch and Water Blues”)  as well.  Yet the Spin Doctors are their own self.

On tunes like “What My Love?” it’s real hard to sit still. “Scotch and Water Blues” just builds and builds and “About a Train” has a nice Delta flavor suitable for roadhouses.

The album makes you ache a bit for smoky bars smelling of beer and less savory stuff.  But the playing is real clean.

Bracher Brown

Broken Glass and Railroad Tracks (Rock Ridge Music, digital only)

A tough old businessman of Irish heritage that I knew and valued until his death said that one of the worst prejudices was that a young person couldn’t do a good job, maybe better.

So here comes Bracher Brown who makes you think that if the Beatles had been born in America under 20 years ago, this is what they might have sounded like.  Intelligent lyrics about the start of love, the end of love, the desire for love. Rhythms that we used to call infectious.  Seductive guitar licks.

“Singing songs about what life was supposed to be.”

Young but not untested in the furnace of life.

 “Haven’t slept in days but I’m all right.”

Even acquainted with absence that may be death –

“living with your ghost.”

And a love song — “Loving You” — that rings true; a song about what he knows about life at 18 that’s not to be patronized.  After all, we may never know more, we may just shut down and call it experience.

He’s not shut down at all. Thank goodness.

Quattro

Poppzzical  (Quattro Sound)

Ok, so you know there are four of them on Poppzzical. Mixed gender (two of each), mixed ethnicity, mixed musical backgrounds.  So, of course, all American in all our splendid, confusing mishmash of cultures that often produces remarkable music.

There’s a violin, often gypsy-like (Lisa Dondlinger). She can play for Pavarotti or Dancing with the Stars.

There’s a cello, also an amazing Latin influenced voice (Giovanna Moraga Clayton). Uh, Los Angeles Chamber Orchestra, Hollywood Bowl Orchestra, New West Symphony).

Are you starting to get the picture?  They can match the exuberance of their own crafted “Good Day” — “try to bring me down will be time wasted” — with some Vivaldi done as classical sound with jazz shifts.

There’s a guitar which can lead and support, strum and sing (Kay-Ta Matsuno) who can play for Baby Face or Natalie Cole and a whole bunch of other folks too numerous to name here.

Finally there’s percussion work born in Tijuana, Mexico (Jorge Villanueva) who’s played on movie scores, in Latino bands and co-owns a film and TV scoring company.

So, as you can imagine, there’s a lot going on in this album they’ve made.

“Silky” is happy and melancholy at the same time.  There’s a guitar solo that resembles a violin piece.  Or is that a violin with cello as bass. Or both.  Ha, I don’t care. It’s music that’s unique.  I can’t think of any assemblage that sounds like Quattro.

Their Spanish language soul and Latino dance music.  If I could samba I would have on “Mi Conguero.“  That may even be the wrong dance but it’s the right feeling.

The album closes with “Hana Bi” and the guitar and violin take flight together.  The cello soars after them.

And maybe that’s it: flying, soaring, breaking free of forms while paying homage to them. In a musical world of too much sameness, the individuality and creativity of this young group is not to be missed.

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To read more posts, reviews and columns by Brian Arsenault click HERE.

Live Music: The Brian Setzer Orchestra and the Hollywood Bowl Orchestra at the Hollywood Bowl

By Mike Finkelstein

On a balmy Friday night still throbbing from a blazing L.A. heat-wave, The Brian Setzer Orchestra played the first of a three-night stand of shows at the packed Hollywood Bowl for the closing Fireworks Finale.  Very early in their set the band played “This Cat’s on a Hot Tin Roof,” and it was surely apropos.

In the early 80’s Brian Setzer led the Stray Cats with a successful and impressive esthetic of ‘50’s style, strong songwriting, and polished musicianship. Their winsome presentation of the period icons was a major factor behind ‘50’s culture becoming hip again in the early ‘80’s. They had hits on the radio and on MTV. Leopard skin and marching band outfits came back into style.  The Stray Cats only lasted about four years out of the gate but the songs were so evocative that they pointed enticingly to the crossing paths of rockabilly and swing music.

The Brian Setzer Orchestra with the Hollywood Bowl Orchestra

Setzer certainly was aware of the possibilities and after a somewhat tepid solo stint, he formed the Brian Setzer Orchestra to specialize in revving up ‘40’s and ‘50’s rockin’ music. Going from the three piece Stray Cats to the BSO is like upgrading from a hot rod bucket-T into a long-wing cherry red Cadillac convertible.  Featuring thirteen horns, two backup singers and of course, bass, drums and Setzer’s wailing fleet of guitars over the mix,  the format is too cool to do anything less that rock like gangbusters.

The BSO must make Setzer just giddy with musical options as nearly anything he might choose to arrange with them will sound huge and nuanced.  The mere idea of substituting red-hot electric guitar for brass or wind solos over the big band horn arrangement is cool in and of itself, but Setzer then sells the sound in his performance.    An electric guitar cuts swiftly through the horns and because he plays a big jazz box electric Gretsch through an exemplary Fender amp the sound is clean, brilliant, hot, and definitely vintage.

Brian Setzer

Brian Setzer’s guitar style is rooted in his understanding of the harmony and motion in the chords he plays.   Much of his music tends to use cascading chord scales with beautiful passing diminished tones that really color a set of changes.  A lot of his approach centers on involved chord patterns stretching the entire length and width of the neck and quick linear flurries of notes separating the chords.   The brass arrangements for the BSO seem to grow naturally from these distinctive intervals.  It makes for a very tidy harmonic connection.

Friday night’s program delved into theme music (“Hawaii 5-0,” “Harlem Nocturne”), classic big band snap (“Jump, Jive and Wail”), and soulful instrumentals like Santo and Johnny’s “Sleepwalk.”   “Sleepwalk” is a song that is all about tone and intervals and it was a vehicle for the BSO.  It featured a splendid chord solo and some gorgeous work from Setzer with the vibrato arm of his guitar.  He convincingly summoned up the original’s lap steel vibe on his big ole’ Gretsch and just took off running with it from there.  Just as impressive was the sound of the horns supplying the chord textures to this hauntingly beautiful peace of music.

They also broke out a stable of Stray Cats rockabilly hits ranging from “Rock this Town” to “Fishnet Stockings” and “Runaway Boys.”  Featuring Johnny Hatton on bass and Tommy Pia on streamlined drums, these tunes were performed in stripped down mode at the lip of the stage.   Of course, they couldn’t resist getting the Hollywood Bowl Orchestra, conducted by Thomas Wilkins,  involved with Stray Cats material…and that’s how we got to see 96 musicians play the “Stray Cat Strut.”

The last song of the evening was a strong cover of Vince Taylor’s “Brand New Cadillac,” a song popularized by the Clash in the ‘80’s on London Calling.  But to hear Brian Setzer and company play it, the tune really sounded like it had been written for them.   Throughout the night it became increasingly obvious that a lot of rock and roll tunes lend themselves well to a big band arrangement. The Brian Setzer Orchestra has carved out a fine niche for themselves making this type of music come alive.

Perhaps because it barely cooled down in the evening the crowd seemed almost muted by the heat. As a result of that heat Setzer didn’t last much past the second tune in his shiny black pinstriped suit coat. It was time to roll up the sleeves and get down to business.  He still wears his hair in a pompadour but it is graying now, not dyed blonde.  He still has a whole lot of pep in his step, and still has the moves and chops of a natural born rock ‘n’ roller… and he’s still playing guitar like a panther.

That the horn players were at times wearing leopard skin blazers, or that there were dancers doing some nicely choreographed ‘50’s rockabilly moves was a formality but it was also icing on the cake for this  rockin’ event.

Photos by Bonnie Perkinson

Picks of the Week: Sept. 11 – 16

By Don Heckman

Los Angeles

Sarah Chang

- Sept. 11. (Tues.)  Sarah Chang. A gifted child prodigy, violinist Chang has matured into a superb interpretive artist. In this far-reaching program, she performs a suite from Leonard Bernstein’s West Side Story with the Los Angeles Philharmonic conducted by Bramwell Tovey.  Also on the bill – works by Copland and Gershwin.  The Hollywood Bowl.    (323) 850-2000.

- Sept. 12. (Wed.)  Dave Matthews Band.  Hollywood Bowl. Twenty years after singer/songwriter/guitarist formed the Band, the Grammy-winning ensemble continues to produce fascinating music – most recently in the just released CD Away From the World.   The Hollywood Bowl.    (323) 850-2000.

- Sept. 13. (Thurs.)  Patrick Berrogain’s Hot Club Combo.  The hard swinging sounds and rhythms of Django Reinhardt’s gypsy jazz are alive and well in the hands of Berrogain’s Hot Club.  Vibrato Grill Jazz…etc.    (310) 474-9400.

Itzhak Perlman

- Sept. 13. (Thurs.)  Itzhak Perlman plays Tchaikovsky. The final classical concert of the 2012 Bowl season climaxes, appropriately, with the incomparable Perlman, performing the irresistible Tchaikovsky Violin Concerto with the Los Angeles Philharmonic conducted by Bramwell Tovey.  Call it a winning combination.  The Hollywood Bowl.  The Hollywood Bowl.   (323) 850-2000.

- Sept. 13. (Thurs.)  Los Angeles Chamber Orchestra. “Music and Story” The LACO’s first “Westside Connection” of the new season features writer Mark Salzman in a musical narrative piece describing the way Bach’s Cello Suite No. 3 (here performed by Andrew Shulman) relieved his struggles with writers’ block.  The Broad Stage.  (213) 622-7001.

- Sept. 13. (Thurs.)  Sons of Etta.  A celebration of the life and music of the great Etta James.  Featured performers include Thelma Jones, saxophonist/harmonica player Jimmy Z and Donto James – the Grammy-winning son of James and the leader of her Roots Band. Catalina Bar & Grill.   (323) 466-2210.

- Sept. 14. (Fri.)  Sascha’s Bloc Band.  A stirring evening of music tinged with an Eastern European flavor, while reaching out to encompass gypsy jazz, contemporary jazz, flamenco, swing, blues and country.  Vitello’s.    (818) 769-0905.

Fiona Apple

- Sept. 14. (Fri.)  Fiona Apple. The Grammy winning singer/songwriter celebrates the release of The Idler Wheel…, her first album in seven years.  The Greek Theatre.    (323) 665-5857.

- Sept. 14. (Fri.)  Joe Bagg Organ 4.  Keyboardist Bagg brings some ear-opening new ideas to the traditional organ jazz trio, with the enthusiastic aid of trumpeter Ron Stout, guitarist Jamie Rosenn and drummer Ryan Doyle.  The eminently listenable duo of pianist Jeff Colella and pianist Putter Smith open the evening.  Vibrato Grill Jazz…etc.    (310) 474-9400.

- Sept. 14 – 16. (Fri. – Sun.)  Brian Setzer Orchestra.  The Fireworks Finale.  The Grammy winning rockabilly swingster leads his big band, aided by conductor Thomas Wilkins and the Hollywood Bowl Orchestra in a glorious, season-topping grand finale.  The Hollywood Bowl. The Hollywood Bowl.    (323) 850-2000.

- Sept. 16. (Sun.)  Phil Norman Tentet.  Swinging West Coast jazz of the ‘50s is alive, well, and completely contemporary in the arrangements and the playing of Norman’s talented Tentet.  Vitello’s.  (818) 769-0905.

San Francisco

- Sept 14 – 16. (Fri. – Sun.)  John Scofield Trio.  Guitarist Scofield’s eclectic musical path has now arrived at a classic musical encounter with a pair of gifted musical associates – bassist Steve Swallow and drummer Bill Stewart. Yoshi’s Oakland.    (510) 238-9200.

Seattle

Pat Metheny

- Sept. 13 – 16. (Thurs. – Sun.)  The Pat Metheny Unity Band.  Ever on the lookout for new ideas, guitarist Metheny now finds inspiration in an older instrumentation – the jazz quartet, with the stellar aid of Chris Potter, saxophones, Ben Williams, bass and Antonio Sanchez, drums.  Jazz Alley.  (206) 441-9729.

Chicago

- Sept. 13 – 16. (Thurs. – Sun.)  Mulgrew Miller Trio.  Everybody’s a-list pianist, Miller – active as a musician and an educator – steps into the spotlight to display his invigorating improvisational style.  Jazz Showcase.    (312) 360-0234.

Boston

- Sept. 13 & 14. (Thurs. & Fri.)  Joe Lovano “Us Five.”  Saxophonist Lovano’s new band is overflowing with talent: Grammy-winning bassist/singer Esperanza Spalding, pianist James Weidman, and drummers Francisco Mela and Otis Brown III.  Scullers.    (617) 562-4111.

New York

- Sept. 11. (Tues.)  Roz Corral and Judi Silvano.  A pair of the jazz vocal art’s most adventurous practitioners share the stage with equally venturesome accompanists – Alan Broadbent and Boris Kozlov with Corral, and Frank Kimbrough and Ben Allison with Silvano.  Expect to experience some compelling musical surprises.  Cornelia St. Cafe.   (212) 989-9319.

- Sept. 11 – 15.  (Tues. – Sat.)  The Dave Liebman Group. NEA Jazz Master Liebman continues to set the contemporary jazz pace on the soprano saxophone, while adding in some impressive flute and tenor saxophone playing, as well.  Birdland.    (212) 581-3080.

Randy Brecker

- Sept. 11 – 16. (Tues. – Sun.)  The Brecker Brothers Band Reunion.  A revival of one of the jazz world’s great fraternal ensembles, in memory of the incomparable Michael Brecker.  With Randy Brecker, trumpet, Mike Stern, guitar, Rodney Holmes, drums, Ada Rovati, saxophone, George Whitty, keyboards, Will Lee, bass and Oli Rockberger, vocals and keyboards.  The Blue Note.   (212) 475-8592.

- Sept. 13 – 16. (Thurs. – Sun.)  Oliver Lake.  The veteran alto saxophonist performs in three very different musical settings.  On Thurs. with the Oliver Lake Organ Quartet; on Fri. with the Oliver Lake Big Band; on Sat. and Sun. with the Oliver Lake Trio (with Reggie Workman, Andrew Cyrille and speial guest Geri Allen).  Jazz Standard.    (212) 576-2232.

London

Frank Sinatra Jr.

- Sept. 13 – 15. (Thurs. – Sat.)  Frank Sinatra, Jr.  The entertainment world is filled with Sinatra tributes and imitators.  But no one comes closer to the original than #1 son, Frank Sinatra, Jr.  Hearing his familiar vocal timbre and well-crafted phrasing in the Sinatra classics is an experience to remember.  Ronnie Scott’s.     (0) 20 7539 0747.

Milan

- Sept. 12. (Wed.)  Benny Golson. Saxophonist Golson has composed some memorable jazz classics, among them “I Remember Clifford,” “Killer Joe,” “Whisper Not,” “Along Came Betty” and more.  Here’s a chance to hear them from the originator. The Blue Note Milano.  02.69016888.

Tokyo

- Sept. 11 &o 12. (Tues. & Wed.)  Joe Sample.  Keyboardist and one of the founders of the Jazz Crusaders, performs selections from his new album, Creole Joe Band.  Blue Note Tokyo.    03-5485-0088.

Picks of the Week: Aug. 14 – 19

By Don Heckman

Los Angeles

- Aug. 14 & 15. (Tues. & Wed.) Michael Jackson the Immortal World Tour.  Cirque du Soleil.  The music and lyrics of Michael Jackson are the foundation for a show that “immerses audiences in Michael’s creative world and literally turns his signature moves upside down,” performed by the incomparable artists of Cirque du Soleil.   Staples Center.   (213) 742-7100.

- Aug. 15. (Wed.)  Joe Cocker and Huey Lewis & The News.  A pair of still vitally active rock icons whose music reaches from the ‘60s to the present make for a rare evening of engaging musical memorabilia.  Greek Theatre.    (323) 665-5857.

- Aug. 15. (Wed.)  Ron Kalina Trio. He’s a virtuoso jazz harmonica player who also doubles on piano, with a resume including recordings with the likes of Linda Ronstadt, Joe Williams, Anita O’Day and dozens of others. Hear him in action, backed by guitarist Barry Zweig, bassist Pat Senatore and drummer Kendall Kay.  Vibrato Grill Jazz…etc.     (310) 474-9400.

Eddie Palmieri

- Aug. 15. (Wed.)  Eddie Palmieri, Ruben Blades.  A pair of legendary Latin jazz and salsa giants share the stage on a Wednesday jazz night at the Bowl, demonstrating first hand the exciting linkages between jazz and Latin dance rhythms. Hollywood Bowl.   (323) 850-2000.

- Aug. 15 – 18. (Wed. – Sat.)  Terence Blanchard Quintet. Critically praised trumpeter Blanchard takes a break from his busy schedule as a film composer, Artistic Director of the Thelonious Monk Institute and Director of the Henry Mancini Institute, to lead his Grammy-winning jazz group.  Catalina Bar & Grill.   (323) 466-2210.

- Aug. 16. (Thurs.)  De Temps Antan.  The Quebecois ensemble makes its West Coast debut, performing the traditional songs of French Canada.  Skirball Center.     (310) 440-4500.

- Aug. 17. (Fri.)  Wolff & Clark Expedition.  Pianist Michael Wolff’s credits reach from Cannoball Adderley. Sonny Rollins and others to a stint as the bandleader on the Arsenio Hall Show.  He’s backed by the stellar rhythm team of drummer Mike Clark and bassist Brian Bromberg.  Vitello’s.    (818) 769-0905.

- Aug. 17 & 18. (Fri. & Sat.)  Juanes with the Hollywood Bowl Orchestra.  Multiple Latin Grammy winning singer/songwriter/guitarist Juanes performs with the Youth Orchestra of Los Angeles, the Cal Voce Singers and the Hollywood Bowl Orchestra conducted by Thomas Wilkins.  And with fireworks, too.  Hollywood Bowl.    (323) 850-2000.

Sara Gazarek

- Aug. 18 & 19. (Sat. & Sun.)  Sara Gazarek.  At a time when jazz singers are arriving in waves, Gazarek is one of the rare few whose remarkable potential is apparent in everything she sings.  She celebrates her new album, Blossom & Bee with special guest keyboardist Larry Goldings and the backing of pianist Josh Nelson, bassist Hamilton Price and drummer Zach Harmon.  Vitello’s.    (818) 769-0905.

- Aug. 19. (Sun.)  Gerald Wilson Big Band.  Well into his nineties, Wilson remains one of the iconic figures of big band jazz.  And watching him in action with hits all-star group is one of the pleasures of experiencing live jazz.  Catalina Bar & Grill.   (323) 466-2210.

- Aug. 19. (Sun.)  Dudamel and Domingo.  The Hollywood Bowl’s pairing of charismatic classical music figures continues with Gustavo Dudamel and the Los Angeles Philharmonic joining for the first time with the great tenor Placido Domingo.  Hollywood Bowl.   (323) 850-2000.

San Francisco

Benny Green

- Aug. 16. (Thurs.)  The Benny Green Trio.  A jazz professional as a teen-ager, pianist Green’s career has been expanding ever since, establishing him as one of the most imaginative and listenable players of his generation.  He’s backed by bassist Peter Washington and drummer Kenny Washington.  Yoshi’s Oakland.    (510) 238-9200.

Seattle

- Aug. 16 – 19. (Thurs. – Sun.)  Karrin Allyson. Grammy nominated singer-pianist Allyson brings rich layers musicality to everything she sings or plays.  Hopefully she’ll include some selections from her latest album, ‘Round Midnight.   Jazz Alley.    (201) 441-9729.

Boston

- Aug. 18. (Sat.)  Kenny Werner. Pianist Werner’s versatility – he is as adept at backing singers as he is at straight ahead jazz playing – no doubt traces to the mind-body techniques explored in his thoughtful book on improvisation, Effortless Mastery.  Regatta Bar.   (617) 661-5000.

New York

John Abercrombie

- Aug. 14 – 18. (Tues. – Sat.)  The John Abercrombie Quartet.  Always seeking adventurous new jazz combinations, Abercrombie’s latest group features saxophonist Joe Lovano, bassist Drew Gess and drummer Adam Nussbaum.  Birdland.    (212) 581-3080.

- Aug. 14 – 19. (Tues. – Sun.)  Enfants Terribles.  Lee Konitz, Bill Frisell, Gary Peacock and Joey Baron. A stellar array of world-class jazz players celebrate their new CD, Enfants Terribles. The Blue Note.   (212) 475-8592.

- Aug. 16 – 19. (Thurs. – Sun.)  The Tierney Sutton Band.  Singer Sutton has been working with her band for nearly two decades, and the results are apparent in the extraordinary music they make together.  The Jazz Standard.  (212) 576-2561.

London

- Aug. 14 – 18. (Tues. – Sat.)  Roy Ayers. Vibraphonist Ayers has been, and continues to be, a pioneer in blending jazz with Afro-beat, funk and hip hop.  Ronnie Scott’s.   (0) 20 7439 0747.

Tokyo

Aug. 14 & 15.  Joyce.  Brazilian singer/songwriter/guitarist Joyce Moreno has been blending jazz with bossa nova since the late ‘60s.  Blue Note Tokyo.   03.5485.0088.

Eddie Palmieri photo by Tony Gieske. 

Picks of the Week: June 20 – 24

By Don Heckman

Los Angeles

Jane Harvey

- June 20. (Wed.)  Jane Harvey.  The remarkable Jane Harvey’s career dates back to gigs with Benny Goodman in the ‘40s.  Now well into her ‘80s she continues to draw critical raves for her performances.  Click HERE to read a recent iRoM review of a Harvey appearance.   Catalina Bar & Grill. (323) 466-2210.

- June 21 – 11. (Thurs. & Fri.)  Joey DeFrancesco.  The master of the B-3 has been placing at the top of the critics’ polls in Down Beat and with the Jazz Journalists association for years.  And with good reason.  He’ll be performing with Steve Cotter, bass and Ramon Banda, drums.  Vitello’s. (818) 769-0905.

- June 21 – 23. (Thurs. – Sat.)  Melissa Manchester. Grammy-winning singer-songwriter scored her biggest, chart-topping hits in the ‘70s and early ‘80s.  And her dramatic renderings of tunes such as “Midnight Blue” and “Don’t Cry Out Loud” are still classics.  Catalina Bar & Grill.  (323) 466-2210.

- June 21. (Thurs.)  Chuck Manning.  Tenor saxophonist Manning’s resume includes gigs with everyone from Anthony Wilson and Branford Marsalis to Cedar Walton and Charlie Haden.  This time out, he takes on the most challenging setting for a horn player – a trio gig with bass, drums and no harmony instrument.  He’ll be backed by Pat Senatore, bass and Jimmy Branley, drums.  Vibrato Grill Jazz…etc.  (310) 474-9400.

Reba McEntire

- June 22. (Fri.)  Opening Night of the 2012 Season at the Hollywood Bowl. Julie Andrews hosts an evening featuring Hollywood Bowl Hall of Fame inductees Reba McEntire and Chaka Khan, with the Hollywood Bowl Orchestra conducted by Thomas Wilkins.  Additional guests and presenters are yet to be announced..   (323) 850-2000.  Hollywood Bowl.

- June 22. (Fri.)  Mary Stallings.  An underappreciated jazz vocalist for years, Stallings has been producing first rate recordings since a 1961 duet album with Cal Tjader.  Still in rare form, she’ll no doubt sing some selections from her latest release Don’t Look Back.  A Jazz Bakery Movable Feast at the Kirk Douglas Theatre.  .  (310) 271-9039.

- June 23. (Sat.) Jazz Journalist Association Awards Party.  In celebration of the 2012 JJA Awards, a Jazz Hero Award will be granted to Catalina Popescu, proprietor of L.A.’s pre-eminent jazz club, Catalina Bar & Grill.  The Blue Whale, from 7 to 8:30 p.m.  The Ferenc Nemeth Trio perform at 9 p.m.   The Blue Whale.  (213) 620-0908.

Katia Moraes

- June 24. (Sun.)  Katia Moraes.  There’s no one quite like this Brazilian bundle of musical dynamite.  Bringing irresistible vitality to every song she sings, Katia celebrates her birthday with her original quartet, the lively Sambaguru, featuring Bill Brindle, keyboards, Hussain Jiffry, bass and Tony Shoren, drums.  Vitello’s.  (818) 769-0905.

- June 24. (Sun.)  Sing! Sing! Sing!  “Giving Our Regards to Broadway.”  It’s just after the Tony Awards, and what better time to join the Southland’s engaging singalong in a tour through some of the most memorable Broadway songs as well as a sampling of the latest numbers on the Great White Way.  At Keyboard Concepts in West L.A. Sing! Sing! Sing!     (310) 990-2405.

Glen Campbell

- June 24. (Sun.)  Glen Campbell.  The Goodbye Tour.  Veteran singer/guitarist Campbell has produced 12 gold albums and 4 platinum albums while receiving a string of Grammy awards (including four in 1967).  A year ago, he announced he had been diagnosed with Altzheimer’s disease.  The Goodbye Tour, which he says will be his last, features the group Dawes, with Jackson Browne, Kris Kristofferson, Lucinda Williams and others.  (323) 850-2000.  Hollywood Bowl.

 

San Francisco

- June 22. (Fri.)  Ceu.  Grammy-nominated Brazilian singer/songwriter Ceu has carved a unique musical pathway for herself, combining Brazilian roots rhythms with everything from soul and funk to afrobeat and electronica.  An SFJAZZ event at the Herbst Theatre.    (866) 920-5299.

Seattle

- June 21 – 24. (Thur. – Sun.)  Spectrum Road.  After producing a spectacular climax to the Playboy Jazz Festival on Sunday night, Spectrum Road takes off for Seattle with their explosive reminders of drummer Tony Williams’ Lifetime group.  The band consists of bassist Jack Bruce, guitarist Vernon Reid, keyboardist John Medeski and drummer Cindy Blackman Santana. Click HERE to read iRoM’s review of the Playboy Jazz Festival and Spectrum’s Festival performance.  Jazz Alley.    (206) 441-9729.

New York

Samson Schmitt

- June 20 – 24. (Wed. – Sun.) The Django Reinhardt New York Festival.  Featuring rising gypsy jazz star Samson Schmitt, guitarist son of the iconic Dorado Schmitt, leading a collective of European jazz artists.  They’ll be joined by a trio of the finest female jazz artists: Anat Cohen on Wed., Grace Kelly on Thurs. & Fri., and Cyrille Aimee on Sat. and Sunday.  Birdland.    (212) 581-3080.

- June 20 – 24. (Wed. – Sun.)  Barbara Carroll.  Jazz pianist/singer Carroll is still going strong at 87, her upbeat style recalling her high visibility in New York’s jazz clubs of the ‘50s and ‘60s. She performs with the stellar backing of Ken Peplowski, Jay Leonhart and Neal Smith.  Dizzy’s Club Coca Cola.   (212) 258-9595.

- June 21 – 24. (Thurs. – Sun.)  McCoy Tyner and the Charles Tolliver Big band get together to recreate John Coltrane’s vital 1961 album, Africa Brass, more than fifty years after its original release.  The Blue Note.    (212) 475-8592.

London

- June 21 – 23. (Thurs. – Sat.)  Jean Carne and Doug Carn.  Four decades ago, jazz and soul singer Carne and her then-husband, pianist/composer, Doug Carn, produced a series of fusion jazz and soul albums strongly influenced by John Coltrane. After decades in which their lives and music took different paths, they’re back with a Reunion Performance of their ‘70s classics. Ronnie Scott’s.  020 7439 0747.

Tokyo

- June 20 – 23 (Wed. – Sat.)  Bob Mintzer Big Band.  A vital member of the Yellowjackets, saxophonist/composer Mintzer is also an innovative big band arranger, producing a book full of gripping arrangements for his collection of fine players. Blue Note Tokyo.   03.5485.0088.

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Jane Harvey photo by Tony Gieske.  Katia Moraes photo by Caesar Lima.

Picks of the Week: Sept. 13 – 18

By Don Heckman

Los Angeles

- Sept. 13. (Tues.)  Mozart’s Requiem.   The Los Angeles Philharmonic and the Los Angeles Master Chorale, conducted by Bramwell Tovey, perform the masterpiece work, appropriately, two days after the 10^th anniversary of the September 11, 2001 attacks.  The Hollywood Bowl.  (323) 850-2000.

Carol Chaikin

- Sept. 14. (Wed.)  Carol Chaikin quartet.  Saxophonist/flutist Chaikin was often identified, early in her career, as a jazz rarity – a high quality female horn player.  But she’s past that now, fully deserving of attention for her first rate playing. regardless of her gender.  She’ll be backed by the Pat Senatore trio. Vibrato Jazz Grill…etc.   (310) 474-9400.

- Sept. 15. (Thurs.) String Theory. The multi-media performance group transforms their performing space into an instrument in itself, filled with strings and sound and visual producing devices.  Video projections and songs are added by special guest David Poe.  Ford Amphitheatre.  (323) 461-3673.

- Sept. 15. (Thurs.)  Los Van Van.  One of the great Cuban bands, Los Van Van have been generating rhythmic chills in ecstatic crowds for decades.  They don’t make many club appearances in the U.S., so don’t miss this one.  The Conga Room.  (213) 745-0162.

- Sept. 15. (Thurs.)  Friends of Jeff Golub All Star Benefit Concert.  Veteran contemporary jazz guitarist Jeff Golub has lost his eyesight, triggering mounting medical costs.  This special performance is a fund-raiser to help out; 100 percent of the proceeds will go to the Jeff Golub Medical Fund.  The impressive list of musicians who have made a commitment to perform at the event includes Mindi Abair, Alonzo Bodden (comedian), Rick Braun, Brian Culbertson, Richard Elliott, Jeff Lorber, Jeff Golub, Eric Marienthal, Phillipe Siasse, Peter White, Kirk Whalum, John Waite, Michael Lington, Boney James, Henry Butler, David Peck, and more.  Hyatt Regency Newport Beach.  Information and ticket sales click HERE.

- Sept. 15. (Thurs.)  Eliane Elias.  There’s never been any doubt about Sao Paulo-born Elias’ extraordinary skills as a jazz pianist.  But her new album, Light My Fire, thoroughly authenticates her equally impressive abilities as a singer.  Performing in a brilliantly produced set of songs, she brings stunning new perceptions to every thing she sings, from the incredibly atmospheric title track to an unexpected, but delightful version of Paul Desmond’s “Take Five.”  Zipper Hall, Colburn School.  A Jazz Bakery Movable Feast.  (310) 271-9039.

Bill Holman

- Sept. 16. (Fri.)  Bill Holman Big Band. One of the truly unique and original voices in big jazz band arranging and composing, Holman creates music that is both engaging and complex.  No wonder musicians love to play his charts, to participate and be surrounded by the textures that flow from his remarkable imagination.  Vitello’s.    (818) 769-0905.

- Sept. 16 – 19. (Fri. – Sun.) Fireworks Finale: A Night at the Moulin Rouge: A Magical Evening in Paris.  The Fireworks Finale for the 2011 Bowl season is a dazzling array of music and dance from the City of Light.  Thomas Wilkins conducts the Hollywood Bowl Orchestra, the Paris Combo adds cabaret sounds and the Dancers from the Moulin Rouge spice it all with their high kicks and colorful costumes. The Hollywood Bowl.  (323) 850-2000.

- Sept. 17. (Sat.)  Don Henley. A founding member of the Eagles, Henley’s solo career has also generated a string of memorable hits.  Also on the bill, three-time Grammy Award winner Lucinda Williams.  The Greek Theatre.    (323) 665-5857.

Louie Cruz Beltran

- Sept. 17. (Sat.)  Third Annual LAVida Music Festival. Master percussionist and dynamic entertainer Louie Cruz Beltran and his Jazz Orchestra headline the third LAVida Festival in celebration of National Hispanic Heritage Month.  Also on the bill: multi-platinum recording artist Al B. Sure, the Mariachi Divas, Fuego Flamenco, Chalo Eduardo and comedienne Kiki Melendez.  The Ford Amphitheatre.   (323) 461-3673.

- Sept. 18. (Sun.)  Andy Garcia and the Cineson All Stars Band.  He’s a much honored actor with a highly visible career, but Garcia is also an enthusiastic drummer who expresses his deep love for jazz and Latin rhythms whenever he has the opportunity.  Catalina Bar & Grill.  (323) 466-2210.

Monterey

- Sept. 16 – 18.  The Monterey Jazz Festival.  The longest-running and arguably one of the finest jazz festivals in the world kicks off its 54th edition on Friday.  For a complete Guide to the Festival and how to enjoy it, click HERE. Also information and access to tickets from the Festival website click HERE.

San Francisco

- Sept. 14. (Wed.)  Jai Uttal.  A pioneer in blending the sounds of East and West within the Indian call and response music known as “kirtan,” Uttal has assembled an eleven piece ensemble of singers and instrumentalists.  The music, as Uttal explains it, is designed to “create bridges, to unite hearts and cultures.” Yoshi’s San Francisco.    (415) 655-5600.

- Sept. 16 – 18. (Fri. – Sun.)  Eliane Elias.  Pianist/singer Elias continues her West Coast tour, celebrating the release of her latest album, the mesmerizing Light My Fire.  Yoshi’s San Francisco.   (415) 655-5600.

Seattle

Branford Marsalis

- Sept. 15 – 18. (Thurs. – Sun.)  Branford Marsalis. He may not be as well known to non-jazz fans as his brother Wynton, but saxophonist Branford Marsalis has thoroughly established himself as one of the most original jazz instrumentalists of his generation.  Jazz Alley.    (206) 441-9729.

New York

- Sept. 12 – Jan. 1. Follies.  The new revival of Stephen Sondheim and James Goldman’s 1971 classic musical opened Monday night to rave reviews from the critics. “A vigorous heart now beats at the center of this revitalized revival,” says the New York Times.   “A Tony Awards front-runner” adds the Los Angeles Times.  (It’s also worth noting that one of the most dynamic members of the cast is Susan Watson, whose husband, Norton Wright, is an occasional and much valued contributor to this site.)  The Marquis Theater.  (877) 250-2929.

- Sept. 13 – 17. (Tues. – Sat.)  The Lee Konitz & Tomasz Stanko Quintet. Lee Konitz’s remarkable history reaches back to a performance at Birdland’s opening night, Dec. 16, 1949.  This time, happily recovered from some recent health problems, he’s partnering with the atmospheric trumpet playing of Poland’s Stanko.  Expect a magical evening of music. Birdland.    (212) 581-3080.

- Sept. 13 – 18. (Tues. – Sun.)  The Brecker Bros. Band Reunion: Randy Brecker, Mike Stern and Dave Weckl. It won’t be the same without the presence of the sadly departed Michael Brecker, but the music by this stellar ensemble will always be a provocative display of contemporary jazz.  With Ada Rovatti, saxophone, George Whitty, keyboards, Will Lee, bass and Oli Rockberger, vocals & keyboards.  The Blue Note.    (212) 475-8592.

Miguel Zenon

- Sept. 15 – 18. (Thurs. – Sun.)  Miguel Zenon Quartet. Alto saxophonist Zenon has deservedly won prestigious awards from the Guggenheim and MacArthur foundations for the compelling originality of his musical vision.   Jazz Standard.    (212) 576-2232.

London

- Sept. 15 – 17. (Thurs. – Sat.) Pee Wee Ellis.  From Jazz to Funk and Back. It’s the perfect title for an evening of irresistibly rhythmic stylings from the saxophonist who earned his early credentials backing James Brown. Ronnie Scott’s.    020 7439 0747.

Tokyo

- Sept. 14 – 17. (Wed. – Sat.) Dave Koz and Peabo Bryson.  Two of the best established icons of smooth jazz take their instrumental prowess and soaring vocals to the Far East.   Blue Note Tokyo.

Picks of the Week: July 12 – 17

By Don Heckman

Los Angeles

- July 12. (Tues.)  John Pisano’s Guitar Night.  With Mundell Lowe and bassist Jim Hughart.  Guitar Night’s always a pleasure, but here’s one not to miss – a pair of veteran jazz guitarists in action with the support of a fine bassist.  Vitello’s.   (818) 769-0905.

Chris Botti

- July 13. (Wed.)  Chris Botti and Bobby McFerrin with the Yellowjackets.  One of the highlights of the Hollywood Bowl summer jazz schedule.  Botti’s trumpet playing, delivered with surging rhythms and an elegantly expressive melodic flow have currently established him as the best-selling American instrumentalist.  McFerrin is always a wonder and even more so when he’s having fun with the dynamic Yellowjackets players.  The Hollywood Bowl.   (323) 850-2000

- July 13. (Wed.)  Alex Iles and Bill Reichenbach Quintet.  A pair of primo trombonists get together with a sound and style that will hopefully recall the delights of Kai Winding and J.J. Johnson.  Vitello’s.    (818) 769-0905.

- July 14. (Thurs.)  The Bill Cunliffe Quartet.  “Bill in Brazil” The ever-versatile pianist displays his love of the irresistible rhythms and soaring melodies of Brazil.    Vibrato Grill Jazz…etc.   (310) 474-9400.

Della Reese

- July 14. (Thurs.)  Della Reese.  “I’m still here, celebrating my 80^th birthday,” says the ever energetic Ms. Reese.  And indeed she is, still singing up a storm, bringing imagination and entertainment to everything she does.  Catalina Bar & Grill.   (323) 466-2210.

- July 15 & 16. (Fri. & Sat.)  Sarah McLachlan with the Hollywood Bowl Orchestra, Thomas Wilkens conducting.  Multi-Grammy winning McLachlan makes her Hollywood Bowl debut in her first tour with an orchestra.  She’ll sing songs from her recent CD, Laws of Illusion.  Hollywood Bowl.  (323) 850-2000.

- July 16. (Sat.)  Golden Boys: Frankie Avalon, Fabian Forte, Bobby Rydell.  Three of the teen idols of the ‘50s and ‘60s appear in the Cerritos season opener.  The Cerritos Center for the Performing Arts.   (562) 916-8501.

- July 16. (Sat.)  An Evening with the Monkees. Forty five years after they first hit the television screens original members Davy Jones, Mickey Dolenz and Peter Tork revisit their catalog of hits.  Greek Theatre.    (323) 665-5857.

- July 16. (Sat.)   Rickey Woodard with the John Heard Trio.  Saxophonist Woodard’s hard swinging, harmonically and melodically adventurous improvisations are among the Southland’s great jazz delights.  Charlie O’s.  (818) 994-3058.

- July 16. (Sat.)  “From California With Love”  CD release party.  The CD and the performance benefit Japanese disaster relief.  Among the stellar list of performers are Jim Cox, Michael Dees, Sue Raney, Diane Hubka, Pinky Winters and many more.  Vitello’s.   (818) 769-0905.

Freda Payne

- July 17. (Sun.)  Freda Payne.  The gorgeous Ms. Payne applies her far reaching interpretive skills to a Tribute to the Great Ladies of Jazz: Ella, Lena and Sarah.  Catalina Bar & Grill.   (323) 466-2210.

San Francisco

- July 17. (Sun.)  Shahrzad Sepanlou.  The lovely Iranian singers warm, expressive voice moves freely from traditional songs to intimate contemporary balladry.  Yoshi’s San Francisco.    (415) 655-5600.

- July l5 & 16.  (Fri. & Sat.)  Charlie Hunter/Scott Amendola Duo. Hunter’s seven string guitar virtuosity has a chance to fully express itself in the company of Amendola’s subtle drumming.  Freight & Salvage Coffeehouse.    (510) 644-2020.

Chicago

- July 14 – 17. (Thurs. – Sun.)  Steve Turre Quartet with pianist Willie Pickens. Jazz trombonist and remarkable conch shell player Turre explores colorful jazz territory with Chicago jazz great Pickens.  Jazz Showcase.    (312) 360-0234.

New York

- July 13. (Wed.)  Jane Bunnett and Hilario Duran.  Soprano saxophonist/flutist Bunnett and pianist Duran display some of the unusually eclectic Cuban material on their new album, Cuban Rhapsody.  Jazz Standard.  http://www.jazzstandard.com/red/index.html  (212) 576-2232.

July 14 – 17. (Thurs. – Sun.)  Airto.  The great Brazilian percussionist, fascinating with a group or as a soloist, plays with the all-star aggregation of  Mark Egan, bass, Jose Neto, guitar, Helio Alves, piano, and Lew Soloff, trumpet.  D Booker, the daughter of Airto and Flora Purim, will sing.  The Blue Note.   (212) 475-8592.

London

Charlie Parker

- July 12 & 13. (Tues. & Wed.)  “The Music of Charlie Parker”  Alto saxophonist Gilad Atzmon evokes the spirit and the soul of the great bebop alto saxophonist, performing – with a string ensemble – selections from Bird’s classic “with strings” recordings.  Ronnie Scott’s.    020 7439 0747.

Paris

- July 12. (Tues.) Ceu. Grammy-nominated singer/songwriter Ceu is an intriguing songwriter and a compelling performer, blending her unique skills with her admiration for Billie Holiday, Ella Fitzgerald and Lauryn Hill.    New Morning.    01 45 23 51 41.

Milan

- July 15. (Fri.)  Return To Forever IV.  Chick Corea, Lenny White, Stanley Clarke, Jean-Luc Ponty, Frank Gambale.  The latest incarnation of Return to Forever may well be the best one yet.  With Ponty and Gambale bringing their fiery skills to the dependable platform provided by Corea, White and Clarke, the results are musically irresistible.The Blue Note Milano.    02.69.01.68.88.

Berlin

- July 13 & 14. (Wed. & Thurs.)  Lionel Loueke and Raul Midon, the Duwala Malambo Projekt. A pair of uniquely idiosyncratic guitarist/singers find common ground in a wide open arena of improvisational adventuring they call the Duwala Malambo Projekt.  A-Trane International Jazz Club.   030/313 25 50.

Chris Botti photo by Tony Gieske.

Picks of the Week: June 28 – July 4

By Don Heckman

Los Angeles

- June 28. (Tues.)  Satoko Fujii.  The envelope stretching music of pianist Fujii, a brilliant composer/improviser will be enhanced by the presence of the similarly adventurous trumpeter (and her husband) Natsuki Tamura.  The Blue Whale.    (213) 620-0908.

Bob Sheppard

- June 29. (Wed.)  Bob Sheppard’s East West Band. Saxophonist-flutist Sheppard can always be counted on for a provocative evening of world class jazz.  This time out, he juxtaposes East Coast and West Coast, with Larry Koonse (L.A.), guitar. Anthony Pinciotti (N.Y.) drums, Ed Howard (N.Y.), bass.  Vitello’s.    (818) 769-0905.

- June 29. (Wed.)  Rene Marie.  She got a late start as a jazz singer, but Marie hasn’t wasted any time since she made her professional debut after she turned 40.  She’ll celebrate the release of her fascinating new CD, Voice of My Beautiful Country. Catalina Bar & Grill.  (323) 466-2210.

- June 30. (Thurs.)  Elliot Caine Quartet.  Music on the Main Jazz Series.   Trumpeter/eye doctor Caine and his players perform bebop driven jazz in what is surely one of the summer’s most appealing musical settings.  Descanso Gardens .  (818) 949-4200.

- June 30. (Thurs.)  Janis Mann Quartet. Singer Mann’s rich-toned voice and intimate way with a song affirm her status as one of the Southland’s finest jazz vocal artists. Charlie O’s.   (818) 994-3058.

Rondi Charleston

- June 30. (Thurs.) Rondi Charleston. A story teller at heart, Charleston applies her warm singing style to an exploration of the inner essence of a song.  Catalina Bar & Grill.  (323) 466-2210.

- July 1. (Fri.)  Brian Scanlon Quartet.  Versatile saxophonist Scanlon’s resume reaches from solid jazz with Dizzy Gillespie to a stint with the NBC Orchestra and a busy schedule as a studio musician.  In his spare time he teaches jazz at Pepperdine.  But on this night, he’ll be doing it all his own way, backed by pianist Theo Saunders, bassist Pat Senatore and drummer Kendall Kay.  Vibrato Grill Jazz…etc.  (310) 474-9400.

Ballet Folclorico do Brasil

- July 2. (Sat.)  Ballet Folclorico do Brasil. Expect an evening of colorful, high energy, terpsichorean delights when the dancers, capoeiristas and musicians of the Folclorico take the stage with their far-reaching expressions of the rich pleasures of Brazilian culture. Ford Amphitheatre.    (323) 461-3673.

- July 2 – 4. ( Sat. – Mon.)  July 4^th Spectacular with Hall & Oates. The pop hit-making duo of Daryl Hall and John Oates showcase an evening of their classics with Thomas Wilkins and the Hollywood Bowl Orchestra.  And don’t forget the always sensational July 4^th fireworks.  The Hollywood Bowl. (323) 850-2000.  

San Francisco

- July 1 – 3. (Fri. – Sun.)  James Cotton’s Superharp Band.  The Fourth of July Weekend Blues Festival.  Blues legend Cotton has shared stages with everyone from the Rolling Stones and Janis Joplin to  B.B. King and Sam & Dave.  On this blues driven appearance, he’ll be trading licks with harpist Momo Buford and guitarist Hubert Sumlin.  Yoshi’s Oakland.    (510) 238-9200.

- July 1 – 3. (Fri. – Sun.)  Ottmar Liebert & Luna Negra.  Multiple Grammy Award-nominated guitarist Liebert has been defining the nouveau flamenco style since the ‘90s.  Yoshi’s San Francisco.     (415) 655-5600.

Seattle

Milton Nascimento

- June 28 & 29. (Tues. & Wed.)  Milton Nascimento.  He’s one of the great Brazilian artists of song – as a performer and a writer.  Approaching 69, he is still a vibrant performer, his music reaching out to bring Brazilian roots and American jazz and rock into a warm embrace.  Jazz Alley.    (206) 441-9729.

Chicago

- June 30 – July 3. (Thurs. – Sun.)  The Larry Coryell Trio.  Guitarist Coryell has been crossing over from rock to blues to jazz and beyond since the ‘60s.  Although he doesn’t often receive the credit he deserves, his impact on the fusion of the post bop era was vital.  Jazz Showcase.   (312) 360-0234.

New York

- June 28 – July 3. (Tues. – Sun.)  Django Reinhardt Festival, starring the Young Lions of Gypsy Jazz.  Featuring Samson Schmitt, guitar, Ludovic Beier, accordion, Pierre Blanchard, violin, Andreas Oberg, guitar, Brian Torff, bass.  With special guests Anat Cohen, James Carter, Joel Frahm, Edmar Castaneda, Claudio Roditi. Birdland.    (212) 581-3080.

Jon Hendricks

Annie Ross

- June 28 & 29. (Tues. & Wed.) Jon Hendricks and Annie Ross.  Don’t miss this one.  Two of the great principals of the legendary Lambert, Hendricks & Ross trio get together for a stirring reunion.  The presence of the lively, teen-age jazz singer Nikki Yanofsky on Tuesday will undoubtedly spice things up even more.  The Blue Note.   (212) 475-8592.

London

July 4 & 5. (Mon. & Tues.)  The Gary Burton Quartet.  Vibist Burton’s world class ensemble features his frequent musical companion, rising young guitarist Julian Lage, drummer Antonio Sanchez and bassist Jorge Roeder.  Ronnie Scott’s.    020 7439 0747.

Paris

Lee Ritenour

- July 30 (Wed.)  Lee Ritenour and Friends.  Guitarist Ritenour continues his European tour with a stop in France, displaying the far-ranging versatility and imagination that have made him one of the prime contemporary jazz practitioners of his art.  New Morning.    01 45 23 51 41.

Tokyo

- June 3 – 6. (Sun. – Wed.)  Sadao Watanabe.  Alto saxophonist Watanabe is one of Japan’s finest gifts to jazz.  Although his style is rooted in the complexities of bebop, he enhances it with a rich improvisational imagination of his own.  Blue Note Tokyo.   03-5485-0088.

Bob Sheppard and Annie Ross photos by Tony Gieske.

Op Ed Commentary: Morgan Ames on Millennium Women and A Cappella

Morgan Ames apprenticed with Quincy Jones; sang/contracted singers for Queen Latifah for opening of 2010 Super Bowl; sang backgrounds on 2011 Oscar telecast and with Celine Dion for 9/11 telethon, conducted singers onstage for Paul McCartney at a Green Peace concert at the Hollywood Bowl (“Hey Jude”); has written songs with Johnny Mandel, Bob James, Dori Caymmi; co-wrote “Baretta’s Theme” (“Keep Your Eye on the Sparrow”) with Dave Grusin (now a popular ringtone); has had songs recorded by Roberta Flack, Peggy Lee, Djavan; co-produced Diane Schuur and the Count Basie Orchestra which was #1 for 33 weeks and garnered two Grammys;  has performed with Chaka Kahn, Mariah Carey, John Williams and the Hollywood Bowl Orchestra; sung in “King Kong,” “Spider-Man,” “Matrix Reloaded” and “Revolutions,” “Sister Act” I and II, etc.; has sung and/or written vocal arrangements on recordings with David Foster, David Benoit, Amy Grant, Vince Gill, etc.  Here, Morgan’s comments about vocalists and vocal arrangers include insights broad enough to reach across the full breadth of creative activities.

By Morgan Ames

I have been the leader/arranger of an a cappella group (Inner Voices) for over 20 years and the music environment never sits still.  For instance, clever vocal work with choreography is currently in fashion, thanks to TV’s Glee.  Smirk-free a cappella is heard regularly on TV talent shows and schools everywhere.  Group singing will go out of favor again, you watch.  No point worrying about it and I don’t think most vocal arrangers do.  When you love voices suspended by their own weight, all alone, a cappella, you just do.

The path of women vocal arrangers follows the path of evolution for women generally.  If you think you can do it, you do it.  But good vocal arranging is an art that comes slowly.  You have to acquire a taste for heartbreak, which is to say, hang onto your sense of humor.  Most important, build up your craft skills.  My experience as a music professional all these years is that in certain areas of music there is no mercy relative to craft skills, not for women.

Skill breeds respect and without it, professional work is sparse and not much fun once you’re out of your 20s — your early 30s if you’re really cute.  It’s a good thing too.  You spend a lot more time in your career older than younger. The lion’s share of artistic satisfaction comes later.  It deepens as you do.  When I hear groups at a vocal faire or whatever, I often wish they would rethink their arrangements, or think them at all.  Vocal percussion is omnipresent and some groups think that if someone has a microphone in his mouth, the song is arranged.  It isn’t.  Another trap is the wall-of-sound approach.  Someone in the group picks a time feel, often repetitive (thank you, acid jazz), falls into a familiar chord pattern and just keeps cycling.  Someone else scats like a balloon losing air.  Then: end big and stop.  But there is an ocean of difference between finishing an arrangement and stopping because it’s long enough.  A stop happens and a finish is earned.

If you’re a woman musician out there now, believe me, craft skills are the secret.  They build your confidence and neutralize intimidation – especially from the guys.  Music schools and classes are everywhere.  If you’re a singer, and the majority of vocal arrangers are, you already have a good start.  Of course, the music style of your particular group impacts your arranging choices, but even styles which appear relatively simple, doo wop or folk, for instance, are not.  The work of great groups just sounds simple.  The era of doo woppers hanging out on the front porch in Philly is pretty much played out.  On the other hand, if you don’t know what you’re doing, arrangements can get ridiculously over-complicated, driving everyone in the group crazy, and sucking energy out of the song.

I never start writing an arrangement until I see it in my head.  I kind of meditate on the song, in silence.  For me it’s important to cast a song like a movie among the brilliant singers in my group.  I get a feel pretty quickly about who should stand out, whose persona fits the lyric.  I’m not afraid of space.  I vary from block chords to one voice to a duet in sixths all in maybe eight bars. It’s called dynamics.  Four voices have an entirely different weight and color than two.  One singing loudly versus four singing softly or vice versa gives surprise and dimension.

Here’s a good exercise: pick a classic vocal or background vocal arrangement  (some killers: Bobby McFerrin’s new Vocabularies, Mervyn Warren’s Hallelujah from Soulful Messiah, Respect by Aretha Franklin, I Just Want to Stop by Gino Vannelli,  O Brother Where Art Thou with music put together by T-Bone Burnett).  Then do some serious analysis.  Why do you love it?  Why in detail.  Really go there.  Arranging is about problem solving, note after note.  I grew up doing this obsessively, and still do it.  I have listened to the first Take 6 album hundreds of times and still learn from it.  If you’re drawn to southern sounds, T Bone Burnett knows everything about bluegrass and other mountain vocal styles.  The late Gene Puerling is still the Bach of vocal arrangers.

One more tip if you want to be really good: don’t ignore that, uh, well, that funky little spot in the arrangement that never quite worked.  Come on, figure it out and do it right.  What separates the pros from the non-pros is the polishing, the finishing up, the unglamorous part.

Vocal arranging is harrowing if you do it right, but you get to love the process eventually because of what it gives back to you. You may find, like me, that the more you arrange, put out fires caused by the last chord you wrote, etc., the more you fall in love with the art.  Welcome to the subtlest, silkiest club in music.

Picks of the Week: June 14 – 19

By Don Heckman

Los Angeles

- June 14. (Tues.)  Motley Crue. L.A.’s heavy metal stars of the eighties (and beyond) take over the vast expanse of the Bowl for a tour through the many hits that have made them rock icons.   The Hollywood Bowl.    (323) 850-2040.

- June 15. (Wed.)  Sachel Vasandani Quartet.  At a time when male jazz vocalists are in surprisingly short supply, Vasandani is carving an intriguing musical pathway of his own.  Vitello’s.   (818) 769-0905.

Angelique Kidjo

- June 16. (Thurs.)  Angelique Kidjo, Youssou N’Dour, Vusi Mahlasela.  A stellar ensemble of great African artists.  Count on them – and Kidjo in particular – to bestow an irresistible display of dynamic, musical excitement on their listeners.  The Greek Theatre.  (323) 554-5857.

- June 15. (Wed.)  Chuck Manning & Sal Marquez Quartet.  Two of the Southland’s most dependably hard swinging players team up for some straight ahead jamming.   Vibrato Grill Jazz…etc.   (310) 474-9400.

- June 15 – 19.  (Wed. – Sun.)  The National Ballet of Cuba.  One of the world’s great classical ballet companies, the dancers’ performances reflect the exquisite style established by the founder, prima ballerina Alicia Alonso.  Segerstrom Center for the Arts.    (714) 556-2787.

- June 16. (Thurs.)  Mel Martin Quartet. Saxophonist Martin, who roves freely and impressively across the spectrum from bebop to avant-garde, makes a rare club stop in the Southland.  He’ll be backed by the equally versatile pianist Don Friedman, (who is also rarely seen in L.A., with bassist Tom Warrington and drummer Joe La Barbera.  Vitello’s.    (818) 769-0905.

- June 16 – 19. (Thurs. – Sun.)  Hiromi.  The Trio Project.  Keyboardist Hiromi, always exploring new musical territory, has a go at the ever-changing vistas of the piano jazz trio.  She performs with bassist Anthony Jackson and drummer Steve Smith.  Catalina Bar & Grill.  (323) 466-2210.

Harry Connick, Jr.

- June 17.   (Fri.) Hollywood Bowl Opening Night.  Opening nights at the Bowl are always memorable events, glowing with stars.  This year, there will be performances by 2011 Hall of Fame inductees Harry Connick, Jr. and Gloria Estefan.  Also on the program: an exclusive live sneak preview of Cirque du Soleil’s first Hollywood production, IRIS – A Journey Through the World of Cinema.  Dame Helen Mirren hosts the evening, and Andy Garcia and Hilary Swank will serve as guest presenters.  Thomas Wilkens conducts the Hollywood Bowl Orchestra.  The Hollywood Bowl.   (323) 850-2040.

- June 18. (Sat.)  Filipina Ladies of Jazz.   Following up on last year’s Filipino Gentlemen of Jazz, this year’s program features a splendid array of female Filipina artists.  Pauline Wilson (of the group Seawind) headlines.  She’ll be joined by two rising young artists, Nicole David (who will duet with her father, singer Mon David) and soul jazz singer Jaclyn Rose.  They’ll be backed by the band of saxophonist Michael Paulo.   Ford Amphitheatre.     (323) 461-3673.

- June 18. (Sat.) Rickey Woodard.   Saxophonist Woodard brings high spirited, hard swinging life to every note he plays.  This time out, he’s backed by the John Heard Trio. Charlie O’s.   (818) 994-3058.

- June 18. (Sat.)  Phil Norman Tentet.  Saxophonist Norman’s eminently listenable ensemble is also a briskly swinging show case for many of the Southland’s (and the world’s) finest composers and arrangers.  Add to that a line up of all-star players, and expect an evening of memorable little big band jazz.  Vitello’s.  (818) 769-0905.

Roseanna Vitro

- June 18. (Sat.)  Roseanna Vitro “The Randy Newman Project”  Vitro, always a fascinating jazz singer, expands her horizons with her new CD, in which she explores the far-ranging, emotionally diverse musical catalog of Randy Newman.  It’s a remarkable album, and the live performance of its selections should make for a compelling musical evening.   Jazz Bakery Moveable Feast at Musicians Institute Concert Hall.    (310) 271-9039.

San Francisco

- June 14 & 15. (Tues. & Wed.)  Paula Morelenbaum.  Singer Morelenbaum’s deep linkage to the music of her Brazilian homeland in general, and to bossa nova in particular, reaches back to her work as a young singer with Antonio Carlos Jobim in the ‘80s and ‘90s.  Yoshi’s Oakland.    (510) 238-9200.

- June 18. (Sat.) Nikki Yanofsky. Still only 17, Yanofky’s recordings and live performances have convincingly established her as a rising star with extraordinary potential.   An SFJAZZ Spring Season concert at Herbst Hall.    (866) 920-5299.

Seattle

- June 16 – 19. (Thurs. – Sun.)  Ramsey Lewis.  “The Sun Goddess Tour.”  Keyboardist Lewis leads his electric band in a revisiting of the funk-driven sounds of his cross-over hit album, Sun Goddess.  Jazz Alley.     (206) 441-9729.

Chicago

Rudresh Mahanthappa

June 16 – 19. (Thurs. – Sun.)  Rudresh Mahanthappa.  Alto saxophonist Mahanthappa, who just received the Jazz Journalists Association Alto Saxophonist of the Year Award, His Indo-Pak Coalition, with Pakistani-American guitarist Rez Abbasi and drummer Dan Weiss is seeking, and finding, ways to synthesize jazz and the improvised musical forms of South Asia.  The results are often extraordinary.   Jazz Showcase.    (312) 360-0234.

New York

- June 14 & 15. (Tues. & Wed.)  The Dave Brubeck Quartet.  What is there to say that hasn’t already been said about the Brubeck Quartet.  Hearing the group, playing classic selections as well as new ventures, is tapping into living jazz history.  The Blue Note.  (212) 475-8592.

- June 14 – 19.  (Tues. – Sun.)  Chris Potter Underground.  One of the most consistently imaginative saxophonists of his generation, Potter leads a band filled with similarly adventurous players – drummer Nate Smith, guitarist Adam Rogers and bassist Fima Ephron.  Village Vanguard.   (212) 255-4037.

- June 15 – 19. (Wed. – Sun.)  Monty Alexander and the Harlem-Kingston Express.  Pianist Alexander and his group survey the musically delightful linkages between up town jazz and the rhythms of the Caribbean.   Dizzy’s Club Coca Cola.    (212) 258-9800.