Live Music: Gershwins With A Groove: SING! SING! SING! at Keyboard Concepts

September 26, 2012

By Norton Wright

Judy Wolman

It was another extraordinary afternoon on Sunday with SING! SING! SING!, the unique 9-person group of rehearsed singers led by Artistic Director Judy Wolman.  Sprightly swinging on piano with Chris Conner on bass, Jack LeCompte on drums, Wolman and raconteur Howard Lewis melded the history of composer George Gershwin and lyricist Ira Gershwin with performances of twenty of their most remarkable songs.And invited the audience to sing along.

Why is a performance so special with the SING! SING! SING! group  (6 women and 3 men, including the multi-talented host, Howard Lewis)?  It’s because the singers have such a good time with the tunes that their enjoyment is happily infectious, and soon the whole audience is singing and sharing in the groovy toe-tapping.

Howard Lewis

And memory, too, plays a big role in the experience as SING! SING! SING!’s sparkling renditions of the Gershwins’ songs also led us to fondly recall Sarah Vaughan’s jazz take on “They Can’t Take That Away From Me,” Chet Baker singing “But Not For Me,” Diane Schuur’s “The Man I Love,” Shirley Horn’s “Isn’t It a Pity,” and Louis and Ella on “Let’s Call The Whole Thing Off.” The myriad ways that the Gershwin Songbook can be rendered demonstrates why we regard that songbook as so great.

For those who have not experienced SING! SING! SING!, it should be noted that the group’s performance is much more than a “follow-the-bouncing ball” sing-along. There is something intensely touching in the sound of an audience, essentially of strangers, moved to sing together, to join the SING! SING! SING! performers in what emerges as a kind of surprise bonding, a rare coming-together, a veritable musical communion of performers and audience.

Facilitating that performer-audience interaction in Keyboard Concepts’ mini-theater on Sunday, lyric sheets were given to all audience members, and the sheets designed by Artistic Director Wolman not only clarified the oft confused definitions of “verse,” “refrain,” “chorus,” “bridge” and “release,” but also graphically indicated to the audience how a jazz vibe on the Gershwin tunes can be achieved by rhythmic pauses in the lyrics.

For Example:  “Someone To Watch Over Me” (1926) Words by Ira Gershwin.

Verse:

There’s a saying old, Says that love is blind, ____ Still we’re often told,
“Seek and ye shall find.” ____ So I’m going to seek a certain lad I’ve had____ in mind. ____
Looking ev’rywhere, Haven’t found him yet; He’s the big affair I cannot forget.____
Only man I ever think of with regret. _____
I’d __ like _ to add his initial to my monogram. ___
Tell __me, __ Where is the shepherd for this __ lost ___ lamb? ____

Refrain:
There’s a somebody I’m longing to see. __ I hope that he __ turns out to be __
Someone who’ll watch ___ over _ me. ______
(etc., etc.)

The audience participation on Sunday was robust and reminded one of those show biz evenings of old on NYC’s West End Avenue where Broadway folk would casually gather round an apartment’s piano and sing the night away. And there were some cool surprises from the SING! SING! SING! group as Ruth Davis stepped forward on stage to solo in a wise and dramatic rendition of “He Loves And She Loves.”  Later, Judy Wolman and Howard Lewis drew Chuck Marso from the audience to sing the Gershwin brothers’ rarely heard but oh so optimistic “Beginner’s Luck,.

Susan Watson

For a  guest finale, invited up from the audience was Susan Watson — fresh from her year-long run in “Follies” at Washington’s Kennedy Center, on Broadway, and at the Ahmanson Theater here in Los Angeles — to sing a touching rendition of “Someone To Watch Over Me.”

Though the individual singers of SING! SING! SING! may not have jazz star names like “Deedles,, “Sassy,” “Dizzy,” or “Zoot,” they delivered a musical powerhouse performance and merit star recognition  as follows — Tina Appel, David Beraru, Gloria Birnkrant, Ruth Davis, Pamela Jackson, Jackie Manfredi, Anita Royal, Judith Farber Weissman, Jerry Weissman.  

Bottom line — for a unique and emotionally-moving musical experience, keep your internet eyes out for the monthly programs and venues of SING! SING! SING! You’ll have a wonderful time!


Picks of the Week: Jan 10 – 15

January 9, 2012

By Don Heckman

Los Angeles

Youngjoo Song

- Jan. 10. (Tues.)  Youngjoo Song.  Korean jazz pianist Youngjoo Song brings an affection for classical music and American gospel song to her creatively eclectic view of jazz, as both a player and a composer.  In this rare Los Angeles appearance, the rising jazz star’s  group features the similarly versatile,  fast-fingered, multi-saxophone playing of  the always inventive Bob SheppardThe Blue Whale.   (213) 620-0908.

- Jan. 11. (Wed.)  Nora Rothman.  The talented young jazz singer/pianist, just barely into her ‘20s, has the skill and the style of a major talent in the making.  She’s backed by Nick Chuba and Charlie Mischer.  Catalina Bar & Grill.   (323) 466-2210.

Judy Wexler

- Jan. 12. (Thurs.)  Judy Wexler Quintet.  One of the many great things about hearing jazz singer Judy Wexler in action is the unpredictability of what to expect.  Always compelling, she makes a song her own, whether it’s American Songbook, Jazz Standard, Top 40 Pop or Singer/Songwriter.  The LAX Jazz Club at the Crowne Plaza.  l  (310) 258-1333.

- Jan. 12. (Thurs.)  Paul Jacobs.  The winner of a 2010 Best Solo Instrumental Grammy – the first organist ever to do so – Jacobs presents a challenging program of 20th century works, including Messiaen’s Livre du Saint Sacrement.  Royce Hall Organ Recital.  UCLA Live.   (310) 825-2101.

- Jan. 12. (Thurs.)  Pilc – Moutin – Hoenig.  The world class trio of pianist Jean-Michel Pilc, from France, bassist Francois Moutin, also from France, and drummer Ari Hoenig, from Philadelphia have been affirming the true international nature of jazz for more than a decade with their cutting edge version of the jazz piano trio.  The Musicians Institute Concert Center.  A Jazz Bakery Movable Feast.    (310) 271-9039.

- Jan. 12. (Thurs.)  Kate Reid and Larry Koonse.  Singer/pianist Reid’s recent CD, The Love I’m In, offers a potent display of her rich, intuitive way with a song.  Working in tandem with the superb guitar of Koonse should produce similarly intriguing results.  Vitello’s.   (818) 769-0905.

- Jan. 12 – 14. (Thurs. – Sat.)  George Duke’s Fusion Band. He’s got the skills to go in any musical direction.  This time out, celebrating his 66th birthday (on Thurs.) the versatile keyboardist is digging into his rich bag of funk. Catalina Bar & Grill.   (323) 466-2210.

Gustav Mahler

- Jan. 13. (Fri.) through Feb. 5. (Sun).  The Mahler Project.  9 Symphonies, 3 Weeks, 2 Orchestra, 1 Conductor.  Gustavo Dudamel takes on the Herculean task of conducting Gustav Mahler’s nine completed symphonies in performances by the Los Angeles Philharmonic and the Simon Bolivar Symphony Orchestra of Venezuela at venues in Los Angeles and Caracas.  The Mahler Project.   (323) 850-2000.

- Jan. 13 & 14. (Thurs. & Fri.)  Vardan Ovsepian Chamber Ensemble.  Part I and II.  Armenian-born pianist-composer Ovsepian is musically inhabiting the broad land between jazz and concert music with remarkably intriguing results.  The Blue Whale.    (213) 620-0908.

- Jan. 15. (Sun.)  Sing! Sing! Sing! This week’s singalong with the Sing! Sing! Sing! vocalists and the adroit backing of pianist Judy Wolman focuses on the incredible song catalog of Irving Berlin.  Between songs, Howard Lewis will provide some fascinating nuggets of information about the Great American Songwriter who was born Israel Baline.  Sing! Sing! Sing! 

Seattle

- Jan. 12 – 15. (Thurs. – Sun.)  Arturo Sandoval. The gifted trumpeter/pianist/percussionist/singer (and more) takes a band of L.A.’s finest players up to the Northwest for a display of Southern California/Cuban Latin jazz.  Jazz Alley.    (206) 441-9729.

Boston

J D Souther

- Jan. 12. (Thurs.)  J. D. Souther.  He may be best known as the writer of some compelling hit songs for Linda Rondstat, the Eagles and himself (among others), but Souther – his performances spiced with his affection for jazz – is best to see and hear on his own.  Click HERE to read iRoM’s review of Souther’s latest recording.  Regatta Jazz Bar.   (617) 395-7757.

New York

- Jan. 10 – 12. (Tues. – Thurs.)  The Clayton Brothers. Not just the Clayton Brothers, bassist John and alto saxophonist Jeff, but also the next generation’s impressive new star – John’s son, pianist Gerald Clayton.  All these hugely talented, interrelated genes will be backed by trumpeter Terrell Stafford and drummer Obed CalvaireDizzy’s Club Coca Cola.   (212) 258-9800.

- Jan. 10 – 15. (Tues. – Sun.)  Geri Allen, Esperanza Spalding, Terri Lyne Carrington.  Here they are, all in one incredible package – a trio of three of the contemporary jazz world’s most gifted female artists.  Don’t miss this one.  The Village Vanguard.    (212) 255-4037.

Berlin

Kurt Rosenwinkel

- Jan. 14. (Sat.)  Kurt Rosenwinkel Berlin Quartet.  In a world filled with ambitious guitarists, Rosenwinkel has managed to hold his own, developing a style that is both unique, appealing and immensely musical.  A-Trane.   030/313 25 50. Guitarist Rosenwinkel,


Here, There & Everywhere: Sing! Sing! Sing!

December 23, 2011

By Don Heckman

Christmas caroling was a regular seasonal activity in my young life.  Growing up in an Eastern Pennsylvania rust belt city, singing carols while slip-sliding our way across icy sidewalks was as necessary to the holiday as going to Mass on Christmas eve.  In a way, it was an equally necessary counter to the darker side of what we’d done on Halloween, when enacting tricks was a lot more common than  asking for treats.

All of which went through my mind last night when Faith and I took our lovely ten year old granddaughter, Maia, to the Victorian Mansion for “Candlelight Carols” by Judy Wolman, Howard Lewis and “Sing! Sing! Sing!”  And one couldn’t have asked for a more delightfully atmospheric setting to join in a holiday music singalong than the elegant wood-paneled room that jazz fans will recall as the former site of the much-missed jazz club, “The Vic.”

At the beginning, Wolman reminded me that she, Lewis and their group of singers had been doing these holiday celebrations for 20 years.  Not only that, of course, but also their continuing programs of participatory jaunts through the rich musical landscape of the Great American Songbook.  (Programs devoted to Irving Berlin, Jerome Kern, Johnny Mercer, Hoagy Carmichael and others are already scheduled for 2012.)

The “Candlelight Carols” program characteristically reached out to embrace the Songbook – with selections from Irving Berlin, Frank Loesser, Rodgers & Hammerstein, etc. — as well as a collection of traditional carols.  And the format was as comfortable and inviting as a holiday evening in a close friend’s living room.

Lewis introduced each number with some fascinating background, often including nuggets of insight into the song, as well as its creators.  Then Wolman — a superb piano accompanist, backed by Chris Conner’s bass, Dick Weller’s drums and some warm melody-making from harmonica player Ron Kalina – led the way into the song.

Maia

The audience, using lyric sheets provided by Wolman, sang along enthusiastically, sometimes even more than that.  And our granddaughter, Maia, not especially familiar with all the standards, nonetheless applied her already burgeoning musicality to every song, singing, smiling, enjoying every minute of this engaging new experience.

And what a collection of songs it was: “It’s Beginning To Look Like Christmas,” “Silver Bells,” “My Favorite Things,” “White Christmas,” “Sleigh Ride,” “Winter Wonderland,” “The Christmas Song,” “What Are You Doing New Year’s Eve?”  As well as “Silent Night,” “We Three Kings,” “The First Noel” and much, much more.

Between the singalong segments, individual singers from the Sing! Sing! Sing! vocal ensemble – Chuck Marso, Anita Royal, Jackie Manfredi and Ruth Davis – soloed.  And songwriter Jim Mann presented a brand new Christmas song, “Cheers! Cheers! Cheers!”

The sidewalks weren’t icy, and there was no snow in the forecast as we left the Victorian.  But the wind was blowing, and, as we walked hand in hand to our car, the words to one of the evening’s songs – with their perfect holiday sentiments — kept coming to mind.

           “The wind is blowing

           But I can weather the storm

            What do I care how much it may storm?

            I’ve got my love to keep me warm.”


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