Live Jazz: The KJAZZ Summer Benefit Concert at Walt Disney Concert Hall

June 30, 2014

By Don Heckman

Los Angeles.  There was a full house, enthusiastic crowd in attendance Saturday night at Disney Hall for the KJAZZ benefit concert. As there should have been.

The importance of FM radio station KJAZZ 88.1 to jazz fans cannot be under-estimated. I may not agree with the programming 100% of the time, but KJAZZ is nonetheless at the top of our radio buttons, in our cars and our living room. And deejays such as Bubba Jackson, Helen Borgers, LeRoy Downs, Bob Parlocha and others have become familiar and friendly jazz voices.

There was a lot to like about the KJAZZ benefit concert, as well. The presence of singer Steve Tyrell and pianist Jason Moran as headliners offered a range of jazz elements, with a lot to please different tastes.

Steve Tyrell

Steve Tyrell

Tyrell, as always, applied his appealing Texas twang and gently swinging jazz phrasing to a scintillating list of offerings from the Great American Songbook. Ranging from standards such as “It Had To Be You” and “I’ll Take Romance” to more recent singer/songwriter items such as “On Broadway” and “Will You Still Love Me,” he thoroughly demonstrated his authenticity as an appealing jazz artist.

Jane Monheit

Jane Monheit

On several numbers he was joined by the warmly engaging vocalizing of Jane Monheit and the articulate playing of pianist and KJAZZ deejay David Benoit.

The evening was kicked off by the highly regarded young pianist Jason Moran. Praised by the New York Times, Down Beat and Jazz Times, he quickly revealed the adventurous quality of his playing.

Jason Moran

Jason Moran

At the heart of his imaginative improvising, Moran approached the piano in a way reflecting the view of the instrument as an orchestra in itself. While some of his excursions roved into complex, busy-fingered areas, he was never less than an appealing artist, and surely one of the finest jazz artists of his generation.

Add to all that, there was the presence of a stellar back up band including pianist Quinn Johnson, guitarist Steve Cotter, trumpeter Bijon Watson, bassist Lyman Medeiros and drummer Kevin Winard. Along with especially appealing solo efforts from Cotter, Johnson and Watson.

Call it a memorable evening – one that informed, entertained and reminded us of the significance of KJAZZ as a valued entity in the Southland jazz community. Let’s hope that the concert raised the funds needed to keep KJAZZ alive, well and swinging.

* * * * * * * *

 Steve Tyrell photo by Bob Barry.

Jane Monheit photo by Faith Frenz.

Jason Moran photo by Tony Gieske.

 


Picks of the Week: June 24 – 29

June 24, 2014

By Don Heckman

Summer has arrived, with all its distractions, and many of the music venues — in the U.S., Europe and beyond — are either closed or booking with reduced schedules.  But there’s still good music to be heard.

Los Angeles

Annie Trousseau

Annie Trousseau

- June 25. (Wed.) Annie Trousseau. Multi-lingual singer Trousseau is described in her press material as offering “some impressive musical reminders of Edith Piaf and Marlene Dietrich.” Which should make for an evening of eminently fascinating music. Vibrato Grill Jazz…etc.  (310) 474-9400.

- June 26. (Thurs.) “Tenors For Two” Tenor saxophonists Tom Peterson and Roger Neumann recall the jazz glory days of the “battling tenors.” Expect these two fine players to stretch the limits. Vitello’s. (818) 769-0905.

- June 26. (Thurs.) Heartbeat Brazil. They may be Los Angeles-based, but Heartbeat Brazil approaches classic Brazilian music with a convincingly authentic approach to bossa nova, samba, etc. And the highlight of the night may well be the presence of guest singer, Jason Gould, Barbra Streisand’s son. Vibrato Grill Jazz…etc.  (310) 474-9400.

Jack Jones

Jack Jones

- June 27 & 28. (Fri. & Sat.) Jack Jones. Jones’ mellow, baritone voice carried the torch for traditional pop music during the rock ‘n’ roll sixties. And the Grammy winner is still going strong, still recalling the glories of the Great American Songbook. Catalina Bar & Grill.  (223) 466-2210.

- June 27 & 28: (Fri.,  & Sat.)  Andrea Marcovicci. Actress, singer, and “Queen of Cabaret,” Marcovicci’s resume reaches from the White House and Carnegie Hall to films and television.  She returns to celebrate her 29th Anniversary at The Gardenia with a program of torch songs titled “Let’s Get Lost.”  The Gardenia.

- June 28. (Sat.) KJAZZ Summer Benefit Concert. Aways one of the most memorable musical experiences of the year, the annual KJAZZ Benefit concert features Steve Tyrell, Jane Monheit, Jason Moran and David Benoit. Don’t miss this one. Disney Hall.  (562) 985-2999.

- June 29. (Sun.) Moulin Russe. Cabaret meets jazz when the Moulin Russe performers bring the delights of traditional French music, in all its glories, to Los Angeles. Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Rickie Lee Jones

Rickie Lee Jones

- June 27 & 28. (Fri. & Sat,) Rickie Lee Jones. Crossing comfortably from jazz to pop in the ’70s and ’80s, identifying herself as a high visibility star and winning Grammys along the way, Jones was one of the most signigicant artists of her generation. Yoshi’s San Francisco.  (415) 655-5600.

Boston

- June 26. (Thurs.) Sadao Watanabe. One of the rare Japanese to break into the national jazz arena, Watanabe thoroughly established himself as a significant player; and he’s still going strong at 80. Regatta Bar.  (617) 661-5000.

New York City

Tierney Sutton

Tierney Sutton

- June 24 – 28. (Tues. – Sat.) The Tierney Sutton Quartet. “After Blue: The Joni Mitchell Project.” Sutton and her band have been creating some of the most impressive vocal jazz of the past decade. The stunning versions of Joni Mitchell classics featured on her most recent CD will provide the centerpiece for her current tour. Birdland.  (212) 581-3080.

- June 25 – 28. (Wed. – Sat.) Stanley Jordan. Famous for his unique method of playing the guitar with a string tapping technique, Jordan creates some of the jazz world’s most appealing sounds. Iridium.  (212) 582-2121.

London

- June 24 – 28. (Tues. – Sat.) Curtis Stigers. Singer/saxophonist continues to establish himself as one of the rare male jazz vocal artists on the current scene. Ronnie Scott’s.  (0)20 7439 0747.

Tokyo

- June 28 – 30. (Sat. – Mon.) Pete Escovedo Latin Jazz Orchestra. Featuring Sheila E. It’s always family time when the Escovedos get together on stage. And anyone who hears them in action leaves with significant musical memories. The Blue Note Tokyo.  +81 3-5485-0088.

 

 

 


Live Music: Jason Moran in a Jazz Bakery Movable Feast at the Musicians Institute

May 9, 2013

The Most Exciting (Jazz?) Pianist On The Planet?

By Norton Wright

Hollywood CA.  Has there ever been a jazz pianist like Jason Moran? Not Jarrett, Evans, Corea, Brubeck, Peterson — not even George Russell — not even Moran’s mentors, Jaki Byard and Thelonious Monk. As with Jackson Pollock in the visual arts, Jason Moran may be “one of a kind.” Like Pollock’s abstract artistry, Moran at the piano does not cover familiar jazz tunes, but rather creates something new on the spot, an “encounter” with a piano generating a fresh and oftimes risky “event.”

Art critic Harold Rosenberg described a similar approach in the process of abstract expressionist painters in the 1950’s as follows:

“…the canvas began to appear as an arena in which to act… What was to go on the canvas was not a picture but an event.”

The same can be said of Moran wherein his piano provides the arena in which to act. His compositions are the result of his encounters with that piano. Though easily capable of swinging through jazz standards, Moran foregoes that convention to create original and amazing “events.” Long horizontal lines — sometimes smooth, sometimes jagged, often played in flowing clusters; a left hand of wickedly complex harmonies from which the connecting melodic tissue springs; and both hands frequently generating the repeated figures that mark the pulsing ostinato energy of minimalist composers like John Adams, Phillip Glass, and  Steve Reich.

On Tuesday at a Jazz Bakery Movable Feast at the Musicians Institute in Hollywood, Moran’s playing was in cadenza mode all night long. The notes flew by with the power, dexterity, and touch of a concert pianist. Lang Lang would have kvelled!

Jason Moran

Jason Moran

All of which raises the question, “Is Jason Moran a modern, classical music composer/pianist/conductor like Thomas Ades, or might he be a preview of the future of jazz? Maybe he’s both. His creations and those of his trio mates, Tarus Mateen (electronic bass) and Nasheet Waits (drums) are clearly rooted in jazz, but the sense of classical composition and inquiry is always present in the band’s work.

This threesome known as “Jason Moran and The Bandwagon” have been together for thirteen years, and they work in consort like a mini-symphony orchestra. Piano, bass, and drums are constantly joined in musical conversations, sometimes playing in one mutual voice, sometimes engaging in separate, call-and-response musical dialogs, and sometimes “talking on top of one another” to create dramatically conflicted tonal textures.

Jason Moran Bandwagon

Jason Moran Bandwagon

In their opening number, Moran invented a gentle melodic line with the support of Waits’ soft percussion and a warm bass ostinato by Mateen. Then SUDDENLY Moran found a beginning fragment of Fats Waller’s “Honeysuckle Rose” and the band’s conversation exploded, the tempo kicking into high gear. Moran was in 4/4, but Waits was talking back in 5/4, then roaring forward in 7/8. Mateen stayed with Moran’s 4/4 with his own throbbing, four-note walking bass, and Moran responded with his own minimalist repeats of a four-note figure to match   “hon – ee – suck – el” — “hon – ee – suck – el” — “hon – ee – suck – el,” the repetitions becoming as mesmerizing as a Sufi devotional chant.

The set continued with similar surprises. Evoking the mixed-media collages and “combines” of abstract expressionist artist Robert Rauschenberg, Moran occasionally introduced his band’s numbers by playing pre-recorded excerpts from old radio broadcasts — a kind of homage to artistic and political innovators of the past.

With an all-inclusive appreciation of music, Moran fuels his compositions with licks from rock to hip-hop to Debussy. One of The Bandwagon’s numbers began with the playing of an old recording by country blues singer Mississippi Fred McDowell. As McDowell’s keening built, Moran at the keyboard copied the singer’s wailings and soon carried the motif into a gorgeous, contemporary blues.  At the start of another number, Moran played a homemade audiotape of the sounds of Thelonious Monk in his Greenwich Village loft TAP DANCING! Moran’s piano segued into his idol’s surprisingly ungainly clumpings and built a line that eventually evolved into his take on “Straight No Chaser” — more complex and interesting than Monk’s original.

Towards evening’s end, I was reminded that there is no art without craft.  And Moran’s musical experience at The High School For Performing Arts under Bob Morgan’s tutelage in Houston, Texas, followed by his continuing education at the Manhattan School Of Music, and then his first professional gigs under the mentoring of Jaki Byard and Monk, clearly nurtured his exceptional talents.

In 2010 he was the recipient of a prestigious MacArthur Fellowship “Genius Grant” and recently has succeeded the late Dr. Billy Taylor as The Kennedy Center’s Artistic Advisor For Jazz. For aspiring young musical students whether in jazz or classical studies, the evolving, 38-year-old Jason Moran provides inspiring proof that creating great art requires hard work, exceptional imagination, and the courage to continue experimenting regardless of past triumphs or failures.

Might Jason Moran actually be the most exciting (jazz?) pianist on the planet?

All thoughts welcome…

* * * * * * * *

In closing: A note to John Adams, Creative Chair and Herbie Hancock, Creative Chair For Jazz, at the Los Angeles Philharmonic:

Gentlemen,

John Adams’ “Minimalist Jukebox” series a few years back at Philharmonic Hall delighted its audiences, especially with the surprising and little-known “classical” compositions of Frank Zappa! And Herbie Hancock’s presentation of solo Keith Jarrett last year was a night of “classically” elegant jazz.

If in the near future the Phil could provide a Disney Concert Hall outing for Jason Moran and The Bandwagon, might the inquiry of “Is it jazz – or something else?” be valuably extended?

* * * * * * * *

To read more posts by and about Norton Wright click HERE.

Jason Moran photo by Tony Gieske. 


Picks of the Week: Feb. 26 – Mar. 3

February 27, 2013

By Don Heckman

Los Angeles

Willie Nelson

Willie Nelson

- Feb. 27. (Wed.)  Willie Nelson & Family.  The inimitable Willie Nelson performs his memorable hits with the musical companionship of his talented family members. Click HERE to read an earlier iRoM review of Willie Nelson and his Family.  Valley Performing Arts Center.    (818) 677-3000.

= Feb. 27. (Wed.)  Shofar. The three Polish musicians in the group Shofar are questing after a “common denominator shared by Hasidic music and free jazz.”  Blue Whale.  (213) 620-0908.

- Feb. 27. (Wed.)  Sascha’s Bloc. An entertaining band of players, many from Russia, who bring new perspectives to a musical approach that blends traditional sounds and rhythms with far-ranging contemporary music. Click HERE to read an iRoM review of a recent Saschas’s Bloc performance.  Catalina Bar & Grill.   (323) 466-2210.

Gustavo Dudamel

Gustavo Dudamel

- Feb. 28 – 3. . (Thurs. – Sun.)  Dudamel Conducts Stravinsky’s Firebird. The ever-dynamic Dudamel leads the Los Angeles Philharmonic in an adventurous approach to one of the 20th century’s intrepid musical works. Disney Hall.   (323) 850-2000.

- Feb. 28 – Mar. 2.  (Thurs. – Sat.)  Oleta Adams.  Versatile singer Adams moves freely – and convincingly – across genres, from soul and gospel to rhythm & blues and jazz.  Catalina Bar & Grill.   (323) 466-2210.

Anna Mjoll

Anna Mjoll

- Mar. 1. (Fri.)  Anna Mjoll.  Iceland’s gift to jazz applies her warm, embracing voice to everything from jazz classics to the Great American Songbook.  She performs with the Pat Senatore TrioVibrato Grill Jazz…etc.   (310) 474-9400.

- Mar. 1. (Fri.)  Juan de Marcos & the Afro-Cuban All-Stars.  The Grammy-nominated All-Stars cover a full range of Latin music, including bolero, cha-cha-cha, salsa, rumba, danzon, timba and beyond.  Cerritos Center for the Performing Arts.    (562) 916-8501.

- Mar. 1 – 3.(Fri. – Sun.)  Oguri and Wadada Leo Smith.  Adventurous trumpeter Smith and his band interact creatively with Japanese dancer Oguri.  Electric Lodge, Venice.   (310) 306-1854.

- Mar. 2. (Sat.) Patricia Barber. One of the jazz vocal world’s most uniquely individual artists, Barber will sing selections from her new album, Smash.  To read the iRoM review of the album, click HERE.  She performs in a Jazz Bakery Movable Feast at the Musicians Institute Concert Center.   (310) 275-8961.

- Mar. 2. (Sat.)  An Evening With Rudresh Mahanthappa. Alto saxophonist/composer Mahanthappa works at synthesizing South Indian elements with a variety of other international musical genres. He does so here in the company of two ensembles – the Indo-Pak Coalition and Gamak. A  CAP-UCLA concert at Royce Hall.    (310) 825-2101.

Katia Moraes

Katia Moraes

- Mar. 3. (Sun.)  Katia Moraes.  Los Angeles is filled with musically diverse Brazilian artists.  And the dynamic Moraes, who invests her singing with the stimulating energies of her dancing, continues to be one of the best.  Click HERE to read an iRoM review of a recent performance by Moraes.  Vitello’s.    (818) 769-0905.

- Mar. 3. (Sun.)  Patrick Tuzzolino Trio.  Singer/keyboardist Tuzzolino is an impressive talent who has not yet received the full acknowledgement he deserves.  Here’s a rare chance to hear him in action, performing with trombonist Bob McChesney and drummer Billy Paul Vibrato Grill Jazz…etc.  (310) 474-9400.

San Francisco

- Feb. 28 – Mar. 1 (Thurs & Fri.)  Ana Moura.  Fado is being revived by a gifted generation of young Portuguese singers.  And Ana Moura is one of the best.  An SFJAZZ event at Miner Auditorium.    (866) 920-5299.

Washington, D.C.

- Feb. 28 – Mar. 3. (Thurs. – Sun.)  Mike Stern and Dave Weckl.  Jazz fusion in all its many invigorating forms is at its best in the talented hands of guitarist Stern and drummer Weckl.  They’re ably supported by bassist Anthony Jackson and saxophonist Bob FranceschiniBlues Alley.    (202)337-4141.

New York

- Feb. 27 – Mar. 2. (Wed. – Sat.)  Gary Peacock, Marc Copland and Joey Baron.  It’s an all-star jazz trio, by any definition, with pianist Copland, bassist Peacock and drummer Baron triggering a continuing flow of imaginative improvisation.  Birdland.    (212) 581-3080.

Ravi Coltrane

Ravi Coltrane

- Feb. 27 – Mar. 3. (Wed. – Sun.)  Ravi Coltrane Quartet.  Saxophonist Coltrane, who makes the most of his genetic gifts as the son of John Coltrane, plays with the superb backing of Billy Childs, Fender Rhodes, Lonnie Plaxico, bass, Nikki Glaspie, drums.  Trumpeters Tim Hagans and Jason Palmer trade off on Thurs.(28) and Fri.(1).  The Jazz Standard.   (212) 576-2232.

London

- Feb. 27 – Mar. 3. (Wed. – Sun.)  Arturo Sandoval. Versatility doesn’t begin to describe trumpeter/pianist/percussionist/singer Sandoval’s remarkable talents.  Click HERE to read a recent iRoM review of a Sandoval performance.  Ronnie Scott’s.    +44 0(20) 7439 0747.

Paris

- Feb. 27. (Wed.)  The Robert Cray Band.  Five time Grammy award winner Cray has throroughly established himself as one of the most convincingly authentic contemporary blues artists.  Paris New Morning.    01 45 23 51 41.

Berlin

Jason Moran

- Mar. 3. (Sun.)  Jason Moran & the Bandwagon.  Pianist Moran, the winner of a MacArthur “genius” award, takes time away from his role as jazz advisor for the Kennedy Center to lead his gifted Bandwagon trio, with bassist Tarus Mateen and drummer Nasheet WaitsA-Trane.    030/313 25 50.

Copenhagen

- Mar. 1 & 2. (Fri. & Sat.)  Bobo Moreno.  Highly praised Danish singer performs with pianist Ole Kock Hansen, bassist Bo Stief and American drummer Adam NussbaumJazzhus Montmartre.   (+45) 70 263 267.


CD Review: Charles Lloyd and Jason Moran — “Hagar’s Song”

February 24, 2013

Hagar’s Song (ECM Records)

By Brian Arsenault

For his 75th birthday, Charles Lloyd has released a most beautiful album, Hagar’s Song, with pianist Jason Moran. Stated simply, if you listen to many albums over many months you will not find beauty of this recording’s equal.

Perhaps Lloyd has reached a point in his lengthy and luminous career that he knows when he picks up one of his saxophones or flutes that beauty is enough.  It is.

Charles Lloyd

Charles Lloyd

Whether it’s Billy Strayhorn’s “Pretty Girl” or Brian Wilson’s “God Only Knows,” Duke Ellington’s  classic “Mood Indigo” or Bob Dylan’s “I Shall Be Released” (a different kind of classic), Lloyd pays homage to great songs and expands our sensibility every time.

His playing of “You’ve Changed” made me think of Billie Holiday, then just made me thoughtful, then just made me still for a few minutes.  That’s rare.

He dedicates “I Shall Be Released,” made famous by The Band, to Levon Helm and calls him a “very soulful man.”  To use the cliché accurately, it takes one to know one.

Lloyd is not one of those stand offish, only my music matters, kind of artists. He’s played with everyone from Howlin’ Wolf to Cannonball Adderley to the Beach Boys to Keith Jarrett to Robbie Robertson and he brings an appreciation of all he’s heard to this piece of work.  Yet it is all still him, a unique and distinguished musician.

And using Moran as his “band” only enhances the notes between spaces.  When the album arrived, I thought, no bass, no drummer.  How will this work?  It works, forgive the overuse, beautifully.

Jason Moran

Jason Moran

.

Moran provides “percussion” and bass with his notes and chords and also terrific alternate leads between the silences and Lloyd‘s solos. No mean challenge when the horn player weaves magic at every turn, which can be three right turns in a row, Lloyd tells us.

The background release accompanying the advance of the album quotes Ornette Coleman as saying a few years ago that “Charles is playing really beautiful [there’s that word again].  He’s expressing the qualities of what we experience. Trying to make a contribution to the quality of life. . .”

That’s about right.

With all the respect addressed above, conscience requires me to say that I find the least satisfying and least accessible part of the album what Lloyd probably considers the centerpiece, “Hagar Suite.”  This is his five part tribute to his great-great grandmother who was snatched away from her parents at the tender age of 10 to be sold to a plantation owner in another state who eventually impregnatee her.

Lloyd knows that however horrible slavery itself, the most horrifying part is to remove a child from her parents at such a young age. The individual matters most to a true humanitarian.

Perhaps because it is such a personal vision, Lloyd moves at times into contemplations that are so much his own the listener must perforce stand outside.  Or perhaps more listens are required.

I can’t escape the notion, though, that the suite is perhaps the basis of an American symphony and should have been so treated in an album of its own. The great American songs on the album. drawn from so many sources, are what makes it so remarkable in my mind.

.

That’s for each listener to determine, of course.  Beauty is after all in the eye of the beholder, to quote one source, and beauty is what pleases, to quote another.

Wondrous and precious stuff here.

* * * * * * * *

 Jason Moran photo by Tony Gieske. 

To read more reviews, posts and columns from Brian Arsenault click HERE


Picks of the Week: Jan. 2 – 6

January 2, 2013

By the iRoM Staff

It’s a light schedule of activities as the Christmas and New Year celebrations wind down.  But there’s still a lot of fine music to hear. 

Los Angeles

Louie Cruz Beltran

Louie Cruz Beltran

- Jan. 3. (Thurs.)  Louie Cruz Beltran.  Louie Cruz is one of the Southland’s busiest musicians.  And with good cause.  This time he balances his charismatic drumming with a vocal survey of everything from pop tunes to Latin specials.  Vibrato Grill Jazz…etc.   (310) 474-9400.

- Jan. 3. (Thurs.) Rayford Griffin and “Reflections of Brownie.” Drummer Griffin, the nephew of Clifford Brown celebrates the memorable music of his great, trumpet-playing uncle.   Vitello’s.   (818) 769-0905.

Shoshana Bush

Shoshana Bush

- Jan. 3. (Thurs.)  Shoshana Bush.  At a time when female jazz singers are arriving almost daily, here’s one whose warm voice and convincing style deserve up-close attention.  Catalina Bar & Grill.   (323) 466-2210.

- Jan. 4 – 6. (Fri. – Sun.)  The Los Angeles Philharmonic plays TchaikovksyChristoph Eschenbach conducts Tchaikovsky’s Symphony No. 4.  as well as the U.S. premiere of Tan Dun’s The Tears of Nature, co-commissioned by the Los Angeles Philharmonic.  Disney Hall.    (323) 850-2000.

Bobby Caldwell

Bobby Caldwell

- Jan. 4 – 6. (Fri. – Sun.)  Bobby Caldwell.  Seventies and eighties hit maker Caldwell (“What You Won’t Do For Love,” among others) continues to be an always-engaging performer.  Expect to hear more of his hits, as well. Catalina Bar & Grill.   (323) 466-2210.

- Jan. 5. (Sat.)  Jeff Babko Group.  Keyboardist Babko’s busy career reaches from James Taylor to the Jimmy Kimmel show.  But he’s most fascinating to hear when he’s working on his own music, this time with bassist Tim Lefevbre and drummer Gene CoyeBlue Whale.    (213) 620-0908.

New York

- Jan. 2 – 5. (Wed. – Sat.)  Frank Wess Quintet91st Birthday Celebration.  NEA Jazz Master Wess, a tenor saxophonist and pioneering jazz flutist, celebrates his 91st in his usual briskly swinging fashion.  Birdland.    (212) 581-3080.

Chris Botti

Chris Botti

- Jan. 2 – 6. (Wed. – Sun.)  Chris Botti.  Trumpeter Botti, whose musical energies seem to have no limits, wraps up his three week – two performances a day — marathon run at the The blue Note.    (212) 475-8592.

- Jan. 2 – 6. (Wed. – Sun.)  John Abercrombie Quartet.  Always in search of new jazz adventures, guitarist Abercrombie teams up with the inventive playing of Seamus Blake, tenor saxophone, Gary Versace, organ and Adam Nussbaum, drums.  The Jazz Standard.   (212) 447-7733.

Tokyo

Charles Lloyd

Charles Lloyd

- Jan. 3 – 6. (Thurs. – Sun.)  Charles Lloyd New Quartet.  Iconic tenor saxophonist/flutist Lloyd has found a compelling musical environment in his association with pianist Jason Moran, bassist Reuben Rogers and drummer Eric HarlandBlue Note Tokyo.    03-5485-0088.

Shoshana Bush photo by Annette Lanzarotta and Talia Londoner.


Picks of the Week: Nov. 21 – 25

November 21, 2012

By Don Heckman

Los Angeles

- Nov. 23. (Fri.)  Chuck Manning-John Daversa Quartet.  Saxophonist Manning and trumpeter Daversa get together for an evening of adventurous improvisation.  They’re backed by Pat Senatore, bass and Dick Weller, drums.  Vibrato Grill Jazz…etc.  (310) 474-9400.

- Nov. 23. (Fri.)  Deana Martin.  Yes, she’s Dean Martin’s daughter.  But Deana has transformed her musical inheritance into an appealing style of her own.  Catalina Bar & Grill  (323) 466-2210.

Ahmad Jamal

- Nov. 24. (Sat.) Ahmad Jamal.  The great jazz pianist, admired by Miles Davis, as well as  his legions of fans, makes a rare Southland appearance.  Renee and Henry Segerstrom Concert Hall.    (714) 556-2787.

- Nov. 25. (Sun.)  Harry Allen and Larry Goldings.  Tenor saxophonist Allen combines a mainstream style with a contemporary imagination.  Keyboardist Goldings provides ideal backing, along with Chuck Berghofer, bass and Roy McCurdy, drums.  Vitello’s.   (818) 769-0905.

- Nov. 25. (Sun.)  “A Tribute To Dinah Washington: Queen of the Blues.  Barbara Morrison with the BMPAC All Stars Band conducted by John Stephens. Who better than the versatile blues mistress Barbara Morrison to honor the Dinah Washington musical memory. Catalina Bar & Grill.   (323) 466-2210.

Chicago

Roberta Gambarini

- Nov. 21 – 25. (Wed. – Sun.)  Roberta Gambarini. Italian native Gambarini has thoroughly established herself as one of the world’s finest jazz singers, regardless of origin. Hear her whenever you can.  Jazz Showcase.  http://www.jazzshowcase.com  (312) 360-0234.

New York

- Nov. 21 – 24. (Wed. – Sat.) Cyrille Aimee. With a French gypsy background and Dominican roots, Aimee – a runner up in the Thelonious Monk vocal competition – enhances her jazz skills with world music seasoning.  Birdland.     (212) 581-3080.

- Nov. 21 – 25.  (Wed. – Sun.)  Jason Moran and the Bandwagon. Currently one of the most critically praised jazz pianist/composers, Moran performs in a classic trio setting with  Taurus Mateen, bass, and Nasheet Waits, drums.  Village Vanguard.   (212) 255-4037.

Maria Schneider

- Nov. 20 – 25. (Tues. – Sun.)  The Maria Schneider Orchestra.  Schneider’s far-reaching musical imagination has brought compelling new timbres and adventurous performances to the classic big band setting. Jazz Standard.    (212) 889-2005.

Copenhagen

- Nov. 22 – 24. (Thurs. – Sat.)  Sinne Eeg.  One of Denmark’s – and Europe’s – most admired jazz singers, Eeg celebrates the release of her new album, The Beauty of Sadness, recorded with a Danish national orchestra and her own quartet.   Jazzhus Montmartre.  (+45) 70 15 65 65.

Paris

Ravi Coltrane

- Nov. 23. (Fri.) The New Ravi Coltrane Quartet.  John Coltrane’s gifted, saxophone playing son Ravi is keeping the creative legacy of his father alive and well.  Paris New Morning.   01 45 23 51 41.

Milan

- Nov. 21 – 24. (Wed. – Sat.)  Al Di Meola. Master guitarist Di Meola has an impressive  resume, reaching from his electric jazz fusion with Return to Forever to his superb solo acoustic outings.   Blue Note Milano.   02.69016888.

Tokyo

Nov. 22 – 25. (Thurs. – Sun.) and Nov. 27 & 28. (Tues. & Wed.)  Natalie Cole.  Nat ‘King” Cole’s daughter is a major star in her own right, singing with the authentic jazz inflections characteristic of her father’s finest work.  Blue Note Tokyo.   03.5485.0088.


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