Live Jazz: The John Beasley MONK-estra Upstairs at Vitello’s

By Don Heckman

Studio City, CA.  John Beasley described the 18 piece ensemble he brought to Vitello’s Wednesday night as a MONK’estra.  He also called it “A Big Modern Jazz Band.”

Both labels were right on target for this performance.  First, the great majority of the program was dedicated to the music of Thelonious Monk.  Second, Beasley’s arrangements, combined with superb individual soloing from virtually every musician, resulted in a definitive display of “Big,” “Modern” and “Jazz Band.”

The John Beasley MONK-estra

The Monk pieces – including such classics as “Epistrophy,” “Little Rootie Tootie,” “Skippy” and “Ask Me Now” – were at their best when Beasley conceived big band settings enhancing, expanding and elaborating on the Monk originals. Often he captured Monk’s unique quirkiness, the offbeat accents, punchy dissonances and surprisingly soaring melodies.  And he did so with stunningly atmospheric ensemble textures, powerfully driven by the propulsive rhythm team of bassist Ricky Minor, drummer Ronald Bruner, Jr., and Beasley’s own melodica playing.

Justo Almario, Ricky Minor, John Beasley

The performance occasionally recalled a famous 1959 concert at New York’s Town Hall, in which Monk performed with a tentet, playing arrangements of his music written by Hall Overton.  But the presence of Monk in the ensemble — along with Overton’s occasional arrangements of previously recorded Monk solos for the horns — was very different from the scope of Beasley’s big band charts.

With maximum-sized horn sections – five trumpets, five doubling saxophones and four trombones – Beasley’s arranging moved into expansive, orchestral textures reaching well beyond both the Overton arrangements and familiar big band riffing.  Like Bill Holman, he worked within his own musical dialect.  Even in the pieces based on Monk works, he found intriguing ways to apply his imaginative perspectives to Monk’s music.

The saxophone section players –  Bob Sheppard, Jeff Driskill, Justo Almario, Tom Luer and Bob Carr – were often called to double on clarinets (including a pair of bass clarinets), bringing a lush, fluid sound to many passages.  Adding more timbral contrast, the trombonists –  Francisco Torres, Wendell Kelly, Andy Martin and Steve Hughes – as well as the powerful trumpet team (Bijon Watson, Jamie Hovorka, Ray Monteiro, Brian Swartz and Gabe Johnson) were frequently asked to play with various mutes.

Interestingly, one of the many appealing products of Beasley’s envelope-stretching arrangements was some equally imaginative soloing from players who clearly seemed stimulated by their musical environment.  The net result was some of the most mesmerizing big band music – individually and collectively – of recent memory.

The only reservation about this remarkable evening was the thought that Beasley’s choice of the title “MONK-estra,” along with the decision to focus so strongly on Monk’s music, had too narrowly delineated his obviously extraordinary orchestrating abilities.  The few pieces that were not based on Monk’s works revealed Beasley’s capacity to deliver the broader, more expansive definition of what he also calls his
”Big Modern Jazz Band.”  It will be fascinating to see what he can do if he moves more convincingly in that distinctive, more personally expressive direction.

Photos by Bobby Colomby.

Live Jazz: Jose Rizo’s Mongorama and the Beverly Hills High School Jazz Band in the 2012 Playboy Jazz Festival’s First Community Concert

By  Devon Wendell

It was a beautiful, perfect, sunny California day in Beverly Hills for the first of 2012’s free Playboy Jazz Festival community concerts, featuring two diverse acts. One demonstrating the bright future of jazz to come, the other celebrating the musical legacy of one of the most influential artists and composers in the history of Latin Jazz.

The first was the Beverly Hills High School Jazz Band, carefully conducted by Bill Bradbury. Their set consisted of big band covers of classics by such diverse artists as Herbie Hancock, Dean Martin, and Miles Davis.  It was refreshing to see these teens put their own spin on the show opener, Michael Sweeney’s jelly roll blues “Hog Squeelin’, Rip-Snortin’, Belly Achin’ Blues,” Dean Martin’s hit Mambo-swing “Sway,” and Miles Davis’s blues-bop anthem “Four.”  Young trumpeter Jac Won Chung soloed with a mature sense of taste, space, and soul on all of these numbers.

Alto sax player Jason Lee was also quite impressive with his bluesy solo on The Freshmen Classic “Traces,” which was certainly an interesting ballad for a big jazz band to tackle. And it was the choice of such covers that made this set most interesting, especially the band’s reading of Herbie Hancock’s “Rockit.”  On this jazz/electro- funk classic, tuba player Young Jung, and the trombone section featuring; Eric Frazer, Juliana Jones, and Tommy Marcus playing tight, syncopated bass lines with bassist Julius Kim, mimicking Hancock’s keyboard effects on the original recording. Lead guitarist Omid Shamoil served up a distorted Jeff Beck lead here with plenty of teenage angst in every lick.

The Beverly Hills High School Jazz Band wasn’t perfect. At times they’d go out of tune, but it was obvious by the look on their faces that this was due to nervousness and who could blame them? Despite a few flaws, these kids showed a lot of promise, dedication, and joy.

Jose Rizo’s Mongorama

Headlining the show was a carefully hand-picked band paying tribute to Afro-Cuban Jazz legend Mongo Santamaria with a presentation titled Mongorama. KJAZZ musical director and band leader for the popular Jazz On The Latin Side All Stars, Jose Rizo seemed to instinctively know the perfect musicians for this project.   Their 2011 album, Mongorama, was nominated for a Grammy.

The eight-piece band, led by Rizo, consisted of: Danilo Lozano, flute and musical director; Justo Almario, tenor sax; Oscar Hernandez, piano; Dayren Santamaria (no relationship to Mongo), violin; Alfredo Ortiz, congas; Christian Moraga, timbales; Jonathan Pintoff, bass; and Fermin Sifontes, lead vocals.

The band’s set consisted of Santamaria classics like “Bacoso,” and “Palo Mayombe,” as well as a band original “Asi Es La Vida,” all  featuring amazing solos by Lozano and especially Almario. Even with Almario’s hard-bop influence, he and the other soloists never got away from the song’s thematic melodies for a second, a rare qualities these days. It was also apparent that Rizo and his band were intent on staying within the Cuban tradition of charanga, which made dance music popular in the ‘40s and also incorporated European instruments such as the violin.  Rizo introduced the various soloists and give the history of the music between each number.

Unfortunately most of the set was plagued by a low vocal mic, making Sifontes almost totally inaudible.  But the raw power of the band made up for this, especially the traditional Afro-Cuban rhythms laid down by Ortiz and Moraga. Those rhythms made it impossible for the audience not to get up and dance.

The set’s highlight was their rendition of Mongo Santamaria’s “Gaujira At the Blackhawk.” Hernandez held down the rich melody line and his solos had a dynamic and imaginative quality that often brought to mind the stylings of Eddie Palmieri. Dayren Santamaria’s violin solo was fluid yet percussive, melodic, and the most amazing example of virtuosity of the entire show. This was truly an inspirational moment that even left the other band member’s jaws dropping. Her violin would weave in and out of the rhythms effortlessly while adding her own layered harmonies without missing a step. From her performance on this composition alone, Santamaria is certainly a brilliant talent to check out, if you haven’t already.

The band closed the show with “Que Maravilloso,” and Mongorama original “Tin Marin.”  Sifontes was able to overcome the mic problems by belting out a vocal performance that showed off his smooth and traditional vocal style. It felt as if the band surrendered blissfully to the beautiful and hypnotic rhythms and all swapped brief solos, never giving into self- indulgence. Every note served the song and style.

The long timbale solo on “Tin Marin” really got the few Beverly Hills wallflowers on their feet. Hernandez locked in with Pintoff’s bass in a way that seemed as if they had ESP.  Almario and Lozano played hooks on just tenor sax and flute that sounded like an entire brass section, which was nothing short of brilliant.  The show ended in a thunderous blaze of percussion and smiles.

Both The Beverly Hills High School Jazz Band and Jose Rizo’s Mongorama performed sets dedicated to the jazz history of many cultures with soul and knowledge and most importantly, fun.  Which was the perfect announcement and the greatest way to usher in the 34th annual Playboy Jazz Festival.

Picks of the Week: July 25 – 31.

By Don Heckman

Los Angeles

Justo Almario

- July 26. (Tues.)  Justo Almario Quartet.  Saxophonist/flutist Almario is one of the Southland’s great jazz treasures, a player who moves convincingly across every jazz arena. Vibrato.  (310) 474-9400.

- July 27. (Wed.)  Gladys Knight and James Ingram.  The one and only Grammy-winning Empress of Soul shares the stage with the smooth sounds of balladeer Ingram.   Hollywood Bowl.   (323) 850-2040.

- July 28. (Thurs.)  David Angel’s Saxtet.  Angel continues his quest to showcase the jazz saxophone in all its glories.   Charlie O’s.  (818) 994-3058.

- July 28. (Thurs.)  Red Baraat.  The band that has convincingly married the Punjabi bhangra percussion rhythms with spunky New Orleans brass makes its West Coast premiere appearance.  The Skirball Cultural Center.   Free.  Seating on first come basis.  (310) 440-4500.

Ann Hampton Callaway

- July 28 – July 30.  (Thurs. – Sun.) Ann Hampton Callaway.  Blessed with one of the jazz vocal world’s most gorgeous, emotionally pliant voices, Callaway is also a convincing pianist and a masterful musical storyteller. Catalina Bar & Grill.   (323) 466-2210.

- July 29. (Fri.)  Los Lonely Boys and Los Lobos.  One of the major pop music breakthroughs of the past decade, the Grammy winning, platinum producing Lonely Boys share the stage with the older, more established, but no less compelling Los Lobos. The Greek Theatre.  (323) 665-5857.

- July 29. (Fri.)  John Proulx, Kristin Korb and Dave Tull. Trio’s like this don’t come along very often.  Pianist Proulx, bassist Korb and drummer Tull are all first rate instrumentalists  But each of them is also an appealing jazz vocalist.   Vitello’s.  (818) 769-0905.

- July 29 & 30. (Fri. & Sat.) Michael Feinstein and the Singing Stars of Television.  Pianist/singer Feinstein, who matches his musical adroitness with a dedication to the glories of American song, performs with Wayne Brady, Florence Henderson, Cheyenne Jackson and Dick Van Dyke.   Hollywood Bowl.    (323) 850-2040.

- July 30. (Sat.)  Trouble in Tahiti. The too-rarely seen Leonard Bernstein one-act opera receives a rare and unusual performance in a night club setting.  Jessica Marney and Phil Meyer star.   Vitello’s.  (818) 769-0905.

- July 30. (Sat.)  Shoghaken Ensemble and Tigran.  An evening overflowing with the colorful, far-reaching melodies and rhythms of Armenia.  Grand Performances.

(213) 687-2159.

- July 30. (Sat.)  Chuck Manning Quartet.  Versatile tenor saxophonist Manning brings an inventive point of view to his bop-influenced, straight ahead style.  His stellar backing includes Jay Daversa, trumpet, Pat Senatore, bass and Jimmy Branley, drums.  At 6:30 and 10:30, the Otmaro Ruiz duo.   Vibrato.  (310) 474-9400.

Peter Frampton

- July 30. (Sat.)  Peter Frampton.  One of the icons of classic rock, Frampton was a co-founder of the group Humble Pie when he was only eighteen.  Still a star, this time out he performs his multi-platinum album Frampton Comes Alive! in its entirety.  Greek Theatre.   (323) 665-5857.

- July 30 & 31. (Sat. & Sun.)  The Central Avenue Jazz Festival.  The 16^th annual festival, always a showcase for the Southland’s finest, takes place in one of the founding places of Los Angeles jazz.  This year’s line up includes: on Saturday: Pete Escovedo, Kamasi Washington, the Pan Afrikan People’s Arkestra, Karen A. Clark Project, Ashley Siris, Dorian Holley, The LAUSD All-City High School Jazz Band.  On Sunday: The Gerald Wilson Orchestra, Katia Moraes and Sambaguru, Deacon Jones with Ray Goren, Ernie Andrews, Jazz America tribute to Buddy Collette.  The Central Avenue Jazz Festival takes place on Central Ave. between 42^nd and 43^rd streets.  Free.  (213) 473-2309.

San Francisco

New West Guitar Group

- July 27. (Wed.)  New West Guitar Group. A trio of gifted young guitarists – John Storie, Perry Smith and Jeff Stein, the New West players have thoroughly authenticated their ability to move freely and imaginatively across jazz, rock, folk and beyond.  Freight & Salvage.   http://www.thefreight.org  (510) 644-2020.

- July 29. (Fri.)  Lavay Smith’s Crazy in Love with Patsy Cline.  The one and only sultry siren finds entertaining common ground between jazz, blues and country.  Freight & Salvage Coffeehouse.   (510) 644-2020.

- July 31 – 31. (Sat. & Sun.)  The Fab Four.  Tribute bands seem to be proliferating in every direction.  But none do a more entertaining job of it than the Fab Four’s ear and eye catching versions of the Beatrles. Yoshi’s San Francisco.    (415) 655-5600.

New York

- July 26 – 30. (Tues. – Sat.)  Leny Andrade.  “From Rio With Love.”  The title is great, but it doesn’t say it all.  Andrade, in fact, has for years been one of Brazil’s most proficient jazz vocal artists, combining her deep understanding of Brazilian rhythms with an equally inventive jazz style.  Birdland.     (212) 581-3080.

- July 26 – 31. (Tues. – Sun.)  Fourplay. Guitarist Chuck Loeb joined founding Fourplay members Bob James, keyboards, Nathan East, bass and Harvey Mason, drums in 2010.  The result has been a further musical enhancement of a group that has always had the ability to find the creative heart of whatever style they elect to play.  The Blue Note.   (212) 475-8592.

Claudia Acuna

- July 26 – 31. (Tues. – Sun.)  Claudia Acuna.  In a jazz world overflowing with talented female vocal artists, Acuna continues to soar freely at the highest levels of the art.  Chilean born, she mastered the basics quickly, but what makes her special is the way she has shaped her version of those basics into her own mesmerizing musical story telling. (212) 258-9800.   Dizzy’s Club Coca-Cola.

Paris

- July 29. (Fri.)  Ravi Coltrane Quartet.  Tenor and soprano saxophonist Coltrane has successfully accomplished the difficult task of creating his own convincing musical identity, expanding inventively from year to year, inspired but undistracted by the greatness of his father.  New Morning.    01 45 23 51 41.

Justo Amario photo by Tony Gieske.

Live Jazz: Justo Almario’s Afro-Colombian Ensemble and the Tamir Hendelman Trio in a Playboy Jazz Festival Free Community Concert at the Beverly Hills Civic Center

By Devon Wendell

It was a beautiful sunny day at the Beverly Hills Civic Center on Sunday  for the 33^rd annual Playboy Jazz Festival to present its first free community concert.  Two very diverse and skilled performers were on the bill, and KJAZZ’s Brad Williams was the host.

The first act was award winning Israeli pianist Tamir Hendelman’s trio, with Ryan McGillicuddy on bass and Dean Koba on drums.

Opening with a version of the old standard, “Wrap Your Troubles In Dreams,” the Hendelman trio band immediately displayed a sense of symmetry and concentration.

Tamir Hendelman

Tamir’s bop-influenced playing often sounded like two pianists at once, reminiscent of Art Tatum’s finest work.  Koba demonstrated some powerfully bombastic Roy Haynes-esque drumming on this number, while McGilllicudy’s subtle bass lines rode perfectly atop, holding down the groove.

Where Hendelman lacked originality, he made up for it with attention to dynamics with delicacy, which was the case on Jobim’s classic “Passarim,” and a masterful jazz reading of Maurice Ravel’s “Tombeau De Couperin,” — which were the early highlights of the set.  On these numbers, the band became as one with each member following each other’s every nuance.  Koba’s brush work on “Passarim” was superb, and the way the trio made Ravel’s music swing was bold and daring.

These musical adventures were more captivating than Hendelman’s own compositions, which mostly consisted of ballads such as “Sycamore” and “Israeli Waltz,” with the latter, in its finest moments, feeling like Bill Evans’s early ballad work.  But,  though performed flawlessly, they demanded more energy than they got.

Ending the set, the Hendelman trio produced their most energetic and exciting performance, a  version of Japanese jazz piano great Makoto Ozone’s “BQE”(Brooklyn Queens Expressway).  Delivered with an up-tempo, hard-bop feeling groove, it had the freneticism and pace of the actual BQE when it’s overflowing with traffic.  Hendelman flew across the keyboard effortlessly and showed the sort of playfulness he lacked on previous numbers. Koba’s imaginative and aggressive drumming really stood out on this tune.  Ironically enough, “BQE” was similar to Bud Powell’s “Parisian Thoroughfare.”

Unfortunately, as is often the case with abbreviated jazz performances at festivals, once the Hendelman Trio finally began to swing the hardest, it was time for them to stop.

The leader of the next group on the program, Justo Almario, is known as one of the greatest and most respected reedmen in jazz, and his fiery set was further proof of his brilliance.

Almario took the Beverly Hills stage with his Afro-Colombian Ensemble — Jason Garcia: piano, Guillermo Guzman: bass, Aaron Serfaty: drum set,  Eduardo Martinez: tambora, alegre, Alberto Lopez: congas, Nando Perez: vocals and tambora) — with a sense of power and fun.

Justo Almario

Almario’s knowledge of the Cumbia style of Colombian music from Colombia’s coastal region was evident on the opening number “La Piragua,” which began with a flood of percussion. Almario approached the microphone with his tenor sax and began playing minor key arpeggios with a command and soul that was overwhelming.  His tone was close to Atlantic records era Coltrane, and his seemingly ceaseless imagination even overpowered the thunderous tambora playing of Martinez as well as Lopez’s congas.

Due to some audio problems, Perez’s vocals and Garcia’s piano playing were almost inaudible at first, which seemed to make Nando Perez’s presence seem self conscious – all of which changed as the performers charged ahead.  Even with some sound mishaps, though, nothing could distract from Almario’s virtuosity.

On “Te Olvide” and “El Guayabo,” Almario’s sax lines danced soulfully around the percussionists and Guzzman’s slapped bass accents. As Almario took flight into each solo, he maintained complete thematic sense in his lines, and interacted with each band member in a manner that was awe-inspiring.  Almario and Guzzman started the next number, “Al Fin Te Vi” without the band. Almario switched to clarinet, and Guzzman’s bass work and the percussionists perfectly layered Almario’s clarinet playing.  This was easily one of the set’s highlights. Almario’s sense of swing and technique on clarinet even had his fellow band member grinning in amazement.

On “La Casa En El Aire,” the performance was interrupted by more loud audio feedback, especially during Almario’s clarinet solo and Garcia’s piano playing.  But neither musician would allow this to distract them him.  In fact, it seemed as though they took the annoying hum as a challenge. Garcia produced his finest piano playing of the evening and Almario played far into the stratosphere, sounding more brilliant with every passing bar and chord change.

By this time, the Almario performance had officially become a party. As the band played “Fiesta De Negritios,” audience members began to dance through the aisles.  Martinez’s and Lopez’s conga, tambora, and guache playing made it almost impossible not to get up and shake something.  Lopez’s infectious vocals accented every hook and his joyful stage presence added to the joyful mood. Almario’s flute playing was as brilliant as everything he did on clarinet and sax.

When the band reached its final piece, “Tres Clarinetes.” Nando Lopez jumped off stage and joined the conga line taking place in the crowd.  Serfaty soloed on drums but never departed from the multi-layered rhythms.  Almario played the tenor sax while watching this spectacle.  And it felt as though he’d been spurred on to play with even more intensity and glee — which was hard to believe possible.  No one on or off stage wanted the music and dancing to end, but unfortunately it had to.

There was no doubt, however, that the delighted audience left happily, that the Playboy Jazz Festival had kicked off the 2011 Free Community concerts with an impressive afternoon of great music, swinging soul and high energy fun.  And the price was perfect.

Justo Almario photograph by Tony Gieske. 

Picks of the Week: April 5 – 10

By Don Heckman

Los Angeles

Junko Onishi

- April 5. (Tues.)  Junko Onishi Trio.  Japanese pianist Onishi confirms her return to jazz action last year after a performance break of nearly a decade.  She kicks off her American tour tonight with the backing of the sterling rhythm team of bassist Dwayne Burno and drummer Gregory Hutchinson.   Catalina Bar & Grill.  (323)466-2210  (Also at Yoshi’s Oakland on April 6.)

- April 5. (Tues.)  Ostad Abbos Kosimov.  Traditional Uzbek and Tajik Percussion Music and Dance. Percussionist Kosimov is one of the world’s masters of the doyra frame drum.  He is joined by the CalArts Persian and World Music ensembles, as well as members of his own Abbos Ensemble in an exploration of the music of Uzbekistan.  Tara Pandeya adds the sensual movements of Central Asian dance.  REDCAT.  (213) 237-2800.

- April 5. (Tues.)  Lorenzo Lamas.  You may remember him as Jane Wyman’s evil stepson in Falcon Crest. But Lamas (yes, from that family) is also an effective musical purveyor of the romantic side of cabaret.  Vibrato Grill Jazz… (310) 474-9400. 

Kenny Burrell

- April 6. (Wed.) Kenny Burrell Jazz Heritage All Stars.  For once, the label “All-Stars” has real significance.  Veteran guitarist/educator Burrell puts it all together with trumpter (and also educator) Bobby Rodriguez, saxophonist Justo Almario, drummer Clayton Cameron and more.  Catalina Bar & Grill.  (323) 466-2210.

- April 6. (Wed.)  The Kronos Quartet. The creatively eclectic, Grammy winning string quartet celebrates composer Steve Reich’s 75^th birthday with the performance of a newly commissioned work.   Segerstrom Center for the Arts.   (714) 556-2787.

Salif Keita

- April 6. (Wed.)  Salif Keita. The voice of Keita, with its soaring tones, penetrating sound and inspiring rhythms, is one of the great glories of African popular music.  The Conga Room.  (213) 745-0162.

- April 6. (Wed.) Blue Lou Marini.  Veteran New York saxophonist Marini makes one of his rare West Coast appearances, performing with trumpeter Walt Fowler, pianist John Campbell, bassist Chuck Berghofer, drummer Peter Erskine and special guests.  Vitello’s. (818) 769-0905.

- April 7. (Thurs.)  Big Willie’s Burlesque.  Busy drummer Willie McNeil’s Quartet lays down some classic backbeat sounds to inspire the irresistible moves of dancer Carolina Cerisola.   They call it “old school burlesque with a cutting edge, Latin, new school vibe.”   The Edison Downtown.  (213) 613-0000.

- April 7. (Thurs.) V. R. Smith Sextet.  It’s a Smith Family Night.  With vocalist V.R. Smith backed by the band of her husband, bassist Putter Smith – with Gary Foster alto saxophone, Chuck Manning, tenor saxophone, Jim Szilagyi, piano and Tim Pleasant, drums.  Charlie O’s.   (818) 994-3058.

- April 7 – 10. (Thurs. – Sun.)  Rachelle Ferrell.  Blessed with one of the most impressive voices in the jazz vocal world, Ferrell is also a uniquely appealing song stylist.  Catalina Bar & Grill.  (323) 466-2210.  .

Arlo Guthrie

- April 8. (Fri.)  Arlo Guthrie and Friends.  Folk music patriarch returns to UCLA, this time with his “Journey On” tour, featuring his son, Abe Guthrie and the folk-rock trio The Burns Sisters.  UCLA Live.  Royce Hall. (310) 825-2101.

- April 9. (Sat.)  Jazz Fundraiser for Japan.  Vitello’s April Williams has assembled an impressive collection of the Southland’s finest jazz artists for a 12 hour fundraiser for Japan.  Among the participants: Alan Pasqua, Peter Erskine, Bob Mintzer, Darek Oles, Alex Acuna, the Wayne Bergeron Big Band, Denise Donatelli, Joe La Barbera, Larry Koonse, Tom Warrington, Bob Sheppard and many more.  11 a.m. to 11 p.m.  Vitello’s.   (818) 769-0905.

- April 9. (Sat.) Plas Johnson.  Although he’s been a vital member of the Southland jazz community for decades, Johnson is best known for his memorable solo work on “The Pink Panther” theme.  But he’s got a lot more than that to offer.  He’ll be playing with pianist Tom Ranier, bassist John Giannelli and drummer Fritz Wise.  Giannelli Square.  (818) 772-1722.

- April 9. (Sat. ) Wind Soloists of New York and Pedja Muzijevic. The superb wind instrumentalists of this much praised ensemble join with pianist Muzijevic to perform a dynamic program of works by Beethoven, Saint-Saens, Prokofiev and Poulenc.  And they’ll do so in the elegant Pompeian Room of the Doheny Mansion.  The Da Camera Society.  (213) 477-2929.

- April 10 (Sun.)  Greta Metassa.  Seattle-based singer Metassa is far less known than she should be.  In this rare Southland appearance, she’ll deliver her beautifully crafted vocals  in a plush, private mini concert hall in Beverly Hills.   Hopefully, she’ll include songs from her latest CD, I Wanna be Loved.” Backing her: the world class rhythm section of pianist Mike Garson, bassist Clipper Anderson and drummer Bob Leatherbarrow.  To book seats, click on Resonance Records.   Address will be given when the reservation is made.

San Francisco

- April 6. (Wed.)  Junko Onishi Trio.  Japanese pianist Onishi confirms her return to jazz action last year after a performance break of nearly a decade.  She’ll be backed by the sterling rhythm team of bassist Dwayne Burno and drummer Gregory Hutchinson.  Yoshi’s Oakland. (510) 238-9200.

Madeleine Peyroux

- April 8. (Fri.)  Madeleine Peyroux.  Moving beyond the Billie Holiday musical frame that had narrowed her music for too long, Peyroux is now finding her own way, as unique musical persona and an intriguing songwriter.  SF Jazz Spring Season.  Palace of Fine Arts Theatre.   (415) 398-5655.

- April 9. (Sat.)  Max Raabe and the Palast Orchester.  The music of the twenties and thirties comes vividly back to life in the hands of Raabe and his extraordinarily versatile musicians.  Always as musically provocative as they are entertaining, they’re one of a kind. SFJAzz Spring Season.  Paramount Theatre, Oakland. .

- April 10. (Sun.)  The Asaad Brothers “Da Volta as Raizes” Offspring of a famouns musical family, the two guitar duo of the Asaad brothers play everything from Bach transcriptions and gypsy jazz to Brazilian samba and the music of the Middle East.  SFJAZZ Spring Season. Palace of Fine Arts Theatre.  (415) 398-5655.

New York

Toshiko Akiyoshi

- April 4 (Mon.) Fund Raising Concert For Japan. The New York jazz community steps up to play a concert in support of the beleaguered people of Japan. Toshiko Akiyoshi; Cecil Bridgewater; Sam Burtis; Jerry Dodgion; Roy Hargrove; Tom Harrell; Barry Harris; Fred Hersch; Rene Manning; Earl McIntyre; Jimmy Owens; Rufus Reid; Marvin Stamm; Lew Tabackin; Kenny Werner and many others.  The Village Vanguard.  (212) 255-4037.

- April 5 – 10. (Tues. – Sun.)  Toots Thielemans with Kenny Werner and Oscar Castro-Neves.  As if that weren’t enough, Werner will also do a set each night with his Quintet featuring Lionel Loueke and Miguel Zenon.  The Blue Note. (212) 475-8592.

- April 8. (Fri.)  Rudresh Mahanthappa’s “Gama.” With David Fiuczynski, guitar, Francois Moutin, bass and Dan Weiss, drums.  Altoist Mahanthappa and Fiuczynski have been working together lately in Jack DeJohnette’s band.  Here they dip into some of the fascinating improvisational territory between jazz and Indian music.  Cornelia St. Café.  (212) 989-9319.

Picks of the Week: Jan. 11 – 16

By Don Heckman

Los Angeles

- Jan. 11. (Tues.)  John Pisano Guitar Night.  The first anniversary of Guitar Night at Vitello’s will feature a stellar collection of L.A.’s finest six-stringers.  Vitello’s. (818) 769-0905.

- Jan. 13. (Thurs.)  Henry Franklin Quartet.  Bassist Franklin, known to all as “The Skipper,” celebrates the release of his CD, The Soul of the World.  Charlie O’s. (818) 994-3058.

Cheryl Bentyne

- Jan. 13 & 14. (Thurs. & Fri.)  Cheryl Bentyne. The Manhattan Transfer’s soaring soprano takes a break from her ensemble duties to demonstrate her mesmerizing skills as a solo artist.   Click HERE. to read an iRoM review of Cheryl Bentyne’s most recent Vitello’s performance. Vitello’s.   (818) 769-0905.

- Jan. 13 – 15.  (Thurs. – Sat.) Pinchas Zukerman and the Pacific Symphony. Violinist/conductor displays his far-reaching versatility with the Stravinsky Concerto in D (for string orchestra),  Haydn’s Symphony No. 83 “The Hen” and the Beethoven Violin Concerto.  Segerstrom Concert Hall OCPAC.   (714) 556-2787.

- Jan. 14. (Fri.) Gary Foster. Multi-talented saxophonist Foster has been ollowing his own adventurous musical pathway for decades, undeterred by stylistic comings and goings in the saxophone world.  He’s backed by the Pat Senatore Trio. Vibrato Grill Jazz…etc. (310) 474-9400.

Justo Almario

- Jan. 14. (Fri.)  Justo Almario. The master saxophonist and woodwind artist, who can play just about anything with anybody,  celebrates 45 years in the business, with Oscar Hernandez and the LA/NY Connection.   Catalina Bar & Grill.  (323) 466-2210.

- Jan. 14. (Fri.)  Joey DeFrancesco Trio. A night at  Steamers with Joey D piloting the Hammond B-3 through one jazz realm after another is always a night to remember.  Steamers.   (714) 871-8800.

- Jan. 15 & 16. (Sat. & Sunday)  India Adams. Her name may be unfamiliar, but her voice will evoke memories. Adams was the singing voice for Joan Crawford in Torch Song, Cyd Charisse in The Band Wagon and herself on Broadway. Catalina Bar & Grill.  (323) 466-2210.

- Jan. 16. (Sun.) Marian Petrescu and Mike Garson. Pianistic virtuosity will be on the loose in this promising jazz encounter between the astonishingly fast fingers of Romania-born Petrescu and the eclectic musical imagination of Garson.  Pierre’s Fine Pianos.    (310) 247-0331.

- Jan. 16. (Sun.)  Elliott Caine Sextet.  Trumpeter Caine leads his sextet in a celebration of material from his new CD, the evocatively titled Hippie Chicks on Acid. KJAZZ’s Bubba Jackson, the irrepressible host, will explain what it means.   KJAZZ Sunday Champagne Brunch.  The Twist Restaurant in the Renaissance Hollywood Hotel.  (562) 985-2999.

San Francisco

Dave Grisman and Martin Taylor

- Jan. 12 & 13. (Wed. & Thurs.) Dave Grisman and Martin Taylor.  Mandolinist Grisman and guitarist Taylor, two of the most gifted proponents of acoustic music, get together for an engaging evening of string sounds. Yoshi’s Oakland.  (510) 238-9200.

- Jan. 12 & 13.  (Wed. & Thurs.) The Family Stone. Jerry Martini and Cynthia Robinson, among the founding members of Sly & the Family Stone, revive some of the classic rock band’s greatest hits.  Expect to hear, among others, “I Want To Take You Higher,” “EverydayPeople” and “Dance to the Music.”  Yoshi’s San Francisco. (415) 655-5600.

New York

Noa

- Jan. 10.  (Mon.)   Noa. Israel-born, New York City-raised singer Noa (whose full name is Achinoam Nini) makes a special appearance in a small venue.  Blessed with a musically precise, emotionally intimate voice and a mastery of a far-reaching range of global styles, Noa — who has sung for Pope John Paul II and President Bill Clinton, and performed with everyone from Sting and Stevie Wonder to artists from Palestine, Lebanon and Algeria — can rarely be heard in such an up close and personal setting.  Don’t miss this one.  City Winery.    (212) 608-0555.

- Jan. 11 – 15. (Tues. – Sat.)  The Tierney Sutton Band. Seventeen years together and Sutton and her musicians seem to get better with every performance, bringing new crative perspective to everything they touch.   Click HERE to read a recent iRoM review of the Tierney Sutton Band.   Birdland.    (212) 581-3080.

- Jan. 11 – 16. (Tues. – Sun.)  Joe Lovano’s “Us Five” brings together a cross-generational congregation of impressive jazz talent: pianist Jerome Wiedman, bassist/vocalist Esperanza Spalding, and drummers Otis Brown III and Matt Wilson.  They’ll no doubt perform selections from Lovanos album, Folk Art.  Village Vanguard.  (212) 929-4589.

- Jan. 11 – 16. (Tues. – Sun.) Bill Evans/Steve Lukather “Toxic Monkey.” Crossover saxophonist Evans and multiple Grammy-winning guitarist Lukather debut their new funk/rock/jazz band. The Blue Note.   (212) 475-8592.

- Jan. 11 – 16. (Tues. – Sun.)  The Clayton Brothers Band.  Altoist Jeff and bassist/composer John Clayton – high level members of L.A.’s jazz aristocracy, get together with pianist Gerald Clayton (John’s son) bassist Terrell Stafford and drummer Obed Calvaire to celebrate the Clayton Brothers second Grammy nomination in a row.  Dizzy’s Club Coca Cola.   (212) 258-9800.

Picks of the Week: Jan. 5 – 9

By Don Heckman

Los Angeles

Tierney Sutton

- Jan. 5. (Wed.)  Tierney Sutton Band.  Vocalist Sutton doesn’t just sing with a band; she brings her songs alive in an intimate, creative, musical companionship.  And the results are always fascinating.  Vitello’s. (818) 769-0905.

- Jan. 6. (Thurs.)  Elliot Deutsch Big Band.  Trumpeter Deutsch celebrates his birthday leading his dynamic, youthful, big jazz ensemble.   Vitello’s.   (818) 769-0905.

- Jan. 6. (Thurs.)  Luther Hughes Cannonball Coltrane Project.  Bassist Hughes’ Cannonball Coltrane Project re-visits the music from the classic, 1959 musical encounter between two jazz icons.  Charlie O’s.   (818) 994-3058.

- Jan. 7. (Fri.)  Tom Peterson.  He’s been a first call, A-list saxophonist for decades, and here’s a rare opportunity to hear him upfront, doing his own thing.  He’s backed by the Pat Senatore Trio.  Vibrato Grill Jazz…etc. (310) 474-9400. 

CHris Botti

- Jan. 8. (Sat.)  Chris Botti.  Coming off a month long run at New York’s Blue Note, the tireless trumpeter’s performance will offer another impressive reminder of why he’s become one of the world’s most successful and visible jazz artists.   Segerstrom Concert Hall, Orange County Performing Arts Center.   (714) 556-2787.

- Jan. 8. (Sat.)  Andy Garcia and the CineSon All-Stars.  Actor and percussionist Garcia leads a “Cuban Jam Session” featuring such a line up of Latin jazz all-stars headed by the superb playing of Danilo Lozano and Justo Almario,  Catalina Bar & Grill.  (323) 466-2210.

- Jan. 8. (Sat.)  New York Chamber Soloists. The distinguished chamber ensemble of strings, winds and keyboards performs a program of Bach, Saint-Saens and Beethoven.   Cerritos Center for the Performing Arts.  (562) 916-8501.

- Jan. 9. (Sun.)  New Christy Minstrels.  The current installment of the Minstrels, still led by founder Randy Sparks will perform with special guest Barry McGuire.  Expect to hear such classics as “Green Green,” ‘This Land Is Your Land,” “Chim Chim Cher-ee” as well as McGuire’s “Eve of Destruction.”  Cerritos Center for the Performing Arts.  (562) 916-8501.

San Francisco

- Jan. 5 & 6. (Wed. & Thurs.)  The Ohio Players. They’ve been called, with good reason, “the greatest funk band ever.”  The chart-topping band from the ‘70s still knows how to crank out foot-tapping, memorable performances.  Yoshi’s San Francisco. (415) 655-5600.

- Jan. 7 – 9. (Fri. – Sun.)  Ain’t Misbehavin’. The Tony Award-winning musical makes its San Francisco debut.  And there’s no better way to experience the irresistible music of Fats Waller.  Yoshi’s San Francisco.  (415) 655-5600.

New York

- Jan. 5 – 9. (Wed. – Sun.)  Kurt Rosenwinkel Quartet.  Versatile guitarist Rosenwinkel brings a unique musical curiosity to everything he plays.  Village Vanguard.   (212) 929-4589.

- jan. 5 – 9. (Wed. – Sun.)  “Overtone Quartet” Pianist Jason Moran, a recent winner of a MacArthur “genius” award, performs in the company of the equally stellar Chris Potter, saxophones, Larry Grenadier, bass and Eric Harland, drums.  Birdland.   (212) 591-3080.

Cassandra Wilson

- Jan. 6 – 9. (Thurs. – Sun.)  Cassandra Wilson.  Blessed with a gorgeous sound and an intuitive gift for phrasing, Wilson is at her best in the recently released CD, Silver Pony.  Expect her to showcase some of the album’s sterling collection of songs.  The Blue Note.   (212) 475-8592.

- Jan. 7 & 8. (Fri. & Sat.)  “The Company of Heaven Jazz Festival” A non-stop collection of cutting edge contemporary sounds.  Fri: Matt Darriau’s Ballin’ the Jack, The Refuge Trio and Mike Musillami’s Trio.  Sat: Jon Irabagon and Mike Pride, The Jay Clayton Trio, and Mario Pavone’s Totem Quartet.  The Cornelia Street Cafe.  (212) 989-9319.

Tierney Sutton and Chris Botti photos by Tony Gieske.

Picks of the Week: Oct. 19 – 24

By Don Heckman

Los Angeles

- Oct. 19 (Tues.)  Robert Glasper Trio.  More than most of his contemporaries, pianist Glasper has found ways to compatibly combine hip-hop, rock and r & b elements with his solid jazz skills.  Catalina Bar & Grill. http://www.catalinajazzclub.com (323) 466-2210.

- Oct. 19. (Tues.)  Henry Franklin’s Big 70^th Birthday Celebration.  Bassist Franklin, universally called “The Skipper,” hits 70 with plenty of creative fuel in the tank.  Charlie O’s.  (818) 994-3058.

Ravi Shankar

THIS CONCERT HAS JUST BEEN CANCELED.  THE PHILHARMONIC HAS ANNOUNCED IT HAS BEEN POSTPONED BECAUSE OF ILLNESS.  TICKET-HOLDERS SHOULD CONTACT THE PHILHARMONIC FOR FURTHER INFORMATION. - Oct. 20. (Wed.)  Ravi Shankar 90^th Birthday Celebration. The man who virtually defines Indian classical music and the sitar for listeners both serious and casual, performs with the companionship of his gifted, sitar-playing daughter, Anoushka Shankar.   Disney Hall.   (323) 850-2000.

- Oct. 20. (Wed.)  John Williams.  The superb, Grammy-winning guitarist performs original compositions as well as the works of Villa-Lobos and the Paraguayan guitarist/composer Agustin Barrios Mangore.  Cerritos Center for the Performing Arts.  (562) 916-8501.

- Oct. 20 – 23.  (Wed. – Sat.)  Billy Cobham.  The eclectically versatile, veteran drummer offers selections from his far-reaching album, Palindrome.  Catalina Bar & Grill.  (323) 466-2210.

Denise Donatelli

- Oct. 21. (Thurs.)  Denise Donatelli.  Always a pleasure to hear, Donatelli celebrates the release of her stellar new album, When Lights Are Low.  Featuring Geoffrey Keezer, pianist/arranger, Peter Sprague, guitar, Hamilton Price, bass, Rob Lockart, sax and Marvin “Smitty” Smith, drums.  Vitello’s.   (818) 769-0905.

- Oct. 21. (Thurs.)  Patrick Berrogain’s Hot Club Combo.  French-born guitarist Berrogain revives the musette and the gypsy jazz tradition of Django Reinhardt.  Vibrato Grill Jazz…etc.   (310) 474-9400.

- Oct. 21. (Thurs.)  Jimmy Branley Quartet.  First call drummer Branley, whose expertise reaches from Cuban rhythms to straight ahead jazz, steps into the spotlight with his own ensemble.  Charlie O’s. (818) 994-3058.

- Oct. 21. (Thurs,.)  John Mayer Quartet.  Pianist Mayer keeps bebop alive with his own imaginative ideas and driving sense of swing  He performs with Doug Webb, saxophone, Chris Conner, bass and Roy McCurdy, drums.  Crowne Plaza Brasserie Jazz Lounge. (310) 642-7500.

Taj Mahal

- Oct. 22. (Fri.)  Taj Mahal and special guest Vieux Farka Toure. The great, veteran blues and roots artist shares the stage with the equally compelling blues of Mali’s singer/guitarist Toure.  A UCLA Live concert at Royce Hall.   (310) 825-4401.

- Oct. 22. (Fri.)  Hiroshima.  30^th Anniversary Concert.  The group that blended world music and jazz into an amiable sound that lifted it to smooth jazz stardom, celebrates the start of its fourth decade.  Cerritos Center for the Performing Arts.   (562) 916-8501.

- Oct. 22. (Fri.) Avishai Cohen Quintet.  Bassist Cohen leads his “Aurora” Project Quintet in a program of music that finds common ground between jazz and some compelling world music sounds.  Vocalist Karen Malka and oud player Amos Hoffman are featured, with pianist Shai Maestro and percussionist Itamar Doari.  A Jazz Bakery Movable Feast at the Musicians Institute Concert Hall.   (310) 271-9039.

- Oct. 22. (Fri.)  Louis Van Taylor Band. Taylor’s saxophone and woodwind sounds have been heard with everyone from Ray Charles to Kool and the Gang and the Gerald Wilson Orchestra.  LACMA.  (323) 857-6000.  Also Oct. 29 at Charlie O’s.  (818) 994-3058

- Oct. 22. (Fri.)  Open Hands.  It’s a modest title for a group of L.A. all-stars: bassist Abraham Laboriel, Sr., saxophonist Justo Almario, drummer Bill Maxwell and keyboardist Gregg Mathieson.  Baked Potato.   (818) 980-1615.

- Oct. 22 & 23. (Fri. & Sat.) Walt Weiskopf.  Tenor saxophonist Weiskopf’s resume reaches from Steely Dan to the Buddy Rich Band.  But he’s at his best when he’s displaying his enviable talents in front of his own quartet. With Bevan Manson, piano, Tom Warrington, bass and Dick Weller, drums.  Vitello’s. (818) 769-0905.

- Oct. 22 – 24 (Thurs. – Sun.)  The Los Angeles Philharmonic.  Charles Dutoit conducts the Philharmonic in Berlioz’ lush Romeo and Juliet.  With the LA Master Chorale.  Disney Hall.   (323) 850-2000.

Grant Geissman

- Oct. 23. (Sat.)  Grant Geissman’s Cool Man Cool Band. Guitarist Geissman describes his current gig as “Cool music I like to play, with cool people I like to play with.”  Expect cool results.  Spaghettini.   (562) 596-2199.

- Oct. 24. (Sun.) Miles Evans Band. Gil Evan’s son, trumpeter Miles Evans continues on his mission to “pick up where Gil Evans, Miles Davis, Jimi Hendrix, Jaco Pastorius and Rashied Ali left the notes on the page.”  Catalina Bar & Grill.(323) 466-2210.

- Oct. 24. (Sun.)  The Mozart Classical Orchestra. Ami Porat conducts the MCO in a performance of the Mozart Symphony No. 33, the Bach Sinfonia Op.3 No. 2 in C Major and the Haydn Cello Concerto in C Major, performed by Timothy Landauer.  Performing Bach, Haydn and Mozart.  Irvine Barclay.  Irvine Barclay Theatre.  (949) 854-4646.

San Diego

- Oct. 21. (Thurs.)  Stanley Clarke & Hiromi.  Bassist Clarke and keyboardist Hiromi continue to develop their musically provocative relationship.  Anthology.  (619) 595-0300.

San Francisco

Lavay Smith

- Oct. 20. (Wed.)  Cherry Poppin’ Daddies and Lavay Smith & The Red Hot Skillet Lickers.  Swing is alive and well in the hands of the Daddies (who just celebrated their 20^th anniversary) and the glamorous jazz divadom of the entertaining Lavay and her players.  Yoshi’s San Francisco.  (415) 655-5600.

- Oct. 20 & 21. (Wed. & Thurs.) Avishai Cohen. Bassist Cohen leads his “Aurora” Project Quintet in a program of music that finds common ground between jazz and some compelling world music sounds.  Vocalist Karen Malka and oud player Amos Hoffman are featured, with pianist Shai Maestro and percussionist Itamar Doari. Yoshi’s Oakland.   (510) 238-9200.

New York

- Oct. 19 – 23. (Tues. – Sat.)  Jane Monheit. The Grammy-nominated Monheit brings her svelte sound and intimate interpretations to Birdland just in time to celebrate the release of her new CD, Home. Birdland.   (212) 581-3080.

George Wein

- Oct. 19 – 24. (Tues. – Sun.)  George Wein & The Newport All Stars.  Wein, who probably enjoys playing piano at least as much as he likes to produce concerts, celebrates his 85^th birthday with the supportive musical companionship of trumpeter Randy Brecker, saxophonist Lew Tabackin, guitarist Howard Alden, bassist Rufus Reid, drummer Lewis Nash & Some Very Special Guests.  Dizzy’s Club Coca Cola.  (212) 258-9800.

Picks of the Week: June 29 – July 4

By Don Heckman

Los Angeles

Sally Kellerman

-June 30. (Wed.)  Sally Kellerman. Hot Lips is back. And, as convincing as she was in M*A*S*H, she’s even more so as a singer, crafting tunes simmering with traces of jazz, folk, soul and country.  Vitello’s.   (818) 769-0905.

- June 30. (Wed.)  Open Hands.  One of the Southland’s authentic all-star jazz ensembles, featuring the invigorating bass work of Abraham Laboriel and the dynamically versatile tenor saxophone of Justo Almario, with Greg Mathieson, keyboards and Bill Maxwell, drums.  Vibrato Grill Jazz…etc.   (310) 474-9400.

- June 30. (Wed.)  Kevin Eubanks Group. He’s no longer on the air with Leno, but Eubanks is still one of the most listenable guitarists in jazz.  And on this gig you won’t have to worry about being interrupted by a commercial break. Baked Potato.  (818) 980-1615.

- June 30. (Wed.) Nancy Sanchez.  She may have been a mariachi singer as a teen-ager, but Sanchez is now an intriguing, up and coming jazz vocalist who comfortably combines some pop and crossover elements in her coolly expressive vocalizing.  Steamers. (714) 871-8800.

Linda Ciofalo

- July 1. (Thurs.)  Linda Ciofalo. With an appealing voice and a perky rhythmic manner, Ciofalo is the right interpreter for the Johnny Mercer tunes on her brand new CD, Dancing With Johnny.  She’s backed by pianist Otmaro Ruiz, bassist John Belzaguy and drummer Jimmy Branley.  Crowne Plaza. (310) 642-7500.

- July 2. (Fri.)  Charles Owens Quartet. The versatile Owens can play any saxophone, in almost any style, and do it with utter believability.  But the best time to hear him is on a gig like this, when he’s up front, doing everything his own way.  The Culver Club in the Raddison.   (310) 649-1776 ext. 4137.

- July 2 – 4. (Fri. – Sun.)  July 4^th Fireworks Spectacular.  Vince Gill, with twenty Grammy Awards and more than 22 million albums sold, is the perfect headliner for the annual pyrotechnical celebration.  Expect to hear such country hits as “I Still Believe In You” and “One More Last Chance.”  Hollywood Bowl.    (323) 850-2000.

- July 3. (Sat.)  Ira Nepus and Friends.  Trombonist, Nepus, one of L.A.’s fine first-call players, steps into the spotlight with his own group.  And the set will be even more highlighted by the engaging vocals of Bonnie Bowden.  Willy’s BBQ and Grill.  Agoura Hills.   (818) 991-7227.

San Francisco

- June 29 & 30 (Tues. & /Wed,)  Joyce (Joyce Moreno) The Brazilian singer/guitarist is keeping the bossa nova flame still burning, while adding her own more contemporary tunes to programs rich with the rhythms of Rio. Yoshi’s Oakland.   (510) 238-9200.

- July 4. (Sun.) Kiosk.  There’s something appropriate about the presence of the highly praised Iranian rock band, Kiosk, at Yoshi’s on Independence Day.  Prevented from performing in public in their native land (because of “inappropriate” lyrics), they re-formed outside Iran and now perform around the globe.  Yoshi’s San Francisco.  (415) 655-5600.

New York

Lew Tabackin and Toshiko Akiyoshi

- June 29 – July 3. (Tues. – Sat.) Lew Tabackin & Toshiko Akiyoshi Quartet. The husband and wife team, innovative figures in the contemporary jazz world for decades, make a too-rare live appearance.  They’re backed by bassist Boris Kozlov and drummer Mark Taylor.  Birdland. (212) 581-3080.

June 29 – July 4. (Tues. – Sun.)  Fourplay.  Grammy-nominated Fourplay – Bob James, Chuck Loeb, Nathan East and Harvey Mason – have successfully created an audience-pleasing crossover jazz style without sacrificing any of their substantial array of pure jazz skills. The Blue Note.   (212) 475-8592.

Picks of the Week: Feb. 16 – 21

By Don Heckman

Los Angeles

Rickie Lee Jones

- Feb. 16. (Tues.)  Rickie Lee Jones.  Her latest album, Balm in Gilead, affirmed that Jones is still a vital and imaginative singer and songwriter.  She’ll be performing selections from that CD as well as material from her long, productive career.  Vista Theatre, 4473 Sunset Blvd., L.A.  (323) 660-6639.

- Feb. 16. (Tues.)  Guitar Night at Vitello’s.  John Pisano with Dori Caymmi. Guitar night takes on a fascinating Brazilian tone tonight with the presence of Caymmi, a superb guitarist/singer/songwriter from one of Brazil’s first musical families. With luck, Dori will sing and play his lovely song, “O Cantador” (“Like A Lover” in the English version). Vitello’s. (818) 769-0905.

- Feb. 16. (Tues.)  Maria Volonte. Argentine singer Volonte’s lyrical style has been making convincing connections between the folkloric traditions of her country and the improvisational inventiveness of vocal jazz.  Vibrato Grill Jazz…etc.   (310) 474-9400.

Houston Person

- Feb. 17. (Wed.)  Houston Person Quartet. Person’s authoritative, blues-driven tenor saxophone is an irresistible pleasure, whether he’s playing a driving up tempo or bringing a classic ballad to full-blooded life.  He’s backed by the sterling trio of pianist Bill Cunliffe, bassist Richard Simon and drummer Ralph Penland.  Spazio.  (818) 728-8400.

- Feb. 18.  (Thurs.)  Max Raabe & Palast Orchester. With his slicked-down hair, well-tailored tuxedo and jaunty manner, Raabe and his associates provide both a convincing and an immensely entertaining display of German pop music of the Weimar era.  Royce Hall.  UCLA Live.  (310) 825-2101.

- Feb. 18. (Thurs.)  Carol Welsman. Welsman, who celebrated Peggy Lee in her most recent album, “I Like Men,” is an authentic jazz artist.  Not a crossover cabaret performer, not a frustrated pop star – but a confident and gifted singer and pianist who knows, like Lee, the ways in which jazz can bring a song to life.  Spazio.   (818) 728-8400.

- Feb. 18. (Thurs.)  Sofia Rei Koutsovitis. Like Maria Volonte, Koutsovitis – who is based in New York — is an Argentine singer who brings subtle aspects of jazz to the tango rhythms of her roots.   Museum of Latin American Art.  Long Beach. http://www.molaa.org/Programs-and-Events/events-calendar.aspx (562) 437-1689.

- Feb. 18. (Thurs.)  The Midnight Jazz Band.  Chuck Berghofer, Gary Foster, Tom Ranier, Steve Schaffer.  Red Carpet Jazz Series picked the perfect ensemble – a collective of some of the Southland’s finest jazz artists – to celebrate its 1 Year Anniversary.  Vitello’s.   (818) 769-0905.

- Feb. 18. (Thurs.)  Slumgum. Formed in 2006 when its members were students at CalArts, Slumgum – Jon Armstrong, tenor saxophone, Rory Cowal, piano, David Tranchina, bass and Trevor Anderies, drums – explore some of the outer limits of jazz improvising.  Vibrato Grill Jazz…etc.    (310) 474-9400.

Randy Newman

- Feb. 19. (Fri.) An Evening with Randy Newman. Each of Newman’s songs is a short story in itself, a brief, often sardonic passage in the life of a character who may, or may not, reflect aspects of Newman himself.  His latest album, “Harps and Angels,” affirms that his ability to create these remarkable musical narratives is as powerful as it was when he first arrived on the scene in the ‘60s.  And there’s no better way to experience him than in his rare, live appearances.  Royce Hall.  UCLA Live.  (310) 825-2101.

Sally Kellerman

- Feb. 19. (Fri.)  Sally Kellerman.  She may have been Hot Lips Houlihan at some point in her life, but Kellerman was a singer both before and after M*A*S*H.  And the jazz inflections in her style have become stronger and more adventurous every time she performs.  This time out, she’s backed by Rickey Woodard, tenor saxophone, Joel Scott, piano, Luther Hughes, bass and Paul Kreibich, drums. Jazz at the Radisson.  (310) 649-1776.

- Feb. 19. (Fri.)  Justo Almario.  The versatile saxophonist celebrates his 61^st birthday in the rhythmically supportive company of the John Heard Trio.  Charlie O’s.   (818) 994-3058.

- Feb. 20. (Sat.)  Peter Sprague String Consort.  Guitarist Sprague’s ensemble – basically a string quartet with his guitar, Bob Magnusson’s bass and Duncan Moore’s drums – is likely to play anything from Bach to Brubeck, from Chick Corea to Sprague’s own atmospheric compositions.  Vitello’s.   (818) 769-0905.

- Feb. 20. (Sat.)  Russian National Orchestra. The first Russian orchestra to win a Grammy (for its recording of Prokofiev’s Peter and the Wolf), the RNO will perform the Shostakovich Symphony No. 9 and the Tchaikovsky Violin Concerto (with violinist Stefan Jackiw).  Cerritos Center for the Performing Arts.   (562) 916-8501.

Tinariwen

- Feb. 20. (Sat.) Tinariwen plus special guests.  They started out as ambitious guitar players from the Touareg people of the Saharan desert.  And now, four albums later, their desert-rock blend of blues, Berber and Arabic sounds have made them one of international  music’s most entertaining ensembles.  Royce Hall.  UCLA Live.  (310) 825-2101.

- Feb. 20.  (Sat.)  10^th Annual Brazilian Carnaval. The big, flashy Carnaval event takes place this year in the equally flashy environs of Club Nokia. Featured performers are Bahia’s Trio Eletrico Armandinho, Dodo & Osmar.  Three DJs will spin additional Brazilian music all night, and the Brazilian Nites Samba Dancers will heat up the floor. Club Nokia.   (213) 765-7000.

San Francisco

Tuck & Patti

- Feb. 16 & 17. (Tues. & Wed.)  Trio Da Paz.  Guitarist Romero Lubambo, bassist Nilson Matta and drummer Duduka Da Fonseca play together in a style that can best be described as a definitive encounter between jazz and Brazil.  Yoshi’s San Francisco.   (415) 655-5600.

- Feb. 18 – 20. (Thurs. – Sat.)  Nancy Wilson. She doesn’t play clubs very often, so don’t miss this opportunity to hear one of the great jazz divas in action, up close and personal. Yoshi’s Oakland.   (510) 238-9200.

- Feb. 21. (Sun.)  “A Great Night in the Fillmore.” An evening filled with musical wonders, as diverse and entertaining as the programs that once took place at San Francisco’s legendary auditorium.  Bobby  Hutcherson, Tuck & Patti, Denny Zeitlin, The Wayne Wallace Latin Jazz Quintet, Cultural Heritage Choir with Linda Tillery, John Handy. Hosted by Rita Moreno and Chuy Varela.  A Benefit for the California Jazz Foundation.  Yoshi’s San Francisco.   (415) 655-5600.

New York

- Feb. 16 & 17. (Tues. & Wed.)  McCoy Tyner Trio. Always eager to stretch musically, Tyner adds some Latin jazz atmosphere with special guests Dave Valentin and Steve Turre.  The Blue Note.   (212) 475-8592.

Ann Hampton Callaway

Feb. 16 – 21.  (Tues. – Sun.)  Ann Hampton Callaway “Swings the Great American Songbook.”  She’ll swing it, for sure, but expect Callaway to express the lyrical heartbeat of everything she sings, as well.  Dizzy’s Club Coca Cola.  (212) 258-9595.

-Feb. 16 – 21. (Tues. – Sun.) The Robert Glasper Trio.  Pianist Glasper is doing an impressive job of exploring links between mainstream jazz and some contemporary pop genres, without losing the credibility of either.  Village Vanguard.  (212) 255-4037.

- Feb. 17 – 20. (Tues. – Sat.)  Dave Liebman, Richie Beirach, Ron McClure and Jeff Williams. Liebman’s 1974 album Lookout Farm was one of the innovative jazz albums of the decade.  He revisits it here with Beirach and Williams from the original Lookout Farm, and McClure from a later version of the band.  Birdland.  (212) 581-3080.

- Feb. 17 – 21. (Wed. – Sun.)  Cyrus Chestnut Trio.  Pianist Chestnut follows in the footsteps of Art Tatum, Teddy Wilson, Hank Jones and others, adding his own inimitable qualities of soul and gospel.  Jazz Standard.  (212) 576-2232.

Gay Marshall

- Feb. 18 – Mar. 18. (Thursdays)  Gay Marshall. PIAF: Queen of Heart. Edith Piaf has been receiving a lot of attention lately — all of it well deserved.  But no one is bringing as much creative authenticity to the Piaf revival as Marshall.  Singing in exquisite Parisian French, adding a few tunes done in her own English translations, she uses Piaf classics — “L’Accordeoniste,” “Non, Je ne regrette rien” — and less familiar items (“Avec Ce Soleil”) as the foundation for her own superbly lyrical interpretations.  The ghost of Piaf is there, but the substance is Marshall’s.  She performs every Thursday through March 18.  The Metropolitan Room.  (212) 206-0440.

Santa Cruz

- Feb. 21. (Sun.)  Martin Hayes and Dennis Cahill.   (831) 427-2227. Irish fiddle virtuoso Martin Hayes and Chicago guitarist Dennis Cahill play with a depth and intimacy that the New York Times describes as “a Celtic complement to Steve Reich’s quartets or Miles Davis’s Sketches of Spain.”  Kuumbwa.