Live Music: Anna Mjoll At Vibrato Grill Jazz…etc.

November 13, 2014

By James deFrances

What do jazz standards, Iceland and Bel Air have in common? Simple…the answer is the dynamic blonde haired Iceland-born diva Anna Mjoll. Last Friday night at Herb Alpert’s Vibrato Grill Jazz…etc., Mjoll crooned to a thoroughly filled house of diners and jazz enthusiasts alike. Only a day after Alpert and his wife Lani Hall played two sold out shows Mjoll managed to keep the blood flowing for a third consecutive night.

Her show ranged from light moving ballads to hard-driving bossa nova tunes. Impeccably supported by the #Pat Senatore trio, Mjoll did the Great American Songbook right.

Anna Mjoll and the Pat Senatore Trio

Anna Mjoll and the Pat Senatore Trio

Her voice possesses an airy, relaxed quality which makes the music even easier to digest. Her vibrato (no pun intended) is on tap when she needs it and her phrasing is uniquely her own. In between songs she keeps the audience in check by telling stories, asking questions and cracking jokes.

She asked the audience to say hello to her mother from Iceland, who was seated in the first row and only in town for the weekend. “I wish you would move to California,” exclaimed Mjoll. Mother and daughter maintained a lighthearted banter throughout  the entirety of the show.

Anna Mjoll and Pat Senatore

Anna Mjoll and Pat Senatore

Before singing “Taking A Chance On Love,” she reflected on her many marriages and philosophized on love. Perhaps the highlight of the evening, however, was when she sang “Nature Boy” with only bassist Pat Senatore’s accompaniment. She dedicated the song to Senatore, whom she said is the only man who never let’s her down. Also on the list Friday night were songs like “Come Fly With Me,” “Smile” and “Imagination.” For Mjoll who has a busy calendar it was just one of those nights and her closing tune appropriately enough was “Just One Of Those Things.”

But the large audience who remained long after she took her final bow was a sign of a job well done. Those who stayed late enough even got to hear the Senatore Trio play their “Sexy Late Night Set.” In the end, if you are looking for a night of Marilyn Monroe glamour and some hot straight ahead jazz Anna Mjoll with the Pat Senatore trio is your best ticket in town!

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Photos by James deFrances. 

 

 


Picks of the Weekend in Los Angeles: Nov. 6 – 9

November 6, 2014

By Don Heckman

Steve Tyrell

Steve Tyrell

- Nov. 6 – 9. (Thurs. – Sun.) Steve Tyrell. Add an amiable Texas twang to a jaunty sense of swing and a convincing way with a lyric, and that still doesn’t add up to the magic that happens when Tyrell digs into the Great American Songbook. Catalina Bar & Grill. http://www.catalinajazzclub.com (323) 466-2210.

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

- Nov. 6. (Thurs.) Herb Alpert and Lani Hall. The veteran jazz trumpeter/painter/sculptor and his vocally superb wife are back again at their home base – Alpert’s jazz friendly, elegant Bel Air club. They’ll no doubt be working over material for their current touring. And that’ll be a musically captivating gift for anyone who can squeeze into what will no doubt be a full house crowd. But it’ll be worth the effort. Click HERE to read a review of the dynamic duo’s most recent appearance at.  Vibrato Grill Jazz…etc.  (310) 474-9400.

- Nov. 6. (Thurs.) David Ornette Cherry. He’s the son of trumpeter Don Cherry, who worked frequently with free jazz icon Ornette Coleman– thus David Ornette Cherry’s middle name. A keyboard player with his own unique approach to contemporary improvisation, he’s an imaginative jazz artist who deserves a hearing on his own right. The Blue Whale.  (213) 620-0908.

Los Lobos

Los Lobos

- Nov. 8. (Sat.) Los Lobos and Los Lonely Boys. The mutiple Grammy-winning group from Los Angeles are one of the popworld’s most eclectic ensembles. Blending everything from Latin pop and Chicano rock to TexMex and Americana their music has a fascinating body-moving appeal. Opening the bill, Texas’ Los Lonely Boys follow a similar musical path. Valley Performing Arts Center.  (818) 677-8800.

- Nov. 8. (Sat.) Dimitri Matheny Quartet. Matheny’s warm, engaging flugelhorn playing has thoroughly established him as one of the most emotionally expressive improvisers of his generation. He performs with the sterling backing of Joe Bagg, piano, Pat Senatore, bass, Dick Weller, drums. Vibrato Grill Jazz…etc.  (310) 474-9400.

Johnny Mathis

Johnny Mathis

- Nov. 8. (Sat.) Johnny Mathis. He doesn’t show up often any more in the Southland, so don’t miss this opportunity to hear the hit-maker of the ‘6os and 70s up close in action. Segerstrom Center for the Arts.  (714) 556-2787.

- Nov. 8. (Sat.) The New West Symphony. Marcelo Lehninger conducts the gifted players of the NWS in Brahms’ Symphony No. 2, and the Dvorak Concerto in B minor for cello and orchestra, featuring cellist Lynn Harrell. The Cavli Theatre at the Thousand Oaks Civic Arts Plaza. (805) 449-2100.

HIGHLIGHT EVENT: SATURDAY AND SUNDAY NOVEMBER 8 & 9

The 2014 Thelonious Monk International Jazz Trumpet Competition and All-Star Gala Concert

Thelonious Monk

The annual jazz competitions produced by the Thelonious Monk Institute are among the most celebrated jazz events of the year. And the 2014 installment is no exception. This year’s competition again showcases a talented, ambitious group of young players. The semi-finalists will first meet at U.C.L.A.’s Schoenberg Hall on Saturday, Nov. 8. (The semi-final event is free and open to the public.)

The three finalists will then perform in the Competition’s Gala event on Sunday, Nov. 9 at Dolby Hall. The distinguished panel of judges for both stages of the competition includes trumpeters Ambrose Akinmusire, Terence Blanchard, Randy Brecker, Roy Hargrove, Quincy Jones and Arturo Sandoval.

Following the finalists’ performances and the selection of this year’s winner, an All-Star Gala concert will feature Herbie Hancock, Wayne Shorter, Dee Dee Bridgewater, Terri Lyne Carrington, Ron Carter, Vinnie Colaiuta, Jimmy Heath, Marcus Miller, Dianne Reeves and others.

In another highlight of the Gala, the Institute will present its prestigious Founders Award to President Bill Clinton.

The Thelonious Monk Institute 2014 International Jazz Trumpet Competition  (310) 206-9700.


Live Music: Herb Alpert and Lani Hall at Vibrato Grill Jazz…etc.

October 9, 2014

By Don Heckman

Bel Air, CA.  Vibrato Grill Jazz…etc. became a very special place when Herb Alpert took it over a few years ago, transforming a small venue in a mini-mall at the top of Beverly Glen into a fine food connoisseur’s delight and a world class showcase for jazz.

Herb Alpert and Lani Hall

And it becomes even more special when Alpert, his wife, vocalist Lani Hall, and their all star band put in an appearance. As they did Tuesday night.

The fact is that there’s nothing quite like hearing Alpert perform in his own club. There’ve been musician club owners over the years – Shelly Manne, Ronnie Scott, Igor Butman, to name a few – all of whom played in their own venues from time to time.

Herb Alpert

But when Herb Alpert plays in Vibrato, he’s not just on stage at his own elegant Bel Air bistro. He’s performing in a virtual art gallery, surrounded by walls displaying his large, colorful abstract expressionist paintings and his sculptures of musicians in the act of playing. Add to that the remarkable collection of repertoire that he brings to his performances – selecting material reaching from his latest albums to hit songs from his Tijuana Brass successes of the ’60s.

At the center of his music, Alpert – at 79 – reminded us that he is still a remarkable trumpeter and a gifted improviser. Not often given sufficient credit for the quality of his instrumental skills, he once again displayed his Miles Davis-inspired ability to bring a song vividly to life.

And let’s not overlook Alpert’s unspoken, but significant subtitle of “philanthropist” in recognition of the large generous funding he has bestowed upon University music programs and gifted young artists in many genres.

All those elements and more were present Tuesday night when Alpert and Hall – backed by pianist Bill Cantos, bassist Hussain Jiffry and drummer Michael Shapiro – celebrated the release of their new album, In the Mood.

The Herb Alpert Band

When Alpert noted that the performance was the start of a tour introducing the album, he also added, whimsically, that they did not include the classic Glenn Miller hit “In The Mood” on the CD, or in their set of the night. But no problem there. After romping through “Chatanooga Choo Choo” the band also dug into “Blue Moon,” “Begin the Beguine,” “Let it Be Me” and more from an album displaying all the signs of presenting Alpert with his next Grammy Award.

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

Other highlights included entertaining looks at both Alpert’s and Hall’s stellar pasts. The Tijuana Brass medley called up stirring memories of the Alpert band that topped Bob Dylan and the Beatles on the Billboard charts in the mid-’60s. And an Antonio Carlos Jobim medley showcased Hall’s mastery of bossa nova songs (and Portuguese), reaching back to her stint with Sergio Mendes’ Brasil ’66 as she applied her warm, intimate contralto to songs such as “The Waters of March,” “Corcovado” and “”Samba de Uma Nota Só.”

As always, Alpert and Hall were superbly backed by Cantos, Jiffry and Shapiro who consistently found the perfect balance between energizing the rhythm while supporting the headliners’ many interpretive subtleties. And Cantos, a versatile singer/instrumentalist in his own right, has recently added colorful synth textures to his fine piano work, as well as his own back up vocals on a few tunes.

In sum, call it one of the most notable musical experiences of the year. All of the Vibrato appearances of Alpert and Hall have been memorable. As was this one. And I (along with, I suspect, the many members of the packed house) look forward to many more.

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Photos by Faith Frenz

 


Here, There & Everywhere: The Herb Alpert Award in the Arts

May 15, 2014

By Don Heckman

Describing Herb Alpert as a philanthropist doesn’t accurately identify the full generosity of his activities over recent decades. Many of his awards have been institutional, to UCLA, USC, CalArts and beyond. And in each of those cases, his generosity has had a significant impact upon the effectiveness of their music education programs.

But Alpert has done much more. For the past twenty years, his Herb Alpert Award in the Arts has annually given $75,000 prizes each to five mid–career, risk–taking artists in dance, film/video, music, theatre, and visual arts.

“Over the last twenty years,” says Alpert, “we’ve been lucky enough to have given a boost to choreographers, musicians, visual and media artists, and theatre makers, those who keep on searching, and making powerful, spirited work. For all of us to enjoy…or not.”

Last Friday, Alpert and his wife Lani Hall hosted the announcement of his year’s awards at an annual award lunch. And, once again, the line up of winners included an impressive array of creative artists.

Michelle Dorrance, Matana Roberts, Deborah Stratman, Herb Alpert, Lani Hall Alpert, Annie Dorsen, DAniel Joseph Martinez

Michelle Dorrance, Matana Roberts, Deborah Stratman, Herb Alpert, Lani Hall Alpert, Annie Dorsen, Daniel Joseph Martinez

Here are the winners in the various categories, along with comments from Irene Borger, Director of the Herb Alpert Award in the Arts, regarding the reasons for their selection:

- Dance: Tap dancer Michelle Dorreance. Chosen for her “inventive sophistication and transporting the field into radically new places.”

- Music: Composer, avant-garde saxophonist and sound artist Matana Roberts. Chosen for her charismatic, powerful renderings of sound.”

- Film/Video: Documentary Filmmaker Deborah Stratman. Chosen for her “important body of films, and the ways she grapples with tough issues.”

- Theatre: Theatre artist Annie Dorsen. Chosen for her “audacious investigations, unrelenting pursuit of ideas, and new theatrical forms.”

- Visual Arts: Post-conceptual artist Daniel Joseph Martinez. Chosen for his “his fearless, continually evolving practice, unwavering commitment to art and politics, to the field, and to Los Angeles.”

Alpert summed up the significance of the Herb Alpert Award in the Arts in a final comment, perfectly reflecting the adventurousness of his own long career as an imaginative, improvising jazz artist always in search of new ideas:

“What happens,” says Alpert, “when you support artists with that special spark? You don’t know — and that’s exactly part of the magic.”

It’s a magic that Alpert has either been creating or supporting – and sometimes both – over the course of the music he’s been making from the early days of the Tijuana Brass to his most recent recordings and performances with his wife Lani Hall Alpert.

Add to that the equally magical works Alpert has been producing in his remarkable career as a highly regarded painter and sculptor. No wonder he relates so empathically with the simlarly imaginative winners of his Herb Alpert Award in the Arts.

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Photo by Matt Sayles/Invision courtesy of the Herb Alpert Foundation.

 

 


Live Jazz: Herb Alpert and Lani Hall at Vibrato Grill Jazz…etc.

March 20, 2014

By Don Heckman

Herb Alpert

Herb Alpert

Bel Air, CA. It was another rare performance to remember Tuesday night at Vibrato Grill Jazz…etc. On stage, veteran jazz trumpeter, band leader and club owner Herb Alpert and his wife, singer Lani Hall, were backed by their fine rhythm team: pianist/keyboardist Bill Cantos, bassist Hussain Jiffry and drummer Michael Shapiro.

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

Offering a program reaching from jazz classics and Songbook standards to a medley of tunes from the hit recordings of Alpert’s Tijuana Brass, the performance took place at the center of the rich, colorful environment Alpert has been creating for Vibrato since he first bought the Bel Air club and transformed it into his perspective of what a fine jazz club/restaurant can be. In the process, his paintings and sculptures – abstract but visually gripping – combined with the re-designing of the room to provide the perfect setting for his always-engaging music.

There were no real surprises in the program for anyone who’s heard Herb and Lani in their recent performances at Vibrato. But no worries there. Whether Herb was playing “A Taste of Honey” or singing “This Guy’s in Love with You”; whether Lani was singing Van Morrison’s “Moon Dance” or the bossa nova delight “O Pato,” the results were always fascinating.

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

Hearing repetitions of familiar songs can be less than appealing from artists who basically play their “hits” like living juke boxes. With Herb and Lani, however, hearing them perform over the years –singing and playing together — has provided unique opportunities to experience a pair of gifted artists bring new interpretive perspectives to everything they played and sang. As they did on this memorable evening.

Herb has always had a gift for melodic paraphrasing in his solos, and recent years have seen him find even more expressiveness in his improvising, often suggesting the sort of clear-cut, lyrical melody-making long associated with Miles Davis.

Lani Hall

Lani Hall

Lani has been a fine musical story teller since the release of her first album Sundown Lady in the ’70s. In reviewing that album for the New York Times, I referred to her “mix of drama, song, soul and universal emotion that uncovers the real pathos in the lyrics of a song.” Which is precisely what she did in this performance with a deeply emotional interpretation of “Fly Me To The Moon.”

Add to that the superb support of the rhythm section of Cantos, Jiffry and Shapiro, creating a warm setting for Herb and Lani, with Cantos contributing a briskly rhythmic scat version of “I’ve Got You Under My Skin” and Jiffry offering some guitar-like bossa nova backing on his bass.

In sum, call it a mesmerizing musical offering performed with dynamic creativity. No wonder that the overflow audience responded enthusiastically to every song, demanding and getting encores, and wishing for more.

Photos by Faith Frenz.


Live Music: Herb Alpert and Lani Hall at Vibrato Grill Jazz…etc.

October 5, 2013

By Don Heckman

It’s always a pleasure to hear Herb Alpert and Lani Hall up close and personal. The veteran showbiz couple, whose prolific careers reach back to the ’60s, are still at the peak of their considerable creative powers.

On Thursday night at Vibrato Grill Jazz…etc., the elegant, Bel Air night club founded by Alpert, they celebrated the release of their new album, Steppin’ Out, with one of their too-rare Southland appearances.

Lani Hall and Herb Alpert

And the results were memorable – as they so often are when Alpert and Hall are on stage, especially in their own room, working before an enthusiastic, supportive crowd, backed by the stellar accompaniment of pianist/singer Bill Cantos, bassist Hussain Jiffry and drummer Michael Shapiro.

Lani Hall

Lani Hall

The selections reached across the Great American Songbook, providing an especially gripping set of classic tunes for Hall to display her mesmerizing story-telling skills. Among the most compelling interpretations, her songs ranged from “Moondance,” “Fever,” “Fly Me To the Moon” and “Let’s Face the Music” to “All In the Game” and “I’ve Got You Under My Skin” (brightened by a hard grooving scat contribution from Cantos).

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Herb Alpert

On some pieces, Alpert played burnished trumpet solos before joining Hall in intimate vocalizing. On “This Guy’s In Love with You,” he sang (and played) the 1968 Burt Bacharach/Hal David song that resulted in Alpert’s first #1 single. Both his trumpet playing and his singing affirmed the lyricism – vocally and instrumentally – that is at the heart of his music. Gifted with a knack for melody, he applied it to every song he touched, whether singing with a warmly intimate vocal interpretation or arching through his characteristically embracing trumpet lines.

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

I’ve been writing about this remarkable couple – individually, paired and collectively (Alpert with the Tijuana Brass, Hall with Brazil 66) – since the late ’60s. And each performance I’ve experienced, live and on recording, was the work of a pair of gifted musical artists. As recently as last July they opened the Hollywood Bowl’s summer jazz schedule on a brilliant program with Sergio Mendes’ Brazil 66.

This time out, more than six months later, they played much of the repertoire heard at the Bowl. But there was no resisting the appeal of whatever they played, however familiar it may have been.

The unforgettable performance ended with an entertaining selection from the new Alpert album, Steppin’ Out, scheduled for release on November 19.  On either side of the stage, big screen projections displayed the album’s prime video, “Puttin’ On the Ritz,” with the music performed live, in perfect sync with the video images. It was the perfect closure for an evening of superb offerings from a pair of the music world’s most creative practitioners.

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Video courtesy of Herb Alpert.

Photos by Faith Frenz.  To see more photos by Faith Frenz click HERE.


Live Jazz: Herb Alpert, Lani Hall and Sergio Mendes at the Hollywood Bowl

July 18, 2013

By Don Heckman

The 2013 summer season of jazz at the Hollywood Bowl clicked into place Wednesday night with the performances of Herb Alpert, Lani Hall and Sergio Mendes.

Alpert and Hall, in particular, offered a musically rich, rhythmically energetic program of material ranging across jazz classics and American Songbook standards spiced with the music of Brazil.

Although he may be best known for the establishment of the Tijuana Brass in the sixties, and for shaping it into one of the most successful groups in pop music history, Alpert has always been a determinedly jazz-focused trumpet player, as well.  And his performance at the Bowl offered an impressive recollection of the depth of his skills as a jazz artist. Add to that his similarly gifted talents as a visual artist, which were on display in the form of a large Alpert painting as a backdrop.

Bill Cantos, Lani Hall, Hussain Jiffry, Herb Alpert and Michael Shapiro

I’ve heard Alpert many times, playing impressively in many settings over the past decades.  But this time out, his opening set was a performance to remember.  Standing alongside his wife, singer Lani Hall — backed by pianist/keyboardist Bill Cantos, bassist Hussain Jiffry and drummer Michael Shapiro – he played with the cool,  musically imaginative aspects that have always been at the heart of who he is as a jazz improviser.  And he revealed the impressive extent of those aspects, no matter what he was playing – in songs reaching from the Tijuana Brass memories of “A Taste of Honey” to such far-ranging song classics as “Besame Mucho,” “Moondance,” “Lets Face the Music and Dance” and “La Vie En Rose.”

Lani Hall and Herb Alpert

Lani Hall and Herb Alpert

The always captivating musical presence of Hall added another convincing jazz element to the set.  The lush timbres of her voice, combined with a brisk sense of rhythm, have always been a vital part of her style, reaching back to the early ’70s.  But in recent years, Hall has become an even better musical story-teller, finding the heart of a song in all her expressively intimate performances.  And, in this concert, she did so in deeply musical, lyrically compelling readings of songs such as “Fly Me To The Moon,” “Let’s Face the Music and Dance” and “I’ve Got You Under My Skin.”  The latter tune, in particular was interpreted by Hall with a uniquely personal rendering that reached far more deeply into the song than the jaunty, often-imitated Sinatra version.

Alpert and Hall were extremely well served by the presence of Cantos, Jiffry and Shapiro.  Each is an impressive player in his own right.  But they also added a collective, even symbiotic, coming together to find an utterly memorable approach to each of the songs in their program.

Sergio Mendes Band

Sergio Mendes Band

Less can be said for the Mendes part of the evening.  Performing with an ensemble of singers and instrumentalists comparable to his Brazil 66 (etc.) ensembles, he devoted most of his set to such familiar items as “Waters of March,” Agua De Beber” and “The Look of Love.”

The Brazil 66 sound and style of the ‘60s had its appealing qualities – qualities that underscored the band’s many pop music successes.  But in an apparent effort to reach out to a broader listener demographic, Mendes added a rapper to several tunes.  And the results largely obliterated the most appealing aspects of the Brazil 66 memories.

Fortunately, Alpert, Hall and their fine accompanists had already brought jazz authenticity to the Bowl’s 2013 schedule in their opening set.  Hopefully, their world class program will represent the start of an equally memorable summer at the Hollywood Bowl for Southland jazz fans.

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Photos by Faith Frenz


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