Picks of the Week: September 9 – 14 in Los Angeles, San Francisco, Chicago, New York, London, Copenhagen, Milan and Tokyo

September 9, 2014

 

By Don Heckman

Los Angeles

- Sept. 11. (Thurs.) The Los Angeles Philharmonic and the Los Angeles Master Chorale, conducted by Juanjo Mena finish the summer’s classical season at the Hollywood Bowl with a grand performance of Beethoven’s Symphony No. 9, and Leonard Bernstein’s Symphonic Dances from West Side Story. Hollywood Bowl. (323) 850-2000.

- Sept. 11. (Thurs.) The Fazioli Piano Series. Pianist Eric Huebner plays works by by Luciano Berio, Paolo Cavallone, Nathan Heidelberger, Roger Reynolds, Salvatore Sciarrino, and Eric Wubbels on the much honored (with good reason) Fazioli piano. The Italian Cultural Institute of Los Angeles. (310) 443-3250.

Barbara Morrison (Photo by Bonnie Perkinson)

- Sept. 12 & 13 (Fri. – Sun.) Barbara Morrison 65th birthday and CD release celebration. It’s a memorable weekend for one of Los Angeles’ greatest jazz treasures. She should be heard at every opportunity. Catalina Bar & Grill.  (223) 466-2210.

- Sept. 12. (Fri.) Don Rader Quartet. Trumpeter Rader has been a first call Southland artist for decades, performing every imaginable kind of music with ease and musicality. Here he’s in the spotlight, displaying his versatile musical wares. Vibrato Grill Jazz…etc.  (310) 474-9400.

- Sept. 12 & 13. (Fri. & Sat.) Mary Bogue. Cabaret artist Bogue, a unique stylist, has been described by Cabaret Scenes Magazine as “kind of throw-back to the red-hot mamas…electrifying, sassy, and sexy.” The Gardenia. (323) 467-7444.

Sept. 13. (Sat.) Charles Aznavour. The great French singer/songwriter makes a rare Southland appearance celebrating his 90th birthday.  The performance will be a banquet of classic songs, sung by one of the iconic figures in the history of international song.    The Greek Theatre(323) 665-5857.

San Francisco

Eliane Elias (Photo by Bonnie Perkinson)

- Sept. 11 – 14, (Thurs. – Sun.) Eliane Elias. The gifted Brazilian singer/pianist presents four fascinating evenings of music: Thurs: Celebrating Getz/Gilberto; Fri: Chet Baker Tribute; Sat: Night in Bahia; Sun: Bill Evans Salute. Don’t miss any of them. An SFJAZZ program at Miner Auditorium. r (866) 920-5299.

Chicago

- Sept. 11 – 14. (Thurs. – Sun.) Robert Glasper Trio. Comfortably positioned on the cutting edge of contemporary jazz, pianist Glasper and his players are offering fascinating new views of 21st century improvisational music. The Jazz Showcase. (312) 360-0234.

New York City

Dr, Lonnie Smith

Dr, Lonnie Smith

- Sept. 12 – 14. (Fri. – Sun.) Dr. Lonnie Smith.  Organ master Smith’s performances are unique explorations of an instrument with orchestral potential. “The organ is like the sunlight, rain and thunder,” says Smith. “It’s all the worldly sounds to me!” The Jazz Standard.  (212) 576-2232.

London

- Sept. 10 – 13 (Wed. – Sat.) “Brubecks Play Brubeck” featuring Darius, Chris and Dan Brubeck. The talented offpspring of Dave Brubeck display the remarkable genetic musical heritage they’ve received from their legendary father. Ronnie Scott’s.  +44 20 7439 0747.

Copenhagen

Sept, 13, (Sat.) Robert Lakatos. Hungarian jazz pianist Lakatos, one of Europe’s most highly praised jazz artists, is joined by Denmark’s Jesper Lundgaard, bass and Alex Riel, drums in a convincing display of the stunningly high level of jazz artistry on the continent. Jazzhus Montmartre.  +45 31 72 34 94.

Milan

The Bad Plus (Dave King, Ethan Iverson, Reid Anderson)

- Sept. 11. (Thurs,.) The Bad Plus. The creatively ambitious trio of pianist Ethan Iverson, bassist Reid Anderson, and drummer Dave King has been exploring new musical vistas since the 1990s, touching on everything from new views of the blues to their interpretation of Stravinsky’s The Rite of Spring. Blue Note Milano.  +39 02 6901 6888.

Tokyo

- Sept. 11 & 12. (Thurs. & Fri.) The Quartet Legend, featuring Kenny Barron, Ron Carter, Benny Golson and Lenny White. With a line-up of those names, this stellar group might more accurately be called “The Legendary Quartet.” Here’s a rare opportunity to hear them together. The Blue Note Tokyo. +81 3-5485-0088.

 


Live Jazz: The Ron Carter Trio at Catalina Bar & Grill.

July 26, 2014

By Don Heckman

There was good news for jazz Friday night at Catalina Bar & Grill.

Good news because the Sunset Blvd. Jazz club – L.A.’s principal destination for world class jazz groups – was packed.

Good news because the enthusiastic crowd seemed captivated by the music.

And, best of all, good news because the headlining act – the Ron Carter Trio – played a set that was a virtual definition of jazz at its finest.

The Ron Carter Trio: Donald Vega, Ron Carter and Russell Malone

The Ron Carter Trio: Donald Vega, Ron Carter and Russell Malone

The Trio’s instrumentation – Carter playing bass, Donald Vega playing piano, and Russell Malone playing guitar – was a stunning example of jazz minimalism: no drummer, no horns. And they handled it brilliantly.

Ron Carter

Ron Carter

The atmosphere on stage was a blend of jam session spontaneity with the subtle but complex interplay of a classical chamber ensemble. Collective passages seemed both organized and off the cuff. Solo passages flowed imaginatively through open spaces in the ensemble, allowing each player to reach into his deepest well of creativity.

Carter made a few soft-voiced comments between selections. But, for the most part, the music unfolded with a natural connectivity, regardless of the specific selection.

Malone was featured on “Candlelight,” a dedication to guitarist Jim Hall. Vega soloed on “My Funny Valentine.” And Carter chose “You Are My Sunshine,” a classic country tune he also selected as an unlikely solo vehicle a couple of years ago in a performance at Royce Hall.

A veteran player who was highly visible for years as a close musical companion to Diana Krall, Malone brought his far-ranging versatile eclecticism to his solo passages. Blending fast-fingered virtuosity with appealing lyricism, his soloing recalled, and honored, similar qualities in Hall’s memorable playing.

Vega, a jazz prodigy as a teen-ager, now a mature artist, found new ideas in the often-played “My Funny Valentine.” Approaching the classic standard from a new perspective, he often lured Carter and Malone into collective passages, instantly providing contrast and support for his stunning solo lines.

And Carter, the most recorded bassist in jazz history, once again had fun with “You Are My Sunshine.” Approaching his instrument with the pizzicato accents of a cello, he roved freely across the familiar melody. Digging into its roots, lining up the theme in his own unique fashion, his playing occasionally recalled a classic version of the tune recorded by Sheila Jordan and George Russell. But by the time he had melded his soloing back into the Trio collectivity, he had completely made it his own.

No wonder the audience was so reluctant to allow the Carter Trio to leave the stage. The opportunity to hear a performance as stunningly imaginative as his Trio had offered was a rare experience indeed. And this listener, no doubt like the rest of the applauding crowd, looks forward to the music Ron Carter will bring to his next, too-rare appearance in the Southland.

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Photos by Faith Frenz.


Picks of the Week: July 21 – 27 In Los Angeles, San Francisco, New York City, London, Paris and Tokyo

July 21, 2014

By Don Heckman

It’s another warm Summer week, with many international jazz clubs shuttered in their annual July -August hiatus. But there’s still some fine music to be heard.

Los Angeles

Strunz and Farah

Strunz and Farah

- July 22. (Tues.) Strunz and Farah. The dynamic guitar duo of Costa Rica’s Jorge Strunz and Iran’s Ardeshir Farah, showcase their irresistibly eclectic playing in one of their rare L.A. Appearances. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 22 & 24. (Tues. & Thurs.) Dudamel & Beethoven. The Los Angeles Philharmonic, under the kinetic conducting of Gustavo Dudmel illuminates a July evening with an all-Beethoven’s program featuring the classic Symphony No. 5 and the fascinating Triple Concerto. The Hollywood Bowl.  (323) 850-2000.

Robert Davi

Robert Davi

- July 24. (Thurs,) Robert Davi. “Davi Sings Sinatra.” Actor/singer Davi’s association with Frank Sinatra dates back to the 1977 film Contract on Cherry St. Since then he has become the most musically convincing of the Sinatra-styled singers, applying his own creative imagination to the “Blue Eyes” style. Vibrato Grill Jazz…etc.  (310) 474-9400.

- July 24. (Thurs.) Noura Mint Seymali. The compelling voice of Mauritanian singer is featured in the opening event in the Skirball Cultural Center’s 18th Free Sunset Concert Series. The Skirball Cultural Center.  (310) 440-4500.

- July 24 – 26. (Thurs. – Sat.) The Ron Carter Trio. Ron Carter may well be the most recorded bassist in jazz history. But he’s also a fine composer and the leader of his own impressive trios. Catalina Bar & Grill.  (223) 466-2210.

Gloria Estefan

Gloria Estefan

- July 25 – 26. (Fri. & Sat.) America & Americans Festival: Gloria Estefan. The L.A. Phil’s celebration of the music of North and South America continues with an appearance by Grammy-nominated vocalist Setefan with the Hollywood Bowl Orchestra conducted by Thomas Wilkins. The Hollywood Bowl.  (323) 850-2000.

- Juy 26 (Sat.) Elliott Deutsch Big Band. Trumpeter/arranger/composer Deutsch leads his briskly swinging ensemble with the skills that have made him the arranger of choice for the likes of Cheryle Bentyne, Bill Watrous and others. Vitello’s.  (213) 620-0908.

- July 26 & 27. (Sat. & Sun.) The Central Ave. Jazz Festival. A spectacular assemblage of world class jazz in L.A.’s most memorable jazz setting. Featured artists include Kamasi Washington and Next Step, Patrice Rushen & Ndugu Chancler, Mongorama, The Gerald Wilson Orchestra, Michael Session, Ernie Andrews, Dr. Bobby Rodriguez and more. Admission is free. The Central Ave. Jazz Festival.

- July 27. (Sun.) Peggy King and Corky Hale. She may be best known as “pretty, perky Peggy King” on the ’50s George Gobel television show. But in her later career, King’s matured into an impressive vocal artist. She performs with the superb accompaniment of pianist Corky Hale, who has been at the keyboard (or the harp) with everyone from Billie Holiday to Frank Sinatra.  Catalina Bar & Grill.  (223) 466-2210.

San Francisco

Tierney Sutton

Tierney Sutton

- July 24 – 27. (Thurs. – Sun.) Tierney Sutton. “Songs of Joni Mitchell.” A gifted vocalist with an emotionally rich style of her own, Sutton is one of the rare singers to have the musicality and the interpretive skills to handle the complex Mitchell catalof of songs. Click HERE to read an earlier iRoM review of Sutton singing Mitchell. An SFJAZZ event at Joe Henderson Lab. (866) 920-5299.

New York City

- July 22 – 26. (Tues. – Sat.) John Pizzarelli and the Swing Seven. Singer/guitarist Pizzarelli is in his most appealing medium when he’s digging into the pleasures of Swing, backed by an equally swinging bunch of players – as he is here. Birdland.  (212) 581-3080.

London

Randy Brecker

Randy Brecker

- July 22 – 24. (Tues. – Thurs.) The Brecker Bros. Reunion Band. Trumpeter Randy Brecker and saxophonist Michael Brecker were one of the gifted brother acts in modern jazz. Since the death of Michael in 2007, Randy has kept the memories of the Brecker Bros. Band alive and well. He’s joined by his wife, Ada Rovatti, in the band’s saxophone chair. Ronnie Scott’s. +44 (0)20 7439 0747.

Paris

- July 24. (Thurs.) The Mike Stern & Bill Evans Band. Expect some blues grooves and fusion fireworks when Stern and Evans get together with drummer Dennis Chambers and bassist Tom Kennedy. New Morning Paris.  +33 1 45 23 51 41.

Tokyo

- July 25 – 27. (Fri. – Sun.) Jose James. In his own unique way, vocalist James is searching for, and often finding, a blend between jazz, soul and hip-hop. Will it please the fans of each genre? Check him out and see. Blue Note Tokyo.  +81 3-5485-0088.

 

 

 


Picks of the Week: Oct. 28 – Nov. 3

October 29, 2013

By Don Heckman

Los Angeles

Amanda McBroom

Amanda McBroom

- Oct. 30. (Wed.)  Amanda McBroom.  The singer, actress and songwriter (“The Rose” is one of her songs) takes a break from her busy acting career to make a rare musical appearance in Los Angeles.  Catalina Bar & Grill.  (223) 466-2210.

- Oct. 31. (Thurs.)  Kate Reid and Larry Koonse Duo.  Guitarist Koonse, who is at the top of everyone’s rhythm section list, has a strong musical connection with singer/pianist/educator Reid. Vitello’s.    (818) 769-0905.

- Nov. 1 – 3. (Fri. – Sun.)  Vivaldi with Perlman.  Violinist Itzhak Perlman conducts and solos with the Los Angeles Philharmonic in a program of Vivaldi, Weber and Berlioz.  Walt Disney Hall. /2013-11-01  (323) 850-2000.

- Nov. 1. (Fri.)  Bob Sheppard Trio. He’s a prime, first-call tenor saxophonist, but Sheppard is also a versatile woodwind (clarinet, flute and other saxophones) artist as well.  Hear him in the warm acoustic ambiance of Herb Alpert’s elegant jazz club.  Vibrato Grill Jazz…etc.   (310) 474-9400.

Karrin Allyson

Karrin Allyson

- Nov. 1 – 3. (Fri. – Sun.) Karrin Allyson.  Multiple Grammy nominated Allyson performs superbly in genres reaching from folk to cabaret to jazz to bossa nova and beyond. Her L.A. performances are rare, and always worth attending.    Catalina Bar & Grill.  (223) 466-2210.

- Nov. 2. (Sat.)  Joanne Tatham.  “Soundtrack New York: Music from Movies Made in Manhattan.  It’s a fascinating idea for a program of songs, with dozens from which to chose.  And Tatham delivers it well, via her warm, seductive sound and musical story-telling skills.  Vitello’s.   (818) 769-0905.

Pat Senatore

Pat Senatore

- Nov. 3. (Sun.)  The Pat Senatore Trio.  With Josh Nelson, piano and Mark Ferber, drums.  Bassist Senatore leads a stellar group of players in a CD release party celebrating the release of the Trio’s new album, AscensioneVibrato Grill Jazz…etc. (310) 474-9400.

San Francisco

- Oct. 30 & 31.  (Wed. & Thurs.)  The Four Freshmen.  Their history dates back to the late ‘40s, when the Freshmen were creating harmonically lush, jazz-driven jazz vocalizing, accompanied by their own multiple instrumental skills.  This is a younger version of the Freshmen, but their music continues to be richly compelling.  Yoshi’s Oakland.    (510) 238-9200.

Seattle

- Oct. 31 – Nov. 3. (Thurs. – Sun.)  Gerald Albright. He’s well known as a much-admired, contemporary jazz saxophonist, but Albright is also a multi-instrumentalist who brings genre-crossing sounds to all his performances.   Jazz Alley.    (206) 441-9729.

New York City

Arturo Sandoval

Arturo Sandoval

- Nov. 1 – 3. (Fri. – Sun.)  Arturo Sandoval.  Every performance by Cuban-born Sandoval is a stunning display of his musical range and instrumental eclecticism.  Whether playing Dizzy Gillespie-influenced trumpet, rhapsodic piano, dynamic drumming, or singing, he does it all with complete musical mastery.  The Blue Note.   (212) 475-8592.

Oct., 31 – Nov. 3.  (Thurs. – Sun.)  The Vijay Iyer Trio.  Pianist Iyer’s Grammy-nominated Trio is an engaging vehicle for his playing, which incorporates aspects of his Indian heritage with his dynamic piano style.  Jazz Standard.

- Oct. 29 – Nov. 2. (Tues. – Sat.)  The Ron Carter Nonet. Carter has performed as everyone’s favorite bassist on more than 2500 albums.  But he’s less-known as a composer and band leader in his own right, who should be heard at every opportunity.  Birdland.    (212) 581-3080.

London

Dave Holland

Dave Holland

- Nov. 2 & 3.  (Sat. & Sun.)  Dave Holland Prism.  Prism is the latest in bassist Holland’s numerous ensembles.  And like all his musical efforts, it leads his listeners through inventive musical adventures.  Ronnie Scott’s.   +44 (0)20 7439 0747

Copenhagen

- Nov. 1 & 2. (Fri. & Sat.)  The Ben Sidran Quartet.  “Don’t Cry For No Hipster.”  The versatile Sidran, a Renaissance jazz man, moves comfortably from performing jazz, rock and beyond to work as a producer, educator and radio host.  Here, he’s on piano and vocals, backed by Bob Rockwell, tenor saxophone, Billy Peterson, bass and Leo Sidran, drums.  Jazzhus Montmartre.    +45 31 72 34 94.

Milan

- Oct. 30 & 31. (Wed. & Thurs.)  Jack DeJohnette Group.  Drummer DeJohnette, always creatively curious, leads an ensemble that features the equally inventive clarinetist/saxophonist Don Byron Blue Note Milano.     +39.02.69016888.


Live Jazz: Saturday at the Monterey Jazz Festival 56

September 23, 2013

Impressions from MJF 56, Saturday

By Michael Katz. 

Saturday at MJF is a sprawl of music, food, and a friendly wave of humanity washing over everything. After years of vacillating between the supposedly bigger names in the sun-baked arena and the fun of the Garden Stage, I opted this year to grab a bench seat at the Garden and soak it all in. As it turned out, you could have camped out for 3 days and nights there in your lawn chair and done just fine. Saturday afternoon was opened by the California Honeydrops, a band from Oakland with a distinct gumbo flavor, augmented by the blues-tinged piano of guest artist Charlie Hickox. Lech Wierzynski was a genial leader on vocals, guitar and trumpet. He varied the pace, from a sultry “Let The Good Times Roll,” to the New Orleans standard “You Rascal You,” and some rollicking blues.

The California Honeydrops on the March

The California Honeydrops on the March

When the metaphorical Honeydrops turned to real raindrops, the band marched into the crowd for a spirited “When The Saints Go Marching In.” Johnny Bones wailed away on the tenor, with Lorenzo Loera on bass. Benjamin Malamont and Warren Jones handled drums and percussion. In recounting their adventures playing in the BART tunnels, they brought out a washboard, Jones spinning out a tactile tap dance through “Pumpkin Pie.”

Somewhat regretfully, I left the Honeydrops behind to drop in on baritone sax player Claire Daly at the Night Club. She was doing a set of Monk tunes from her Baritone Monk CD, and the promise of an hour of Thelonious tunes was enough to draw me inside. Daly opened up with “52nd Street Theme,” then switched to some lesser known compositions, including “Light Blue,” which featured an arco solo by her bassist, Mary Ann McSweeney. It was nice to bring tunes like “Teo” and “Two Timer” to light, but there was a lot of mileage left in the more familiar compositions as well.

Claire Daly

Claire Daly

Daly has a graceful touch with the bari sax, strong chops and an easy patter with the audience. She knew when to vary the tone, switching to flute for “Ruby, My Dear,” where she had some fine support from Steve Hudson on piano. Her “Merrier Christmas” medley was quite amusing, especially given the hot and sticky conditions inside the Nightclub. When she mentioned the word “cool” in introducing “Let’s Cool One,” the very sound of it was refreshing; her version of it was brisk and swinging. I especially liked her interpretation of “Bright Mississippi,” which, despite the intended irony in Monk’s title, was bright and bouncy. Drummer Peter Grant had a nice flourish toward the end to conclude a terrific set.

There were a few quick stops before the evening program kicked in. I caught the end of George Benson’s Arena show, walking into a blazing (if way too heavily amped) “Mambo Inn,” which was followed by a couple of his pop standards, and then a foot stomping signature version of “On Broadway.”

Charnett Moffett

Charnett Moffett

Back at the Garden Stage, bassist Charnett Moffett kicked off the 10 Years of Motema Music celebration with 20 minutes of solo bass. It was a triumph of rhythm and dexterity, his nimble fingers reminiscent of Ron Carter, deftly weaving from Mingus’ “Haitian Fight Song” to the Beatles’ “Eleanor Rigby.” There was “Frere Jacques” as you’ve never quite heard it, and a stand-up bass/electronic-assisted nod to Jimi Hendrix’s “Star Spangled Banner.”

Dave Douglas and Joe Lovano

I started the evening at the Arena, where Artist-In Residence Joe Lovano and trumpeter Dave Douglas led their Sound Prints quintet. Lovano has been much into free jazz of late – I had caught the end of his Us Five band Friday night. His soloing is vigorous and full of extemporaneous glee, while Douglas has always been out there on the edge. But I thought that pianist Lawrence Fields was superb – his chordal structures and gentle prodding formed the background to the band, a kind of gravitational pull that kept the soloists from breaking too far from their orbits. The centerpiece of the show was two Wayne Shorter compositions commissioned for the festival, “Destination Unknown” and “Sail Beyond The Sunset.” The first was a somewhat basic line augmented by some more nice work by Fields. I found the second more compelling, with trumpeter Douglas providing some clarity with his voicings. Lovano soaring as usual and Linda Oh adding some insistent bass work. Joey Baron backed it all up nicely on the drums.

Orrin Evans

Orrin Evans

I cannot go through an MJF without at least one piano trio set at the Coffee House, so I headed over to catch Orrin Evans’ 9:30 set. Evans is a unique talent. Start out with a muscular style, a la the late Mulgrew Miller or McCoy Tyner, then add in the ability to find calm in the center, like the eye of a hurricane. Evans has had a long association with his bassist, Eric Revis, and the interplay between the two was fascinating throughout. They opened with a Revis composition, “Black Elk Speaks,” which had some abstract qualities, but later moved on to standards like “Autumn Leaves.” Drummer Donald Evans contributed precise stickwork, and Evans again demonstrated his ability to produce thunderous riffs and then segue to lovely, quieter moments. The hour flew by, ending on the spiritual side with Luther Vandross’ “Brand New Day” from The Wiz, and then Evans singing a gospel-like, “The Eternal Truth,” by Trudy Pitts.

There was no shortage of reverence and appreciation for the late Dave Brubeck at MJF 56, but nothing quite brought his spirit to life like the Brubeck Brothers Quartet at the Nightclub.

Chris Brubeck

Chris Brubeck

Bassist and trombonist Chris Brubeck, as affable as he is talented, kept everything in perspective, adding family insights to a collection of standard and not-so-standard compositions by his father. Brother Dan was quiet verbally but boisterous on the drum set. The band itself stood out for its contrast to the basic Dave Brubeck quartet. Instead of a sax, there was superb guitarist Mike DeMicco. He shared the leads with pianist Chuck Lamb – the two of them often alternating bars on the main lines. The substitution of guitar for sax presented opportunities for fresh arrangements, and here the band excelled. I especially liked “Kathy’s Waltz,” which had a bright, energetic swing to it, with a terrific solo by Lamb. “The Jazz-anians” was a tour de force for Dan, and emphasized the cultural impact Dave had. There was a quiet interlude for Lamb, who soloed in “Strange Meadowlark,” then Chris picked up the trombone, offering a sweet and lovely interpretation of one of my favorite Brubeck tunes, “In Your Own Sweet Way.” There was also recognition of the recent passing of Marian McPartland. Dave Brubeck had recorded a series of wonderful compositions in which he took a performer’s name and worked out tunes that seemed to match them. “Marian McPartland,” which he recorded with her on “Piano Jazz,” was wonderfully re-invented with Chris providing nimble bass work. The Brubecks understood that the audience still wanted the most famous tunes – but Chris added to the understanding with a narrative of the quartet’s tour under the aegis of the State Department, which inspired “Blue Rondo a la Turk.” If you wondered how they’d pull this off without a saxophone, Mike DeMicco answered with an intricate reading, carrying the melody with Lamb, then pulling off the “Blue” part with some raucous guitar licks.

Capping it off was “Take Five,” in which Dan Brubeck breathed new life into the obligatory drum solo, taking a turn that might have become de riguer and treating the audience to as fine an extended performance as has been rendered on one of jazz’s most famous tunes.

That put the cap on a wonderful day 2 at Monterey, with the promise of one more afternoon and evening to come.

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Photos of the California Honeydrops, Charnett Moffett and Chris Brubeck by Michael Katz.

Photos of Claire Daly, Joe Lovano & Dave Douglas, and Orrin Evans courtesy of the Monterey Jazz Festival. 

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.Don’t forget to check out Michael Katz’s new novel, Dearly Befuddled, available in paperback and E-book at Amazon.  And Read Mike’s Blog at Katz of the Day.

 


Picks of the Week: July 1 – 7

July 1, 2013

By Don Heckman

Los Angeles

Susan Krebs

Susan Krebs

- July 1 (Mon.)  Suze’s Birthday FestSusan Krebs celebrates her birthday in the creative company of Rich Eames, piano, Jerry Kalaf, drums and Tom Warrington, bassAdd to that the presence of special guests saxophonist Brian Scanlon and violinist Paul CartwrightVitello’s.    (818) 769-0905.

- July 2. (Tues.)  Carol Robbins, Pat Senatore and Larry Koonse.  An evening of interactive stringed instruments, with Robbins’ harp, Senatore’s bass and Koonse’s guitar.  Expect to hear some brisk swing combined with some fascinating textures.    Vibrato Grill Jazz…etc.   (310) 474-9400.

Josh Groban

Josh Groban

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- July 2 – 4. (Tues. – Thurs.)  Josh Groban Fireworks Spectacular. Groban’s warm, baritone voice is featured singing patriotic songs, supported by the Los Angeles Philharmonic and conductor Sarah Hicks in this year’s fireworks spectacular.   Hollywood Bowl.   (323) 850-2000.

- July 5. (Fri.)  Joe La Barbera Quintet.  Everyone’s favorite rhythm section drummer steps into the leadership role with a stellar group that includes saxophonist Bob Sheppard, trumpeter Clay Jenkins, pianist John Beasley and bassist Tom Warrington. Vitello’s.    (818) 769-0905.

- July 5 & 6. (Fri. & Sat.)  Bugs Bunny at the Symphony. An evening of classic Bugs Bunny cartoons along with Tom and Jerry and some new 3D animation.  The video projections will be performed with live music from the Los Angeles Philharmonic conducted by George DaughertyHollywood Bowl.    (323) 850-2000.

- July 5 – 7. (Fri. – Sun.)  Ron Carter Trio.  With Russell Malone and Donald Vega.  It’s a cross-generational trio of world class players, from veteran bassist Carter and busy guitarist Malone with the gifted young pianist Vega.  Catalina Bar & Grill.   (323) 466-2210.

- July 6. (Sat.) Jethro Tull’s Ian Anderson plays Thick as a Brick 1 & 2 in a theatrical production with video and additional musicians – including some who are veterans of Jethro Tull. The Greek Theatre.  (323) 665-5857.

– July 7. (Sun.)  LL Cool Jay.  Grammy-winning LL Cool Jay headlines the Kings of the Mic hip-hop tour, joined by Ice Cube, Public Enemy and De La Soul.  The Greek Theatre.    (323) 665-5857.

- July 7. (Sun.)  David Silverman. Singer/pianist Silverman, who has become a major musical star in Tokyo over the past two decades, performs a program of classics from the Great American Songbook. Vibrato Grill Jazz…etc.   (310) 474-9400.

San Francisco

- July 6. (Sat.)  Jim Kweskin Jug Band 50th Reunion.  Featured artists include Maria and Jeff Muldaur, Richard Greene and Bill Keith from the original Jug Band, along with guitarist Cindy Cashdollar and bassist Sam Bevan.  Freight & Salvage Coffeehouse.  Berkely, CA.    (510) 644-2020, x120.

New York

Jackie Ryan

Jackie Ryan

- July 2 – 4. (Tues. – Thurs.) Jackie Ryan.  The ever-appealing jazz singer Ryan  celebrates the release of her new CD Listen Here  with special guest Harry AllenBirdland.    (212) 581-3080.

- July 2 – 7.  (Tues. – Sun.)  Jerry Gonzalez & the Fort Apache Band.  The super-heated Latin jazz rhythms of the Fort Apache Band fill the room whenever trumpeter/percussionist Gonzalez and his players perform.  Village Vanguard.   (s12) 475-8592.

Dominick Farinacci

Dominick Farinacci

- July 2 & 3. (Tues. & Wed.)  Dominick Farinacci. Trumpeter Farinacci, one of the most gifted players of his generation, still hasn’t received the attention his fine playing deserves.  He performs with Zaccai Curtis, piano; Ryan Scott, guitar; Yasushi Nakamura, bass; Keita Ogawa, percussion.  Dizzy’s Club Coca Cola.   (212) 258-9595.

London

- July 7. (Sun.)  Daryl Sherman“The Songs of Johnny Mercer and Cole Porter.”  Singer/pianist Sherman offers a convincing blend of cabaret and jazz.  She performs here with Alan Barns, woodwinds, Andy Cleyndert, bass, and Steve Brown, drums.  Ronnie Scott’s.   +44 20 7439 0747.

Copenhagen

- July 4 & 5. (Thurs. & Fri.)  ‘The New Generation Meets the Great Danes.”  Young American jazz pianist Christian Sands performs with a pair of legendary Danish jazz artists, bassist Thomas Fonnesback and drummer Alex RielJazzhus Montmartre.    +45 31 72 34 94.

Tokyo

Pat Martino

Pat Martino

- July 1 – 3. (Mon. – Wed.)  The Pat Martino Trio.  Guitarist Martino was striken with amnesia after experiencing after a near-fatal brain aneurysm in 1980.  But over the succeeding years he relearned how to play his instrument, returning to action in 1987 with a sequence of superb recordings.  The Blue Note Tokyo.   +81 3-5485-0088.


Picks of the Week: Mar. 19 – 24

March 19, 2013

By Don Heckman

Los Angeles

Dorothy Dale Kloss

Dorothy Dale Kloss

- Mar. 20. (Wed.)  “Three For the Show.”  A trio of veteran performers celebrate the music of Broadway, cabaret and beyond: Dorothy Dale Kloss, at 89, is described as the world’s oldest, still performing show girl; Suzy Cadham was a Golddigger on the Dean Martin Show, and Ken Prescott starred on Broadway in 42nd St. Catalina Bar & Grill.   (323) 466-2210.

- Mar. 20. (Wed.)  Amanda Brecker. Singer/songwriter Brecker has an impressive lineage – her mother is Brazilian pianist/singer Eliane Elias, her father is jazz trumpeter Randy Brecker.  But Amanda has her own unique musicality, as well.  Her current project is Blossom, a new CD honoring the 40th anniversary of Carole King’s Tapestry. Vibrato Grill Jazz…etc.   (310) 474-9400.

- Mar. 22 & 23. (Fri. & Sat.)  Julie Esposito.  She’s a rare hyphenate – attorney/singer, but she manages to fulfill both roles impressively.  Julie’s current show, “Open Your Window,” is a musical celebration of life—through the songs of Sondheim, Bernstein and more – delivered with the stylish, story-telling qualities that are the essence of her art.  The Gardenia.  (323) 467-7444.

Savion Glover

Savion Glover

- Mar. 22. (Fri.)  Savion Glover.  Watching, and hearing, tap dancer Glover is like experiencing a world class drummer in tap shoes.  There’s no one quite like him, so don’t miss one of his rare Southland appearances. Cerritos Center for the Performing Arts.    (562) 916-8501

- Mar. 23. (Sat.)  Frank Stallone.  Vitello’s. Grammy and Golden Globe-nominated actor/singer Stallone follows convincingly in the classic styles of Frank Sinatra, Tony Bennett and others.  Vitello’s.    (818) 769-0905.

- Mar. 24. (Sun.)  Yuja Wang.  Pianist Wang makes her Disney Hall recital debut with a challenging program reaching from Mendelssohn and Ravel to Debussy, Scriabin and Rachmaninoff.   Disney Hall.   (323) 850-2000.

- Mar. 24. (Sun.)  The Los Angeles Chamber Orchestra.  “Mostly Baroque.”  The title is right on target for a LACO program encompassing Bach, Handel, Mozart and Stravinsky.  Music Director Jeffrey Kahane will conduct from the keyboard, with soloists Margaret Batjer, violin, and David Shostac, flute.  A CAP UCLA concert at Royce Hall.  (310) 825-2101.

San Francisco

Sheila E.

Sheila E.

- Mar. 20 – 22. (Wed, – Fri.)  Sheila E.  She comes from a high visibility music world family, but she’s learned how to dominate a stage with her magnetic skills as a percussionist, singer, vocalist, songwriter and a lot more, while looking sensational.  Yoshi’s Oakland.   (510) 238-9200.

New York City

- Mar. 19 – 23. (Tues. – Sat.)  The Tierney Sutton Band.  Grammy-nominated Sutton approaches every song she sings with an imaginative overview, superbly aided by the Band that is an essential element in her deeply expressive musical story telling.  Birdland.    (212) 581-3080.

Madeleine Peyroux

Madeleine Peyroux

- Mar. 22 – 24. (Fri. – Sun.)  Madeleine Peyroux.  Always an unusual vocal talent, Peyroux has moved well beyond the Billie Holiday influences in her early recordings, into a versatile singer with the skill and the imagination to embrace everything from classic standards to Leonard Cohen, Randy Newman, John Hartford and beyond.  Dizzy’s Club Coca Cola.    (212) 258-9800.

London

Mar. 20. (Wed.)  Kai Hoffman.  The glamorous vocalist Hoffman celebrates the release of her new CD, Do It While You Can.  Click HERE to read an iRoM review of the album.    Ronnie Scott’s.    +44 20 7439 0747

Copenhagen

- Mar. 22. (Fri.) Marilyn Mazur.  Percussionist Mazur was American-born, but she’s lived in Denmark since the age of 6.  She performs here with Celestial Circle — a group of stellar European jazz artists that includes vocalist Josefine Cronholm, pianist John Taylor and bassist Anders Jormin. Jazzhus Montmarte.   +45 31 72 34 94.

Stockholm

- Mar. 21. (Thurs.)  Frank Gambale Natural High Trio.  Australian fusion guitarist Gambale moves comfortably across genre lines, from rock shredding to straight ahead jazz.  He’s joined in his Natural High Trio by pianist Otmaro Ruiz and bassist Alain CaronFasching.    08-534 829 60.

Berlin

Sandro Albert

Sandro Albert

- Mar. 24. (Sun.)  The Sandro Albert Quartet.  Guitarist Albert is one of Brazil’s most convincing jazz artists.  He’s backed here by a prime American rhythm section – keyboardist James Weidman, bassist Michael O’Brian and drummer Tom BrechtleinA-Trane.   +49 30 3132 ext. 550.

 Milan

- Mar. 23. (Sat.)  The Ron Carter Trio.  Iconic bassist Carter has spent his life playing for world class artists.  And he continues to do so here with his own group, featuring pianist Donald Vega and guitarist Russell Malone.  Click HERE to read a recent iRom review of Carter.  Blue Note Milano.   +39 02 6901 6888

Qatar

- Mar. 19 – 24. (Tues. – Sun.)  Ulysses Owens Jr. Quintet. Grammy-winning drummer Owens has already established himself – in his ‘20s – as first call player whose resume is already filled with world-class performances.  Jazz at Lincoln Center Doha.    +974.4446.0000.

Tokyo

Hiromi

Hiromi

.

- Mar. 22 – 24. (Fri. – Sun.)  Hiromi Uehara Solo.  Performing in a solo setting, the gifted Hiromi finds ways to transform her keyboards – from acoustic to electric – into a virtual orchestra for the fullest expression of her improvisational ingenuity.  Blue Note Tokyo.  +81 3-5485-0088.


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