By Don Heckman
Bel Air, CA. International Jazz Day was celebrated in high spirited fashion Tuesday night at Herb Alpert’s Vibrato Grill Jazz…etc. The room’s Music Director and bassist Pat Senatore, who schedules an appealing flow of jazz talent in the attractive Bel Air club, picked many of his regular players to perform in a 3 ½ hour sequence of virtually non-stop spontaneous jazz.
It wasn’t exactly a jam session, but there were times when it came close: the players making spontaneous on-stage decisions about what tunes to play, shifting from number to number and group to group, tossing ideas back and forth, working out endings on the spot.
The horn players covered a complete gamut of styles and methods – exactly what one might expect from the presence of such sterling talents as saxophonists Bob Sheppard, Tom Peterson and Chuck Manning, trumpeters Steve Huffsteter and Dontae Winslow and trombonist Bob McChesney.
And with rhythm teams that included pianists Joe Bagg, Ed Czach and Otmaro Ruiz, bassists John Belzaguy, Chris Colangelo, Jeff D’Angelo, Putter Smith and Pat Senatore, and drummers Matt Gordy and Dick Weller, it was no surprise that there was no let-up in the music’s propulsive rhythmic drive.
There were plenty of highlights in this extraordinary evening. To mention a few of the sounds still ringing through my mind after the performance, as we drove down Beverly Glen’s twists and turns to the Valley:
– The opening set by a gifted group of teen-age jazz players, whose convincing program reached from a fast-paced “Donna Lee” to a lyrical “Passion Flower.”
– A quintet that matched Tom Peterson and Steve Huffsteter in a set of beautifully played versions of “Alone Together,” “Body and Soul” and a simmering bossa nova.
– Another quintet featuring Bob Sheppard and Dontae Winslow – a pair of horn players with fine intuitive interaction, doing their imaginative takes on “Autumn Leaves” and “Straight, No Chaser.”
– Trombonist McChesney’s remarkably fast-paced, articulately expressive soloing in a surprisingly high speed romp through “I Love You,” and Chuck Manning’s similarly fast-paced, spontaneous take on “I Hear Music.”
– And a final set pairing of Sheppard and Huffsteter on a warmly intimate ballad rendering of “I Can’t Get Started” and “Yesterdays” (the Cole Porter, not the Beatles version).
Jazz at its best, in other words. Precisely the sort of inventive, briskly swinging improvisational music that was being celebrated in locations around the world for International Jazz Day.
Give Pat Senatore, his players and Vibrato lots of credit for the way they handled their share of the celebration, reminding one and all of the Southland’s vital role as one of the important sources of jazz at its finest.
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Photos by Faith Frenz.