Talent, Oregon. Singer/pianist Jennifer Scott drove through the forest fire smoke in southern Oregon Sunday to perform a memorable evening of jazz versions of Great American Songbook classics – and a lot more. Her Trio included her husband, bassist Rene Worst, and guitarist Ed Dunsavage.
As the creative director of the Siskiyou Music Project‘s programming, Dunsavage has produced dozens of fine jazz programs. And this was one of his best, in part because of the superb musicality of the Canadian couple of Scott and Worst. But also, too, due to Dunsavage’s own impressive jazz skills.
The Scott Trio has been playing dates together recently, and the blend between these three gifted players might best be described as creatively symbiotic music-making.
Scott was the focus of an essentially vocal evening of music. And with good reason. Blessed with a voice that soars across octaves, she also possesses a warmth and intimacy of tone, and the interpretive musical skills of a born story teller. And she sounded completely at home in the company of her Trio’s bass, guitar and her piano, a setting that also provided ample space for each player to solo freely.
Well thought-out arrangements added an additional touch to an evening of music further enhanced by the colorful setting of the Paschal Winery.
Scott’s choice of songs was superb, ranging from blues to bossa nova, from standards to songs of the sixties. And she handled each genre with interpretive authenticity.
The blues came early, starting with “Rocks In My Bed” followed much later by a closing jam showcasing Scott’s impressive scat singing.
The Brazilian material included “Sonho Meu,” a song associated with Maria Bethania, and the Jobim classic “Agua De Beber.” Add to this the gorgeous Italian song “Estate,” often sung with a bossa nova foundation. And here, too, Scott revealed yet another convincing musical perspective – with the aid of Worst and capturing the subtle flow of Brazilian rhythms.
And there was more: An impressive display of Scott’s solid jazz skills in stunning romps through Thelonious Monk’s “Play Twice” and Chick Corea’s “Armandos Rhumba.” Here, as elsewhere, her piano comping and soloing also provided full and equal improvisational partnership to the bass and guitar.
Add to that the stylistic authenticity of Scott’s interpretations of standards such as “I’m Old Fashioned,” “Bye Bye Blackbird,” “I’ve Never Been in Love Before” and “My Foolish Heart,” as well as such ’60s items as James Taylor’s “The Secret of Life.”
Then, calling upon her enthusiastic listeners to join in, she offered an emotionally touching reading of Leonard Cohen’s “Hallelujah,” with everyone joining in on the chorus. It was the perfect climax to a perfect musical evening. Thanks to the Siskiyou Music Project for showcasing the Jennifer Scott Trio in a performance to remember.
The Siskiyou Music Project’s 2015 season closes on August 22 with “Celebrating Sinatra: Leslie Kendall and Friends.”
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Photos by Faith Frenz.