LA Opera Opens the 2015/16 Season with Gianni Schicchi, Staged by Woody Allen
LA Opera’s thirtieth anniversary season opens with the double bill of Gianni Schicchi and Pagliacci (September 12 through October 3, 2015). Placido Domingo, LA Opera’s general director, will sing the title role in Woody Allen’s staging of Puccini’s Gianni Schicchi.
The opera will be conducted by Grant Gershon, the company’s resident conductor, and will feature Arturo Chacón-Cruz as Rinuccio, Andriana Chuchman as Lauretta, and Meredith Arwady as Zita. After the intermission, Mr. Domingo will move to the orchestra pit to conduct Franco Zeffirelli’s production of Ruggero Leoncavallo’s Pagliacci, starring Marco Berti as Canio, Ana María Martínez as Nedda, and George Gagnidze as Tonio.
LA Opera’s music director James Conlon had this to say: “I’m proud to be part of LA Opera for this thirtieth anniversary season, and to mark the occasion by conducting the celebratory gala with Plácido Domingo and Renée Fleming. I am also thrilled to welcome my colleague and friend Gustavo Dudamel, who is making his debut with our company. As part of our commitment to contemporary opera, I relish the opportunity to conduct Jake Heggie’s Moby-Dick. I also look forward to collaborating again with Barrie Kosky for The Magic Flute as well as welcoming back Ana María Martínez and Stefano Secco in Madame Butterfly, after their previous successes in our 2012 Simon Boccanegra. As part of LA Opera’s expanding bel canto repertory, the return of Norma for the first time since 1996 is an important event.”
Jake Heggie’s Moby-Dick comes to Los Angeles October 31 through November 28, 2015. Tenor Jay Hunter Morris stars as Captain Ahab in performances conducted by James Conlon and directed by Leonard Foglia. The cast also includes tenor Joshua Guerrero in the leading role of Greenhorn as well as baritone Morgan Smith as Starbuck, a role he created at the work’s 2010 premiere.
LA Opera will present Vincenzo Bellini’s bel canto masterpiece, Norma, (November 21 through December 13, 2015) in a production conducted by James Conlon and directed by Anne Bogart. Soprano Angela Meade, who made her LAO debut in 2012 as Donna Anna in Don Giovanni, returns to lead a quartet of principals that includes mezzo-soprano Jamie Barton as Adalgisa, along with tenor Russell Thomas as Pollione, and bass Morris Robinson as Oroveso.
Conducted by James Conlon, The Magic Flute returns (February 13 through March 6, 2016) with its evocation of the silent film era. The production is directed by Barrie Kosky and by Suzanne Andrade of the British theater company 1927. Onstage performers, including tenor Benjamin Bliss as Tamino, interact with projected hand-drawn animation, to capture Mozart’s delightful blend of high comedy and fairy tale.
In a production new to Los Angeles, Puccini’s Madame Butterfly (March 12 through April 3, 2016) will be conducted by James Conlon and directed by Lee Blakeley. In her second leading appearance in the season, soprano Ana María Martínez stars as Cio-Cio-San, one of her signature roles, with tenor Stefano Secco as the faithless Pinkerton and mezzo-soprano Milena Kitic as Suzuki.
Georgian soprano Nino Machaidze returns for her sixth leading role at LA Opera, singing her first performances as Mimi in La Bohème (May 14 through June 12, 2016). Speranza Scappucci will make her LAO debut conducting six of the eight performances. The final two performances will feature the company debut of conductor Gustavo Dudamel, music director of the Los Angeles Philharmonic. This revival of the Herbert Ross production features Abdellah Lasri and Mario Chang sharing the role of Rodolfo and Janai Brugger and Amanda Woodbury sharing the role of Musetta. Moldavian soprano Olga Busuioc performs the role of Mimi on May 19 and 25.
On March 18, 2016, LA Opera presents a 30th Anniversary Concert starring Plácido Domingo and Renée Fleming. Conducted by James Conlon, the concert features many of opera’s greatest arias and duets.
LA Opera’s Off Grand initiative was developed to expand on traditional ideas of the operatic experience by experimenting with performance spaces, creative artists new to the genre, and a variety of musical styles. Here is a look at the 2015/16 Season:
- The West coast premiere of Song from the Uproar, by composer Missy Mazzoli and librettist Royce Vavrek, explores the fascinating life and death of adventurer Isabelle Eberhardt and will be performed at REDCAT from October 8 through 11, 2015.
- Philip Glass’s contemporary score for Bela Lugosi’s classic 1931 film Dracula will be performed live by the composer, joined by the Kronos Quartet, at the Theatre at Ace Hotel, a 1927 Spanish Gothic movie palace, from October 29 through 31, 2015.
- On December 12, 2015, Erwin Schrott returns in Rojotango in Concert, a tribute to the music of his native South America in a program featuring tangos by Astor Piazzola and Pablo Ziegler as well as Argentinean and Brazilian folk songs.
- Free performances of a community opera for families, The Festival Play of Daniel, will be conducted by James Conlon and performed at the Cathedral of Our Lady of the Angels on March 4 and 5, 2016.
The season concludes with the world premiere of Anatomy Theater by composer David Lang and visual artist Mark Dion, presented at REDCAT. Based on actual 18th-century texts, Anatomy Theater follows the progression of an English murderess from confession to execution and, ultimately, public dissection before a paying audience of fascinated onlookers.*