Live Music: The Real Vocal String Quartet in a Siskiyou Music Project Concert

May 11, 2015

By Don Heckman

Talent, Oregon. “Real Vocal String Quartet.” The words on the program guide seemed almost contradictory. What was it to be? One or the other? A vocal ensemble or a string quartet?

But when the four gifted members of the Real Vocal String Quartet began their concert Sunday night in the performance room of the beautiful Paschal Winery in Talent, Oregon, all the seemingly contradictory aspects of their name immediately disappeared.

The transformation began with “Kyili Turam,” a piece inspired by the Quartet’s fascination with world music, in this case from Macedonia. Starting with a full bodied string quartet opening, the four instrumentalists – still playing — moved close to their vocal microphones and enriched the string sounds with lush, four voice harmonies. The effect was astonishing, orchestral in its size, utterly gripping in its emotional impact. And it was just the beginning of the memorable program offered by the versatile artists of the Real Vocal String Quartet – violinists Irene Sazor and Alisa Rose, violist Matthias McIntire and cellist Jessica Ivry.

The Real Vocal String Quartet at the Paschal Winery

To say that the music was imaginative in every aspect of the word would only begin to describe a program that reached across a boundary-less array of genres. Classical, jazz, blues, Americana, fiddle music, world music and much more, all of it performed via a mesmerizing blend of authenticity and brilliant inventiveness – vocally, instrumentally and in combinations of both.

Titles were either unannounced or identified too quickly to register. But no matter; the significant information resided in the fact that most of the music was original, written or arranged by the four players – offering even more evidence of the expansive skills of this remarkable ensemble.

There were far too many highlights to list in the group’s eclectic selections. One of the most fascinating was a free improvisation, a completely spontaneous, unwritten, on-the-spot, brilliant four part composition. It’s a technique other groups have tried – dating back to the free jazz era of the ’60s. But I’ve rarely heard it delivered with the Vocal String Quartet’s inventive musical authority.

Another piece – violist Matthias McIntire’s whimsically titled “California Residents Blissful Despite Impending Earthquake” – displayed another quality, employing the group’s vocal/instrumental timbres with impressionistic impact.

The Real Vocal String Quartet (Matthias McIntire, Jessica Ivry, Irene Sazor and Alisa Rose)

In addition to their remarkable skills as an inventive musical collective, the four principals of the Vocal Jazz Quartet also displayed unique solo abilities. Each revealed convincing improvisational abilities. The two violinists – Irene Sazor and Alisa Rose – tossed riffs back and forth, slipping and sliding through blues licks, with the ease of a bebop jam. McIntire added an equal jazz authenticity to his soloing. And cellist Jessica Ivry energized the rhythm with Ron Carter-like bass lines interspersed with arching, classical counter melodies.

It was, in short, an evening overflowing with much to enjoy. The Real Vocal String Quartet, despite its seemingly confusing title, left this listener, no doubt among many others, with an evening that will be long remembered.

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First photo by Faith Frenz.

Second photo by Lenny Gonzalez, courtesy of Real Vocal String Quartet.


THE MUSIC CENTER’S 2015-16 SEASON OF DANCE IN LOS ANGELES

May 7, 2015

Los Angeles. This coming season of Glorya Kaufman Presents Dance at The Music Center includes Mariinsky Ballet and Orchestra (October 8-11, 2015), the West Coast premiere of Hubbard Street Dance Chicago, The Second City (November 6-8, 2015), The Music Center debut of Cloud Gate Dance Theatre of Taiwan (January 29-31, 2016), Complexions Contemporary Ballet (April 15-17, 2016), Compagnie Käfig (June 17-19, 2016), and American Ballet Theatre (July 8-10, 2016).

At the same time, new Music Center initiatives will showcase some of Los Angeles’ up-and-coming dance ensembles, which are forging new ground and attracting new audiences, and provide ways to engage audiences in their own dance experiences. This includes the introduction of a site-specific series, The Music Center Presents Movies After Dark™ (July 13, 14, 20, and 21, 2015). Held on the nights in which The Music Center theatres are typically “dark,” or not in use, Movies After Dark will present works by Ate9, Lula Washington Dance Theatre, Ana María Alvarez, and BodyTraffic. Also presented will be the return of the much-in-demand Dance Downtown on Friday nights during the summer on The Music Center Plaza (June 5 and 19, 2015; July 3, 17, 2015 and 31; August 14 and 28, 2015), as well as Los Angeles’ National Dance Day public celebration (July 25, 2015).

Dance at The Music Center 2015-2016 Season

Mariinsky Ballet and OrchestraAlexei Ratmansky’s Cinderella (Southern California Premiere), October 8-11, 2015, Dorothy Chandler Pavilion at The Music Center

St. Petersburg, Russia’s world-renowned Mariinsky Ballet (formerly the Kirov Ballet) opens the season with the Southern California premiere of its celebrated work, Alexei Ratmansky’s Cinderella. Set to Sergei Prokofiev’s haunting score, performed by the Mariinsky Orchestra, Ratmansky’s Cinderella takes a fresh look at the classic story-ballet with vibrant choreography, feisty humor and a glamorous 1930s twist. Commissioned for the Mariinsky Theatre and premiering in March 2002, the ballet launched Ratmansky onto the world stage. He weaves together a magnificent array of different styles that are interpreted through virtuous classical language along with a monumental, dramatic score. The result is a fresh, witty and sardonic account of the story. Ratmansky combines the grand spectacle of ballet from Soviet Russia with innovative choreography that has a contemporary edge, offering audiences endearing characters and a sense of sophistication.

Cinderella is portrayed as a lonely dreamer and her stepmother as a vicious, tantrum-prone social climber. The choreography builds to a pas de deux of aching beauty and tenderness between Cinderella and her prince. The performances are complemented by spectacular sets and costumes that portray a more modern world of the 20th century. The Washington Post said, “Ratmansky’s treatment echoes the sharp and piercing modernism in the score…” while The New York Times said, “[Ratmansky] appreciates how Prokofiev’s ballet is poised between touching romance and biting sarcasm.”

Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world’s leading ballet companies. Valery Gergiev is artistic and general director of the Mariinsky Theatre.

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Hubbard Street Dance Chicago + The Second CityThe Art of Falling (West Coast Premiere), November 6-8, 2015, Ahmanson Theatre at The Music Center

In an example of contemporary dance meets comedic excellence, Dance at The Music Center presents Hubbard Street Dance Chicago + The Second City, with a unique collaboration, The Art of Falling, from two of Chicago’s most creative and compelling companies. This lively, charming and sometimes absurd performance is the brainchild of five choreographers, four writers and more than 30 dancers and actors. Helmed by Jeff Award-winning director Billy Bungeroth, The Art of Falling combines contemporary dance with comedy in three distinct, interwoven storylines punctuated by short vignettes. The cross-disciplinary creative collaboration spotlights the improvisational nature of contemporary performance. “Second City may have pioneered sketch comedy since its formation in 1959, but this latest collaborative project takes the art form to visually spectacular and emotionally satisfying new heights,” proclaimed The Huffington Post, while the Chicago Tribune praised the performance as “Hugely entertaining and strikingly emotional…not-to-be-missed.”

Hubbard Street Dance Chicago’s core purpose is to bring artists, art, and audiences together to enrich, engage, educate, transform and change lives through the experience of dance. Currently celebrating its 37th season, Hubbard Street continues to be an innovative force, supporting its creative talent while presenting repertory by major international artists.

Rooted in the improvisational games of Viola Spolin, and founded by Spolin’s son, Paul Sills, along with Howard Alk and Bernie Sahlins, the Second City opened in Chicago in December 1959 and began developing its entirely unique way of creating and performing comedy.

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Cloud Gate Dance Theatre of TaiwanRice (The Music Center Debut), January 29-31, 2016, Dorothy Chandler Pavilion at The Music Center

Making its Music Center debut, Cloud Gate Dance Theatre of Taiwan, Asia’s most renowned contemporary dance company, and the first contemporary dance company in any Chinese speaking community, presents a stunning production of Rice. With dancers trained in meditation, Qigong (an ancient form of breathing exercise), internal martial arts, modern dance and ballet, Cloud Gate Dance Theatre transforms ancient aesthetics into thrilling original performances that integrate the use of spectacular visual sets.

Created by Founder and Artistic Director Lin Hwai-min, who has been heralded as one of the most important choreographers in Asia, Rice was inspired by the landscape and story of Chihshang in the East Rift Valley of Taiwan, a farming village that was tainted by the use of chemical fertilizer, but which has now regained its title as the “Land of Emperor Rice” by adapting organic farming methods. Lin’s creation includes exuberant, powerful movements that are woven into his story of the land and the contemplation of the destruction of the Earth. To emphasize the messages, the production uses projection of vivid video images of flooding, growth, harvesting and the burning of the fields. The soundtrack mixes Hakka folk songs, Western opera, Taiwanese and Japanese drums and the sound of nature – wind, rain and thunder recorded on-site.

Rice was heralded by The Guardian as “a sharply moving synthesis of man and nature, east and west, death and rebirth…Lin’s own song of the earth.” The New York Times said, “Lin Hwai-min has succeeded brilliantly in fusing dance techniques and theatrical concepts from the East and the West.”

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Complexions Contemporary BalletProgram TBD, April 17-17, 2016, Dorothy Chandler Pavilion at The Music Center

New York-based Complexions Contemporary Ballet is a contemporary ballet company run by two esteemed alumni of the Alvin Ailey American Dance Theater, Artistic Directors Dwight Rhoden and Desmond Richardson. Founded in 1994, the Company has a focus on reinventing dance with an emphasis on the artistic and aesthetic appeal of the multicultural. The Company combines technical precision, athleticism, passion and the occasional pop song, using 20 incredibly trained classical and contemporary dancers.

Winners of many awards, including The New York Times’ “Critics Choice” Award, Complexions has appeared throughout the United States and internationally. Heralded by the Washington Post as “Cross-cultural ballet with attitude…wearing toe shoes has never looked like so much fun,” the Company creates an open, continuously evolving form of dance that reflects the movement of the world and all of its cultures as an interrelated whole. According to Rhoden and Richardson, dance should be about removing boundaries, not reinforcing them, and should transcend a single style, period, venue or culture. The Company will deliver an exciting genre-bending performance that blurs the boundaries of ballet and contemporary dance.

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Compagnie KäfigKäfig Brasil and More (To Be Announced) (The Music Center Debut), June 17-19, 2016, Dorothy Chandler Pavilion at The Music Center

In a Music Center first and making its Music Center debut, Franco-Brazilian Compagnie Käfig will explore the confluence of the many arts subgenres that have contributed to the development of Hip Hop globally. Established in 1996, the Company flavors its works with dare-devilish circus skills, street dance, martial arts and the fun and energetic Hip Hop vocabulary. Compagnie Käfig brings the street to the stage with an all-male cast of 11 dancers who combine Hip Hop, Capoeira, Samba, electronic music and the Bossa Nova for a performance that showcases astonishing acrobatic skills along with energy and invention.

Led by Artistic Director Mourad Merzouki, who applies a multidisciplinary approach to the exploration of Hip Hop, the company will present Käfig Brasil, a rhythmic and muscular dance that the Times Union said is, “…animated by waves of energy, as if volts of electricity were travelling from muscle to muscle and limb to limb. Then that tightly controlled power explodes into fireworks.”

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American Ballet Theatre – Mixed Repertoire including Firebird (The Music Center debut), July 8-10, 2016, Dorothy Chandler Pavilion at The Music Center

The 2015-16 season of Dance at the Music Center concludes with five performances by American Ballet Theatre (ABT). ABT Artist in Residence Alexei Ratmansky brings his choreographic vision in a full evening of works, including his 2012 Firebird and a selection from the Company’s 2012-2013 presentation of Ratmansky’s Shostakovich Trilogy. Ratmansky’s reimagined Firebird, set to the iridescent music of Igor Stravinsky and performed by a live orchestra, tells an enchanting tale of a mythical bird who possesses magical powers and helps two lovers overcome an evil sorcerer.

American Ballet Theatre’s “Firebird”

Firebird takes audiences on an extravagant adventure. The ballet received its world premiere under the title L’Oiseau de Feu by Diaghilev’s Ballet Russes in Paris on June 25, 1910, with choreography by Mikhail Fokine and scenery and costumes by Alexander Golovine and Leon Bakst, and premiered in the United States as Firebird with the same company in New York on January 17, 1916. Firebird, with choreography by Adolph Bolm and scenery and costumes by Marc Chagall, first entered the repertory of ABT on October 24, 1945, at the Metropolitan Opera House in New York. This new production, with choreography by Ratmansky, had its world premiere in Southern California at the Segerstrom Center for the Arts in Costa Mesa on March 29, 2012. The Los Angeles Times said, “…choreographer Alexei Ratmansky has updated the iconic ‘Firebird’ into an extravagant and fanciful adventure…” while The Wall Street Journal called it “…a freshly told fantastical tale.”

Recognized as one of the premier dance companies in the world, American Ballet Theatre brings the highest quality dance and dancers to audiences across the globe. Under the artistic direction of former ABT Principal Dancer Kevin McKenzie, the Company remains steadfast in its vision as “American” and continues to bring the art of dance theater to the great stages of the world.

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Season tickets/subscriptions for Glorya Kaufman Presents Dance at The Music Center are on sale now. For information, call (213) 972-0711 or visit http://www.musiccenter.org/1516dance

Firebird photo by Gene Schiavone


The Herb Alpert 2015 Award in the Arts

May 1, 2015

 By Don Heckman

Herb Alpert

Herb Alpert

 

Herb Alpert’s at it again, encouraging young talent to display their skills by acknowledging their abilities with supportive rewards.

Today, in a lunch at the Herb Alpert Foundation in Santa Monica, the 21st annual Herb Alpert Award in the Arts was presented to five exceptional mid-career artists.

The awards recognize past performance and future promise to artists working in Dance, Film/Video, Music, Theatre and Visual Arts; an outstanding candidate in each genre receives a prize of $75,000.

Herb Alpert with winners Maria Hassabi, Taylor Mac, Sharon Lockhart and Julia Wolfe

“It’s exciting,” said Alpert, “to be able to support these five unique artists who are always on the hunt for something they don’t yet know, something real that touches us in a deep place. Whether they are writing a concerto, making a film, an installation, a ruckus or a dance, they always look for something special and original to say. These are artists with the passion, talent and the restlessness that never makes them stop. They HAVE TO make art not just for themselves… but for all of US.”

The five 2015 winners, with the Alpert panel’s explanations for granting the awards,  are:

DANCE:
Maria Hassabi, for changing the nature of spectatorship, for challenging conventional ideas about performance, for stripping away busyness and the ornamentation of dancing to allow for rare contemplative experience.

FILM/VIDEO:
Sharon Lockhart, for her films which combine structural rigor, formal exactitude, exquisite beauty, intimate attention, commitment to a cinema of duration, and a sympathetic ethnographic eye in a post–minimalist aesthetic entirely her own.

MUSIC:
Julia Wolfe, for her fresh, uncompromising artistry, her vibrant, direct, and emotionally powerful works generous and bold in spirit and her engagement with socially conscious issues, a tradition that is passionately and unapologetically American to the core.

THEATRE:
Taylor Mac, for his fierce, disarming, beautiful, transgressive, emotionally vulnerable work; for social critique disguised as glitter, ambitious scope, and for effervescently rearranging audiences perceptions while creating a great time.

VISUAL ARTS:
Tania Bruguera, for the complexity, longevity, and urgency of her work, for her strong formal clarity and ongoing contribution to international conversations on freedom of speech and illegal immigration. The panel honors her for her commitment to resisting market pressures in order to seek an ethics of what art can do, and recognize the innovative ways she has reinvented the language of activism within contemporary culture.

* * * * ** * *

Herb Alpert photo by Faith Frenz.  Group photo by Steve Gunther.


Picks of the Weekend on the Left Coast

April 23, 2015

By Don Heckman

Los Angeles, California

 

Damien Rice

Damien Rice

 

– April 24. (Fri.) Damien Rice.  Highly praised Irish singer/songwriter Rice celebrates the release of his latest CD, My Favourite Faded Fantasy, already receiving rave international reviews. The Greek Theatre.   (323) 665-5857.

– April 24. (Fri.) Pete Christlieb Quartet. Saxophonist Christlieb has been a first call player for the full run of his stellar career. Here he is up close and in action, backed by some of the Southland’s prime rhythm section artists. Vibrato Grill Jazz…etc.  (310) 474-9400.

Billy Cobham

Billy Cobham

– April 24 – 26. (Fri. – Sun.) Billy Cobham’s Spectrum 40. Percussionist Cobham’s diversity of musical interests are fully present in the eclectic playing of his Spectrum 40 band, with Ric Fierabracci,
Dean Brown and Gary Husband.  Catalina Bar & Grill.  (323) 466-2210.

Carol Bach-y-Rita

Carol Bach-y-Rita

– April 26. (Sun.) Carol Bach-y-Rita. Fluent in several languages, engagingly musical in everything she sings, Bach-y-yRita is especially appealing with the music of Brazil, Spain and Portugal. She’ll be superbly backed by Bill Cantos, piano; Larry Koonse, guitar, John Leftwich, bass; Mike Shapiro, drums.  Vibrato Grill Jazz…etc.  (310) 474-9400.

– April 26. (Sun.) Esperanza Spalding. Grammy-winning bassist, singer and songwriter Spalding presents a program of works performed by her Chamber Music Society and Radio Music Society. , Disney Hall.  (323) 850-2000.

San Francisco, California

Charles Lloyd

Charles Lloyd

– April 24 – 26. Fri. – Sun. Charles Lloyd Quartet. One of the great, iconic players of the jazz saxophone. His remarkable accomplishments reach back to the edgy sixties, and Lloyd continues to be one of the cutting edge jazz artists of the new millenium. Don’t miss this rare chance to hear and see him. SFJAZZ. . (866) 920-5299.

Santa Cruz, California

April 23. (Thurs.) Tommy Igoe Groove Conspiracy. Drummer Igoe’s funk-driven Groove Conspiracy has been labeled – accurately as “a rock band in a jazz band’s body.” Expect an evening of irresistible rhythmic excitement. Kuumbwa Jazz 40. If you don’t make this one be sure to catch their next appearance. (831) 427-2227.

Ashland, Oregon

Christofuren Nomura– April 24. (Fri.) Christopheren Nomura. The rich baritone voice of classical singer Nomura meets the challenge of a versatile program of Schubert, Mahler and Ravel. Chamber Music Concerts in the Southern Oregon University Music Recital Hall. (541) 552-6154.

Seattle, Washington

– April 24 – 26. (Fri. – Sun.) Sergio Mendes He’s been one of the international voices of Brazilian music in general and specifically the bossa nova, reaching back to his breakthrough Brazil 66 band of the sixties. And he’s still at it.  Jazz Alley.   (206) 441-9729,


Highlights of the Long Weekend: In Los Angeles

April 15, 2015

By Don Heckman

Anne-Sophie Mutter

Anne-Sophie Mutter

– April 16. (Thurs.) The Mutter Bronfman Harrell Trio. Three international virtuosi – violinist Anne-Sophie Mutter, pianist Yefim Bronfman and cellist Lynn Harrell – apply their remarkable skills to a program of classic piano trios: Beethoven’s Piano Trio in B-flat major, Op. 97 “Archduke” and Tchaikovsky’s Piano Trio in A minor, Op. 50. Valley Performing Arts Center. (818) 677-8800.

Pat Senatore

– April 16. (Thurs.) The Pat Senatore Trio. A cross-generational performance, with veteran bassist Senatore finding common creative ground with rising young stars Josh Nelson, piano, and Dan Schnelle, drums. Vibrato Grill Jazz…etc.  (310) 474-9400.

– April 16 – 19. (Thurs. – Sun.) The Los Angeles Philharmonic, conducted by Neeme Jarvi, perform an evening of Brahms: Symphony No. 4 and the Tragic Overture. Violinist Martin Chalifour is aso featured on Suk’s Romantic Reverie. Disney Hall.  (323) 850-2000.

Kevin Bachelder and Jason Lee Bruns

Kevin Bachelder and Jason Lee Bruns

-April 17. (Fri.) Jason Lee Bruns Jazz Collective. Drummer Bruns and singer Kevin Bachelder celebrate the release of their dynamic new CD, Cherry Avenue. The E-Spot at Vitello’s.  (818) 769-0905.

– April 18. (Sat.) An Evening With Gilberto Gil. The great Brazilian singer/songwriter makes a rare Southland appearance. Center for the Art of Performance at U.C.L.A.  (310) 825-0768.

Judy Wexler

Judy Wexler

-Apil 18. (Sat.) Judy Wexler. Convincingly singing and swinging her way across pop through jazz, Judy is a uniquely original artist.  This time out, she celebrates her “Surreal 60th Birthday Bash.” The E-Spot at Vitello’s.   (818) 769-0905.

– April 18. (Sat.) The Martha Graham Dance Company. The great dance company performs a set of Graham classics: Appalachian Spring, Lamentation Variations, Errand and Echo-Foniadakis. Valley Performing Arts Center.
(818) 677-8800.

– April 19 (Sun.) Omar Sosa. For years, Sosa has been finding fascinating creative connections between jazz and many other areas of the world’s music. He’s backed by Leandro Saint-Hill, saxophones, flute; Ernesto Simpson, drums; Childo Tomas, electric bass. Catalina Bar & Grill.  (323) 466-2210.

Denise Donatelli

Denise Donatelli

– April 19. (Sun.) Denise Donatelli. Listening to Denise’s warm embracing voice and the buoyant swing she brings to every performance — recorded and live — inevitably raises the question as to why this gifted vocalist still hasn’t received a Grammy. But, awards or not, she continues to offer performances that are always memorable events. Don’t miss this one. Vibrato Grill Jazz…etc.  (310) 474-9400.


Live Chamber Music: The Elias String Quartet at the Southern Oregon University Music Recital Hall

April 6, 2015

By Don Heckman

Ashland, Oregon.  The Elias String Quartet was the headliner Friday night at the SOU Music Recital Hall —  the  last ensemble in the Chamber Music Concerts 2014-2015 schedule of stellar string quartet performances.  And the  CMC  couldn’t have made a better choice to top off their string quartet season.

The string quartet programs were, without exception, definitive displays of classical quartet music, surveying the repertoire – and beyond – with captivating performances. And the Elias ensemble was the perfect finalist on a list of extraordinary groups that also included the Tesla, Hugo Wolf and Daedalus Quartets.

The Elias players – Sara Bitlloch and Donald Grant, violins; Martin Saving, Viola; Marie Bitlloch cello – added to the Friday program’s superlative qualities by performing works by Mozart, Beethoven and contemporary composer Henri Dutilleux.

The Elias Quartet:

The Elias Quartet: Sara Bitlloch, Donald Grant, Martin Saving, Marie Bitlloch

The program opened with Mozart’s String Quartet in C Major, KV 465. It’s the last in a group of six quartets influenced by, and in some respects competitive with, Haydn’s six Opus 33 quartet. It is a superb example of Mozart’s mastery of classical string quartet composition.

Mozart

Interestingly, the opening Adagio-Allegro drew some gasps of surprise from the audience. Their responses underscored why the title “Dissonance” was long ago bestowed upon the Quartet in C Major. But dissonance and chromaticism in the hands of Mozart are experiences to remember. And the Elias players Illuminated the experience with a blend of timbres that brought irresistible energies to Mozart’s dense harmonic textures. By the time they reached the dynamic final Allegro molto, the more light-hearted Mozart had taken over, pouring out buoyant passages seasoned with occasional traces of the opening dissonance. Here, too, the Elias players moved in a symbiotic linkage with the final Mozart musical delights.

Henri Dutilleux

Henri Dutilleux

Dutilleux’s “Ainsi La Nuit” (“Thus the Night”), a seven movement work, took a very different slant on string quartet composition. Finished in 1976, it can hardly be called an Impressionistic work. But Dutilleux has provided descriptive titles such as Miroir d’espace, Constellations and Temps suspendu for each of the piece’s seven movements. From a listener’s point of you the titles offered somewhat of a reference point. However “Ainsi La Nuit” with its reference to night music, is a more accurate narrative to describe the surprisingly evocative sounds – at times orchestral in nature — Dutilleux drew from the quartet instrumentation. And here, too, the Elias Quartet responded impressively with the far-reaching range of stringed instrument techniques called for in Dutilleux’s colorful score.

Beethoven

Beethoven’s String Quartet in C-Sharp minor. OP. 131 climaxed the program, as Beethoven works do so well. The challenges it provided for the Elias players were far different from those of the Dutilleux work. But they were compelling examples of the dramatic changes Beethoven was bringing to the classical music of the early 19th century. In the talented hands of the Elias Quartet it was no less than gripping to hear Grant, Saving and the Bitlloch sisters soar through Beethoven’s sprightly fugues, touching melodies and consistently creative development passages.

One more event remains on the Chamber Music Concerts 2014-2015 season: a vocal performance by baritone Christopheron Nomura on Friday, April 24.  Beyond that, here’s looking toward another great Chamber Music Concerts season to begin in the Fall.


Picks of the Week in Los Angeles, Seattle, New York City, London, Copenhagen and Tokyo

March 23, 2015

By Don Heckman

Los Angeles

Manhattan Transfer

Manhattan Transfer

– Mar. 23 & 24 (Mon. & Tues.) Manhattan Transfer and Take 6.  The two most masterful vocal ensembles of the past few decades get together for the first time. No wonder it’s called “The Summit” as they perform at the start of a national tour. Catalina Bar & Grill .

(323) 466-2210.

Michael TIlson Thomas

Michael TIlson Thomas

– Mar. 24. (Tues.) The London Philharmonic conducted by Michael Tilson Thomas with pianist Yuja Wang. Gershwin’s Piano Concerto in F, Sibelius’ Symphony No. 2 and Bitten’s Four Sea Interludes. Disney Hall. (323) 850-2000.

– Mar. 26. (Thurs.) Sue Raney. She’s been receiving accolades for her singing sine she was a teen-ager, and Sue Raney is as dynamic and musically compelling as she was shen she first stepped on stage. Sue’s celebrating the release of her album, Late in Life.        Catalina Bar & Grill.  (323) 466-2210.

Bob Sheppard and Pat Senatore

Bob Sheppard and Pat Senatore

– Mar. 27 (Fri.) Bob Sheppard with the Pat Senatore Trio. A musical encounter not to be missed. Sheppard is one of the jazz world’s most versatile,saxophonists, and equally gifted on clarinet and flute. He’ll be backed by bassist Senatore’s equally adept rhythm section. Vibrato Grill Jazz…etc.  (310) 474-9400

–  Mar. 27. (Fri.) George Benson. Hitmaker singer/guitarist Benson is always entertaining, always disovering new jazz territories. Expect to hear some familiar songs. Segerstrom Center for the Arts. (714) 556-2787.

Art Pepper

Art Pepper

– Mar. 27. (Fri.) An All Star Celebration of Art Pepper. With Richie Cole, Doug Webb, Don Shelton, Gaspare Pasini, the Art Pepper Quartet Reunion and more. Presented by Ken Poston’s West Coast Jazz Heritage Series. Hermosa Beach Community Theatre. Reservations: (562) 200-5477.

Seattle

– Mar. 26. (Thurs.) Great Guitars! Featuring Bucky Pizzarelli, John Pisano and Mundell Lowe. “Great Guitars” doesn’t begin to describe this encounter between such Olympian players. Don’t miss this one; it’s a true musical rarity. Jazz Alley. (206) 441-9729.

New York City

 

Dee Dee Bridgewater

Dee Dee Bridgewater

– Mar. 24 – 29. (Tues. – Sun.) James Moody 90th Birthday. Saxophonist/singer Moody was a much loved and honored jazz artist. He was also a friend to almost everyone he met. So it’s no surprise that this tribute has attracted such stellar participants. Featured peformers include Dee Dee Bridgewater, James Carter, Antonio Hart, Russle Malone, Randy Brecker, Roberta Gambarini, Roy Hargrove, Janis Siegel and more. Call the club for schedules. The Blue Note. (212) 475-8592.

London

– Mar. 24 – 26. (Tues. – Thurs.) The Bireli Lagrene Gypsy Project. Gypsy jazz at its best. Calling up memories of Django Reinhardt and the unque, swinging improvisational style he brought to the jazz world. Ronnie Scott’s. +44 20 7439 0747

Copenhagen

– Mar. 26 – 28. (Thurs. – Sat. Rosa Passos Quartet. Passos is one of the true blenders of jazz and Brazilian rhythms. She’s been doing it a long time, and she still does better than most. Jazzhus Montmartre. +45 31 72 34 94

Tokyo

Gerald Albright

Gerald Albright

 

– Mar. 24. (Tues.) Gerald Albright. Name a jazz genre and Gerald Albright can play it convincingly.  And he’s equally adept as an instrumentalist, moving easily from world class saxophone playing to bass, keyboards,, vocals and more.  Don’t miss him in action.  Blue Note Tokyo.  +81 3-5485-0088.


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