By Devon Wendell So the year 2015 is quickly winding down. And although there are no signs of any healthy seasonal changes here in the belly of Hollywood California, the cold and heartless calendar never lies. This means the Grammy awards are rapidly approaching. It has become an invalid and overly predictable cliché to bash… Read More The Grammy Awards: Hope, Love, and Jazz
By Devon Wendell I simply cannot write about jazz or music in general without doing a piece on Charlie Parker and Dizzy Gillespie. After all, these pieces are written out of love, and Bird and Dizzy were my initial introduction to the world of jazz and possibly still my favorites of all time.… Read More Doc Wendell’s Prescription for Ultimate Bebop: Charlie Parker & Dizzy Gillespie’s “Diz ‘N Bird At Carnegie Hall” (Blue Note)
By Devon Wendell Costa Rican composer and percussionist Luis Muňoz is one of the most vibrant and dedicated Latin jazz artists on the scene today. His new album VOZ is an obvious labor of love which fuses Brazilian jazz, and “crossover” pop. But there’s a refreshing purity about VOZ. Muňoz is joined by special guests:… Read More New CD Review: Luis Muňoz “VOZ” (Pelin Music)
– SONNY- By Devon Wendell Today, Monday September 7th, Sonny Rollins shall turn 85 years young. So I couldn’t help but write about what Sonny means to me. Very few artists have had the impact on my life that Sonny has had, and he’s still doing it. I don’t think a day goes by… Read More Happy 85th Birthday: Sonny Rollins
By Devon Wendell Freddie Hubbard was the quintessential Renaissance man of the trumpet during the 1960s. Hubbard’s superior technique, beautiful tone, and sheer confidence enabled him to do anything. From the start of the decade, he made bebop records with Dexter Gordon and Kenny Drew and hard-bop albums with Jackie McLean, Art Blakey & The… Read More Doc Wendell’s Prescription For Bop And Beyond: “Freddie Hubbard: Without A Song-Live In Europe 1969” (Blue Note)
By Devon Wendell I can’t believe I missed out on Kind Of New by Jason Miles and Ingrid Jensen when it was released this past spring. It’s been a busy few months but after finally “discovering” this album recently, I thought it certainly merited a write up. Kind Of New is far from being just… Read More CD Review: Jason Miles And Ingrid Jensen “ Kind Of New” (Whaling City Sound)
By Devon Wendell What could be better than trombonist J.J. Johnson joined with Clifford Brown, Jimmy Heath, John Lewis, Percy Heath, and Kenny Clarke all in one band? I can’t think of anything at the moment. This was the band on J.J. Johnson The Eminent Volume One on Blue Note Records, recorded on June 22,… Read More Doc Wendell’s Prescription For Bop ‘Bone: J.J. Johnson The Eminent Volume One (Blue Note)
By Devon Wendell Paul Chambers or “Mr. P.C.” was one of the most prolific and inventive bassists to emerge from the hard-bop era. His presence was so strong on classic albums by Miles Davis, John Coltrane, Cannonball Adderley, J.J. Johnson, Sonny Rollins, Art Pepper, Bill Evans, and Thelonious Monk, (to name only a few) that… Read More Doc Wendell’s Prescription For Bass BeBop: Paul Chambers: “1st Bassman” (Vee Jay Records)
By Devon Wendell By the mid 1960s, Roland Kirk had already established himself as one of the most unique forces in jazz. Being blind and able to play up to 3 horns simultaneously (and even a nose flute) was enough to get people’s attention. But aside from the visual stage performance, Kirk’s music was texturally… Read More Doc Wendell’s Prescription For Bop and Beyond with Roland Kirk’s “Rip, Rig, And Panic” (Emarcy)
By Devon Wendell Many jazz aficionados like myself have been waiting for a live box set like this one for most of our lives and it’s finally here. Miles Davis At Newport 1955-1975: The Bootleg Series Vol. 4 consists of 4 CDs featuring 20 years of Miles Davis performances (8 shows in total) showcasing Miles… Read More CD Review- Miles Davis At Newport 1955-1975: The Bootleg Series Vol. 4 (Columbia/Legacy)
The International Review of Music 