Doc Wendell’s Prescription For Saxophone BeBop: “Julian Adderley Quintet – Portrait Of Cannonball”

By Devon Wendell Julian “Cannonball” Adderley was making major waves in the jazz world by 1958. He was in the hippest band in the world; Miles Davis’ Sextet with John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. Like most alto sax players of that time, Adderley was often dismissed by critics as an… Read More Doc Wendell’s Prescription For Saxophone BeBop: “Julian Adderley Quintet – Portrait Of Cannonball”

Doc Wendell’s Prescription For Big Band Jazz: Jimmy Heath’s “Really Big!” (Riverside)

By Devon  Wendell By 1960, Jimmy Heath was known as a true bop titan on the tenor saxophone. But on Riverside’s Really Big!, recorded that year, Heath’s big band arrangements and the incredible artists who made up his orchestra (Jimmy Heath, tenor saxophone, Clark Terry, trumpet, Nat Adderley, cornet, Tom McIntosh, trombone, Julian “Cannonball” Adderley,… Read More Doc Wendell’s Prescription For Big Band Jazz: Jimmy Heath’s “Really Big!” (Riverside)

CD Review: Helen Sung “Anthem For A New Day” (Concord Jazz Records)

By Devon Wendell Pianist and composer Helen Sung has quickly established herself as a jazz veteran over the past decade, performing and recording with icons such as; Clark Terry, Herbie Hancock, Wayne Shorter, T.S. Monk, Lonnie Plaxico, and Terri Lyne Carrington to name a few. She is one of the most consistently brilliant recording artists… Read More CD Review: Helen Sung “Anthem For A New Day” (Concord Jazz Records)