Picks of the Week: Sept. 24 – 28

September 23, 2014

By Don Heckman

As the warm days of September wind to a close, while autumn is just beginning to arrive, the bookings are light at clubs and concert venues around the world, but there’s still some very special music to hear.

Los Angeles

Pat Senatore

Pat Senatore

– Sept. 25. (Thurs.) Pat Senatore Trio. Bassist Senatore and his trio – pianist Josh Nelson and drummer Mark Ferber play selections from his exciting new album Ascensione and a forecast of what to expect from his up-coming, soon to be released CD. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Sept. 26. (Fri,) Roumani & Sidiki Diabate and Rokia Traore. An extraordinary evening of music from Mali, featuring the father and son team of Diabates in a program of traditional sounds, as well as the imaginative works of singer/songwriter/guitarist Traore. A CAP UCLA event at Royce Hall.  (310) 825-2101.

Trey Anastasio

Trey Anastasio

-Sept. 26. (Fri.) Trey Anastasio with the Los Angeles Philharmonic. One of the founding members of Phish, the ever-adventurous Anastasio presents newly imagined orchestral versions of pieces he’s written over the past few decades. The Hollywood Bowl.  (323) 850-2000.

– Sept. 26 & 27 (Fri. & Sat.) Chambers, Herbert & Ellis. The best way to describe this musically fascinating vocal trio is to say “Lambert, Hendricks & Ross. But Chambers, Herbert & Ellis add their own unique touches as well. Click HERE to read an iRoM review of the trio in action. The Gardenia.  (323) 467-7444.

– Sept. 26 – 28. (Fri. – Sun.) Lenny White, Victor Bailey and Larry Coryell. A trio of the contemporary jazz world’s most versatile players. Expect to hear improvisational fireworks from drummer White, bassist Bailey and guitarist Coryell. Catalina Bar & Grill.  (323) 466-2210.

Eliane Elias

Eliane Elias

Seattle

– Sept. 25 – 28. (Thurs. – Sun.) Eliane Elias. Sao Paulo’s gift to jazz continues to find fascinating creative links between her Brazilian roots and her compelling jazz piano and vocals. Click HERE to read a recent iRoM review of Elias and her superb trio. Jazz Alley.  (206) 441-9729.

New York City

– Sept, 23 – 27. (Tues. – Sat.) Fred Hersch, Esperanza Spalding and Richie Barshay. Pianist Hersch and bassist/singer Spalding may seem to be an odd couple. But with the talent they have, individually and collectively with drummer Barshay, musical delights will be on the menu. The Jazz Standard.  (212) 576-2232.

David Sanborn

David Sanborn

London

– Sept. 24 – 26. (Wed. – Fri.) The David Sanborn Trio featuring Joey DeFrancesco and Byron Landham. Alto saxophonist, one of the innovative players of his generation, is always a pleasure to hear. And he’ll no doubt take everything up a notch in company with the dynamic organ work of DeFrancesco and the solid groove of drummer Landham. Ronnie Scott’s.  +44 20 7439 0747.

Milan

– Sept. 24. (Wed.) Tierney Sutton. “After Blue – The Joni Project. On her seemingly non-stop quest to bring her imaginative approach to jazz vocalizing, Sutton has added the music of Joni Mitchell to her extraordinary performances. (And on her After Blue CD, as well.) Blue Note Milan. / +39 02 6901 6888.


Picks of the Week: Feb. 18 – 23

February 18, 2014

By Don Heckman

Los Angeles

Brenna Whitaker

– Feb. 19. (Wed.) Brenna Whitaker. She’s a blonde beauty with a voice to remember. Michael Buble has called Whitaker “one of the finest singers of our generation. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Feb. 20 – 23. (Thurs. – Sun.) ”TchaikovskyFest.” The Los Angeles Philharmonic celebrates Tchaikovsky with performances of his chamber music, as well as his Symphonies #1 and #6. Disney Hall.  (323) 850-2000.

Steve Tyrell

Steve Tyrell

– Feb. 20 – 23. (Thurs, – Sun.) Steve Tyrell. He’s back at Catalina’s again for another long weekend. So don’t miss this opportunity to experience Tyrell’s warm, interpretive, gently swinging way with the Great American Songbook. Catalina Bar & Grill.  (223) 466-2210.

– Feb. 22. (Sat.) Bob McChesney Quartet. Vibrato Grill Jazz…etc. (310) 474-9400. The Southland bandleaders’ first choice for their trombone section. McChesney is not just a master of his instrument, he also brings rich musical depths to everything he plays. Here, he’s out front, leading his own band. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Feb. 23. (Sun.) Angela Parrish. Singer, songwriter and pianist Parrish showcases her engaging collection of original songs. Vitello’s. (818) 769-0905.

– Feb. 23. (Sun.) “Guitar Passions.,” Call this a great evening of guitar mastery in a variety of appealing styles. Start with the classical guitar of Sharon Isbin, followed by her guests – Brazilian guitarist Romero Lubambo and the finger tapping stylings of Stanley Jordan. Valley Performing Arts Center.  (818) 677-8800.

San Francisco

Bobby Hutcherson

Bobby Hutcherson

– Feb. 20 – 23. (Thurs. – Sun.) Bobby Hutcherson, David Sanborn, Joey DeFrancesco and Billy Hart join forces in an assemblage of jazz all-stars. An SFJAZZ event at Miner Auditorium.  (866) 920-5299.

Portland OR

– Feb. 23 (Sun.) Dave Frishberg and Bob Dorough. “Who’s On First?” A rare opportunity to hear a tandem performance by a pair of the jazz world’s most gifted musical humorists. A PDX Jazz Event at the Winningstad Theatre.  (503) 228-5299.

New York City

– Feb. 20 (Thurs.) Portraits of Joni: Jessica Molaskey Sings Joni Mitchell. Musical theatre star Molaskey (and wife of John Pizzarelli) takes a break from the stage to explore the rich Mitchell song catalog. Dizzy’s Club Coca-Cola.  (212) 258-9595.

– Feb. 21 – 23. (Fri. – Sun.) Patricia Barber. Singer/pianist brings imagination, musicality and wit to her new interpretations of Songbook classics, as well as her own songs.The Blue Note.  (212) 475-8592.

Milan

Dee Dee Bridgewater

Dee Dee Bridgewater

– Feb. 19 – 22. (Wed. – Sat.) Dee Dee Bridgewater. The one and only Dee Dee offers her inimitable collection of vocal jazz renderings to Italy’s many jazz fans. Blue Note Milano.  +39 02 6901 6888.

Moscow

– Feb. 23. (Sun.) Lisa Henry. With the Igor Butman Trio. Blues and gospel specialist Henry is backed by saxophonist/bandleader and club owner Igor Butman. Igor Butman Jazz Club.  (+7 495) 632-92-64.

Warsaw

– Feb. 22. (Sat.) DISCO FEVER! Revisit the dance crazes of the ’60s, ’70s and ’80s in a Polish evening to remember. Tygmont Live Club.  +48 22 828 34 09.

Tokyo

Roy Hargrove

Roy Hargrove

– Feb. 18 & 19. (Tues. & Wed.) Roy Hargrove Big Band. Trumpeter Hargrove continues his quest to keep big band jazz alive with his own stellar ensemble. Blue Note Tokyo.  +81 3-5485-0088.


Live Jazz: Janis Siegel at Vitello’s

January 17, 2014

By Don Heckman

Studio City, CA. Taking a break from her full time job with the Manhattan Transfer, Janis Siegel made one of her rare solo appearances Tuesday night before a full house crowd at Vitello’s. And the result was an extraordinary display of her irresistibly appealing musicality. By the time her performance had wound to a close, she had delivered a set of far-ranging songs demanding an array of unique interpretive skills.

Janis Siegel

Janis Siegel

Given the demands of singing the Transfer’s rich repertoire, it’s no surprise that Siegel chose a diverse program of works that would have challenged any singer. But the key point was not what she did, but how she did it.

Among the numerous highlights in a performance superbly backed by the stellar trio of pianist John Di Martino, bassist Boris Koslov and drummer Steve Haas:

– A gorgeously expressive reading of Billy Strayhorn’s classic “A Flower Is A Lovesome Thing.

– The sophisticated musical pleasures of Ann Hampton Callaway’s original tune, “Slow.”

– Antonio Carlos Jobim’s memorable bossa nova,” Inutil Paisagem” (“Useless Landscape,”) with bassist Koslov managing to produce guitar-like bossa rhythms on his instrument.

– A number that was introduced by Siegel as a “Bach Improvisation.” And it began with Siegel scatting a convincingly Baroque-sounding set of inventions that were soon transformed into Clifford Brown’s “Joy Spring.”

– Fred Hersch’s lovely ballad, “Endless Stars,” sung with captivatingly intimate lyricism.

– A delightfully rhythmic romp through “Minnie the Moocher.”

And there was more: a Cuban bolero; a song written by Siegel and David Sanborn; and a Norwegian song about imperfection.

Add to that the presence of a pair of impressive guest artists. First, the songwriter/producer Leon Ware came out of the audience to share a duet on “A Whole Lotta Man.”

Janis Siegel and TIerney Sutton

Janis Siegel and TIerney Sutton

But the second guest artist, singer Tierney Sutton, got together with Siegel for one of the major highlights of this, or any other, night at Vitello’s. They only sang a single number – “You Don’t Know What Love Is” – but it was a spontaneous, duet performance, filled with stunning, interactive passages that will surely be remembered by every enthusiastic member of the audience.

In my reviews of a pair of Siegel appearances that took place over the past couple of years, I wrapped both with an expression of my desire to hear her more frequently in a solo setting reaching beyond her stunning work with the Transfer. So, too, for this review. And I’ll wind it up with more hope that Siegel will gift her many fans with more frequent opportunities to hear her in solo action.

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Photos by Faith Frenz.


Live Jazz: Sunday at the Monterey Jazz Festival 56

September 26, 2013

Impressions from MJF 56, Sunday

By Michael Katz

Sunday brought its share of legendary virtuosos to the Monterey Fairgrounds, but before we go there, a word about the kids.

Jazz education is the mission of the MJF, and Sunday afternoon demonstrated how successful they have gotten at it. The Night Club had healthy audiences to see the winning high school jazz combos and vocal ensembles. The previous night, the Coffee House had turn-away crowds for the terrific Berklee Global Jazz Ambassadors. But the signature group is the Next Generation Jazz Orchestra, and they put on a terrific show in the Arena Sunday afternoon. Paul Contos led the band through some fresh arrangements of standards like “Sunny Side of the Street” and Cole Porter’s “I Love You.” Soloists included a fine pair of tenor sax men, Julian Lee and Jyron Walls. Vocalist Brianna Rancour-Ibarra sang “Out of Nowhere,” with polish and verve.

Joe Lovano

Joe Lovano

It was great seeing Joe Lovano working in the context of a big band again, and his soloing on his own “Streets of Naples,” “The Peacocks” (with more lovely singing by Brianna) and “Birds Eye View” were worthy additions to his work as Artist-In-Resident. Elena Pinderhughes added some swinging flute work on “Got A Match.”

Peter Gabrielides

Peter Gabrielides

A special shout out to guitarist Peter Gabrielides, representing New Trier High School (Winnetka, IL) where this writer once stumbled through many a first period on the tenor sax. Gabrielides, who had several blazing solos, made all of us alums proud.

Bob James and David Sanborn were a perfect antidote for the typical Sunday afternoon heat. Teamed with drummer Steve Gadd and bassist James Genus, they led an acoustic quartet through a combination of previous hits and new compositions from their Quartet Humaine CD.

David Sanborn

David Sanborn

Sanborn has one of the more recognizable sounds; it crosses over from smooth to funky jazz and blues. During most of the show the group was pleasant, if not earthshaking, but there were surely some memorable moments. James’ composition, “You’d Better Not Go To College” was a delightful romp. Sanborn’s ballad “Sophia” gave James the opportunity for a sweet piano turn, Sanborn answering with a soulfully plaintive run on his alto. Marcus Miller’s “Maputo” was the source of one of Sanborn’s signature riffs, and “Follow Me” was James’ venture into complicated time signatures, a la the late Mr. Brubeck.

The “hammock” period between arena shows was an opportunity for sampling more from the cornucopia of talent on the grounds. I caught singer Judy Roberts and tenor man Greg Fishman in one of their eight sets from the Yamaha Courtyard stage. This one featured Judy in two of her favorite modes – Brazilian, with an inspired version of “Agua de Beber” (Fishman providing the Stan Getz-inspired accompaniment), and, a few minutes later, a take on Charlie Parker music, testing Roberts’ scatting ability with “Scrapple From The Apple” and a closing Parker vocal riff.

Meanwhile, back at the Garden Stage, the Minnesota group Davina and the Vagabonds, led by Davina Sowers, was tearing things up. Like the California Honeydrops the day before, they had a definite New Orleans sound. Davina is singer, pianist and provocateur, with a little bit of the Divine Miss M in her. Whether belting out a blues like “I’d Rather Go Blind,” or a good-time tune like “I Gotta New Baby,” she was full of life, and the Garden Stage crowd was on its feet for much of the 90 minute show.

MJF 56 was down to its last group of acts, now, and one could be forgiven for making one last trip to the food court and loading up on shrimp-ka-bobs and peach cobblers before they ran out. There were B-3 organs everywhere in the Grounds area, in various concoctions, and even though I was headed for the Arena, I had a vague feeling that I’d be back.

Wayne Shorter

Wayne Shorter

Wayne Shorter was leading an 80th Birthday celebration on the main stage, with an all-star group that featured Danilo Perez on piano, John Patitucci on bass and Brian Blades on drums. Shorter was playing soprano sax, and no one quite gets the lyrical sound out of that difficult instrument like him. With Perez dipping and dancing around him, it was like watching a pair of eagles soaring through the thermals.

Still, I was beginning to feel restless, and with the minutes ticking away from the festival clock, I decided to go back to the grounds and check out Jazz Master Lou Donaldson on his alto. I suppose I shouldn’t have considered that an unexpected treat. Donaldson, at 87, may not get around so easily, but the chops are still there, as is a delightfully raspy blues voice and a deft sense of humor. And what a group he had behind him – guitarist Randy Johnston is a leader in his own right, and Akiko Tsuruga added a lush layer on the B3 organ. When I walked in, Fukushi Tainaka was in the middle of a rousing drum solo; Donaldson then stepped up with a blues vocal, Johnston casually laying off one riff after another. Donaldson’s classic “Alligator Blues” followed, with Lou ripping off the main line and leaving plenty of room for the others. Then, a crack-up blues number, LD singing “It Was Just A Dream.” And finally, a delicious romp through “Cherokee.”

It was back to the Jimmy Lyons Stage for the curtain closer, an extended set with Diana Krall. Diana has had a magical relationship with Monterey, dating back to her debut there at MJF 40. Sunday night she had a new look. Gone was the standard trio, and gone also the full orchestra that had gotten a little stodgy. Her new group provided a fresh perspective, especially with fiddler Stuart Duncan, most recently heard with Yo Yo Ma on the Goat Rodeo sessions. He was a perfect fit for the material from Krall’s new CD, Glad Rag Doll and sparkled throughout.

Diana Krall

Diana Krall

Diana established the tone early with “We Just Couldn’t Say Goodbye.” She retains the ability to take nearly forgotten material from decades past and bring it to life, as she did a few minutes later with “Just Like A Butterfly Caught In The Rain.” But her diversity is startling, or would be if she didn’t pull it off so effortlessly. She did an extended version of Tom Waits’ “Tempation,” complete with reverb mic, and before the evening was out, would touch base with Bob Dylan, Joni Mitchell, The Band, Jimmie Rodgers and more.

There was a time when Krall was reticent to talk to the audience, but she has developed an easy rapport now, inviting the crowd in for some family patter and a little musical background. Best of all, she had a sizeable amount of solo time, just her voice and piano playing, which remains first rate. “Let’s Face The Music And Dance” had a freshly dramatic quality, separated from the symphonic background. Then there was the Dave Frishberg classic, “Peel Me A Grape.” When she first performed it here at MJF 40, Krall presented it with a delicious sex kitten mystique. But 16 years later, Diana smartly stepped back and sang it with the brisk irony that Frishberg (and Blossom Dearie) intended. “Frim Fram Sauce,” is still wonderfully saucy, and Joni Mitchell’s “A Case of You,” didn’t need much adjustment. It is still the same heartbreaker, full of longing.

The quintet behind provided plenty of support. Aram Bajakian shone on guitar (and ukelele, on “Everything Made For Love”), Patrick Warren filled in the sound on keyboards, and the rhythm section was held down by Dennis Crouch on bass and the estimable Karriem Riggins on the drum set.

Meanwhile, Krall continued on with a remarkable tour through her own particular North American Songbook. There was Dylan’s “Simple Twist of Fate,” delivered with touching simplicity, and “Sunny Side of the Street,” with Duncan performing a lively jaunt on his fiddle. Another nod to Nat King Cole with “Just You, Just Me” (not to mention a nod to Bill Evans). And from there, a bluesy blast of The Band’s “Ophelia.”

It is hard to imagine another vocalist who has that kind of range today, and can do it all so movingly.

Finally, Krall shared with us the only song, or so she claims, that her 7 year old twin boys actually like. It was Jimmie Rogers’ “Prairie Lullaby,” delivered again with simplicity and grace. A perfect way to close the curtain. And that was it for MJF 56.

A few closing thoughts on the festival…It’s been noted by some that overall attendance was down a little, thanks mainly to a storm that rattled through the Bay Area Saturday, cutting down on some of the traditional walk-up gate. That’s too bad, because the Grounds line-up was diverse and outstanding from start to finish. There was plenty to like at the Arena, too, but it’s worth noting that practically every act had appeared in LA within the last six months, most of them this summer. Of course it is difficult to book 5 shows of headliners without dipping into the summer tours, but it would nice to have a few more “Made For Monterey” acts that traditionally make the Festival a can’t-miss event for us SoCal types.

The Monterey Shore

The Monterey Shore

So now I type these last words on a Tuesday morning from my B and B in Pacific Grove, where I hung on for an extra day. It seems empty – my friends that came up for the festival are gone. All those wonderful music fans and musicians who reunite the third weekend in September have dispersed, returning to far flung homes, or back on the road. The last chords of music echo from venues now reverted to fairgrounds out-buildings. The Hyatt Lounge is just another bar.

One last walk along the sea shore, listening to seals playfully barking, pelicans on the wing overhead.

See you next year, Monterey.

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All photos, except Wayne Shorter, by Michael Katz.

Wayne Shorter photo by Tony Gieske.

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Don’t forget to check out Michael Katz’s new novel, Dearly Befuddled, available in paperback and E-book at Amazon.  And Read Mike’s Blog at Katz of the Day.

 


Preview: The 56th Annual Monterey Jazz Festival

September 15, 2013

By Michael Katz

Every year I head up to the Monterey Jazz Festival with a battle plan for seeing as much of the three days and over 500 artists as reasonably possible, and every year that plan gets shredded almost from the opening notes. Musicians whom I’d intended to sample (like Gregory Porter last year) keep me riveted for the duration of a set; a soft breeze and a bluesy band at the outdoor Garden Stage finds me hopelessly planted in my lawn chair; a piano trio at the Coffee House Gallery (Bill Carrothers, two years ago) holds me spellbound into the witching hour.

My initial take for MJF 56, coming up next weekend, was that the Arena line-up is so strong I’d be doing less wandering than usual. Certainly Friday night, with Gregory Porter opening the show, followed by the Clayton-Hamilton Jazz Orchestra with a tribute to the late Dave Brubeck and then the Buena Vista Social Club is all too good to miss – unless I want to catch a little of pianist Uri Caine at the Coffee House or Carmen Lundy at the Night Club. Dave Douglas and Joe Lovano are playing separately on the grounds Friday night, but together Saturday night at the Arena.

Decisions, decisions….

Saturday presents lots of conundrums. There’s the traditional blues/roots program that leads off with the Relatives at the Arena, (with a late afternoon encore at the Garden Stage) and the usual collection of funky sounds all afternoon at the Garden. George Benson is the featured afternoon act at the Arena. But a young woman I haven’t heard, baritone player Claire Daly, is doing a Monk program at 2:30 in the Night Club, so I’m already figuring out how to catch most of that, and still see the last half of Benson’s show. Meanwhile, during the break between the Arena Shows, bassist Charnett Moffett will be holding forth, and by 8 PM a flood of talent hits the festival, with the Lovano/Douglas group, Marc Cary, Ravi Coltrane, Craig Taborn and Orrin Evans all performing in various venues at the same time.

Later on that night, after more potential bouncing between Dave Holland, Charlie Hunter, Mary Stallings and others, another dilemma is at hand. Bobby McFerrin is sui generis, and I surely won’t want to miss him. But the Brubeck Brothers, Chris, Daniel and their band, will be performing at the Night Club at about the same time. I saw Chris a few years ago at MJF with his funky blues band Triple Play, as well as with his Dad in the memorable Cannery Row Cantata. He’s a wonderful and spirited performer on bass and trombone, as is Daniel on the drums. Given their Dad’s lasting contributions to MJF, I get the sense that their show Saturday will be a heart stopper.

I issue my annual alert for Sunday: don’t miss the Next Generation Band. This group of all-star high school age kids opens the Arena Show Sunday, and they are a great reason to brave the midday Monterey sun. Joe Lovano will be joining them for a couple of guest solos. The Bob James-David Sanborn group will be anchoring the show, for what figures to be a fun session of funky, bluesy jazz. The “hammock” time between Arena shows is always a perfect occasion to hang out at the Garden Stage. This year Bay Area vocalist Tammy Hall performs between 4 and 5, while the Twin Cities’ Davina and the Vagabonds has the 5:30 – 7 slot. And if you haven’t caught Chicago’s own Judy Roberts with sax player Greg Fishman at one of their eight performances on the Courtyard Stage, check them out between 5 and 5:30.

Whew! We haven’t even talked about the food. About this time, if I haven’t had my ribs and peach cobbler, I’m loading up, to say nothing of a last Margarita. Meanwhile, the Festival will end with a blast. The annual Hammond B-3 showcase has guitarist Anthony Wilson’s Trio featuring Larry Goldings on the organ and drummer Jim Keltner at Dizzy’s Den, followed by MJF favorite Lonnie Smith. Over in the Night Club, altoist Lou Donaldson opens, and vibist Bobby Hutcherson follows with a tribute to the late, great Cedar Walton, who had been scheduled to appear in that slot.

With all that, it’s still hard to pass up the Arena’s final show, with Wayne Shorter celebrating his 80th birthday backed up by his superb quartet featuring Danilo Perez, John Patitucci and Brian Blade. There are certain performers who always seem to save their best for Monterey. Diana Krall has had a love affair with MJF, dating back to her knockout debut at MJF 40, and her curtain-lowering show Sunday night promises to keep everyone in their seats until the end.

Sorry, I know I’ve left out more than a few of the MJF 500 +. Find your way up to the Monterey Peninsula and discover it all for yourself.

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Don’t forget to check out Michael Katz’s new novel, Dearly Befuddled, available in paperback and E-book at Amazon.  Read Mike’s Blog, Katz of the Day.


Picks of the Week: Sept. 4 – 8

September 4, 2013

By Don Heckman

It’s a light, holiday week, with 100-plus temperatures here in L.A.  But there’s still some very fine music to hear in various parts of the world.

Los Angeles

Roy Hargrove

Roy Hargrove

– Sept. 4 – 8. (Wed. – Sun.) The Roy Hargrove Quintet. Trumpeter Hargrove has appeared frequently with his big band lately. But this time he fronts a straight-ahead quintet, showcasing his fine solo work. Catalina Bar and Grill.   (323) 466-2210.

– Sept. 4. (Wed.) Bruce Forman Quartet. Guitarist, novelist and educator Forman, a true multi-hyphenate, takes a break from his many activities to do a live performance. Don’t miss it. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Sept. 6. (Fri.) Richie Cole Quartet. Bebop is always on the loose when alto saxophonist is in the room. And especially so when he’s backed by the propulsive backing of pianist Lou Forestieri, bassist Chris Colangelo and drummer Dick Weller. Jazz at the Radisson Hotel.

Blue Man Group

Blue Man Group

– Sept. 6 & 7. (Fri.& Sat.) The Blue Man Group. The musically and visually eccentric members of the Blue Man Group have brought a new supply of unique instruments to an evening of new music with the Hollywood Bowl Orchestra. Hollywood Bowl.  (323) 850-2000.

– Sept. 8. (Sun.) ABBA Fest. A non-stop evening of music by the hit-making Swedish band. First, via a competition of collegiate a cappella Abba groups; second via a performance by the great tribute band ABBA, the Concert. Hollywood Bowl.  (323) 850-2000.

ABBA Fest

ABBA Fest

San Francisco

– Sept. 5 – 8. (Thurs. – Sun.). Terence Blanchard is always in search of new musical adventures. This time out, his Sextet features saxophonist Ravi Coltrane and and African jazz guitarist Lionel Loueke. SFJAZZ. The SFJAZZ Center, Miner Auditorium.  (415) 398-5655.

Seattle

– Sept. 5 – 8. (Thurs., – Sun.) Larry Coryell and the Eleventh House Reunion Band. Guitarist Coryell revives the music of the fusion band he led in the’70s. Jazz Alley.  (206) 441-9729.

Washington, D.C.

– Sept. 6 – 8. (Fri. – Sun.) Patricia Barber. Singer/pianist Barber continues her quest to find new creative ways to approach the songs of the Great American Songbook. Blues Alley.  (202) 337-4141.

New York City

– Sept. 4. (Wed.) J.D. Walter. Jazz Standard. Walter is a singer who prefers to take adventurous musical pathways… which may explain why he hasn’t yet received the attention his singing deserves. The Jazz Standard.  (212) 576-2232.

Cassandra Wilson– Sept. 5 – 8. (Thurs. – Sun.) Cassandra Wilson. The jazz vocal genre has largely been dominated lately by fast-arriving young female artists. But Wilson continues to be a pathfinder with her own inimitable style. The Blue Note. (212) 475-8592.

– Sept. 7. (Sat.) Barbara Carroll. She was described in 1947 by Leonard Feather as the “first girl to play bebop piano.” And, at 88, she’s still going strong, performing here in duo with bassist Jay Leonhart. Birdland. http://www.birdlandjazz.com/event/350551-barbara-carroll-new-york (212) 581-3080.

Berlin

– Sept. 4 – 7. (Wed. – Sat.) Sommerwochenkonzert. Don Grusin and Chuck Loeb. Keyboardist Grusin and guitarist Loeb display their easygoing blend of mainstream and crossover jazz genres.. A-Trane.  +49 30 3132 ext. 550.

Copenhagen

– Sept. 6 – 7. (Fri. & Sat.) Dado Moroni, Reuben Rodgers, Alex Riel. The Art of the Trio. Italian jazz pianist Moroni has been delivering his authentic jazz perspectives since the ’80s. He’s backed here by American bassist Rodgers and Danish drummer Alex Riel. Jazzhus Montmartre.  +45 31 72 34 94.

Tokyo

– Sept. 3 – 5. (Tues. – Thurs.) Bob James & David Sanborn. James and Sanborn have pioneered their swinging versions of contemporary jazz fusion and crossover for decades – and doing it in memorable fashion. They’re accompanied on this tour by the equally imaginative drummer Steve Gadd and bassist James Genus. Blue Note Tokyo.  03 5485 0088.

Gregory Porter

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– Sept. 6. (Fri.) Gregory Porter. At a time when the distaff side has been dominating most of the newly released jazz recordings, the warm baritone of Porter has been bringing impressive new interpretations to the the world of jazz vocalizing. Blue Note Tokyo.  03 5485 0088.


Picks of the Week: June 12 – 16

June 12, 2013

By Don Heckman

Los Angeles

– June 12. (Wed.)  Julian Coryell.  He’s received an impressive guitar-playing legacy from his father, Larry Coryell.  But Julian has thoroughly developed a creative style of his own.  Vitello’s.    (818) 769-0905.

Cindy Lauper

Cindy Lauper

– June 13. (Thurs.)  Cindy Lauper.  30th Anniversary: She’s So Unusual Tour.  The inimitable Cindy Lauper celebrates the anniversary of her debut album.  She’ll be joined by the all-girl alternative rock band, Hunter ValentineGreek Theatre.    (323) 665-5857.

June 13. (Thurs.)  Upright Cabaret’s LEATHER & LACE: Music of Don Henley, Stevie Nicks & Neil Young!  An entertaining evening of some unusual songs.  Starring Yvette Cason, Jake Simpson and more.  Catalina Bar & Grill.  (223) 466-2210.

– June 13. (Thurs.)  Annie Trousseau offers some impressive musical reminders of the legendary Edith Piaf and Marlene Dietrich.  Vibrato Grill Jazz…etc. (310) 474-9400.

– June 14 – 16. (Fri. – Sun.)  Barry Manilow.  It may be Southern California, but Manilow revives his critically acclaimed “Barry Manilow on Broadway” concert, with all its hit songs, to Southland listeners.  The Greek Theatre.    (323) 665-5857.

– June 15 & 16. (Sat. & Sun.)  Playboy Jazz Festival.  The 35th installment in Playboy’s annual tribute to jazz arrives with its usual stellar line-up of talent.  Among the highlights on Sat.: Gregory Porter, Angelique Kidjo, Gordon Goodwin with Lee Ritenour, Naturally 7 with guest Herbie Hancock and George Duke.  On Sunday: the Brubeck Brothers, Taj Mahal, the Clayton-Hamilton Jazz Orchestra, Bob James and David Sanborn, India.Arie, Sheila E. and Trombone Shorty Hollywood Bowl.     (323) 850-2000.

San Francisco

– June 13. (Thurs.)  Enrico Rava Tribe.  Featuring Gianluca Petrella.   Veteran Italian jazz trumpeter Rava leads his band Tribe, a European collection of some of Europe’s finest young players, including trombonist Petrella.  Yoshi’s San Francisco.    (415) 655-5600.

Washington D.C.

Patrice Rushen

Patrice Rushen

– June 13 – 16 (Thurs. – Sun.)  Buster William’s “Something More Quartet.”  And a pretty impressive quartet it is, with keyboardist Patrice Rushen, saxophonist Steve Wilson and drummer Cindy Blackman-SantanaBlues Alley.    (202) 337-4141.

New York City

– June 12 & 13. (Wed. & Thurs.)  Kenny Werner Coalition.  Pianist Werner, always in search of new ideas, plays with the versatile, adventurous aid of guitarist Lionel Loueke, saxophonists Miguel Zenon and Benjamin Koppel, and drummer Ferenc NemethThe Blue Note.   (212) 475-8592.

Ravi COltrane

Ravi COltrane

– June 12 – 15. (Wed. – Sat.)  Ravi Coltrane Quartet.  Saxophonist Coltrane is another second generation jazz artist.  And, like his father, the iconic John Coltrane, he is an imaginative, cutting edge performer.  He’s backed by  Adam Rogers, guitar, Dezron Douglas, bass, Johnathan Blake, drums.  Birdland.    (212) 581-3080

London

– June 15 & 16. (Sat. & Sun.)  The Dirty Dozen Brass Band. The veteran New Orleans brass band keeps the incomparably high spirited New Orleans jazz tradition alive. Ronnie Scott’s.  +44 20 7439 0747.

Paris

Eddie Palmieri

Eddie Palmieri

– June 14. (Fri.)  Eddie Palmieri Salsa Orchestra.  Pianist Palmieri, sometimes described as the Thelonious Monk of Latin jazz, is an irresistibly appealing jazz artist.  Paris New Morning.    +33 1 45 23 51 41


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