Doc Wendell’s Prescription for Hard-Bop: Hank Mobley’s “No Room For Squares” (Blue Note)

By Devon Wendell It’s no news that Hank Mobley was one of the most under appreciated tenor saxophonists and composers to emerge from the post bop revolution in terms of press coverage. But Mobley didn’t need the assistance of the often obtuse jazz journalism world to be heralded as one of the prime innovators of… Read More Doc Wendell’s Prescription for Hard-Bop: Hank Mobley’s “No Room For Squares” (Blue Note)

Doc Wendell’s Prescription For Hard-Bop Trumpet: Donald Byrd’s ”Byrd In Hand” (Blue Note)

By Devon Wendell I’ve had this deep, lifelong obsession with the trumpet. I’ve written about some of the greatest musicians to ever pick up the instrument like Dizzy Gillespie, Miles Davis, Fats Navarro, Freddie Hubbard, Kenny Dorham, Art Farmer, Clifford Brown, and Wild Bill Davison, to name a few. I’d trade my right foot and… Read More Doc Wendell’s Prescription For Hard-Bop Trumpet: Donald Byrd’s ”Byrd In Hand” (Blue Note)

Doc Wendell’s Prescription For Big Band Swing: “Count Basie At Newport” (Verve)

By Devon (Doc) Wendell There is no genre in jazz that has become as disrespected, forgotten, and dismissed as big band jazz. Generations of brainwashed lazy music dabblers often come to this warped and naïve conclusion that the entire history of jazz is made up exclusively by the likes of John Coltrane, Miles Davis, and… Read More Doc Wendell’s Prescription For Big Band Swing: “Count Basie At Newport” (Verve)

Doc Wendell’s Prescription For Bop: Clifford Jordan & John Gilmore “Blowing In From Chicago” (Blue Note)

By Devon Wendell There’s nothing quite like a gritty Chicago tenor saxophone battle, especially during the post war hard-bop era. By the mid ‘50s, Players like Johnny Griffin, Gene Ammons, Von Freeman, and John Neely were blowing at each other with this insatiable hypo-manic bop that would make your head spin. What these men played… Read More Doc Wendell’s Prescription For Bop: Clifford Jordan & John Gilmore “Blowing In From Chicago” (Blue Note)

Doc Wendell’s Prescription For Bop And Beyond: “Freddie Hubbard: Without A Song-Live In Europe 1969” (Blue Note)

By Devon Wendell Freddie Hubbard was the quintessential Renaissance man of the trumpet during the 1960s. Hubbard’s superior technique, beautiful tone, and sheer confidence enabled him to do anything. From the start of the decade, he made bebop records with Dexter Gordon and Kenny Drew and hard-bop albums with Jackie McLean, Art Blakey & The… Read More Doc Wendell’s Prescription For Bop And Beyond: “Freddie Hubbard: Without A Song-Live In Europe 1969” (Blue Note)

Doc Wendell’s Prescription For Dixieland Jazz: “Wild Bill Davison & The Jazz Giants” ( Sackville/Delmark)

By Devon Wendell Wild Bill Davison was a truly unique and brilliant cornet player. He was one of the bright stars from Eddie Condon’s band since the 1920s. His thick exaggerated vibrato and dynamic attack created a truly distinct sound. He could play soft and gentle one moment, and in the next one of his… Read More Doc Wendell’s Prescription For Dixieland Jazz: “Wild Bill Davison & The Jazz Giants” ( Sackville/Delmark)

Doc Wendell’s Prescription For Bass BeBop: Paul Chambers: “1st Bassman” (Vee Jay Records)

By Devon Wendell Paul Chambers or “Mr. P.C.” was one of the most prolific and inventive bassists to emerge from the hard-bop era. His presence was so strong on classic albums by Miles Davis, John Coltrane, Cannonball Adderley, J.J. Johnson, Sonny Rollins, Art Pepper, Bill Evans, and Thelonious Monk, (to name only a few) that… Read More Doc Wendell’s Prescription For Bass BeBop: Paul Chambers: “1st Bassman” (Vee Jay Records)