Books: Brian Arsenault Takes on Kafka’s “The Castle” and Writes To Son Brent About It

By Brian Arsenault Hey Brent, You asked me to tell you more about the class I’m taking on Franz Kafka’s The Castle. I’ll start with Ed. who’s teaching, or rather leading, the class. I’ve taken literature courses with Ed before: Kerouac’s The Road, Sherwood Anderson’s Winesburg, Ohio so I knew the course would be worth… Read More Books: Brian Arsenault Takes on Kafka’s “The Castle” and Writes To Son Brent About It

Live Music: The Los Angeles Philharmonic New Music Group at Disney Hall conducted by John Adams

By Jane Rosenberg   Los Angeles. Like a Prospero calling forth the winds, John Adams set the accomplished artists of the LA Phil New Music Group to blowing, gusting, darting, and flying Tuesday night at Disney Hall. Billed as a theatrical evening, two of the pieces, Frankenstein!! and the U.S. premiere of Hommage à Klaus… Read More Live Music: The Los Angeles Philharmonic New Music Group at Disney Hall conducted by John Adams

Opera: LA Opera’s “A Streetcar Named Desire” at the Dorothy Chandler Pavilion

By Jane Rosenberg Los Angeles.  When Andre Previn asserted that A Streetcar Named Desire by Tennessee Williams was already an opera – just without the singing, he spoke to the essence of the play. With the life and death struggle of Blanche DuBois, we have a dramatic heroine as grand and iconic as any Carmen,… Read More Opera: LA Opera’s “A Streetcar Named Desire” at the Dorothy Chandler Pavilion

CD Review: Greg Lewis “Organ Monk: Uwo in the Black”

Greg Lewis  Organ Monk: Uwo in the Black By Brian Arsenault Listening to jazz genius Thelonious Monk has always made me anxious after about eight minutes, confirming son Kurt’s belief that I am a music primitive.  Interestingly, however, it’s Greg Lewis’ composition on the second track of Organ Monk: Uwo in the Black, not surprisingly… Read More CD Review: Greg Lewis “Organ Monk: Uwo in the Black”

CD Review: “Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International”

By Brian Arsenault I am always a bit suspicious of organizations aligning themselves with art and artists, even one as “pure” as Amnesty International.  Organizations, you see, always have agendas and the only agenda artists should have is their art. It might not be fair to say but I rather envision Amnesty International supporters as… Read More CD Review: “Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International”