Picks of the Week: January 5 – 11

January 6, 2015

As we move into the first weeks of 2015, the iRoM Picks of the Week will begin to reach beyond the Los Angeles-centric choices of the past few years. We will, of course, continue to survey L.A.’s ever-changing banquet of musical pleasures. But we will also begin to highlight and emphasize a broad range of choices reflecting the International perspective which is at the heart of our mission and our name.

By Don Heckman

Los Angeles

Michael TIlson Thomas

Michael TIlson Thomas

– Jan. 9 – 11. (Fri. – Sun.) The Los Angeles Philharmonic. Michael Tilson Thomas celebrates his 70th birthday by conducting the L.A. Phil. and the Los Angeles Master Chorale in a spectacular, world premiere production of Beethoven’s Missa Solemnis with video and lighting design. Disney Hall.  (323) 850-2000.

– Jan. 9 – 11. (Fri. – Sun.) The Lee Ritenour Band. He’s been called “Captain Fingers” for his impressive guitar technique, but Ritenour is also an imaginative, hard swinging jazz artist. He performs here with the fine backing of Dave Weckl, drums, Tom Kennedy, bass and pianist Makoto Ozone. Catalina Bar & Grill.  (323) 466-2210.

– Jan. 6. (Tues.) John Proulx Trio. Proulx is on many first-call lists for his fine piano work. But Proulx is an engaging vocalist as well, building a career as a prime entry in the slowly growing cadre of male jazz singers. Vibrato Grill Jazz…etc.  (310) 474-9400.

Carol Bach-y-Rita

Carol Bach-y-Rita

– Jan. 11. (Sun.) Carol Bach-y-Rita. A singer with a voice to remember, Bach-y-Rita (her name is Catalan) brings convincing interpretations and rhythmic ease to songs reaching from samba and salsa to crisp jazz rhythms, often in 4 or 5 languages. She’s especially worth seeing and hearing in the elegant setting of Herb Alpert’s Vibrato Grill Jazz..etc. Vibrato Grill Jazz…etc.  (310) 474-9400.

San Francisco

– Jan. 8 – 11, (Thurs. – Sun.) Pharoah Sanders. The far-reaching jazz explorations of the avant-garde ’60s are still alive and well in Sanders’ adventurous tenor saxophone. An SFJAZZ event at Miner Auditorium (866) 920-5299.

- Jan. 9. (Fri.)  The San Francisco Symphony and The Godfather.  Justin Freer conducts the Symphony in a live orchestral performance of Nino Rota’s film score in sync with a screening of Francis Ford Coppola’s film masterpiece.  Davies Symphony Hall.  (415) 864-6000.

Oregon

Portland – Jan. 7. (Thurs.) The Mel Brown B3 Organ Group has been playing at Jimmy Mak’s in Portland for more than 16 years. No wonder George Benson once said “if this band played in New York City, they’d be a sensation.” Jimmy Mak’s.  (503) 295-6542.

Ashland – Jan. 9 & 10. (Fri. @ 7:30 p.m. & Sat. @ 3 p.m.) The Tesla Quartet. The stellar young artists in the Tesla Quartet have established themselves as a significant international chamber ensemble in the few years since they graduated from Julliard. They’ll perform works by Bartok, Dvorak, Haydn, Mendelssohn, Webern, Beethoven and others. Chamber Music Concert Series at Southern Oregon University Music Recital Hall.  (541) 552-6154.

New York City

Ravi Coltrane

Ravi Coltrane

– Jan. 6 – 11. (Tues. – Sun.) The Monterey Jazz Festival on Tour. Here’s a rare chance to experience some of the impressive music from what is arguably one of the finest jazz festivals in the world. The featured players in this stellar aggregation include trumpeter Terence Blanchard, saxophonist Ravi Coltrane and the Gerald Clayton Trio. The Blue Note. (212) 475-8592.

– Jan. 8 – 10. (Thurs. – Sat.) The 2015 NYC Winter Jazzfest. The three day Jazzfest, which takes place at theatres and clubs across Greenwich Village offers a rare display of jazz eclecticism. With talent ranging from iconic names to new arrivals, with stylistic explorations of every jazz genre, it provides a brilliant survey of jazz in all its irresistible shapes and forms. The 2015 Winterjazz Fest.

-Jan. 11. (Sun.) Lisa Hilton. Composer-pianist Hilton debuts new compositions from her album Horizons in a live performance with saxophonist J.D. Allen, drummer Rudy Royston, bassist Ben Street, and Ingrid Jensen on trumpet and flugelhorn. Carnegie Hall (Weill Recital Hall).

London

– Jan. 5 – 7. (Mon. – Wed.) Scott Hamilton Quartet. Jazz history, past and present is vividly alive in Hamilton’s buoyant tenor saxophone work. The Pizza Express Jazz Club Soho.

Tania Maria

Tania Maria

Milan

- Jan. 9 – 11. (Fri. – Sun.) Tania Maria. The loving partnership between Brazilian music and American jazz is on full display with everything the versatile Tania Maria sings and plays. The Blue Note Milano.  +39 02 6901 6888.

Switzerland

– Jan. 11. (Sun.) Lang Lang. The gifted young Chinese pianist makes one of his rare European appearances. Stadt-casino – Hans Huber Saal, Basel.

Andorra

Joshua Bell

Joshua Bell

– Jan. 9. (Fri.) Joshua Bell and his violin take center stage with the Academy of St. Martin in the Fields European Tour: Andorra. The dynamic program reaches from Bach’s Violin Concerto in A minor, Mendelssohn’s The Hebrides, Beethoven’s Symphony No. 5 and Mozart’s Symphony No. 40. The tour also includes performances in Mannheim (Jan. 14), Vienna (Jan. 15) and Hamburg (Jan. 16).

 

Moscow

– Jan. 5 – 11. (Mon. – Sun. The Nutcracker: A Ballet in Two Acts. The Bolshoi Ballet accompanied by the Bolshoi Theatre Symphony Orchestra.

The Bolshoi Ballet

The Bolshoi Ballet

What will surely be a memorable performance in the Bolshoi Ballet and Opera Theatre.

Tokyo

Richard-Bona

Richard-Bona

– Jan. 10 & 11. (Sat. & Sun.) The Richard Bona Group. Bassist Bona, born in Cameroon, burst onto the New York jazz scene in the mid-’90s, quickly establishing his uniquely original style with the likes of George Benson, Branford Marsalis, Chaka Kahn Randy Brecker and others. Since then he’s led a sequence of his own musically compelling ensembles. Tokyo Blue Note.  +81 3-5485-0088.


Picks of the Week: September 9 – 14 in Los Angeles, San Francisco, Chicago, New York, London, Copenhagen, Milan and Tokyo

September 9, 2014

 

By Don Heckman

Los Angeles

– Sept. 11. (Thurs.) The Los Angeles Philharmonic and the Los Angeles Master Chorale, conducted by Juanjo Mena finish the summer’s classical season at the Hollywood Bowl with a grand performance of Beethoven’s Symphony No. 9, and Leonard Bernstein’s Symphonic Dances from West Side Story. Hollywood Bowl. (323) 850-2000.

– Sept. 11. (Thurs.) The Fazioli Piano Series. Pianist Eric Huebner plays works by by Luciano Berio, Paolo Cavallone, Nathan Heidelberger, Roger Reynolds, Salvatore Sciarrino, and Eric Wubbels on the much honored (with good reason) Fazioli piano. The Italian Cultural Institute of Los Angeles. (310) 443-3250.

Barbara Morrison (Photo by Bonnie Perkinson)

– Sept. 12 & 13 (Fri. – Sun.) Barbara Morrison 65th birthday and CD release celebration. It’s a memorable weekend for one of Los Angeles’ greatest jazz treasures. She should be heard at every opportunity. Catalina Bar & Grill.  (223) 466-2210.

– Sept. 12. (Fri.) Don Rader Quartet. Trumpeter Rader has been a first call Southland artist for decades, performing every imaginable kind of music with ease and musicality. Here he’s in the spotlight, displaying his versatile musical wares. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Sept. 12 & 13. (Fri. & Sat.) Mary Bogue. Cabaret artist Bogue, a unique stylist, has been described by Cabaret Scenes Magazine as “kind of throw-back to the red-hot mamas…electrifying, sassy, and sexy.” The Gardenia. (323) 467-7444.

Sept. 13. (Sat.) Charles Aznavour. The great French singer/songwriter makes a rare Southland appearance celebrating his 90th birthday.  The performance will be a banquet of classic songs, sung by one of the iconic figures in the history of international song.    The Greek Theatre(323) 665-5857.

San Francisco

Eliane Elias (Photo by Bonnie Perkinson)

– Sept. 11 – 14, (Thurs. – Sun.) Eliane Elias. The gifted Brazilian singer/pianist presents four fascinating evenings of music: Thurs: Celebrating Getz/Gilberto; Fri: Chet Baker Tribute; Sat: Night in Bahia; Sun: Bill Evans Salute. Don’t miss any of them. An SFJAZZ program at Miner Auditorium. r (866) 920-5299.

Chicago

– Sept. 11 – 14. (Thurs. – Sun.) Robert Glasper Trio. Comfortably positioned on the cutting edge of contemporary jazz, pianist Glasper and his players are offering fascinating new views of 21st century improvisational music. The Jazz Showcase. (312) 360-0234.

New York City

Dr, Lonnie Smith

Dr, Lonnie Smith

– Sept. 12 – 14. (Fri. – Sun.) Dr. Lonnie Smith.  Organ master Smith’s performances are unique explorations of an instrument with orchestral potential. “The organ is like the sunlight, rain and thunder,” says Smith. “It’s all the worldly sounds to me!” The Jazz Standard.  (212) 576-2232.

London

– Sept. 10 – 13 (Wed. – Sat.) “Brubecks Play Brubeck” featuring Darius, Chris and Dan Brubeck. The talented offpspring of Dave Brubeck display the remarkable genetic musical heritage they’ve received from their legendary father. Ronnie Scott’s.  +44 20 7439 0747.

Copenhagen

Sept, 13, (Sat.) Robert Lakatos. Hungarian jazz pianist Lakatos, one of Europe’s most highly praised jazz artists, is joined by Denmark’s Jesper Lundgaard, bass and Alex Riel, drums in a convincing display of the stunningly high level of jazz artistry on the continent. Jazzhus Montmartre.  +45 31 72 34 94.

Milan

The Bad Plus (Dave King, Ethan Iverson, Reid Anderson)

– Sept. 11. (Thurs,.) The Bad Plus. The creatively ambitious trio of pianist Ethan Iverson, bassist Reid Anderson, and drummer Dave King has been exploring new musical vistas since the 1990s, touching on everything from new views of the blues to their interpretation of Stravinsky’s The Rite of Spring. Blue Note Milano.  +39 02 6901 6888.

Tokyo

– Sept. 11 & 12. (Thurs. & Fri.) The Quartet Legend, featuring Kenny Barron, Ron Carter, Benny Golson and Lenny White. With a line-up of those names, this stellar group might more accurately be called “The Legendary Quartet.” Here’s a rare opportunity to hear them together. The Blue Note Tokyo. +81 3-5485-0088.

 


Picks of the Week: Jan. 21 – 26

January 21, 2014

By Don Heckman

Los Angeles

– Jan.21. (Tues.) The Pat Senatore Trio. Bassist Senatore, Josh Nelson, piano, and Mark Ferber, drums, assemble to celebrate a CD release party for the Trio’s new album, Ascensione. Vibrato Grill Jazz…etc (310) 474-9400.

Aaron Weinstein

Aaron Weinstein

– Jan. 22. (Wed.) Aaron Weinstein. Violinist Weinstein, still not a highly visible jazz artist, is rapidly establishing himself as one of his instrument’s rare jazz masters. Click HERE to read an earlier iRoM review of Weinstein. Vibrato Grill Jazz…etc. (310) 474-9400.

– Jan. 22 – 24. (Wed- Fri.) Lenny White and Friends. Eclectic drummer White, a vital veteran of Return to Forever, leads his own solid ensemble, including bassists Foley and Victor Bailey, woodwind player Bennie Maupin and keyboardist George Colligan. Catalina Bar & Grill (223) 466-2210.

John Proulx

John Proulx

– Jan. 23. (Thurs.) John Proulx Trio. He’s a fine pianist and an in-demand rhythm section player. And Proulx is now beginning to prove his skills as a fine interpretive jazz singer, as well. Vitello’s.   (818) 769-0905.

– Jan. 25 & 26. (Sat. & Sun.) The Los Angeles Master Chorale performs the Bach B Minor Mass in an interpretation that Music Director Grant Gershon says will “blow the roof off Disney Hall.”  (323) 850-2000.

– Jan. 25 & 26. (Sat. & Sun.) Average White Band. More than 40 years after their arrival on the pop music scene the A.W.B. still conjurs up an irresistible blend of funk, soul and r&b. Catalina Bar & Grill (223) 466-2210.

Chita Rivera

Chita Rivera

– Jan. 25. (Sat.) Chita Rivera: A Legendary Celebration. And, yes, Rivera is indeed one of the musical theatre’s most unique, memorable and legendary performers. Valley Performing Arts Center. (818) 677-8800.

– Jan. 25 & 26. (Sat. & Sun.) The Los Angeles Chamber Orchestra offer an inviting program of Mozart & Beethoven. On Saturday at the Alex Theatre.  On Sunday at Royce Hall.

– Jan. 26. (Sun.) Bill Cunliffe. Grammy-nominated Cunliffe offers a “Night at the Grammys with a stellar ensemble – saxophonist Bob Sheppard, bassist Darek Oles and drummer Adam Czerwinski.  (818) 769-0905.  Vitello’s.

 San Francisco

Cameron Carpenter

Cameron Carpenter

– Jan. 24. (Fri.) Cameron Carpenter. Organist Carpenter is one of classical music’s most dynamic performers, bringing an astounding blend of virtuosic technique and entertaining showmanship to everything he plays. SFJAZZ at Grace Cathedral.  (866) 920-5299.

Seattle

Grace Kelly

Grace Kelly

– Jan. 21 – 22. (Tues. – Wed.) Grace Kelly with the Marc Seales Trio. A jazz saxophone prodigy as a teen-ager, Kelly – now 21 – has matured into a gifted creative artist. Jazz Alley.  (206) 441-9729.

 New York City

– Jan. 22 & 23. (Wed. & Thurs.) Pat Martino and Eldar. A cross generational team – veteran guitarist Martino and talented young pianist Eldar – get together in search of common improvisational ground. Iridium. (212) 582-2121.

Copenhagen

– Jan. 23-25 (Thurs. – Sat.) Paolo Fresu Special Quartet. Italian trumpeter/flugelhornist Fresu has assembled an aggregation of some of Europe’s finest jazz players, among them Paolo Russo, piano, Thomas Fonnesbaek, bass, and Alex Riel, drums. Jazzhus Montmartre.  +45 31 72 34 94.

Milan

Diane Schuur

Diane Schuur

– Jan. 23 – 25. (Thurs. – Sat.) Diane Schuur. “Deedles,” as she is known by friends, fans and musicians alike, continues to sing with the Sarah Vaughan influenced style that has characterized her imaginative work ever since Stan Getz discovered her in the late ’70s. The Blue Note Milano.  +39 02 6901 6888.

Tokyo

Jan. 23 & 24. (Thurs. & Fri.) Avishai Cohen Trio. Israeli jazz bassist Cohen – not the Israeli jazz trumpeter by the same name – leads his new trio in a rare Japanese appearance. The Blue Note Tokyo. +81 3-5485-0088.


Picks of the Week: Sept. 18 – 22

September 18, 2013

By Don Heckman

Los Angeles

Gina Saputo

Gina Saputo

– Sept. 18. (Wed.) Gina Saputo. Emerging young jazz vocal star Saputo shares the stage with a talented group of L.A.’s finest singers — Courtney Lemmon, Dave Damiani and Mark Christian Miller. Catalina Bar & Grill.  (323) 466-2210.

– Sept. 18. (Wed.) The Sammy Cahn-cert. Vocalist Kurt Reichenbach sings the marvelous far-ranging tunes from the Sammy Cahn songbook. Vitello’s. (818) 769-0905.

– Sept. 18. (Wed.) Orquesta Buena Vista Social Club. It’s been nearly two decades since the Orquesta Buenta players began to enlighten the world about the great music of Cuba. And they’re still at it. Valley Performing Arts Center.  (818) 677-8800.

Annie Trousseau

Annie Trousseau

– Sept. 19. (Thurs.) Annie Trousseau. Multi-lingual singer Trousseau sings in Spanish, French, German, Portuguese, Italian and English, enlivening the tradition of international cabaret styles. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Sept. 20. (Fri.) The Bob McChesney Quartet. McChesney’s superb trombone playing has thoroughly established him as one of the instrument’s great jazz masters. Vibrato Grill Jazz…etc.  (310) 474-9400.

– Sept. 20. (Fri.) The Bob Sheppard Group. He’s everyone’s first call saxophone and woodwind player and with good reason. Here’s a chance to hear him in action with the stellar aid of guitarist Larry Koonse, bassist Mike Valerio and drummer Steve Kass. Vitello’s.  (818) 769-0905.

Ann Hampton Callaway and Liz Callaway

Ann Hampton Callaway and Liz Callaway

– Sept. 20 & 21. (Fri. & Sat.) Ann Hampton Callaway and Liz Callaway. The talented Callaway sisters get together to display talents reaching from jazz and pop to Broadway classics. Catalina Bar & Grill.  466-2210.

– Sept. 21 (Sat.) Sing-a-long Sound of Music. It’s an annual event, inviting enthusiastic audiences to sing along with the memorable songs from the Rogers & Hammerstein musical. The Hollywood Bowl.  (323) 850-2000.

– Sept. 21. (Sat.) Big Bad Voodoo Daddy. Swing music is still alive and well in the hard jiving hands of the Voodoo Daddys. Cerritos Center for the Performing Arts.  (562) 916-8501.

Jeffrey Kahane

Jeffrey Kahane

– Sept. 21 & 22. (Sat. & Sun.) Los Angeles Chamber Orchestra. The gifted players of the LACO begin their season with Jeffrey Kahane conducting a program of Beethoven, Mozart, Lutoslawski and Kodaly. Featured soloist is young violinist Benjamin Beilman. Sat: the Ambassador Auditorium; Sun. Royce Hall. The Los Angeles Chamber Orchestra.  (213) 622-7001.

– Sept. 22. (Sun.) Los Angeles Master Chorale. The extraordinary singers of the LAMC celebrate the ensemble’s 50th anniversary with a retrospective look at the highlights in their remarkable performance history. Disney Hall. (323) 850-2000.

San Francisco

– Sept. 19. (Thurs.) Amjad Ali Khan and Sons. Classical Indian master of the sarod, Khan has passed his skills on to a generation of gifted offpsring. SFJAZZ. Miner Auditorium. -(866) 920-5299.

Chicago

– Sept. 19 – 22 (Thurs. – Sun.) Miguel Zenon and Rhythm Collective. Alto saxophonist and winner of a MacArthur “genius:” award Zenon reveals the far-reaching range of his improvisational skills. Jazz Showcase.  (312) 360-0234.

New York City

Steve Kuhn

Steve Kuhn

– Sept, 18 – 21. (Wed. – Sat.) Coltrane Revisited. Steve Kuhn, a veteran performer with Coltrane, leads a talented band of young players in a revisit to the Coltrane legacy. Birdland.  212) 581-3080.

London

– Sept. 18 – 19. Wed. & Thurs. Remembering Oscar Peterson. With pianists James Pearson and Dave Newton, Featuring selections from Peterson’s Canadiana Suite. Ronnie Scott’s+44 (0)20 7439 0747 .

Copenhagen

– Sept. 18 – 21. (Wed. – Sat.) French Jazz Festival. Denmark celebrates the high quality of French jazz artists. Among the featured performers: violinist Didier Lockwood, guitarist Michael Felderbaum and saxophonist Lionel Belmondo. Jazzhus Montmartre.  +45 31 72 34 94.

Tokyo

– Sept. 20. (Fri.) Jonathan Butler. South African singer Butler has been blending the music of his roots with a gift for crossing over into international pop, soul and blues. Blue Note Tokyo.  +81 3-5485-0088.


Picks of the Week: May 14 – 19

May 14, 2013

By Don Heckman

Los Angeles

Brenna Whitaker

Brenna Whitaker

– May 15. (Wed.)  Brenna Whitaker.  She could have been a ‘30s platinum blond star.  But Whitaker doesn’t just look good; she can sing, too.  This time out she picks a set of tunes to enhance the birthday of Vibrato co-owner Eden Alpert.  Vibrato Grill Jazz…etc.   (310) 474-9400.

– May 15. (Wed.)  Lado B Project.  A lively evening of Brazilian music, featuring Otmaro Ruiz, piano, Larry Koonse, guitar, Edwin Livingston, bass, Aaron Serfaty, drums and Catina DeLuna, voice.  Brazilian music.  Vitello’s.    (818) 769-0905.

– May 16. (Thurs.)  Lisa Hilton. The ever adventurous pianist/composer Hilton continues her quest for new musical territories for her to explore. Catalina Bar & Grill.   (323) 466-2210.

– May 16. (Thurs.)  John Proulx.  Singer/pianist Proulx has begun to claim a position in the rare category of male jazz singer.  Proulx, like his musical role model, Chet Baker, brings the flowing phrases of his instrumental playing to his vocal interpretations.    H.O.M.E. (House of Music and Entertainment)   (310) 271-4663.

– May 17. (Fri.)  Jim Snidero Group.  Saxophonist Snidero’s lengthy resume reaches from his own numerous recordings to performances with everyone from Frank Sinatra to Frank Wess. The Blue Whale.    (213) 620-0908.

Melissa Manchester

Melissa Manchester

– May 17 – 19. (Fri. – Sun.)  Melissa Manchester. She’s been producing memorable music since the ‘70s, including “Midnight Blue” and “Don’t Cry Out Loud.”  Here’s a chance to catch her in one of her rare club appearances. Catalina Bar & Grill.   (323) 466-2210.

– May 17 – 19. (Fri. – Sun.)  Larry Goldings, Peter Bernstein and Bill Stewart.  This is a stellar organ trio if ever there was one.  Each of the players is an influence in his own right.  Don’t miss them.  Vitello’s.    (818) 769-0905.

– May 17 – 19, 23 & 25. (Fri. – Sun., Thurs., Sat.)  Mozart/Da Ponte TrilogyThe Marriage of Figaro. The second of the Los Angeles Philharmonic’s three year trilogy of opera by Mozart and librettist Lorenzo Da Ponte.  The great comic opera is performed in a concert staged version by the Philharmonic, the Los Angeles Master Chorale and soloists.  Disney Hall.  http://www.laphil.com  (323) 850-2000.

– May 19. (Sun.)  Los Angeles Chamber Orchestra.  Concerto Finale.  The LACO players offer a fascinating evening of concertos, including Shostakovich’s Cello Concerto, and an offbeat bassoon concerto performed with a 1927 silent film.  Add the Beethoven Coriolan Overture and anticipate an engaging program.   CAP UCLA at Royce Hall.   (310) 825-4321.

– May 19. (Sun.)  Deborah Voigt.  Critically acknowledged as one of the classical music world’s dramatic sopranos, Voigt – who roves freely from Wagner to Puccini – offers an intimate recital of works by Strauss, Tchaikovsky, Bernstein and more.  Valley Performing Arts Center.  (818) 677-8800.

San Francisco

Bela Fleck

Bela Fleck

– May 16 – 19 (Thurs. – Sun.)  Bela Fleck solo.  Banjo master Fleck has performed in every imaginable setting.  But he is especially compelling musically when he plays in the creative intimacy of a solo performance.  SFJAZZ Center Miner Auditorium.    (866) 920-5299.

Seattle

– May 14 & 15. (Tues. & Wed.)  John Hammond.  Praised by the likes of Tom Waits and T-Bone Burnett, Grammy-winning guitarist/singer/harmonica player Hammond keeps the blues alive in everything he plays.  Jazz Alley.    (206) 441-9729.

New York City

– May 14 – 18. (Tues. – Sat.)  Bossabrasil.  Featuring Dori Caymmi with special guest, Joyce.  Rio comes to Manhattan in the form of a pair of Brazil’s most versatile and gifted musical artists.  Birdland.    (212) 581-3080.

– May 14 – 19. (Tues. – Sun.)  The Gil Evans Project.  Directed by Ryan Truesdell.  An amazing week of music, featuring a large ensemble exploring the full range of Gil Evans’ extraordinary talents.  The selections for each night include Gil Evans’ music for the Claude Thornhill Orchestra, “Out of the Cool,” “New Bottle, Old Wine,” “Great Jazz Standards,” “The Individualism of Gil Evans,” “Miles Ahead,” “Porgy and Bess,” Check with the club for scheduling.  The Jazz Standard.    (212) 576-2232.

London

Roy Haynes

Roy Haynes

– May 15 & 16. (Wed. & Thurs.)  The Roy Haynes Fountain of Youth Band. The Fountain of Youth has had the biggest impact upon the leader, drummer and role model in this band.  At 88, Haynes is still playing with the imagination and energy of youth.  Ronnie Scott’s.   +44 20 7439 0747.

Berlin

– May 17 & 18.  (Fri. & Sat.)  Lee Ritenour.  He used to be called “Captain Fingers” in honor of his high-speed dexterity.  But guitarist Ritenour has a more lyrical side as well, often employing octave melody style of his favorite musical model, Wes Montgomery.  A-Trane.    +49 30 3132 ext. 550

Copenhagen

– May 15 & 16. (Wed. & Thurs.)  Mark Whitfield.  Dubbed the “best young guitarist in the business” by the New York Times, Whitfield performs with a trio of prime Danish jazz musicians: Henrik Gunde, piano, Kasper Vadsholt, bass and Rasmus Kihlberg, drums.  Jazzhus Montmartre.   +45 31 72 34 94

Milan

Anat Cohen

Anat Cohen

– May 18. (Sat.) Anat Cohen.  Clarinetist/saxophonist Cohen is in the forefront of an impressive generation of female jazz instrumentalists.  She’s backed by Jason Lindner, piano, Stefano Bellani, bass and Daniel Freedman, drums.  Blue Note Milano.    +39 02 6901 6888.

Tokyo

– May 14 – 16. (Tues. – Thurs.)  Benny Golson Quartet.  Tenor saxophonist/composer Golson is still, at age 84, a player with a lot of music to express.  Hopefully he’ll also play some of his jazz hits such as “Killer Joe,” “Whisper Not,” “Along Came Betty” and more.  The Blue Note Tokyo.    +81 3-5485-0088.


Picks of the Week: April 10 – 14

April 10, 2013

By Don Heckman

Los Angeles

Chick Corea

Chick Corea

– April 10 – 14.  (Wed. – Sun.)  Chick Corea Trio.  With bassist Stanley Clarke and drummer Ronald Bruner, Jr.  Corea’s musical activities lately have ranged in all directions.  But here’s an irresistible opportunity to hear his uniquely inventive playing in an illuminating piano trio setting.  Catalina Bar & Grill.  (223) 466-2210.

– April 10. (Wed.)  Max Raabe and the Palast Orkester.  The glorious jazz and pop music of the ‘20s and ‘30s comes vividly to life in the early big band music of Germany’s Palast Orkester and singer/leader Raabe.  Disney Hall.    (323) 850-2000.

– April 10. (Wed.)  Thelonious Monk Institute of Jazz Ensemble. The seven gifted young musicians of the Monk Institute Jazz Ensemble – Mike Cottone, Josh Johnson, Eric Miller, Jonathan Pinson, David Robaire, Miro Sprague and Diego Urbano – make a rare public performance. Vitello’s.    (818) 769-0905.

– April 10 & 11. (Wed. & Thurs.)  Gypsy All Stars.  Gypsy Kings alumni Ced Leonardi and Mario Reyes are keeping alive the surging rhythms and soaring melodies of the Indo-Gypsy fusion of the original Kings. Vibrato Grill Jazz…etc.   (310) 474-9400.

– April 14. (Sun.)  Los Angeles Master Chorale. The stunningly versatile singers of the LAMC take on the music of  Poulenc and Vaughan Williams, a pair of composers stylistically positioned on opposite sides of the English Channel.  Disney Hall.   (323) 850-2000.

San Francisco

Ute Lemper

– April 10 & 11. (Wed. – Thurs.)  Ute Lemper.  The amazing Ms. Lemper calls up memories of German cabaret in general and the music of Kurt Weill in particular.   SFJAZZ Center, Miner Auditorium.   (866) 920-5299.

Seattle

– April 11 – 14. (Thurs. – Sun.)  Kenny Garrett Quintet.  Grammy-winning alto saxophonist Garrett’s resume reaches from Duke Ellington to Miles Davis.  At 52, he’s one of the most inventive players of the post-Coltrane generation.   Jazz Alleyt (312) 360-0234.

Boston

– April 12 & 13. (Fri. & Sat.)  Michel Camilo Trio. Born in the Dominican Republic, pianist Camilo brings the panoramic rhythms and hues of the Caribbean to his inventive jazz stylings.  Regatta Bar.    (617) 661-5000.

New York City

Al DiMeola

April 10 – 14. (Wed. – Sun.)  Al DiMeola and Gonzalo Rubalcaba Duo.  Guitarist DiMeola and pianist Rubalcaba are a well-matched musical team, moving amiably across jazz stylels.  The Blue Note.    (212) 475-8592.

– April 11 – 14. (Thurs. – Sun.)  Eric Harland and Voyager. Drummer Harland, a first-call jazz rhythm section player, steps into the spotlight with his own group of talented young players, including Julian Lage, guitar, Taylor Eigsti, piano, Harish Raghavan, bass, Walter Smith III, tenor saxophone.  The Jazz Standard.    (212) 576-2232.

London

– April 14. (Sun.) Natalie Williams Soul Family.  Call it a delightful evening of soul music at its finest with Williams, her band and special guest JP CooperRonnie Scott’s.    +44 20 7439 0747

Copenhagen

Stefano Bollani

Stefano Bollani

– April 11 – 13. (Thurs. – Sat.)  Stefano Bollani.  Milan-born pianist Bollani moves eclectically from jazz to classical music and beyond, establishing himself as one of Europe’s most gifted musical artists.  He performs here with bassist Jesper Bodlisen and drummer Morten LundJazzhus Montmartre.    +45 31 72 34 94.

Milan

– April 13. (Sat.)  Kazumi Watanabe, Jeff Berlin and Horacio “El Negro” Hernandez.  Guitarist Watanabe, one of Japan’s most prominent fusion/jazz-rock artists, has performed with players ranging from Wayne Shorter to Richard Bona.  He’s backed by the equally versatile bassist Berlin and drummer Hernandez.  Blue Note Milano.     +39 02 6901 6888

Tokyo

Helen Merrill

Helen Merrill

– April 10 – 12.  (Wed. – Fri.)  Helen Merrill. Jazz vocalist Merrill’s imaginiative skills have established her as a musicians’ singer, highly regarded by Japanese jazz fans.  She sings with the Masahiko Satoh Trio and special guest Hozan YamamotoBlue Note Tokyo.    +81 3-5485-0088.

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Chick Corea photo by Bonnie Perkinson.


Live Music Theatre: John Adams’ “The Gospel According to the Other Mary” at Disney Hall

March 10, 2013

A Musical Tidal Wave of Surprises!  

By Norton Wright

New Yorker Magazine’s jazz critic Whitney Balliett in 1959 shorthanded a definition of jazz as “the sound of surprise.”  So today, when so very little in the arts genuinely surprises, the shock and awe generated by contemporary composer John Adams and director/librettist Peter Sellars is the real deal. They truly have “jazz hearts” as their The Gospel According to the Other Mary proves.

In their 2-hour oratorio, performed at Walt Disney Concert Hall Friday night by the Los Angeles Philharmonic, the Los Angeles Master Chorale, and a singer-dancer cast of nine, Adams and Sellars have created a musical show rife with conflict, death, injustice, labor strife, faith, doubt, romance — and miracles. Yes, it’s the account of Jesus’ arrest, crucifixion, and resurrection.  But the action is set in the contemporary slums of Los Angeles and the story is told from the viewpoint of Mary Magdalene, a young woman chafing at the cruelty and injustice of the skid-row life in which she and so many others live.

Given that the giant musical mosaic that Adams has composed (Johnny Richards’ jazz orchestra of yesteryear comes to mind as do the Lydian chromatic tonalities of George Russell), you might easily be swept away from the story by Adams’ pulsing melodic lines, modal harmonies, jazzy tempos and syncopations.  As well as the exotic instrumental orchestrations (including cimbalom, almglocken, gongs, chimes, bass guitar, three thundering percussionists, three featured singers, a trio of powerhouse countertenors singing in the high stratosphere, with brass, woodwind, and string sections delivering a chromatic spectrum from the muscular to the ethereal). So to clarify and balance the story and the musical score, the singers’ libretti were projected like sub-titles onto a screen above the stage to help the audience track the fast and free-wheeling plotline.

Spoiler Warning per the upcoming story synopsis:

The major story beats unfolded as follows —

1) Mary Magdalene and her sister Martha run a sanctuary for homeless women in a Los Angeles slum. A young man, Jesus, comes to live with them and help with the center.

2) Mary realizes Jesus is of a spiritual origin and though she comes to care for him deeply, she struggles with faith and the act of praying.

3) Mary and Martha are overcome with grief when their brother, Lazarus, dies… Compassionate Jesus miraculously brings Lazarus back to life, and the grateful Mary realizes that she has fallen passionately in love with Jesus.

4) In his resurrection of the dead Lazarus, Jesus signals that he is anticipating his own death and resurrection.

5) The police arrest Jesus in Mary and Martha’s homeless center.

6) Mary, Martha, and women friends protest Jesus’ arrest and are themselves brutalized by the police.

7) As Jesus is arraigned before Pilate, another protest by empowered women in California is unfolding. Praying for survival, Dolores Huerte and Cesar Chavez overcome crushing police brutality in a reminder of their 1996 “people’s march” to Sacramento to establish The United Farm Workers Union.

8) Jesus is crucified and buried. Mary mourns — and prays — for him.

9) Mary returns to the garden where Jesus has been buried and is stunned to discover that his body is not there and that he has risen from the dead.  Jesus, disguised as a gardener tending the grounds, comes to Mary and in a sudden and touching moment of recognition, she realizes that Jesus is alive both spiritually and in her heart.

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John Adams

John Adams

The recounting of Jesus’ passion (suffering) has always made for compelling drama, but in their Gospel of the Other Mary, Adams and Sellars create eye-opening and ear-opening surprises as they contemporize the tale into a heartrending love story of a firebrand young  woman and her man of mystery.

Casting the lovely, young mezzo-soprano Kelly O’Connor as “Mary,” the soulful Tamara Mumford as “Martha,” and the imposing tenor, Russell Thomas, as “Lazarus” is a coup.  As “Narrators,” the countertenor trio of Daniel Bubeck, Brian Cummings and Nathan Medley sing with high head tones and otherworldly sonorities worth the price of admission.  Dancers Michael Schumacher, Anani Sanouvi and Troy Ogilvie are strong and inventive, and Sanouvi’s take on Lazarus coming back to life is marked by his breathtaking martial-arts choreography. Life is tough, but returning to it even tougher.

As always, the Los Angeles Philharmonic amazed in its ability to master the most complex of John Adams’ scores, the 50-person Los Angeles Master Chorale (all dressed in raggle-taggle skid-row-like clothes) was equally at home both singing and physically acting out the show’s riot scenes.  And in the Friday night performance, Chorale director Grant Gershon was faultless in replacing conductor Gustavo Dudamel, who had just been called to Caracas to conduct at the memorial service for president Hugo Chavez.

The Gospel of the Other Mary is now headed for performances in Europe and NYC.  But the next time it is performed in L.A., whether you are a jazzhead or a classicist, don’t miss it. It is truly “the sound of surprise.”

To read more posts by and about artist/writer Norton Wright, click HERE.


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