Doc Wendell’s Prescription For Bop and Beyond with Roland Kirk’s “Rip, Rig, And Panic” (Emarcy)

By Devon Wendell By the mid 1960s, Roland Kirk had already established himself as one of the most unique forces in jazz. Being blind and able to play up to 3 horns simultaneously (and even a nose flute) was enough to get people’s attention. But aside from the visual stage performance, Kirk’s music was texturally… Read More Doc Wendell’s Prescription For Bop and Beyond with Roland Kirk’s “Rip, Rig, And Panic” (Emarcy)