The Grammy Awards: Hope, Love, and Jazz

By Devon Wendell So the year 2015 is quickly winding down. And although there are no signs of any healthy seasonal changes here in the belly of Hollywood California, the cold and heartless calendar never lies. This means the Grammy awards are rapidly approaching. It has become an invalid and overly predictable cliché to bash… Read More The Grammy Awards: Hope, Love, and Jazz

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CD Review: Jennifer Leitham’s “Mood(S)wings”

By Devon Wendell Jennifer Leitham is a true seeker, a southpaw bassist supreme, fearless songwriter, and a jazz master to be reckoned with. Her new album MOOD(S)WINGS is a lush and beautiful musical tapestry that crosses mainstream pop and jazz with an introspective brilliance that places her in a class all by herself. Her music continues… Read More CD Review: Jennifer Leitham’s “Mood(S)wings”

Doc Wendell’s Prescription For Bass BeBop: Paul Chambers: “1st Bassman” (Vee Jay Records)

By Devon Wendell Paul Chambers or “Mr. P.C.” was one of the most prolific and inventive bassists to emerge from the hard-bop era. His presence was so strong on classic albums by Miles Davis, John Coltrane, Cannonball Adderley, J.J. Johnson, Sonny Rollins, Art Pepper, Bill Evans, and Thelonious Monk, (to name only a few) that… Read More Doc Wendell’s Prescription For Bass BeBop: Paul Chambers: “1st Bassman” (Vee Jay Records)

CD Reviews: Machito, Bobby Sanabria, Arturo O’Farrill, Pedro Giraudo

Big Band with a Latin Accent,Then & Now. By Fernando Gonzalez El Padrino (Fania/Codigo) Machito The big band occupies a special place in Latin Jazz history. For starters, in the 1940s and ‘50s, the orchestras led by Tito Puente, Tito Rodríguez and Machito, the real life Mambo Kings, not only defined a certain sound, putting… Read More CD Reviews: Machito, Bobby Sanabria, Arturo O’Farrill, Pedro Giraudo