By Don Heckman
I love Dee Dee Bridgewater. I don’t hesitate to say that in public because I know my wife loves her as much as I do. And we both love her even more after experiencing the remarkable performance she gave at Catalina Bar & Grill last night.
To say that what Dee Dee and her impressive quintet offered in their ten song program was dynamic is like describing an atomic bomb as just an explosion. She and her players – trumpeter and leader Theo Croker, alto saxophonist Irwin Hall, keyboardist Michael King, bassist Eric “E-Dub” Wheeler and drummer Kassa Overall – fit together like the workings of a fine Swiss watch. And they did so with a combination of sizzling spontaneity, hard driving swing and interactive inventiveness.
Blessed with a voice that soars effortlessly across octaves with an astonishing range of timbres, Dee Dee transformed each of her songs into a dramatic short story, delivered in a compatible musical setting perfectly illuminating every emotional twist and turn that she brought to her vocal narratives.
The range of selections was extraordinary: from “”Afro-Blue” to “A Foggy Day,” from “Blue Monk” to “Love For Sale.” With occasional in between stops at tunes such as “Save Your Love For Me” and “Living For the City.” But whether the source was Thelonious Monk or the Gershwins, Dee Dee found the heart of the song, in brilliant creative exchanges with her musicians.
I’ve already mentioned interactivity several times in describing this memorable evening, and with good reason. All singers value a strong linkage with their players.
But what took place between Dee Dee and her musicians could more accurately be compared to what has taken place in some of the classic instrumental ensembles in jazz history (think those of Miles Davis, John Coltrane and the Modern Jazz Quartet). And, by the way, Dee Dee’s players – Croker, Hall, King, Wheeler and Overall – are not as well known as they should be.
Dee Dee wrapped the night by stepping down into the table area, cruising among the enthusiastic, hand-clapping crowd, singing Abbey Lincoln’s “The Music is the Magic of a Sacred World.” Occasionally bestowing hugs along the way, she concluded her magical music by inviting her listeners into her creative “Sacred World.”
Dee Dee Bridgewater and her players have one
more night to go at Catalina Bar and Grill. Don’t miss her one of a kind musical experiences. And when she asks you to get up and join her song, do it.
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Photos by Faith Frenz.
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The International Review of Music 